Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-745bb68f8f-cphqk Total loading time: 0 Render date: 2025-01-09T08:20:08.115Z Has data issue: false hasContentIssue false

History 3 - Forms

Published online by Cambridge University Press:  31 December 2024

Edited by
Simon Franklin ,
Rebecca Reich  and
Emma Widdis
Simon Franklin
Affiliation:
University of Cambridge
Rebecca Reich
Affiliation:
University of Cambridge
Emma Widdis
Affiliation:
University of Cambridge
Get access
Type
Chapter
Information
The New Cambridge History of Russian Literature , pp. 463 - 680
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

Čižewskij, Dmitrij, History of Russian Literature: From the Eleventh Century to the End of the Baroque (’S-Gravenhage: Mouton & Co., 1971).CrossRefGoogle Scholar
Demin, A. S., Istoricheskaia semantika sredstv i form drevnerusskoi literarury [Historical semantics of devices and forms of early Rus literature], 2nd edn (Moscow: Iazyki slavianskikh kul'tur, 2019).Google Scholar
Ingham, Norman W., ‘Genre-theory and Old Russian literature’, Slavic and East European Journal 31.2 (1987), 234–45.CrossRefGoogle Scholar
Krutova, M. S., Kniga glagolemaia. Semantika, struktura i var'irovanie nazvanii russkikh rukopisnykh knig XI–XIX vv. [A book called … The semantics, structure, and variability of names of Russian manuscript books of the eleventh to nineteenth centuries] (Moscow: Pashkov dom, 2010).Google Scholar
Lenhoff, Gail, ‘Towards a theory of proto-genres in medieval Russian letters’, Russian Review 43.1 (1984), 31–54.CrossRefGoogle Scholar
Likhachev, D. S., The Poetics of Early Russian Literature, ed. and trans. Arden-Close, Christopher M. (Lanham, MD: Lexington Books, 2014.Google Scholar
Seemann, Klaus-Dieter, and Norman W., Ingham, ‘Genres and alterity in Old Russian literature’, Slavic and East European Journal 31.2 (1987), 246–58.CrossRefGoogle Scholar

Further Reading

Afanas'ev, Alexander, Russian Fairy Tales, trans. Norbert Guterman (New York: Random House, 1973).Google Scholar
Bailey, James, and Ivanova, Tatyana (eds.), An Anthology of Russian Folk Epics (Armonk, NY: M. E. Sharpe, 1998).Google Scholar
Haney, Jack, An Anthology of Russian Folktales (London: Routledge, 2015).Google Scholar
Ivanits, Linda, Russian Folk Belief (New York: M. E. Sharpe, 1989).Google Scholar
Kononenko, Natalie, Slavic Folklore: A Handbook (Westport, CT: Greenwood Press, 2007).Google Scholar
Panchenko, Alexander, ‘Russia’, in Bendix, Regina F. and Hasan-Rokem, Galit (eds.), A Companion to Folklore (Chichester: Blackwell, 2012).Google Scholar
Propp, Vladimir, Morphology of the Folktale, trans. Laurence Scott (Austin: University of Texas Press, 1968).Google Scholar
Reeder, Roberta, Russian Folk Lyrics (Bloomington: Indiana University Press, 1993).Google Scholar
Sokolov, Yuri, Russian Folklore, trans. Catherine Smith (New York: Macmillan, 1950).Google Scholar
Warner, Elizabeth, Russian Myths (Austin: University of Texas Press, 2002).Google Scholar

Further Reading

Bailey, James, Three Russian Lyric Folk Song Meters (Columbus, OH: Slavica, 1993).Google Scholar
Gasparov, M. L., A History of European Versification, trans. G. S. Smith and Marina Tarlinskaja, ed. Smith, G. S. with Leofranc Holford-Strevens (Oxford: Clarendon Press, 1996).CrossRefGoogle Scholar
Kahn, Andrew (ed.), The Cambridge Companion to Pushkin (Cambridge: Cambridge University Press, 2006).CrossRefGoogle Scholar
Kelly, Catriona, A History of Russian Women’s Writing, 1820–1992 (Oxford: Clarendon Press, 1994).Google Scholar
Khitrova, Daria, Lyric Complicity: Poetry and Readers in the Golden Age of Russian Literature (Madison: University of Wisconsin Press, 2019).CrossRefGoogle Scholar
Levitt, Marcus C., Early Modern Russian Letters: Texts and Contexts (Boston: Academic Studies Press, 2009).CrossRefGoogle Scholar
Pratt, Sarah, Russian Metaphysical Romanticism: The Poetry of Tiutchev and Boratynskii (Stanford: Stanford University Press, 1984).Google Scholar
Reyfman, Irina, Vasilii Trediakovsky: The Fool of the ‘New’ Russian Literature (Stanford: Stanford University Press, 1990).Google Scholar
Scherr, Barry P., Russian Poetry: Meter, Rhythm, and Rhyme (Berkeley: University of California Press, 1986).Google Scholar
Silbajoris, Rimvydas, Russian Versification: The Theories of Trediakovskij, Lomonosov, and Kantemir (New York: Columbia University Press, 1968).Google Scholar
Zhivov, Victor, Language and Culture in Eighteenth Century Russia, trans. Marcus C. Levitt (Boston: Academic Studies Press, 2009).CrossRefGoogle Scholar

