Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-xbtfd Total loading time: 0 Render date: 2024-11-08T02:09:32.230Z Has data issue: false hasContentIssue false

Notes

Published online by Cambridge University Press:  05 November 2012

Michael D. Hurley
Affiliation:
St Catharine's College, Cambridge
Michael O'Neill
Affiliation:
University of Durham
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Poetic Form , pp. 213 - 236
Publisher: Cambridge University Press
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Muldoon, PaulThe Cambridge Companion to the SonnetCambridgeCambridge University Press 2011Google Scholar
1969
2001
2010
Coleridge, Samuel TaylorBiographia LiterariaLondonRoutledge & Keegan Paul 1972Google Scholar
1992
1972
Jackson, VirginiaDickinson’s Misery: A Theory of Lyric ReadingPrincetonPrinceton University Press 2005Google Scholar
Lennard, JohnThe Poetry Handbook A Guide to Reading Poetry for Pleasure and Practical CriticismOxfordOxford University Press 2005Google Scholar
Winters, YvorIn Defense of ReasonLondonRoutledge & Kegan Paul 1960Google Scholar
2007
Hollander, JohnRhyme’s ReasonNew HavenYale University Press 2001Google Scholar
Barton, AnneByron’s Poetry and ProseNew YorkNorton 2010Google Scholar
1989
Keats, JohnThe Letters of John Keats, 1814–1821Cambridge, MAHarvard University Press 1958Google Scholar
Wordsworth, WilliamThe Major WorksOxfordOxford University Press 2000Google Scholar
O’Neill, MichaelRomanticism and the Self-Conscious PoemOxfordOxford University Press 1997CrossRefGoogle Scholar
Martin, MeredithVictorian Prosody: Measuring the FieldVictorian Poetry 49.2 2011 149CrossRefGoogle Scholar
Tucker, Herbert F.The Fix of Form: An Open LetterVictorian Literature and Culture 1999 531CrossRefGoogle Scholar
1999
1959
1957
Evans, DavidPaul Valéry and the Search for Poetic RhythmParagraph 33.2 2010 158CrossRefGoogle Scholar
Brodie, SarahEthics with AristotleOxfordOxford University Press 1991Google Scholar
Davie, DonaldArticulate Energy: An Inquiry into the Syntax of PoetryLondonRoutledge and Kegan Paul 1955Google Scholar
Sebeok, Thomas A.Style and LanguageCambridge, MassMIT 1960Google Scholar
Empson, WilliamRhythm and Imagery in English PoetryBritish Journal of Aesthetics 2 1962 36CrossRefGoogle Scholar
Hanson, KristinKiparsky, PaulA Parametric Theory of Poetic MeterLanguage 72.2 1996 287CrossRefGoogle Scholar
2003
1992
1998
Cable, ThomasDevelopment in Prosodic SystemsBerlinMouton de Gruyter 2003Google Scholar
Abbott, Claude ColleerThe Letters of Gerard Manley Hopkins to Robert BridgesLondonOxford University Press 1955Google Scholar
Abbott, Claude ColleerThe Correspondence of Gerard Manley Hopkins and Richard Watson DixonLondonOxford University Press 1955Google Scholar
2002
Abbott, Claude ColleerFurther Letters of Gerard Manley Hopkins including his Correspondence with Coventry PatmoreLondonOxford University Press 1956Google Scholar
1989
Tarlinskaja, MarinaStrict stress-meter in English poetry compared with German and RussianCalgaryUniversity of Calgary Press 1993Google Scholar
1997
Turco, LewisThe New Book of Forms: A Handbook of PoeticsLondonUniversity Press of New England 1986Google Scholar
Middendorf, John H.The Lives of the PoetsNew Haven and LondonYale University Press 2010
Cable, ThomasStudies in the History of the English Language: A Millennial PerspectiveBerlin and New YorkMouton de Gruyter 2002Google Scholar
Pyle, FitzroyPyrrhic and Spondee: Speech Stress and Metrical Accent in English Five-Foot Iambic Verse StructureHermathena 107 1968 49Google Scholar
1996
Wordsworth, WilliamThe Prelude: The Four Texts (1798, 1799, 1805, 1850)LondonPenguin 1995Google Scholar
Griffiths, EricTennyson Among the PoetsOxfordOxford University Press 2009Google Scholar
1987
2007
