Book contents
- Oliver Goldsmith in Context
- Oliver Goldsmith in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Chronology
- Abbreviations
- Part I Life and Career
- Part II Social, Cultural, and Intellectual Contexts
- Part III Literary Contexts
- Chapter 19 Fiction
- Chapter 20 Theatre
- Chapter 21 Pastoral Poetry
- Chapter 22 Prospect Poetry
- Chapter 23 Periodicals and Literary Reviewing
- Chapter 24 History Writing
- Chapter 25 Authorship
- Chapter 26 Orientalism
- Chapter 27 Satire and Sentiment
- Chapter 28 The Sister Arts
- Chapter 29 Music and Song
- Chapter 30 France and French Writing
- Part IV Critical Fortunes and Afterlives
- Further Reading
- Index
Chapter 27 - Satire and Sentiment
from Part III - Literary Contexts
Published online by Cambridge University Press: aN Invalid Date NaN
- Oliver Goldsmith in Context
- Oliver Goldsmith in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Chronology
- Abbreviations
- Part I Life and Career
- Part II Social, Cultural, and Intellectual Contexts
- Part III Literary Contexts
- Chapter 19 Fiction
- Chapter 20 Theatre
- Chapter 21 Pastoral Poetry
- Chapter 22 Prospect Poetry
- Chapter 23 Periodicals and Literary Reviewing
- Chapter 24 History Writing
- Chapter 25 Authorship
- Chapter 26 Orientalism
- Chapter 27 Satire and Sentiment
- Chapter 28 The Sister Arts
- Chapter 29 Music and Song
- Chapter 30 France and French Writing
- Part IV Critical Fortunes and Afterlives
- Further Reading
- Index
Summary
Satire and Sentiment’ proposes that the commingling of sentimental and satiric modes in Goldsmith’s oeuvre enables him to negotiate the tension between moral ideals and intractable historical structures, using the movement between sentimental and satiric registers to interrogate the difficulty of living in the face of the political, social, and economic changes in Great Britain during the second half of the eighteenth century. Focusing on novels like The Vicar of Wakefield, ‘spy narratives’ like The Citizen of the World, poems like The Traveller and The Deserted Village, and plays like She Stoops to Conquer, the chapter investigates what might be termed the performative dimension of sentimentality and satire in narrative, poetic, and dramatic forms.
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- Oliver Goldsmith in Context , pp. 228 - 236Publisher: Cambridge University PressPrint publication year: 2024