Book contents
- Salman Rushdie in Context
- Salman Rushdie in Context
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgements
- Introduction
- Part I Life
- Part II Literary and Creative Contexts
- Part III Historical and Cultural Contexts
- Chapter 10 Salman Rushdie and History
- Chapter 11 Religious and Ideological Mythologies in Salman Rushdie’s Novels
- Chapter 12 Revisiting the City in Rushdie’s Fiction
- Chapter 13 Nationalism and Transnationalism in Salman Rushdie’s Novels
- Chapter 14 Rushdie and Globalization
- Chapter 15 Salman Rushdie and Diasporic Identities
- Chapter 16 Rushdie and Secularism
- Chapter 17 Orientalism, Terrorism, and Counterinsurgency in Salman Rushdie’s Novels
- Chapter 18 Salman Rushdie’s Upwardly Mobile, Globally Migrating Middle Classes
- Chapter 19 Scheherazade and Her Cousins
- Chapter 20 Filmi Contexts
- Chapter 21 Salman Rushdie and World-Historical Capitalism
- Chapter 22 The Anthropocene and Ecological Limits in the Works of Salman Rushdie
- Part IV Critical Theoretical Contexts
- Part V Reception, Criticism, and Adaptation
- Works by Salman Rushdie
- Select Bibliography
- Index
Chapter 19 - Scheherazade and Her Cousins
Rushdie’s Women Handcuffed to Contexts
from Part III - Historical and Cultural Contexts
Published online by Cambridge University Press: 23 March 2023
- Salman Rushdie in Context
- Salman Rushdie in Context
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgements
- Introduction
- Part I Life
- Part II Literary and Creative Contexts
- Part III Historical and Cultural Contexts
- Chapter 10 Salman Rushdie and History
- Chapter 11 Religious and Ideological Mythologies in Salman Rushdie’s Novels
- Chapter 12 Revisiting the City in Rushdie’s Fiction
- Chapter 13 Nationalism and Transnationalism in Salman Rushdie’s Novels
- Chapter 14 Rushdie and Globalization
- Chapter 15 Salman Rushdie and Diasporic Identities
- Chapter 16 Rushdie and Secularism
- Chapter 17 Orientalism, Terrorism, and Counterinsurgency in Salman Rushdie’s Novels
- Chapter 18 Salman Rushdie’s Upwardly Mobile, Globally Migrating Middle Classes
- Chapter 19 Scheherazade and Her Cousins
- Chapter 20 Filmi Contexts
- Chapter 21 Salman Rushdie and World-Historical Capitalism
- Chapter 22 The Anthropocene and Ecological Limits in the Works of Salman Rushdie
- Part IV Critical Theoretical Contexts
- Part V Reception, Criticism, and Adaptation
- Works by Salman Rushdie
- Select Bibliography
- Index
Summary
Scheherazade is the central trope that governs Salman Rushdie’s depictions of women. For Rushdie, who was raised on The Arabian Nights, she was the strong woman figure whom he admired the most. Most of his women characters are made in her image and are strong, wily survivors. They are storytellers who, by their wit and wisdom, manage to save themselves, their cultures, and countries through extremely difficult times. Rushdie’s women are drawn admiringly as strong women: Padma the writer’s muse, Amina Sinai the matriarch, and Indira Gandhi the politician in Midnight’s Children; Omar Khayyam’s fawning mothers in Shame; and all the strong women in The Satanic Verses – the Prophet’s wife, Khadija, and the Sufayan sisters, Aurora Zogoiby, and Qara Köz. For Rushdie, Scheherazade herself is the strongest, most admired woman, as we can see in his most recent collection of essays.
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- Salman Rushdie in Context , pp. 240 - 251Publisher: Cambridge University PressPrint publication year: 2023