Attridge, DerekPoetic Rhythm: an IntroductionCambridgeCambridge University Press 1995Google Scholar
Fussell, PaulTheory of Prosody in Eighteenth-Century EnglandNew LondonConnecticut College 1954Google Scholar
Wright, George T.Shakespeare’s Metrical ArtBerkeleyUniversity of California Press 1988Google Scholar
Pyre, J. F. A.The Formation of Tennyson’s StyleMadison 1921Google Scholar
Krieger, MurrayClose Reading: The ReaderLondonDuke University Press 2003Google Scholar
1996
Gunn, ThomThe Art of PoetryThe Paris Review 135, 1995 161Google Scholar
1976
Marlowe, ChristopherThe Complete PlaysHarmondsworthPenguin 1969Google Scholar
1951
1933
Mallarmé, StephaneSelected Prose Poems, Essays and LettersBaltimoreJohns Hopkins University Press 1956Google Scholar
1884
1990
Haynes, SamFurther SpeculationsMinneapolisUniversity of Minnesota Press 1995Google Scholar
Woolf, VirginiaThe Second Common ReaderNew YorkHarcourt Brace Jovanovich 1986Google Scholar
Richards, I. A.Principles of Literary CriticismLondonKegan Paul, Trench, Trubner 1925Google Scholar
1975
Lewis, C. S.An Experiment in CriticismCambridgeCambridge University Press 1965Google Scholar
1992
Tarlinskaja, MarinaOganesova, NairaMeter and Meaning: The Semantic “Halo” of Verse Form in English Romantic Lyrical Poems (Iambic and Trochaic Tetrameter)American Journal of Semiotics 4 1986 85CrossRefGoogle Scholar
Fussell, PaulPoetic Meter and Poetic FormNew YorkRandom House 1965Google Scholar
Conquest, RobertNew and Collected PoemsLondonHutchinson 1988Google Scholar
Hollander, JohnVision and ResonanceNew YorkOxford University Press 1975Google Scholar
Hurley, Michael D.The Status of Poetry as an Aesthetic ObjectSemiotica 169.1/4 2008 71Google Scholar
2005
Martin, L. C.The Poems of Robert HerrickLondonOxford University Press 1965Google Scholar
Tennyson, HallamAlfred, Lord Tennyson: A MemoirLondonMacmillan 1897Google Scholar
Tsur, ReuvenA Perception-Oriented Theory of MetreTel AvivTel Aviv University 1977Google Scholar
Nietzsche, FreidrichThe Gay ScienceCambridgeCambridge University Press 2001CrossRefGoogle Scholar
Yeats, W. B.Essays and IntroductionsLondon & BasingstokeMacmillan 1961CrossRefGoogle Scholar
Richards, I. A.Principles of Literary CriticismLondonHarcourt 1930Google Scholar
Chatman, SeymourA Theory of MeterLondon; The Hague; ParisMouton and Co. 1965CrossRefGoogle Scholar
1967
O’Donnell, BrennanThe Passion of Meter: A Study of Wordsworth’s Metrical ArtKent, Ohio; London, EnglandThe Kent State University Press 1995Google Scholar
Perkins, DavidHow the Romantics Recited PoetryStudies in English Literature, 1500–1900 31 1991 655CrossRefGoogle Scholar
Newlyn, LucyReading, Writing and Romanticism: The Anxiety of ReceptionOxfordOxford University Press 2003CrossRefGoogle Scholar
1930
McAuley, JamesVersification: A Short IntroductionLansing, MIMichigan State University Press 1966Google Scholar
1988
Aviram, AmittaiTelling Rhythm: Body and Meaning in PoetryAnn ArborUniversity of Michigan Press 1994CrossRefGoogle Scholar
Jarvis, SimonProsody as cognitionCritical Quarterly 40.3 1998 1Google Scholar
Miner, Earl RoyMoeck, WilliamJablonski, Steven EdwardParadise Lost, 1668–1968: Three Centuries of CommentaryLewisburg, PABucknell University Press 2004Google Scholar
2002
2002
1995
1989
Harmon, WilliamRhyme in English Verse: History, Structures, FunctionsStudies in Philology 84 1987 365Google Scholar
2003
Sprott, ErnestMilton’s Art of ProsodyOxford, Blackwell 1953Google Scholar
Adams, Percy G.Graces of Harmony: Alliteration, Assonance and Consonance in Eighteenth-Century British PoetryAthensUniversity of Georgia Press 1977Google Scholar
1970
Keach, WilliamArbitrary Power: Romanticism, Language, PoliticsPrincetonPrinceton University Press 2004CrossRefGoogle Scholar
1969
2004
