Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-23T14:26:45.294Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  11 May 2023

Lauren Gillingham
Lauren Gillingham
Affiliation:
University of Ottawa
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Fashionable Fictions and the Currency of the Nineteenth-Century British Novel , pp. 281 - 298
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Ainsworth, William Harrison. Jack Sheppard: A Romance. London: Richard Bentley, 1839.Google Scholar
Ainsworth, William Harrison. Rookwood: A Romance. 1834. London: Routledge, 1895.Google Scholar
Austen, Jane. Northanger Abbey. 1818. Oxford: Oxford University Press, 2003.Google Scholar
Austen, Jane. “To Anna Austen.” 9 September 1814. Letter 107 of Jane Austen’s Letters. Ed. Le Faye, Deirdre. 3rd ed. Oxford: Oxford University Press, 1995.Google Scholar
Austin, Alfred. “Our Novels: The Sensational School.” Temple Bar 29 (June 1870): 410–24.Google Scholar
Barbauld, Anna Letitia. “Fashion, a Vision.” 1797. Anna Letitia Barbauld: Selected Poetry and Prose. Eds. McCarthy, William and Craft, Elizabeth. Peterborough: Broadview Press, 2001. 282–89.Google Scholar
Barrett Browning, Elizabeth. Aurora Leigh. 1857. Ed. McSweeney, Kerry. Oxford: Oxford University Press, 1998.Google Scholar
Baudelaire, Charles. “The Painter of Modern Life.” 1863. The Painter of Modern Life and Other Essays. Ed. and trans. Jonathan Mayne. 2nd ed. London: Phaidon Press, 1995. 1–41.Google Scholar
Braddon, Mary Elizabeth. Aurora Floyd. 1863. Peterborough: Broadview Press, 1998.Google Scholar
Braddon, Mary Elizabeth. The Doctor’s Wife. 1864. Oxford: Oxford University Press, 1998.Google Scholar
Braddon, Mary Elizabeth. Lady Audley’s Secret. 1862. Peterborough: Broadview Press, 2003.Google Scholar
Braddon, Mary Elizabeth. “To Sir Edward Bulwer-Lytton.” n.d. [May 1863]. Letter 4 of “Devoted Disciple: The Letters of Mary Elizabeth Braddon to Sir Edward Bulwer-Lytton, 1862–1873.” Ed. Robert Lee Wolff. Harvard Library Bulletin 22 (1974): 5–35, 129–61.Google Scholar
Browning, Robert, and Browning, Elizabeth Barrett. The Letters of Robert Browning and Elizabeth Barrett Browning 1845–1846. London: Smith, Elder, 1899. Rpt. British and Irish Women’s Letters and Diaries, 1500 to 1950. Online ed. Alexander Street Press.Google Scholar
Bulwer-Lytton, Edward. England and the English. 1833. Chicago: University of Chicago Press, 1970.Google Scholar
Bulwer-Lytton, Edward. Eugene Aram. 1832. Edinburgh: Blackwood, 1861.Google Scholar
Bulwer-Lytton, Edward. Godolphin. 1833. London: Pickering & Chatto, 2005.Google Scholar
Bulwer-Lytton, Edward. The Life, Letters and Literary Remains of Edward Bulwer, Lord Lytton. Cambridge: Cambridge University Press, 2014. Vol. 2.Google Scholar
Bulwer-Lytton, Edward. Lucretia, or, The Children of the Night. 1846. Edinburgh: Blackwood, 1863.Google Scholar
Bulwer-Lytton, Edward. Paul Clifford. 1830. London: Colburn and Bentley, 1830.Google Scholar
Bulwer-Lytton, Edward. Pelham; or, The Adventures of a Gentleman. 1828. Ed. McGann, Jerome. Lincoln: University of Nebraska Press, 1972.Google Scholar
Burton, John. Lectures on Female Education and Manners. London: John Murray, 1793. Vol. 1.Google Scholar