Further Reading

Frame, Murray, School for Citizens: Theatre and Civil Society in Imperial Russia (New Haven: Yale University Press, 2006).Google Scholar
Golden, Robert Justin (ed.), The Frightful Stage: Political Censorship of the Theater in Nineteenth-Century Europe (New York: Berghahn Books, 2009).Google Scholar
Kholodov, E. G. et al. (eds.), Istoriia russkogo dramaticheskogo teatra [A history of Russian dramatic theatre], 7 vols. (Moscow: Iskusstvo, 1977–87).Google Scholar
Ospovat, Kirill, Terror and Pity: Aleksandr Sumarokov and the Theater of Power in Elizabethan Russia (Brighton, MA: Academic Studies Press, 2016).Google Scholar
Petrovskaia, I. F., Teatr i zritel' provintsial'noi Rossii. Vtoraia polovina XIX veka [The theatre and the spectator in provincial Russia in the second half of the nineteenth century] (Leningrad: Iskusstvo, 1979).Google Scholar
Schuler, Catherine A., Theatre and Identity in Imperial Russia (Iowa City: University of Iowa Press, 2009).Google Scholar
Sofronova, L. A., Poetika slavianskogo teatra XVII–pervoi poloviny XVIII veka: Pol'sha, Ukraina, Rossiia [The poetics of the Slavic theatre from the seventeenth to the first half of the eighteenth century: Poland, Ukraine, Russia] (Moscow: Nauka, 1971).Google Scholar
Starikova, L. M., Teatr i zrelishcha rossiiskikh stolits v XVIII veke. Istoriko-dokumentirovannye ocherki [Theatre and spectatorship in the Russian capital in the eighteenth century. Historical and documentary sketches (Moscow: GTsTM im. A. A. Bakhrushina, 2018).Google Scholar
Swift, E. Anthony, Popular Theater and Society in Tsarist Russia (Berkeley: University of California Press, 2002).Google Scholar
Wirtschafter, Elise Kimerling, The Play of Ideas in Russian Enlightenment Theater (DeKalb: Northern Illinois University Press, 2003).Google Scholar

Further Reading

Freeborn, Richard, The Rise of the Russian Novel: Studies in the Russian Novel from Eugene Onegin to War and Peace (Cambridge: Cambridge University Press, 1973).Google Scholar
Jones, Malcolm, and Miller, Robin Feuer (eds.), The Cambridge Companion to the Classic Russian Novel (Cambridge: Cambridge University Press, 1998).CrossRefGoogle Scholar
Kahn, Andrew, ‘The rise of the Russian novel and the problem of romance’, in Mandler, Jenny (ed.), Remapping the Rise of the European Novel (Oxford: Voltaire Foundation, 2007), pp. 185–98.Google Scholar
Todd, William Mills III, ‘The ruse of the Russian novel’, in Moretti, Franco (ed.), The Novel, 2 vols. (Princeton: Princeton University Press, 2006), vol. I, History, Geography, and Culture, pp. 401–23.Google Scholar

Further Reading

Erlich, Victor (ed.), Modernism and Revolution: Russian Literature in Transition (Cambridge, MA: Harvard University Press, 1994).Google Scholar
Luker, Nicholas (ed.), The Short Story in Russia, 1900–1917 (Nottingham: Astra, 1991).Google Scholar
Moser, Charles A. (ed.), The Russian Short Story: A Critical History (Boston: Twayne, 1986).Google Scholar
Nilsson, Nils Åke (ed.), Studies in Twentieth Century Russian Prose (Stockholm: Almqvist & Wiksell, 1982).Google Scholar
Parts, Lyudmila (ed.), The Russian Twentieth Century Short Story: A Critical Companion (Boston: Academic Studies Press, 2009).Google Scholar