Belloc, HilaireThe Modern TravellerLondonEdward Arnold 1898Google Scholar
1906
Bentley, R.Letters of E. B. Browning to R. H. HorneLondon 1877Google Scholar
Quilligan, MaureenThe Renaissance Englishwoman in Print: Counterbalancing the CanonAmherstUniversity of Massachusetts Press 1990Google Scholar
Crawford, JulieSidney’s Sapphics and the Role of Interpretive CommunitiesELH: Journal of English Literary History 69.4 2002 979CrossRefGoogle Scholar
2000
Harrison, TonyCollected PoemsLondonViking 2007Google Scholar
Ricks, ChristopherTennysonNew YorkMacmillan 1974Google Scholar
Gates, SarahPoetics, Metaphysics, Genre: The Stanza Form of Victorian Poetry 37 1999 507Google Scholar
1978
Shapiro, KarlBeum, RobertA Prosody HandbookNew York, Evanston, and LondonHarper & Row, Publishers 1965Google Scholar
Brodsky, JosephLess Than OneNew YorkFarrar, Straus & Giroux 1986Google Scholar
1998
Vendler, HelenPoems, Poets, Poetry: An Introduction and AnthologyBostonBedford/St Martin’s 2002Google Scholar
Mill, J. S.Literary EssaysIndianapolis, INBobbs-Herrill 1967Google Scholar
1977
2001
1996
2007
Ricks, ChristopherTennyson1972) (LondonMacmillan 1978Google Scholar
Griffiths, EricThe Printed Voice of Victorian PoetryOxfordClarendon Press 1989Google Scholar
Byron, LordDon JuanOxfordOxford University Press 2000Google Scholar
Hopkins, Gerard ManleySelected PoetryOxfordOxford University Press 1996Google Scholar
Gardner, W. H.MacKenzie, N. H.The Poems of Gerard Manley Hopkins1967Oxford University Press 1970Google Scholar
1600
Poe, Edgar AllanThe Fall of the House of Usher and Other Writings: Poems, Tales, Essays and ReviewsLondonPenguin 2003Google Scholar
Lawrence, D. H.Selected Critical WritingsOxfordOxford University Press 1998Google Scholar
MacNeice, LouisCollected PoemsLondonFaber 2007Google Scholar
Crane, HartThe Complete Poems and Selected Letters and Prose of Hart CraneNew York, NYLiverlight 1966Google Scholar
Davie, DonaldThomas Hardy and British PoetryLondonRoutledge and Kegan Paul 1973Google Scholar
Donne, JohnThe Complete English PoemsLondonPenguin 1996Google Scholar
1972
2007
Yeats, W. B.Selected Criticism and ProseLondonPan/Macmillan 1980Google Scholar
Williams, William CarlosThe Collected Poems: Volume 1: 1909–1939ManchesterCarcanet 2000Google Scholar
Crosland, T. W. H.The English Sonnet1917); this quotation is taken from the revealingly titled second chapter, ‘Sonnet Legislation’ (LondonSecker 1917Google Scholar
1986
Davie, DonaldEzra Pound: Poet as SculptorLondonRutledge & Kegan Paul 1965Google Scholar
Peterson, Douglas L.The English Lyric from Wyatt to DonneNew JerseyPrinceton University Press 1967CrossRefGoogle Scholar
1972
Kalstone, DavidSidney’s Poetry: Contexts and InterpretationsCambridge, MA.Harvard University Press 1965CrossRefGoogle Scholar
1876
Havens, Raymond DexterThe Influence of Milton on English PoetryCambridge, MAHarvard University Press 1922Google Scholar
1921
1986
Robinson, DanielReviving the Sonnet: Women Romantic Poets and the Sonnet ClaimEuropean Romantic Review 6 1995 98CrossRefGoogle Scholar
Phelan, JosephThe Nineteenth-Century SonnetBasingstokePalgrave Macmillan 2005CrossRefGoogle Scholar
Wolfson, Susan J.Romantic Interactions: Social Being and the Turns of Literary ActionBaltimoreJohns Hopkins University Press 2010Google Scholar
1999
1962
Sadenwasser, TimRhyme, Form, and Sound in Elizabeth Barrett Browning’s “The Dead Pan”Victorian Poetry 37 1999 521Google Scholar
1882
2001
Paglia, CamilleBreak, Blow, Burn: Camille Paglia Reads Forty-three of the World’s Best PoemsNew YorkPantheon Books 2005Google Scholar
1968
1978
2003
1938
Hacker, MarilynWinter NumbersNew YorkNorton 1994Google Scholar
Hill, GeoffreyCollected PoemsHarmondsworthPenguin 1987Google Scholar
Muldoon, PaulPoems 1968–98LondonFaber 2001Google Scholar
