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Part V - Susan Glaspell in Broader Geographical Contexts

Published online by Cambridge University Press:  13 July 2023

Edited by
J. Ellen Gainor
J. Ellen Gainor
Affiliation:
Cornell University, New York
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Susan Glaspell in Context , pp. 209 - 236
Publisher: Cambridge University Press
Print publication year: 2023

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References

Suggestions for Further Reading

Cook, George Cram. Greek Coins with Memorabilia by Floyd Dell, Edna Kenton, and Susan Glaspell. New York: George H. Doran Company, 1925.Google Scholar
Glaspell, Susan. “Stones that once were [ a ] temple.” in Americans and the Delphi Experience. Eds. Lorenz, Paul and Roessel, David. Boston: Somerset Hall Press, 2013. p. xv.Google Scholar
Ozieblo, Barbara. “The Value of Home: Susan Glaspell’s Fugitive’s Return as a Response to F. Scott Fitzgerald’s The Great Gatsby.” Americans and the Delphi Experience. Eds. Lorenz, Paul and Roessel, David. Boston: Somerset Hall Press, 2013. pp. 119–144.Google Scholar
Sarlós, Robert Karóly. Jig Cook and the Provincetown Players: Theatre in Ferment. Amherst: University of Massachusetts Press, 1982.Google Scholar

Suggestions for Further Reading

Aston, Elaine. “‘Meeting the Outside’: The Theatre of Susan Glaspell.” Difference in View: Women and Modernism. Ed. Griffin, Gabriele. London: Taylor & Francis, 1994, pp. 155–67.Google Scholar
Crosby, Kevin. Restricting the Juror Franchise in 1920s England and Wales. Law and History Review, 37(1) (2019), pp. 163–207.Google Scholar
Holledge, Julie. Innocent Flowers: Women in the Edwardian Theatre. London: Virago 1981.Google Scholar
Logan, Anne. “Building a New and Better Order’? Women and Jury Service in England and Wales, c.1920–70.” Women’s History Review 22.5 (2013), pp. 701–716.Google Scholar
McDermott, Norman. Everymania: The Everyman Theatre Hampstead. London: Society for Theatre Research, 1975.Google Scholar
Merkin, Ros, ed. Liverpool Playhouse: A Theatre and Its City. Liverpool: Liverpool University Press, 2011.Google Scholar

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