Book contents
- Frontmatter
- Contents
- Foreword
- Acknowledgments
- Introduction
- 1 “Schwimme mit mir hinüber zu den Hütten unserer Nachbarn”: Colonial Islands in Sophie von La Roche's Erscheinungen am See Oneida (1798) and Jacques-Henri Bernardin de Saint-Pierre's Paul et Virginie (1788)
- 2 “Hier oder nirgends ist Amerika!”: America and the Idea of Autonomy in Sophie Mereau's “Elise” (1800)
- 3 A “Swiss Amazon” in the New World: Images of America in the Lebensbeschreibung of Regula Engel (1821)
- 4 Amalia Schoppe's Die Auswanderer nach Brasilien oder die Hütte am Gigitonhonha (1828)
- 5 Inscribed in the Body: Ida Pfeiffer's Reise in die neue Welt (1856)
- 6 Mathilde Franziska Anneke's Anti-Slavery Novella Uhland in Texas (1866)
- 7 “Ich bin ein Pioneer”: Sidonie Grünwald-Zerkowitz's Die Lieder der Mormonin (1887) and the Erotic Exploration of Exotic America
- 8 Seductive and Destructive: Argentina in Gabriele Reuter's Kolonistenvolk (1889)
- 9 Inventing America: German Racism and Colonial Dreams in Sophie Wörishöffer's Im Goldlande Kalifornien (1891)
- 10 Aus vergangenen Tagen: Eine Erzählung aus der Sklavenzeit (1906): Clara Berens's German American “Race Melodrama” in Its American Literary Contexts
- 11 “Der verfluchte Yankee!” Gabriele Reuter's Episode Hopkins (1889) and Der Amerikaner (1907)
- 12 Reframing the Poetics of the Aztec Empire: Gertrud Kolmar's “Die Aztekin” (1920)
- 13 Synthesis, Gender, and Race in Alice Salomon's Kultur im Werden (1924)
- 14 Land of Fantasy, Land of Fiction: Klara May's Mit Karl May durch Amerika (1931)
- 15 An Ideological Framing of Annemarie Schwarzenbach's Racialized Gaze: Writing and Shooting for the USA-Reportagen (1936–38)
- 16 “Fighting against Manitou”: German Identity and Ilse Schreiber' Canada Novels Die Schwestern aus Memel (1936) and Die Flucht in aradies (1939)
- 17 Mexico as a Model for How to Live in the Times of History: Anna Seghers's Crisanta (1951)
- 18 East Germany's Imaginary Indians: Liselotte Welskopf-Henrich's Harka Cycle (1951–63) and Its DEFA Adaptation Die Söhne der Großen Bärin (1966)
- 19 Finding Identity through Traveling the New World: Angela Krauß's Die Überfliegerin (1995) and Milliarden neuer Sterne (1999)
- 20 Discovery or Invention: Newfoundland in Gabrielle Alioth's Die Erfindung von Liebe und Tod (2003)
- 21 Tzveta Sofronieva's “Über das Glück nach der Lektüre von Schopenhauer, in Kalifornien” (2007)
- 22 “Amerika ist alles und das Gegenteil von allem. Amerika ist anders.” Milena Moser's Travel Guide to San Francisco (2008)
- Bibliography: The New World in German-Language Literature by Women
- Notes on the Contributors
- Index
19 - Finding Identity through Traveling the New World: Angela Krauß's Die Überfliegerin (1995) and Milliarden neuer Sterne (1999)
Published online by Cambridge University Press: 05 August 2014
- Frontmatter
- Contents
- Foreword
- Acknowledgments
- Introduction
- 1 “Schwimme mit mir hinüber zu den Hütten unserer Nachbarn”: Colonial Islands in Sophie von La Roche's Erscheinungen am See Oneida (1798) and Jacques-Henri Bernardin de Saint-Pierre's Paul et Virginie (1788)
- 2 “Hier oder nirgends ist Amerika!”: America and the Idea of Autonomy in Sophie Mereau's “Elise” (1800)
- 3 A “Swiss Amazon” in the New World: Images of America in the Lebensbeschreibung of Regula Engel (1821)
- 4 Amalia Schoppe's Die Auswanderer nach Brasilien oder die Hütte am Gigitonhonha (1828)
- 5 Inscribed in the Body: Ida Pfeiffer's Reise in die neue Welt (1856)