Alexiou, MargaretThe Ritual Lament in Greek TraditionCambridgeCambridge University Press 1974Google Scholar
Freud, SigmundGeneral Psychological TheoryNew YorkMacmillan, Collier Books 1963Google Scholar
Spenser, EdmundThe Shorter PoemsLondonPenguin 2002Google Scholar
1930
Ransom, John CroweThe New CriticismNorfolk, CTNew Directions 1941Google Scholar
Fowler, AlastairConceitful Thought: The Interpretation of English Renaissance PoemsEdinburghEdinburgh University Press 1975Google Scholar
1985
Darbishire, HelenThe Early Lives of John MiltonLondonConstable 1932Google Scholar
Kendrick, ChristopherAnachronism in LycidasELH 64 1997 1CrossRefGoogle Scholar
2007
Tillyard, E. M. W.MiltonLondonChatto and Windus 1930Google Scholar
Evans, J. MartinThe Cambridge Companion to MiltonCambridgeCambridge University Press 1999Google Scholar
Jones, Frederick L.The Letters of Percy Bysshe ShelleyOxfordClarendon 1964Google Scholar
Wasserman, EarlThe Subtler LanguageBaltimoreJohns Hopkins Press 1959Google Scholar
2003
1965
2004
Gosse, EdmundA Short History of Modern English Literature1898) (LondonWilliam Heinemann 1903Google Scholar
1984
Hollander, JohnVision and Resonance: Two Senses of Poetic FormNew YorkOxford University Press 1975Google Scholar
Dunn, DouglasElegiesLondonFaber and Faber 1985Google Scholar
Davie, DonaldCollected PoemsManchesterCarcanet 2002Google Scholar
VirgilThe AeneidLondonPenguin 2003Google Scholar
Walcott, DerekOmerosLondonFaber 1990Google Scholar
1995
Spenser, EdmundThe Faerie QueeneHarmondsworthPenguin 1978Google Scholar
1936
Lewis, C. S.Spenser’s Images of LifeCambridgeCambridge University Press 1967Google Scholar
Kermode, FrankSpenser: Selections from the Minor Poems and ‘The Faerie Queene’LondonOxford University Press 1963Google Scholar
Coleridge, Samuel TaylorThe Statesman’s ManualLondonRoutledge & Kegan Paul 1972Google Scholar
1966
Wittreich, Joseph AnthonyThe “Satanism” of Blake and Shelley ReconsideredStudies in Philology 65.5 1968 816Google Scholar
Waldock, A. J. A.‘Paradise Lost’ and Its CriticsCambridge, MAHarvard University Press 1947Google Scholar
1998
Graves, RobertThe Anger of Achilles: Homer’s Iliad 1959 LondonPenguinGoogle Scholar
Jones, EmrysPope: Recent Essays by Several HandsBrightonHarvester 1980Google Scholar
Orgel, StephenGoldberg, JonathanJohn Milton: A Critical Edition of the Major WorksOxfordOxford University Press 1991Google Scholar
Douglas, C. H.Social CreditLondonEyre & Spottiswoode 1924Google Scholar
Brooker, PeterA Student’s Guide to the Selected Poems of Ezra PoundLondonFaber 1979Google Scholar
Pound, EzraGuide to KulchurLondonPeter Owen 1952Google Scholar
Pound, EzraThe CantosLondonFaber 1975Google Scholar
Kenner, HughThe Pound Era: The Age of Ezra Pound, T. S. Eliot, James Joyce and Wyndham LewisLondonFaber 1975Google Scholar
Lewis, PericlesThe Cambridge Companion to ModernismCambridgeCambridge University Press 2007Google Scholar
Greenblatt, StephenShakespeare’s FreedomChicagoUniversity of Chicago Press 2010CrossRefGoogle Scholar
Marlowe, ChristopherThe Complete PlaysHarmondsworthPenguin 1969Google Scholar
1998
Hamer, EnidThe Metres of English Poetry1930; LondonMethuen 1969Google Scholar
Jonson, BenVolponeLondonBenn 1968Google Scholar
Donaldson, IanJonson’s Magic Houses: Essays in InterpretationOxfordOxford University Press 1997Google Scholar
Longenbach, JamesThe Art of the Poetic LineSaint Paul, MinnesotaGraywolf Press 2008Google Scholar
Yeats, W. B.The PoemsLondonDent 1994Google Scholar
Nuttall, A. D.Shakespeare the ThinkerNew HavenYale University Press 2007Google Scholar
Kermode, FrankShakespeare’s LanguageLondonAllen Lane 2000Google Scholar
Jones, JohnShakespeare at WorkOxfordOxford University Press 1995Google Scholar
HamletJenkins, HaroldLondonMethuen 1982