Byron, George Gordon, Lord. The Complete Poetical Works. Ed. McGann, Jerome J.. 7 vols. Oxford: Clarendon, 1980–93.Google Scholar
Byron, George Gordon, Lord. The Corsair; A Tale. The Complete Poetical Works. Vol. 3. 148–214.Google Scholar
Byron, George Gordon, Lord. Don Juan. The Complete Poetical Works. Vol. 5.Google Scholar
Byron, George Gordon, Lord. Lara. The Complete Poetical Works. Vol. 3. 214–56.Google Scholar
Carlyle, Thomas. Sartor Resartus. 1833–34. Oxford: Oxford University Press, 1987.Google Scholar
Chesterfield, Lord. Lord Chesterfield’s Advice to His Son on Men and Manners. 2nd ed. London, 1775.Google Scholar
Coel, Michaela. I May Destroy You. Dir. Sam Miller and Michaela Coel. BBC Studios and Warner Brothers. 2020.Google Scholar
Collins, Wilkie. The Woman in White. 1860. Oxford: Oxford University Press, 2008.CrossRefGoogle Scholar
Defoe, Daniel. A Narrative of All the Robberies, Escapes, &c. of John Sheppard. London: John Applebee, 1724.Google Scholar
Dickens, Charles. “The Author’s Introduction to the Third Edition (1841).” Oliver Twist, or, The Parish Boy’s Progress. London: Penguin, 2002. Appendix A.Google Scholar
Dickens, Charles. Barnaby Rudge: A Tale of the Riots of ‘Eighty. 1841. London: Penguin, 1986.Google Scholar
Dickens, Charles. Bleak House. 1852–53. London: Penguin, 1985.Google Scholar
Dickens, Charles. David Copperfield. 1849–50. Oxford: Oxford University Press, 1997.Google Scholar
Dickens, Charles. Oliver Twist, or, The Parish Boy’s Progress. 1837–38. London: Penguin, 2002.Google Scholar
Forster, John. The Life of Charles Dickens. London: Chapman and Hall, 1872. Vol. 1.Google Scholar
Godwin, William. Caleb Williams. 1794. Peterborough: Broadview Press, 2000.Google Scholar
Godwin, William. Fleetwood: Or, The New Man of Feeling. London: Bentley, 1832.Google Scholar
Gore, Catherine. Cecil: Or, The Adventures of a Coxcomb. 1841. 2nd ed. London: Bentley, 1843.Google Scholar
Gore, Catherine. Cecil, a Peer: A Sequel to Cecil; or, The Adventures of a Coxcomb. 3 vols. London: Boone, 1841.Google Scholar
Gore, Catherine. Mothers and Daughters. London: Colburn & Bentley, 1831.Google Scholar
Gore, Catherine. Pin Money. London: Colburn & Bentley, 1831.Google Scholar
Hays, Mary. Letters and Essays, Moral, and Miscellaneous. London: Knott, 1793.Google Scholar
Hazlitt, William. The Complete Works of William Hazlitt. Ed. Howe, P. P.. 21 vols. London: J. M. Dent & Sons, 1931–34.Google Scholar
Hazlitt, William. “The Dandy School.” 1827. The Complete Works of William Hazlitt. Ed. Howe, P. P.. 21 vols. London: J. M. Dent & Sons, 1931–34. Vol. 20. 143–49.Google Scholar
Hazlitt, William. “On Different Sorts of Fame.” The Round Table: A Collection of Essays on Literature, Men, and Manners. Edinburgh: Constable, 1817. Vol. 2. 56–66.Google Scholar
Hazlitt, William. “On Fashion.” 1818. The Complete Works of William Hazlitt. Ed. Howe, P. P.. 21 vols. London: J. M. Dent & Sons, 1931–34. Vol. 17. 51–56.Google Scholar
Hazlitt, William. “On the Living Poets.” Lectures on the English Poets: Delivered at the Surrey Institute. London: Taylor and Hessey, 1818.Google Scholar