Further Reading

Beumers, Birgit, Yury Lyubimov at the Taganka Theatre, 1964–1994 (Abingdon: Routledge, 1997).Google Scholar
Beumers, Birgit, and Lipovetsky, Mark, Performing Violence: Literary and Theatrical Experiments of New Russian Drama (Bristol: Intellect, 2009).Google Scholar
Braun, Edward, The Theatre of Meyerhold: Revolution on the Modern Stage (London: Eyre Methuen, 1979).Google Scholar
Curtis, J. A. E. (ed.), New Drama in Russian: Performance, Politics and Protest in Russia, Ukraine and Belarus (London: Bloomsbury Academic, 2020).CrossRefGoogle Scholar
Flynn, Molly, Witness Onstage: Documentary Theatre in Twenty-first-Century Russia (Manchester: Manchester University Press, 2019).CrossRefGoogle Scholar
Frame, Murray, School for Citizens: Theatre and Civil Society in Imperial Russia (New Haven: Yale University Press, 2006).Google Scholar
Leach, Robert, and Borovsky, Victor (eds.), A History of Russian Theatre (Cambridge: Cambridge University Press, 1999).Google Scholar
Listengarten, Julia, Russian Tragifarce: Its Cultural and Political Roots (London: Associated University Presses, 2000).Google Scholar
Rudnitsky, Konstantin, Russian and Soviet Theatre: Tradition and the Avant-Garde (London: Thames and Hudson, 1988).Google Scholar
Russell, Robert, and Barratt, Andrew (eds.), Russian Theatre in the Age of Modernism (Basingstoke: Macmillan, 1990).CrossRefGoogle Scholar
Segel, Harold B., Twentieth-Century Russian Drama: From Gorky to the Present, updated edn (Baltimore: Johns Hopkins University Press, 1993).Google Scholar
Senelick, Laurence, and Ostrovsky, Sergei (eds.), The Soviet Theater: A Documentary History (New Haven: Yale University Press, 2014).CrossRefGoogle Scholar
Smeliansky, Anatoly, The Russian Theatre after Stalin (Cambridge: Cambridge University Press, 1999).Google Scholar

Further Reading

Boym, Svetlana, Death in Quotation Marks: Cultural Myths of the Modern Poet (Cambridge, MA: Harvard University Press, 1991).CrossRefGoogle Scholar
Gronas, Mikhail, Cognitive Poetics and Cultural Memory: Russian Literary Mnemonics (New York: Routledge, 2011).Google Scholar
Janecek, Gerald, The Look of Russian Literature: Avant-garde Visual Experiments, 1900–1930 (Princeton: Princeton University Press, 1984).Google Scholar
Kochulsky, Irene E., The Revival of the Russian Literary Avantgarde: The Thaw Generation and Beyond (Munich: Otto Sagner, 2001).Google Scholar
Markov, Vladimir, Russian Futurism: A History (Berkeley: University of California Press, 1968).Google Scholar
Pyman, Avril, A History of Russian Symbolism (Cambridge: Cambridge University Press, 1994).CrossRefGoogle Scholar
Sandler, Stephanie (ed.), Rereading Russian Poetry (New Haven: Yale University Press, 1999).Google Scholar
Wachtel, Michael, The Development of Russian Verse (Cambridge: Cambridge University Press, 1998).Google Scholar

Further Reading

Brown, Deming, The Last Years of Soviet Russian Literature: Prose Fiction 1975–1991 (Cambridge: Cambridge University Press, 1994).Google Scholar
Brown, Deming, Soviet Russian Literature since Stalin (Cambridge: Cambridge University Press, 1978).CrossRefGoogle Scholar
Brown, Edward, Russian Literature since the Revolution (Cambridge, MA: Harvard University Press, 1982).Google Scholar
Clark, Katerina, Soviet Novel: History as Ritual (Chicago: University of Chicago Press, 1981).Google Scholar
Erlich, Victor, Modernism and Revolution: Russian Literature in Transition (Cambridge, MA: Harvard University Press, 1994).Google Scholar
Gillespie, David, The Twentieth-Century Russian Novel: An Introduction (Oxford: Berg, 1996).Google Scholar
Lipovetsky, Mark, Russian Postmodernist Fiction: Dialogue with Chaos (London: Routledge, 2015).Google Scholar

