Book contents
- In Fortune’s Theater
- In Fortune’s Theater
- Copyright page
- Contents
- Figures
- Preface
- Acknowledgments
- Note on the Text
- Introduction
- 1 Experts in Futurity
- 2 The Future in Play
- 3 Trust in the Future
- 4 The Mercantile Vocabulary of Futurity in Sixteenth-Century Italy
- 5 The Renaissance Afterlife of Boethius’s Moral Allegory of Fortuna
- 6 The Emerging of a New Allegory in Mercantile Culture
- 7 The Shifting Image of Fortuna
- 8 The Separation of Fortuna and Providence
- Conclusion
- Bibliography
- Index
Conclusion
Time and the Renaissance
Published online by Cambridge University Press: 19 July 2021
- In Fortune’s Theater
- In Fortune’s Theater
- Copyright page
- Contents
- Figures
- Preface
- Acknowledgments
- Note on the Text
- Introduction
- 1 Experts in Futurity
- 2 The Future in Play
- 3 Trust in the Future
- 4 The Mercantile Vocabulary of Futurity in Sixteenth-Century Italy
- 5 The Renaissance Afterlife of Boethius’s Moral Allegory of Fortuna
- 6 The Emerging of a New Allegory in Mercantile Culture
- 7 The Shifting Image of Fortuna
- 8 The Separation of Fortuna and Providence
- Conclusion
- Bibliography
- Index
Summary
I have argued through this book that between the mid-fifteenth and mid-sixteenth centuries, a new concept of the future materialized and cohered in Renaissance Italian culture. In contrast to the eschatological vision of Christian theology, the claims of various divinatory techniques, and the everyday, prudential sense of the future with which Europeans had operated for centuries, this new conception held that time-yet-to-come was unknown and unknowable and that the world of tomorrow could potentially be very different to that of yesterday and today.
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- In Fortune's TheaterFinancial Risk and the Future in Renaissance Italy, pp. 222 - 227Publisher: Cambridge University PressPrint publication year: 2021