Hazlitt, William. “On Posthumous Fame: Whether Shakespeare Was Influenced by a Love of It?” The Round Table. Edinburgh: Constable, 1817. Vol. 1. 71–78.Google Scholar
Hazlitt, William. The Spirit of the Age: Or, Contemporary Portraits. London: Colburn, 1825.Google Scholar
“Henry Colburn, Esq.” Gentleman’s Magazine (November 1855): 548.Google Scholar
“Hints for a History of Highwaymen.” Fraser’s Magazine for Town and Country 9 (March 1834): 279–87.Google Scholar
“Hogarth and His Works. – No. II.” Penny Magazine of the Society for the Diffusion of Useful Knowledge 3.138 (May 1834): 209–16.Google Scholar
“An Hour at a Publisher’s.” The Athenaeum (1 July 1829): 401.Google Scholar
“Jack Sheppard: A Romance.” The Athenaeum 626 (26 October 1839): 803–5.Google Scholar
James, Henry. “Miss M. E. Braddon.” The Nation (9 November 1865): 593–95.Google Scholar
K., H. [Henrietta, Keddie.] “A Word of Remonstrance with Some Novelists. By a Novelist.” Good Words 4 (July 1863): 524–26.Google Scholar
Lamb, Charles. “The Londoner.” Morning Post and Gazetteer (1 February 1802): 3.Google Scholar
Landon, Letitia Elizabeth (L. E. L.). Romance and Reality. London: Colburn & Bentley, 1831.Google Scholar
Linton, Eliza Lynn. “The Girl of the Period.” The Girl of the Period and Other Social Essays. London: Bentley, 1883. Vol. 1. 1–9.Google Scholar
Lister, Thomas. Granby. London: Colburn, 1826.Google Scholar
Lockwood, Patricia. No One Is Talking About This. New York: Riverhead Books, 2021.Google Scholar
Maginn, William. “The Dominie’s Legacy; and Fashionable Novels.” Fraser’s Magazine for Town and Country 1 (April 1830): 318–35.Google Scholar
Maginn, William. “Mr. Edward Lytton Bulwer’s Novels; and Remarks on Novel-Writing.” Fraser’s Magazine for Town and Country 1 (June 1830): 509–32.Google Scholar
Mansel, Henry. “Sensation Novels.” The Quarterly Review 113.226 (April 1863): 481–514.Google Scholar
Nelson, Maggie. Bluets. Seattle: Wave Books, 2009.Google Scholar
Normanby, Lord. The Contrast. London: Colburn & Bentley, 1832.Google Scholar
Oliphant, Margaret. “Sensation Novels.” Blackwood’s Edinburgh Magazine 91 (May 1862): 564–84.Google Scholar
“On the Living Novelists.” The New Monthly Magazine 13 (1820): 543–48.Google Scholar
“Our Female Sensation Novelists.” Christian Remembrancer 46 (July 1863): 209–36.Google Scholar
Oyler, Lauren. Fake Accounts. New York: Catapult, 2021.Google Scholar
“Paul Clifford.” The Athenaeum 133 (15 May 1830): 289–91.Google Scholar
“Paul Clifford.” Monthly Magazine 9.54 (June 1830): 712–13.Google Scholar
“Paul Clifford.” The Spectator 3.98 (15 May 1830): 311–12.Google Scholar
Rae, W. Fraser. “Sensation Novelists: Miss Braddon.” The North British Review 43/4 (1865): 180–204.Google Scholar
“Review of New Books.” The Literary Gazette 693 (1 May 1830): 281–84.Google Scholar
“Reviews: Romance and Reality.” The Athenaeum 215 (10 December 1831): 793–95.Google Scholar
Sala, George Augustus. “The Cant of Modern Criticism.” Belgravia 4 (November 1867): 45–55.Google Scholar
Scott, Walter. The Journal of Sir Walter Scott. Ed. Anderson, W. E. K.. Oxford: Clarendon Press, 1972.Google Scholar
Scott, Walter. The Letters of Walter Scott. 12 vols. Ed. Grierson, H. J. C.. London: Constable, 1932–37.Google Scholar
