Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-27T19:55:27.383Z Has data issue: false hasContentIssue false

2 - ‘The Celtic Century’ and the Genesis of Scottish Gothic

Published online by Cambridge University Press:  20 December 2017

Nick Groom
Affiliation:
University of Exeter
Carol Margaret Davison
Affiliation:
University of Windsor
Monica Germanà
Affiliation:
University of Westminster
Get access

Summary

This may be called the Celtic century, for all Europe has been inundated with nonsense about the Celts. When we come to the truth about them, and time will always draw truth out of the well, the Celtic mist will vanish, or become a mere cloud.

(Pinkerton 1814, vol. 2: 124)

The Celtic, insofar as it is applied to Scottish, Irish, Welsh and Cornish identity and culture, is, like traditional Scottish tartans, an invention. Barry Cunliffe describes the word in its current Anglophone usage as an ‘ethnonym’, and dates it to the eighteenth century (2003: 5). Seamus Deane (1997: 77) likewise places ‘Celt’ within scare quotes and suggests it is a late nineteenth- or early twentieth-century term carrying an antimodernist agenda

transposed from its nationalist, antiquarian origins of the eighteenth century into a pan-European combinatoire of evolutionary destiny, the preservation of difference, even of anachronism, as a refusal of those adaptations needed to survive into the world of international capital and the nation-state.

(Deane 1997: 88)

The ‘Celt’ and the ‘Celtic’ did not simply emerge in the mid-eighteenth century as an aspect of early Romanticism that reflected the growing literary taste for the ancient British past. Their genesis was instead in antiquarianism, racial politics and national identity, and, as such, the terms are not dissimilar to ‘Goths’ and the ‘Gothic’. The Gothic was politically Whiggish, describing a version of historical progress that was predicated on an irrepressible spirit of liberty that expressed itself through rebellion against tyranny and which was encoded in watershed events of English history: the Magna Carta, the Reformation, the Great Rebellion (the British Civil Wars), the Restoration and the Glorious Revolution. The consequence of all this historical turbulence had been to establish a form of government and civic representation that was liberal, Parliamentary and Protestant – and which underwrote eighteenth-century commercial society and the imperial economy.

Type
Chapter
Information
Scottish Gothic
An Edinburgh Companion
, pp. 14 - 27
Publisher: Edinburgh University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×