Book contents
- Shakespeare Seen
- Frontispiece
- Shakespeare Seen
- Copyright page
- Dedication
- Contents
- Colour plates
- Illustrations
- Acknowledgments
- Chapter 1 Frames and circumstances
- Part One Structures and concepts in Shakespeare imaging
- Part Two Image, stage and beyond; instances and movement
- Chapter 5 The visual identities of The Comedy of Errors
- Chapter 6 Text, image and temper in King Lear
- Chapter 7 Rhythms of action and feeling: the Roman plays
- Chapter 8 Rank and race in Othello
- Chapter 9 The Merchant of Venice and English visual culture
- Chapter 10 Shakespeare painting 1800–1848
- Chapter 11 Conclusions and departures
- Notes
- Select bibliography
- Index
Chapter 11 - Conclusions and departures
from Part Two - Image, stage and beyond; instances and movement
Published online by Cambridge University Press: 13 December 2018
- Shakespeare Seen
- Frontispiece
- Shakespeare Seen
- Copyright page
- Dedication
- Contents
- Colour plates
- Illustrations
- Acknowledgments
- Chapter 1 Frames and circumstances
- Part One Structures and concepts in Shakespeare imaging
- Part Two Image, stage and beyond; instances and movement
- Chapter 5 The visual identities of The Comedy of Errors
- Chapter 6 Text, image and temper in King Lear
- Chapter 7 Rhythms of action and feeling: the Roman plays
- Chapter 8 Rank and race in Othello
- Chapter 9 The Merchant of Venice and English visual culture
- Chapter 10 Shakespeare painting 1800–1848
- Chapter 11 Conclusions and departures
- Notes
- Select bibliography
- Index
Summary
- Type
- Chapter
- Information
- Shakespeare SeenImage, Performance and Society, pp. 234 - 238Publisher: Cambridge University PressPrint publication year: 2018