Book contents
- Frontmatter
- Contents
- Series Preface
- Acknowledgements
- Dedication
- Introduction: ‘You don't know who anyone is’
- 1 From Independent to ‘Indie’ Cinema
- 2 David Mamet and ‘Indie’ Cinema
- 3 ‘Indie’ Film at Work: Producing and Distributing The Spanish Prisoner
- 4 ‘That's what you just think you saw!’ Narrative and Film Style in The Spanish Prisoner
- 5 Playing with Cinema: The Master of the Con Game Film
- Conclusion
- Filmography: David Mamet in American Cinema and Television
- Notes
- Bibliography
- Index
Filmography: David Mamet in American Cinema and Television
Published online by Cambridge University Press: 05 August 2013
- Frontmatter
- Contents
- Series Preface
- Acknowledgements
- Dedication
- Introduction: ‘You don't know who anyone is’
- 1 From Independent to ‘Indie’ Cinema
- 2 David Mamet and ‘Indie’ Cinema
- 3 ‘Indie’ Film at Work: Producing and Distributing The Spanish Prisoner
- 4 ‘That's what you just think you saw!’ Narrative and Film Style in The Spanish Prisoner
- 5 Playing with Cinema: The Master of the Con Game Film
- Conclusion
- Filmography: David Mamet in American Cinema and Television
- Notes
- Bibliography
- Index
Summary
As Writer/Director
House of Games (1987, Orion, US, 102 min.)
Things Change (1988, Columbia, US, 100 min.)
Homicide (1991, Triumph Releasing Corporation, US, 102 min.)
Oleanna (1994, Samuel Goldwyn Company, US, 89 min.)
The Spanish Prisoner (1997, Sony Pictures Classics, US, 110 min.)
The Winslow Boy (1998, Sony Pictures Classics, US, 104 min.)
State and Main (2000, Fine Line Features, US, 105 min.)
Heist (2001, Warner, US, 109 min.)
Spartan (2004, Warner, US, 106 min.)
Redbelt (2008, Sony Pictures Classics, US, 99 min.)
As Screenwriter
The Postman Always Rings Twice (Rafelson, 1981, MGM/Lorimar, US, 122 min.)
The Verdict (Lumet, 1982, Fox, US, 129 min.)
The Untouchables (De Palma, 1987, Paramount, US, 119 min.)
We're No Angels (N. Jordan, 1989, Paramount, US, 101 min.)
Hoffa (De Vito, 1992, Fox, US, 140 min.)
Vanya on 42nd Street (Malle, 1994, Sony Classics, US, 119 min.)
The Edge (Tamahori, 1997, Fox, US, 117 min.)
Wag the Dog (Levinson, 1997, New Line Cinema, US, 97 min.)
Ronin (Frankenheimer, 1998, MGM/UA, US, 121 min.)
Hannibal (R. Scott, 2001, Universal, US, 131 min.; co-written with Steven Zaillian)
As Screenwriter Adapting his Own Plays for the Cinema
Glengarry Glen Ross (Foley, 1992, New Line Cinema, US, 100 min.)
American Buffalo (Corrente, 1996, Samuel Goldwyn Company, US, 88 min.)
Lakeboat (Mantegna, 2000, Cowboy Bookings International, US, 98 min.)
Edmond (Gordon, 2005, First Independent, US, 82 min.)
As Screenwriter Adapting his Own Plays for Television
A Life in the Theater (K. Browning and G. Gutierrez, 1979, PBS, US)
The Water Engine (Schachter, 1992, Amblin/Brandman/Majestic Films, US, 110 min.)
- Type
- Chapter
- Information
- The Spanish Prisoner , pp. 126 - 127Publisher: Edinburgh University PressPrint publication year: 2009