Scott, Walter. Waverley; Or, ’Tis Sixty Years Since. 1814. Oxford: Oxford University Press, 1986.Google Scholar
Shelley, Mary. The Journals of Mary Shelley, 1814–1844. 2 vols. Eds. Feldman, Paula and Scott-Kilvert, Diana. Oxford: Clarendon, 1987.Google Scholar
Shelley, Mary. The Letters of Mary Wollstonecraft Shelley. Ed. Bennett, Betty. 2 vols. Baltimore: Johns Hopkins University Press, 1983.Google Scholar
Shelley, Mary. Lodore. 1835. Ed. Vargo, Lisa. Peterborough: Broadview Press, 1997.Google Scholar
Smith, Adam. The Theory of Moral Sentiments. London, 1759.Google Scholar
Smollett, Tobias. The Adventures of Roderick Random. 1748. Oxford: Oxford University Press, 1979.Google Scholar
Smollett, Tobias. The Expedition of Humphry Clinker. 1771. Oxford: Oxford University Press, 2009.Google Scholar
Thackeray, William Makepeace. Catherine: A Story. 1839–40. Ed. Goldfarb, Sheldon F.. Ann Arbor: University of Michigan Press, 1999.Google Scholar
Thackeray, William Makepeace. “George Cruikshank.” Westminster Review 34 (June 1840): 53–54.Google Scholar
Thackeray, William Makepeace. The Letters and Private Papers of William Makepeace Thackeray. 4 vols. Ed. Ray, Gordon N.. Cambridge, MA: Harvard University Press, 1945.Google Scholar
Thackeray, William Makepeace. Vanity Fair: A Novel without a Hero. 1847–48. Oxford: Oxford University Press, 1998.Google Scholar
“Thackeray and Modern Fiction.” London Quarterly Review 22 (July 1864): 375–408.Google Scholar
Warburton, William. Sermons and Discourses on Various Subjects and Occasions. London, 1767. Vol. 3.Google Scholar
Warton, Joseph. Fashion: An Epistolary Satire to a Friend. London, 1742.Google Scholar
“William Ainsworth and Jack Sheppard.” Fraser’s Magazine for Town and Country 21 (February 1840): 227–45.Google Scholar
Wood, Ellen. East Lynne. 1861. Peterborough: Broadview Press, 2002.Google Scholar

Secondary Sources

Aciman, Alexander, and Rensin, Emmett. Twitterature: The World’s Greatest Books in Twenty Tweets or Less. New York: Penguin Books, 2009.Google Scholar
Adams, James Eli. Dandies and Desert Saints: Styles of Victorian Masculinity. Ithaca: Cornell University Press, 1995.Google Scholar
Adams, James Eli. “The Hero as Spectacle: Carlyle and the Persistence of Dandyism.” Victorian Literature and the Victorian Visual Imagination. Eds. Christ, Carol T. and Jordan, John O.. Berkeley: University of California Press, 1995. 213–32.Google Scholar
Adburgham, Alison. Silver Fork Society: Fashionable Life and Literature from 1814 to 1840. London: Constable, 1983.Google Scholar
Ahmed, Sara. The Promise of Happiness. Durham: Duke University Press, 2010.Google Scholar
Alexander, Sarah C. “A Tale of Two Dandies: Gore, Dickens, and the ‘Social-Fork’ Novel.” Women’s Writing 16.2 (2009): 283–300.Google Scholar
Altick, Richard. The Presence of the Present: Topics of the Day in the Victorian Novel. Columbus: Ohio State University Press, 1994.Google Scholar
Anderson, Amanda. The Powers of Distance: Cosmopolitanism and the Cultivation of Detachment. Princeton: Princeton University Press, 2001.Google Scholar
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Revised ed. New York: Verso, 2006.Google Scholar
Anderson, Patricia. The Printed Image and the Transformation of Popular Culture, 1790–1860. Oxford: Clarendon Press, 1991.Google Scholar
