Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Notes to the Reader
- List of Abbreviations
- Timeline of Modern Czech History
- 1 Introduction: Nationalism, Modernism, and the Social Responsibility of Art in Prague
- 2 Smetana, Hostinský, and the Aesthetic Debates of the Nineteenth Century
- 3 Legacies, Ideologies, and Responsibilities: The Polemics of the Pre-Independence Years (1900–1918)
- 4 “Archetypes Who Live, Rejoice, and Suffer”: Czech Opera in the Fin de Siècle
- 5 The Pathology of the New Society: Debates in the Early Years of the First Republic (1918–24)
- 6 Infinite Melody, Ruthless Polyphony: Czech Modernism in the Early Republic
- 7 “A Crisis of Modern Music or Audience?”: Changing Attitudes to Cultural and Stylistic Pluralism (1925–30)
- 8 “I Have Rent My Soul in Two”: Divergent Directions for Czech Opera in the Late 1920s
- 9 Heaven on Earth: Socialism, Jazz, and a New Aesthetic Focus (1930–38)
- 10 “A Sad Optimism, the Happiness of the Resigned”: Extremes of Operatic Expression in the 1930s
- 11 The Ideological Debates of Prague Within a European Context
- Appendix One Personalia
- Appendix Two Premieres and New Productions at the National Theater, 1900–1938
- Notes
- Bibliography
- Index
Appendix Two - Premieres and New Productions at the National Theater, 1900–1938
Published online by Cambridge University Press: 12 September 2012
Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Notes to the Reader
- List of Abbreviations
- Timeline of Modern Czech History
- 1 Introduction: Nationalism, Modernism, and the Social Responsibility of Art in Prague
- 2 Smetana, Hostinský, and the Aesthetic Debates of the Nineteenth Century
- 3 Legacies, Ideologies, and Responsibilities: The Polemics of the Pre-Independence Years (1900–1918)
- 4 “Archetypes Who Live, Rejoice, and Suffer”: Czech Opera in the Fin de Siècle
- 5 The Pathology of the New Society: Debates in the Early Years of the First Republic (1918–24)
- 6 Infinite Melody, Ruthless Polyphony: Czech Modernism in the Early Republic
- 7 “A Crisis of Modern Music or Audience?”: Changing Attitudes to Cultural and Stylistic Pluralism (1925–30)
- 8 “I Have Rent My Soul in Two”: Divergent Directions for Czech Opera in the Late 1920s
- 9 Heaven on Earth: Socialism, Jazz, and a New Aesthetic Focus (1930–38)
- 10 “A Sad Optimism, the Happiness of the Resigned”: Extremes of Operatic Expression in the 1930s
- 11 The Ideological Debates of Prague Within a European Context
- Appendix One Personalia
- Appendix Two Premieres and New Productions at the National Theater, 1900–1938
- Notes
- Bibliography
- Index
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Opera and Ideology in PraguePolemics and Practice at the National Theater, 1900–1938, pp. 349 - 354Publisher: Boydell & BrewerPrint publication year: 2006