We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
Published online by Cambridge University Press: 20 December 2023
B1745 Alfani, Maria Rosaria, ‘Introduzione’, in Ai38, pp. 11–17. On the regenerative capacity of the individual in ‘Doña Berta’.
B1746 ——, Il ritorno di Don Chisciotte. Clarín e il romanzo (Rome: Donzelli Editore, 2000). 121 pp. Sees LR and SUH as part of a Clarinian project of cultural-spiritual modernization of the national and individual psyche.
B1747 *Amador de los Ríos, Rodrigo, [Rev. of Solos], Revista Ilustrada (M) (23.7.1881).
B1748 Behiels, L., ‘La visión y el saber en la obra de Galdós y Clarín’, in Actas del I Coloquio. Del Romanticismo al Realismo. Sociedad de Literatura Española del Siglo XIX (Barcelona, 24–26.10.1996), ed. Luis F. Díaz Larios & Enrique Miralles (Barcelona: Univ., 1998), pp.487–95. ‘El abuelo plantea un problema de relaciones humanas, Cambio de luz una cuestión metafísica’.
B1749 Bly, Peter A., ‘Don Juan Tenorio de Zorrilla: opiniones galdosianas y clarinianas’, in Actas del I Coloquio. Del Romanticismo al Realismo. Sociedad de Literatura Española del Siglo XIX (Barcelona, 24–26.10.1996), ed. Luis F. Díaz Larios & Enrique Miralles (Barcelona: Univ., 1998), pp. 185–94. On the ‘poetic realism’ of Ana’s identification with Zorrilla’s Inés.
B1750 ——, ‘Eighty-one Years of Articles on Nineteenth-Century Spanish Realist/Naturalist Novelists in Hispania (1917–98): An Overview and Listing’, Hispania, 81 (1998), 811–17. On the surprising paucity of Clarín-related articles (6).
B1751 Bonet, Laureano, ‘La sangre del pelícano: Goethe y las letras de la Restauración’, in Pensamiento y literatura en España en el siglo XIX. Idealismo, positivismo, espiritualismo, ed. Yvan Lissorgues & Gonzalo Sobejano (Toulouse: Presses Universitaires du Mirail, 1998), pp.89–107. Pp.98–107, et passim: a nuanced reading of Goethe’s influence on LA as a sign of Clarinian modernity.
B1752 Castilla, Amelia, ‘Recuperada una novela escrita por Clarín, Vital Aza y José Ortega’, El País (M), No. 1337 (31.12.1999). Describes origins of the collectively authored Las vírgenes locas, to which LA contributed. See also Ah123.
B1753 Chamberlin, Vernon A., ‘Nicknames as Artistic Technique in La Regenta’, AGald, 34 (1999), 75–88. The use of nicknames adds ‘variety and liveliness to the author’s narrative art’, enriching characterization and thematic development.
B1754 Cruz Vives, Miguel Ángel de la, ‘El universo filosófico de La Regenta’, Espéculo (Univ. Complutense de Madrid), Año 6, No. 14 (Mar.-June 2000), 24 pp. Available at http://www.ucm.es/info/especulo/numero14/regenta.html.Discusses LA’s intellectual and ethical formation; and the themes of education and inauthenticity in LR.
To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Find out more about the Kindle Personal Document Service.
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.
