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Conclusion

Published online by Cambridge University Press:  11 January 2024

Jeremy L. Smith
Affiliation:
University of Colorado Boulder
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Summary

Tallis concludes his Voluntaria pars (free voice) of his Miserere nostri (possibly co-written with Byrd) at the exact midpoint between the final notes of the four-voiced canonic depiction of evil – in the form of Four Horsemen – and the two voiced canon portraying the good – in representations of martyrs and saints. In this way he leaves the set's auditors uncertain about the very fate of the protagonist and thus unsure about how the story itself will end, as the answer lies in the future. But it is this sense of leaving the question open to the actions of one's Free Will (voluntas) that closes off the full jurisdictive case presented in the Cantiones, in that it completes the theological recipe hinted at throughout but explicitly stated only three numbered works earlier, in Byrd's Te deprecor supplio (31), the central piece of his tripartite Tribue Domine (30–2). The latter contends that “through [God’s] grace,” if one remains “steadfast in faith and effective in works,” one will “come … through … Thy mercy, to eternal life.”

The Pseudo-Augustinian Te deprecor sets the matter up so that merciful grace and faith are necessary. But, at the same time, the text makes it clear that works will count. Prior to this moment, too – as Tallis and Byrd reveal in the latter's Diliges domine (25) – such meritorious acts are associated with Christ's Love Commandment and the whole process of eradicating post-baptismal sin, including, most emphatically, auricular confession with a priest. Christ's own teachings are thereby marshalled into the argument when it comes to human acts of mercy and their role in justification. It was a position that skirted any Pelagian accusation of downplaying the role of faith and grace. It also stood in complete agreement with the following assessment of late-medieval thought on works, and particularly that of the Thomists, for whom

there is a true intrinsic proportion and a kind of analogical condignity between the grace-informed acts of Christ's mystical members and the final glorious consummation which they merit. The just man's good works are so elevated and quasi-divinized by the grace of Christ that they bear an intrinsic relation to their reward in heavenly beatitude.

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Tallis and Byrd's Cantiones sacrae (1575)
A Sacred Argument
, pp. 235 - 240
Publisher: Boydell & Brewer
Print publication year: 2023

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  • Conclusion
  • Jeremy L. Smith, University of Colorado Boulder
  • Book: Tallis and Byrd's <i>Cantiones sacrae</i> (1575)
  • Online publication: 11 January 2024
  • Chapter DOI: https://doi.org/10.1017/9781800109568.011
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  • Conclusion
  • Jeremy L. Smith, University of Colorado Boulder
  • Book: Tallis and Byrd's <i>Cantiones sacrae</i> (1575)
  • Online publication: 11 January 2024
  • Chapter DOI: https://doi.org/10.1017/9781800109568.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Conclusion
  • Jeremy L. Smith, University of Colorado Boulder
  • Book: Tallis and Byrd's <i>Cantiones sacrae</i> (1575)
  • Online publication: 11 January 2024
  • Chapter DOI: https://doi.org/10.1017/9781800109568.011
Available formats
×