Book contents
- Frontmatter
- Contents
- List of Figures
- Foreword
- Preface and Acknowledgments
- Notes on Translation
- Abbreviations and Acronyms
- List of Contributors
- Introduction
- Lecture 1 Wang Shiyao, “Enquiry of the Rat” (“Fangshu” 訪鼠) from Fifteen Strings of Cash (Shiwu guan 十五貫)
- Lecture 2 Wang Shiyu, “The Stirring Zither” (“Qintiao” 琴挑) from The Jade Hairpin (Yuzan ji 玉簪記)
- Lecture 3 Zhang Jiqing, “The Mad Dream” (“Chimeng” 癡夢) from Lanke Mountain (Lanke shan 爛柯山)
- Lecture 4 Liu Yilong, “Descending the Mountain” (“Xiashan” 下山) from Ocean of Sin (Niehai ji 孽海記)
- Lecture 5 Huang Xiaowu, “The Tavern” (“Jiulou” 酒樓) from The Palace of Lasting Life (Changsheng dian 長生殿)
- Lecture 6 Cai Zhengren, “Instating the Statue, Lamenting the Statue” (“Yingxiang, Kuxiang” 迎像哭像) from The Palace of Lasting Life (Changsheng dian 長生殿)
- Lecture 7 Ji Zhenhua, “Playing the Ballad” (“Tanci” 彈詞) from The Palace of Lasting Life (Changsheng dian 長生殿)
- Lecture 8 Hua Wenyi, “The Stroll in the Garden” (“Youyuan” 遊園) and “The Dream Interrupted” (“Jingmeng” 驚夢) from The Peony Pavilion (Mudan ting 牡丹亭)
- Lecture 9 Hou Shaokui, “Sword Meeting” (“Daohui” 刀會) from Single Sword Meeting (Dandaohui 單刀會)
- Lecture 10 Fan Jixin, “Writing the Accusation” (“Xie zhuang” 寫狀) from Tale of the Mermaid Silk Handkerchief (Jiaoxiao ji 鮫綃記)
- Lecture 11 Liang Guyin, “The Tryst” (“Jiaqi” 佳期) from The Western Chamber (Xixiang ji 西廂記)
- Lecture 12 Yue Meiti, “The Inn on the Lake” (“Hu lou” 湖樓) from To Win a Peerless Beauty (Zhan huakui 占花魁)
- Postface
- Appendix A Correspondence between Lectures in This Book and Masters’ Lectures
- Appendix B How Scenes Open and Conclude
- Appendix C Musical and Vocal Terms
- Appendix D Movement and Body Terms
- Appendix E Costume Terms
- Appendix F Plays, Scenes, and Drama Collections
- Appendix G Late Imperial Theatre Figures
- Appendix H Modern Chinese Theatre Figures
- Appendix I Kunqu Troupes and Other Ensembles
- Appendix J Other Genres and Troupes
- References
- Bibliography
- Index
Bibliography
Published online by Cambridge University Press: 10 January 2023
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Book contents
- Frontmatter
- Contents
- List of Figures
- Foreword
- Preface and Acknowledgments
- Notes on Translation
- Abbreviations and Acronyms
- List of Contributors
- Introduction
- Lecture 1 Wang Shiyao, “Enquiry of the Rat” (“Fangshu” 訪鼠) from Fifteen Strings of Cash (Shiwu guan 十五貫)
- Lecture 2 Wang Shiyu, “The Stirring Zither” (“Qintiao” 琴挑) from The Jade Hairpin (Yuzan ji 玉簪記)
- Lecture 3 Zhang Jiqing, “The Mad Dream” (“Chimeng” 癡夢) from Lanke Mountain (Lanke shan 爛柯山)
- Lecture 4 Liu Yilong, “Descending the Mountain” (“Xiashan” 下山) from Ocean of Sin (Niehai ji 孽海記)
- Lecture 5 Huang Xiaowu, “The Tavern” (“Jiulou” 酒樓) from The Palace of Lasting Life (Changsheng dian 長生殿)
- Lecture 6 Cai Zhengren, “Instating the Statue, Lamenting the Statue” (“Yingxiang, Kuxiang” 迎像哭像) from The Palace of Lasting Life (Changsheng dian 長生殿)
- Lecture 7 Ji Zhenhua, “Playing the Ballad” (“Tanci” 彈詞) from The Palace of Lasting Life (Changsheng dian 長生殿)
- Lecture 8 Hua Wenyi, “The Stroll in the Garden” (“Youyuan” 遊園) and “The Dream Interrupted” (“Jingmeng” 驚夢) from The Peony Pavilion (Mudan ting 牡丹亭)
- Lecture 9 Hou Shaokui, “Sword Meeting” (“Daohui” 刀會) from Single Sword Meeting (Dandaohui 單刀會)
- Lecture 10 Fan Jixin, “Writing the Accusation” (“Xie zhuang” 寫狀) from Tale of the Mermaid Silk Handkerchief (Jiaoxiao ji 鮫綃記)
- Lecture 11 Liang Guyin, “The Tryst” (“Jiaqi” 佳期) from The Western Chamber (Xixiang ji 西廂記)
- Lecture 12 Yue Meiti, “The Inn on the Lake” (“Hu lou” 湖樓) from To Win a Peerless Beauty (Zhan huakui 占花魁)
- Postface
- Appendix A Correspondence between Lectures in This Book and Masters’ Lectures
- Appendix B How Scenes Open and Conclude
- Appendix C Musical and Vocal Terms
- Appendix D Movement and Body Terms
- Appendix E Costume Terms
- Appendix F Plays, Scenes, and Drama Collections
- Appendix G Late Imperial Theatre Figures
- Appendix H Modern Chinese Theatre Figures
- Appendix I Kunqu Troupes and Other Ensembles
- Appendix J Other Genres and Troupes
- References
- Bibliography
- Index
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- Kunqu Masters on Chinese Theatrical Performance , pp. 417 - 428Publisher: Anthem PressPrint publication year: 2022