Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface and Acknowledgements
- 1 Cinematic Geography: Mobilizing the Archive City
- 2 An Incriminated Medium? The City as Urban Spectacle
- 3 Cityscapes: Panoramas and the Mobile Gaze
- 4 City Limits: Crossing Boundaries of Place and Identity
- 5 Movie-mapping: Cinematographic Tourism and Place-marketing
- 6 World in One City: Travel, Globalization and Placeless Space
- 7 Cinematic Cartography: Mapping the Archive City
- Afterword
- References
- Index
4 - City Limits: Crossing Boundaries of Place and Identity
- Frontmatter
- Contents
- List of Illustrations
- Preface and Acknowledgements
- 1 Cinematic Geography: Mobilizing the Archive City
- 2 An Incriminated Medium? The City as Urban Spectacle
- 3 Cityscapes: Panoramas and the Mobile Gaze
- 4 City Limits: Crossing Boundaries of Place and Identity
- 5 Movie-mapping: Cinematographic Tourism and Place-marketing
- 6 World in One City: Travel, Globalization and Placeless Space
- 7 Cinematic Cartography: Mapping the Archive City
- Afterword
- References
- Index
Summary
[Liverpool] is a very cinematic city. As soon as you go over Runcorn bridge on the train coming into Liverpool, it's beautiful: the slats of the bridge skitter and slice up the Mersey; it's almost like footage, like you're watching a film, like you're entering a film…
(Paul Farley, BBC Radio 4, 17 September 2008)A Will to Connection
In 2006 a musical comedy called ‘Brick Up the Mersey Tunnels’ was performed at Liverpool's Royal Court Theatre. The plot centres around a fictitious terrorist organization called the ‘Kingsway Three’ who decide to brick up the tunnels in response to the snobbish attitudes towards Liverpool and Liverpudlians they encounter among people from the other side of the Mersey. The play was inspired by a letter in the Liverpool Echo from a woman in the Wirral who was complaining about the Liverpool accent, despite the fact that, like many from across the river, she actually worked in the city. In a sequel to the play, ‘Brick Up: The Wirral Strikes Back’ (2010), the ‘aliens’ (‘Wirralites’) find themselves completely cut off from the Liverpool side of the river; both tunnels are bricked up, the Runcorn Bridge has been destroyed, and the ferry boats sunk. A businessman from Heswall hatches a plan to set up a new river crossing by building small boats in an attempt to re-establish cross-river communications.
These playful constructions of otherness between Liverpudlians and Wirralites have their roots in myths and narratives that stretch back a long way in the cultural history of Merseyside. Unsurprisingly, this is also reflected in some of the more well-known feature films made in and around Liverpool.
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- Film, Mobility and Urban SpaceA Cinematic Geography of Liverpool, pp. 97 - 127Publisher: Liverpool University PressPrint publication year: 2012