Book contents
- Shakespeare, Music and Performance
- Shakespeare, Music and Performance
- Copyright page
- Contents
- Illustrations, Tables and Music Examples
- Contributors
- Acknowledgements
- Introduction
- Chapter 1 Theatre Bands and Their Music in Shakespeare’s London
- Chapter 2 The Many Performance Spaces for Music at Jacobean Indoor Playhouses
- Chapter 3 In Practice I
- Chapter 4 Ophelia’s Songspace: Élite Female Musical Performance and Propriety on the Elizabethan and Jacobean Stage
- Chapter 5 Jangling Bells Inside and Outside the Playhouse
- Chapter 6 Music, Its Histories, and Shakespearean (Inter-) Theatricality in Beaumont’s
- Chapter 7 Changing Musical Practices in the Shakespearean Playhouse, 1620–42
- Chapter 8 In Practice II
- Chapter 9 The Reception and Re-Use of Thomas Arne’s Shakespeare Songs of 1740–1
- Chapter 10 Processing with Shakespeare on the Eighteenth-Century London Stage
- Chapter 11 The Music for Henry V in Victorian Productions by Kean and Calvert
- Chapter 12 In Practice III
- Chapter 13 Film, Music and Shakespeare: Walton and Shostakovich
- Chapter 14 Music in Contemporary Shakespearean Cinema
- Chapter 15 The Politics of Popular Music in Contemporary Shakespearean Performance
- Chapter 16 In Practice IV
- Chapter 17 Music in the 2012 Globe-to-Globe Festival
- Index
Chapter 13 - Film, Music and Shakespeare: Walton and Shostakovich
Published online by Cambridge University Press: 11 May 2017
- Shakespeare, Music and Performance
- Shakespeare, Music and Performance
- Copyright page
- Contents
- Illustrations, Tables and Music Examples
- Contributors
- Acknowledgements
- Introduction
- Chapter 1 Theatre Bands and Their Music in Shakespeare’s London
- Chapter 2 The Many Performance Spaces for Music at Jacobean Indoor Playhouses
- Chapter 3 In Practice I
- Chapter 4 Ophelia’s Songspace: Élite Female Musical Performance and Propriety on the Elizabethan and Jacobean Stage
- Chapter 5 Jangling Bells Inside and Outside the Playhouse
- Chapter 6 Music, Its Histories, and Shakespearean (Inter-) Theatricality in Beaumont’s
- Chapter 7 Changing Musical Practices in the Shakespearean Playhouse, 1620–42
- Chapter 8 In Practice II
- Chapter 9 The Reception and Re-Use of Thomas Arne’s Shakespeare Songs of 1740–1
- Chapter 10 Processing with Shakespeare on the Eighteenth-Century London Stage
- Chapter 11 The Music for Henry V in Victorian Productions by Kean and Calvert
- Chapter 12 In Practice III
- Chapter 13 Film, Music and Shakespeare: Walton and Shostakovich
- Chapter 14 Music in Contemporary Shakespearean Cinema
- Chapter 15 The Politics of Popular Music in Contemporary Shakespearean Performance
- Chapter 16 In Practice IV
- Chapter 17 Music in the 2012 Globe-to-Globe Festival
- Index
Summary
- Type
- Chapter
- Information
- Shakespeare, Music and Performance , pp. 195 - 208Publisher: Cambridge University PressPrint publication year: 2017