Further Reading

Engelstein, Laura, and Sandler, Stephanie (eds.), Self and Story in Russian History (Ithaca: Cornell University Press, 2000).CrossRefGoogle Scholar
Ginzburg, Lydia, On Psychological Prose, trans. Judson Rosengrant (Princeton: Princeton University Press, 1991).CrossRefGoogle Scholar
Harris, Jane Gary, Autobiographical Statements in Twentieth-Century Russian Literature (Princeton: Princeton University Press, 1990).CrossRefGoogle Scholar
Heldt, Barbara, Terrible Perfection: Women and Russian Literature (Bloomington: Indiana University Press, 1987).Google Scholar
Holmgren, Beth, The Russian Memoir: History and Literature (Evantson, IL: Northwestern University Press, 2003).Google Scholar
Paperno, Irina, Stories of the Soviet Experience: Memoirs, Diaries, Dreams (Ithaca: Cornell University Press, 2009).CrossRefGoogle Scholar
Smith, Sidonie, and Watson, Julia (eds.), Reading Autobiography: A Guide for Interpreting Life Narratives (Minneapolis: University of Minnesota Press, 2001).Google Scholar
Toker, Leona, Return from the Archipelago: Narratives of Gulag Survivors (Bloomington: Indiana University Press, 2000).Google Scholar
Wachtel, Andrew, The Battle for Childhood: Creation of a Russian Myth (Stanford: Stanford University Press, 1990).Google Scholar
Walker, Barbara, ‘On reading Soviet memoirs: A history of the “contemporaries” genre as an institution of Russian intelligentsia culture from the 1790s to the 1970s’, Russian Review 59.3 (2000), 327–52.CrossRefGoogle Scholar

Further Reading

Bronwen, Thomas, Literature and Social Media (New York: Routledge, 2020).Google Scholar
Hänsgen, Sabine, ‘Poetic performance: Script and voice’, in Janecek, Gerald (ed.), Staging the Image: Dmitry Prigov as Artist and Writer (Bloomington, IN: Slavica, 2018), pp. 5–22.Google Scholar
Howanitz, Gernot, ‘The life and death of the Russian blog’, ZOiS Spotlight 11 (2019), https://en.zois-berlin.de/publications/zois-spotlight/archiv-2019/the-life-and-death-of-the-russian-blog.Google Scholar
Jurgenson, Nathan, ‘The IRL fetish’, New Inquiry (28 June 2012), https://thenewinquiry.com/the-irl-fetish/.Google Scholar
Perloff, Marjorie, Radical Artifice: Writing Poetry in the Age of Media (Chicago: University of Chicago Press, 1991).Google Scholar
Rettberg, Scott, Electronic Literature (Oxford: Polity, 2018).Google Scholar
Schmidt, Henrike, ‘From samizdat to New Sincerity: Digital literature on the Russian-language internet’, in Gritsenko, Daria, Wijermars, Mariëlle, and Kopotev, Mikhail (eds.), The Palgrave Handbook of Digital Russia Studies (Cham: Palgrave Macmillan, 2021), pp. 255–75.Google Scholar
Shulgin, Alexei, ‘Art, power, and communication’, Nettime (7 Oct. 1996), www.nettime.org/Lists-Archives/nettime-l-9610/msg00036.html.Google Scholar
Strukov, Vlad, ‘Digital art: A sourcebook of ideas for conceptualizing new practices, networks and modes of self-expression’, in Gritsenko, Wijermars, and Kopotov (eds.), Palgrave Handbook of Digital Russia Studies, pp. 241–54.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Forms
  • Edited by Simon Franklin, University of Cambridge, Rebecca Reich, University of Cambridge, Emma Widdis, University of Cambridge
  • Book: The New Cambridge History of Russian Literature
  • Online publication: 31 December 2024
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Forms
  • Edited by Simon Franklin, University of Cambridge, Rebecca Reich, University of Cambridge, Emma Widdis, University of Cambridge
  • Book: The New Cambridge History of Russian Literature
  • Online publication: 31 December 2024
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Forms
  • Edited by Simon Franklin, University of Cambridge, Rebecca Reich, University of Cambridge, Emma Widdis, University of Cambridge
  • Book: The New Cambridge History of Russian Literature
  • Online publication: 31 December 2024
Available formats
×