Leavis, F. R.The Common PursuitHarmondsworthPenguin 1962Google Scholar
Gardner, HelenThe Art of T. S. EliotLondonFaber 1969Google Scholar
2010
2010
Yeats, W. B.Collected PlaysLondonMacmillan 1982Google Scholar
O’Donoghue, BernardThe Cambridge Companion to W. B. YeatsCambridgeCambridge UP 2006Google Scholar
1969
Culler, JonathanWhy Lyric?Proceedings of the Modern Language Association 2008 201CrossRefGoogle Scholar
Wimsatt, W. K.Brooks, CleanthLiterary Criticism: A Short HistoryNew YorkKnopf 1957Google Scholar
Gill, StephenWilliam WordsworthOxfordOxford University Press 2010Google Scholar
1970
1997
1972
1885
1963
2005
1957
Ricks, ChristopherTennysonNew YorkThe Macmillan Press Ltd 1972CrossRefGoogle Scholar
1842
1921
Brockington, A. Allen 1914
Corson, HiramAn Introduction to the Study of Robert Browning’s PoetryBoston 1899Google Scholar
1986
1974
1970
Morgan, Thaïs E.Dramatic Monologues: Sex and IdeologyVictorian Poetry 22.2 1984 pp. 175Google Scholar
McGann, Jerome J.Swinburne: An Experiment in CriticismChicago, LondonUniversity of Chicago Press 1972Google Scholar
Maxwell, CatherineSwinburneDevonNorthcote House Publishers 2006Google Scholar
1957
Austin, AllenThe Consistency of T. S. Eliot in His Theory of Personal ExpressionPMLA 88.3 1973 523CrossRefGoogle Scholar
Kenner, HughThe Pound EraBerkeley and Los AngelesUniversity of California Press 1973Google Scholar
Collecot, DianaH. D. and Sapphic Modernism, 1910–1950CambridgeCambridge University Press 1999Google Scholar
Armitage, SimonTyrannosaurus Rex versus the Corduroy KidLondonFaber 2007Google Scholar
1992
2000
McGough, RogerCollected PoemsPenguinLondon 2004Google Scholar
1986
1974
1975
House, HumphryColeridge: The Clark Lectures 1951–52LondonHart-Davis 1953Google Scholar
Stillinger, JackThe Poems of John KeatsLondonHeinemann 1978Google Scholar
McGann, Jerome J.Keats and the Historical Method in Literary CriticismModern Language Notes 94 1979 988Google Scholar
Murray, IsobelOscar WildeOxfordOxford University Press 2000Google Scholar
Robinson, F. N.The Works of Geoffrey ChaucerLondonOxford University Press 1957Google Scholar
Burrow, J. A.Geoffrey Chaucer: A Critical AnthologyHarmondsworthPenguin 1969Google Scholar
Cooper, HelenThe Canterbury TalesOxfordOxford University Press 1996Google Scholar
Pope, AlexanderThe Poems of Alexander PopeLondonMethuen 1963Google Scholar
Empson, WilliamSeven Types of AmbiguityLondonHogarth 1984Google Scholar
Wordsworth, WilliamWilliam WordsworthOxfordOxford University Press 2010Google Scholar
Wordsworth, JonathanThe Music of HumanityLondonNelson 1969Google Scholar
Wordsworth, WilliamThe Letters of William and Dorothy Wordsworth: The Middle YearsOxfordClarendon Press 1969Google Scholar
1988
Arnold, MatthewThe Poems of Matthew ArnoldLondonLongman 1979Google Scholar
Motion, AndrewSelected Poems 1976–1997LondonFaber 1998Google Scholar
Oswald, AliceDartLondonFaber 2002Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Notes
  • Michael D. Hurley, St Catharine's College, Cambridge, Michael O'Neill, University of Durham
  • Book: Poetic Form
  • Online publication: 05 November 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511982224.011
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Notes
  • Michael D. Hurley, St Catharine's College, Cambridge, Michael O'Neill, University of Durham
  • Book: Poetic Form
  • Online publication: 05 November 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511982224.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Notes
  • Michael D. Hurley, St Catharine's College, Cambridge, Michael O'Neill, University of Durham
  • Book: Poetic Form
  • Online publication: 05 November 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511982224.011
Available formats
×