- 6 Mathilde Franziska Anneke's Anti-Slavery Novella Uhland in Texas (1866)
- 7 “Ich bin ein Pioneer”: Sidonie Grünwald-Zerkowitz's Die Lieder der Mormonin (1887) and the Erotic Exploration of Exotic America
- 8 Seductive and Destructive: Argentina in Gabriele Reuter's Kolonistenvolk (1889)
- 9 Inventing America: German Racism and Colonial Dreams in Sophie Wörishöffer's Im Goldlande Kalifornien (1891)
- 10 Aus vergangenen Tagen: Eine Erzählung aus der Sklavenzeit (1906): Clara Berens's German American “Race Melodrama” in Its American Literary Contexts
- 11 “Der verfluchte Yankee!” Gabriele Reuter's Episode Hopkins (1889) and Der Amerikaner (1907)
- 12 Reframing the Poetics of the Aztec Empire: Gertrud Kolmar's “Die Aztekin” (1920)
- 13 Synthesis, Gender, and Race in Alice Salomon's Kultur im Werden (1924)
- 14 Land of Fantasy, Land of Fiction: Klara May's Mit Karl May durch Amerika (1931)
- 15 An Ideological Framing of Annemarie Schwarzenbach's Racialized Gaze: Writing and Shooting for the USA-Reportagen (1936–38)
- 16 “Fighting against Manitou”: German Identity and Ilse Schreiber' Canada Novels Die Schwestern aus Memel (1936) and Die Flucht in aradies (1939)
- 17 Mexico as a Model for How to Live in the Times of History: Anna Seghers's Crisanta (1951)
- 18 East Germany's Imaginary Indians: Liselotte Welskopf-Henrich's Harka Cycle (1951–63) and Its DEFA Adaptation Die Söhne der Großen Bärin (1966)
- 19 Finding Identity through Traveling the New World: Angela Krauß's Die Überfliegerin (1995) and Milliarden neuer Sterne (1999)
- 20 Discovery or Invention: Newfoundland in Gabrielle Alioth's Die Erfindung von Liebe und Tod (2003)
- 21 Tzveta Sofronieva's “Über das Glück nach der Lektüre von Schopenhauer, in Kalifornien” (2007)
- 22 “Amerika ist alles und das Gegenteil von allem. Amerika ist anders.” Milena Moser's Travel Guide to San Francisco (2008)
- Bibliography: The New World in German-Language Literature by Women
- Notes on the Contributors
- Index
Summary
The fall of the Berlin Wall in 1989 and the unification of Germany in 1990 allowed East Germans to finally travel freely to western countries. This new freedom to travel to the West not only impacted the worldview of many former GDR citizens, but also found its way into the writings of East German authors throughout the 1990s and into the present. In her study on contemporary German literature around the turn of the twenty-first century, the literary critic Christine Cosentino examines several tendencies by which contemporary German authors deal with America in their texts. One tendency she describes is “die Reise in die USA als Topos für die Suche nach Identität, die den politischen Hintergrund weitgehend ausspart” (the journey to the USA as a symbol for the search for identity, which largely leaves out the political background). This tendency—finding one's identity by traveling to America—is noticeable in literature by East German authors from the 1990s, one of whom is Angela Krauß. In many of her works, particularly in her novels Die Überfliegerin (1995) and Milliarden neuer Sterne (1999), travel to America is a catalyst for the narrator experiencing her own identity in relation to past experiences, specifically her life in East German society. The exploration of the new world manifests itself in these texts as a discovery of the narrator's inner self.
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- Sophie Discovers AmerikaGerman-Speaking Women Write the New World, pp. 240 - 252Publisher: Boydell & BrewerPrint publication year: 2014