Book contents
- Shakespeare in Print
- Shakespeare in Print
- Copyright page
- Dedication
- Contents
- Illustrations
- Tables
- Acknowledgements
- Preface to the Second Edition
- Abbreviations
- Part I Text
- Introduction
- Chapter 1 Bringing Shakespeare to Print
- Chapter 2 Collecting Shakespeare
- Chapter 3 The Tonson Era 1
- Chapter 4 The Tonson Era 2
- Chapter 5 Copyright Disputes
- Chapter 6 Copyright disputes
- Chapter 7 American Editions
- Chapter 8 Nineteenth-Century Popular Editions
- Chapter 9 Nineteenth-Century Scholarly Editions
- Chapter 10 The New Bibliography
- Chapter 11 Shakespeare in the Modern Era
- Chapter 12 Shakespeare beyond Print
- Appendix
- Index 1
- Index 2
- Index 3
- Index 4
- Index 5
- Notes
- Bibliography
- Main Index
Chapter 11 - Shakespeare in the Modern Era
from Part I - Text
Published online by Cambridge University Press: 23 April 2021
- Shakespeare in Print
- Shakespeare in Print
- Copyright page
- Dedication
- Contents
- Illustrations
- Tables
- Acknowledgements
- Preface to the Second Edition
- Abbreviations
- Part I Text
- Introduction
- Chapter 1 Bringing Shakespeare to Print
- Chapter 2 Collecting Shakespeare
- Chapter 3 The Tonson Era 1
- Chapter 4 The Tonson Era 2
- Chapter 5 Copyright Disputes
- Chapter 6 Copyright disputes
- Chapter 7 American Editions
- Chapter 8 Nineteenth-Century Popular Editions
- Chapter 9 Nineteenth-Century Scholarly Editions
- Chapter 10 The New Bibliography
- Chapter 11 Shakespeare in the Modern Era
- Chapter 12 Shakespeare beyond Print
- Appendix
- Index 1
- Index 2
- Index 3
- Index 4
- Index 5
- Notes
- Bibliography
- Main Index
Summary
The major scholarly editions of Shakespeare published from the mid twentieth century through to the opening decades of the current century are considered in this chapter. Peter Alexander's edition for the Glasgow publishers Collins is tracked in detail and its use as the working text for the BBC Shakespeare TV series is registered. The Riverside edition, which served for many years as the dominant text for the US university market, is also considered. The history of the Oxford Shakespeare, in its various incarnations from its first appearance in 1986, is mapped. The Oxford edition provided the base text for the Norton Shakespeare, though, in more recent times, Norton has severed the link and established its own text. The history of the Norton edition is considered, as is the Royal Shakespeare Company endorsed edition, produced by Macmillan. The chapter ends with an exploration of significant challenges to New Bibliographic editorial practice that emerged in the closing decades of the twentieth century, often driven by poststructuralist thinking; it is noted that, despite these challenges, editors continue to find the basic techniques of the New Bibliography of considerable utility.
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- Shakespeare in PrintA History and Chronology of Shakespeare Publishing, pp. 291 - 324Publisher: Cambridge University PressPrint publication year: 2021