Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-13T06:50:38.659Z Has data issue: false hasContentIssue false

7 - Counterfactual Conditionals

Published online by Cambridge University Press:  18 March 2010

Seana Coulson
Affiliation:
University of California, San Diego
Get access

Summary

If Xena Warrior Princess went head to head with Wonder Woman, who would win?

Each week the weblords at www.electricferret.com post in-depth discussions of issues just like this. They call their on-line magazine Comic Book Universe Battles and post a weekly play-by-play account of a battle between two fictional characters. For example, besides the wrestling match between Wonder Woman and Xena, other noteworthy battles have included Count Dracula versus Buffy the Vampire Slayer, and the aliens (from Alien, Aliens, and Alien 3) versus the Borg of Star Trek fame. While the topics inevitably involve imaginary characters in scenarios bizarre even from the standpoint of fiction, the debates can be quite spirited. Take, for example, the following excerpt from a discussion about a competition between cartoon sleuth Scooby Doo and the X-Files' FBI agents Mulder and Scully to uncover the cause of some mysterious deaths at an amusement park.

Brian: [suppose] the mysterious occurrences at the amusement park are due to some paranormal, super-human, extra-terrestrial, and/or mystic force or entity. If that's the case, Scooby, et al., are completely out of their league. They can't handle real ghosts: Scoob and Shaggy would run, Daphne scream and ask Fred to hold her close Mulder & Scully, however, are old hat at stuff like this. …

Steve: Your whole premise … is totally ridiculous. It's not an issue of whether the monsters are paranormal or not; it's an issue of what the Scooby-Doo gang thinks they are. … In fact, Scooby and Shaggy always inadvertently capture the baddies with the full belief that they are genuine monsters!

Type
Chapter
Information
Semantic Leaps
Frame-Shifting and Conceptual Blending in Meaning Construction
, pp. 203 - 222
Publisher: Cambridge University Press
Print publication year: 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×