Book contents
- Jonathan Swift in Context
- Jonathan Swift in Context
- Copyright page
- Contents
- Notes on Contributors
- Preface
- Acknowledgements
- Chronology
- Abbreviations
- Part I Personal
- Part II Publishing History and Legacy
- Part III Literary Background
- Part IV Genres
- Chapter 16 Satire
- Chapter 17 Pamphleteering and Political Journalism
- Chapter 18 Familiar Verse
- Chapter 19 Fables and Fantasy
- Chapter 20 Parody and Hoax
- Chapter 21 Sermons
- Chapter 22 History
- Chapter 23 Correspondence
- Chapter 24 The Novel
- Part V The External World
- Part VI Social and Intellectual Topics
- Further Reading
- Index
Chapter 19 - Fables and Fantasy
from Part IV - Genres
Published online by Cambridge University Press: 02 May 2024
- Jonathan Swift in Context
- Jonathan Swift in Context
- Copyright page
- Contents
- Notes on Contributors
- Preface
- Acknowledgements
- Chronology
- Abbreviations
- Part I Personal
- Part II Publishing History and Legacy
- Part III Literary Background
- Part IV Genres
- Chapter 16 Satire
- Chapter 17 Pamphleteering and Political Journalism
- Chapter 18 Familiar Verse
- Chapter 19 Fables and Fantasy
- Chapter 20 Parody and Hoax
- Chapter 21 Sermons
- Chapter 22 History
- Chapter 23 Correspondence
- Chapter 24 The Novel
- Part V The External World
- Part VI Social and Intellectual Topics
- Further Reading
- Index
Summary
Unlike his friend John Gay, Swift never wrote a collection of fables. Instead, fables and the fabulous are often found buried within other genres and kinds of writing: in the scuffling spider and bee of The Battel of the Books, for instance, and in his satiric verses and in tongue-in-cheek curiosities like A Meditation upon a Broom-Stick. This chapter begins with a section on the circulation and perception of fables during Swift’s lifetime, before turning to Swift’s distortions of this genre. The final part of the chapter zooms in on Gulliver’s Travels and finds a version of Aesop in the repulsive Yahoos of Part Four.
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- Jonathan Swift in Context , pp. 148 - 155Publisher: Cambridge University PressPrint publication year: 2024