Armstrong, Nancy. Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press, 1987.Google Scholar
Bachman, Maria K. “Bulwer-Lytton’s Pelham: The Disciplinary Dandy and the Art of Government.” Texas Studies in Language and Literature 47.2 (2005): 167–87.Google Scholar
Badowska, Eva. “On the Track of Things: Sensation and Modernity in Mary Elizabeth Braddon’s Lady Audley’s Secret.” Victorian Literature and Culture 37.1 (2009): 157–75.Google Scholar
Bainbridge, Clare. “‘Unwholesome Tissues of False Sentiment’: Jane Austen, the Silver-Fork Novel, and Fashions of Reading.” After Austen: Reinventions, Rewritings, Revisitings. Ed. Hopkins, Lisa. Cham: Palgrave Macmillan, 2018. 19–42.Google Scholar
Balfour, Ian. “Reversal, Quotation (Benjamin’s History).” MLN 106 (1991): 622–47.Google Scholar
Barker-Benfield, G. J. The Culture of Sensibility: Sex and Society in Eighteenth-Century Britain. Chicago: University of Chicago Press, 1992.Google Scholar
Barkley, Danielle. “Crossing Borders: Geographic and Generic Expansiveness in Letitia Landon’s Romance and Reality.” European Romantic Review 27.2 (2016): 175–88.Google Scholar
Barrell, John. The Political Theory of Painting from Reynolds to Hazlitt. New Haven: Yale University Press, 1986.Google Scholar
Barthes, Roland. The Fashion System. Trans. Matthew Ward and Richard Howard. Berkeley: University of California Press, 1983.Google Scholar
Batchelor, Jennie. Dress, Distress and Desire: Clothing and the Female Body in Eighteenth-Century Literature. Basingstoke: Palgrave Macmillan, 2005.Google Scholar
Baudrillard, Jean. Symbolic Exchange and Death. Trans. Iain Hamilton Grant. London: SAGE, 1993.Google Scholar
Bender, John. Imagining the Penitentiary: Fiction and the Architecture of Mind in Eighteenth-Century England. Chicago: University of Chicago Press, 1987.Google Scholar
Benjamin, Walter. The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Cambridge, MA: Harvard University Press, 1999.Google Scholar
Benjamin, Walter. “Paris, the Capital of the Nineteenth Century.” 1935. The Arcades Project. 3–13.Google Scholar
Benjamin, Walter. “Theses on the Philosophy of History.” Illuminations. Ed. Arendt, Hannah. Trans. Harry Zohn. New York: Schocken Books, 2007. 253–64.Google Scholar
Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Durham: Duke University Press, 2010.Google Scholar
Berlant, Lauren. Cruel Optimism. Durham: Duke University Press, 2011.Google Scholar
Berlant, Lauren. “Cruel Optimism.” Differences: A Journal of Feminist Cultural Studies 17.3 (2006): 20–36.Google Scholar
Berlant, Lauren. The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham: Duke University Press, 2008.Google Scholar
Bleakley, Horace. Jack Sheppard. Edinburgh: W. Hodge, 1933.Google Scholar
Boucher, Abigail. “The Business Model of the Aristocracy: Class, Consumerism, and Commodification in the Silver Fork Novels.” Nineteenth-Century Contexts 38.3 (2016): 171–81.Google Scholar
Bowen, John. Other Dickens: Pickwick to Chuzzlewit. New York: Oxford University Press, 2000.Google Scholar
Bowen, Scarlet. The Politics of Custom in Eighteenth-Century Britain. New York: Palgrave Macmillan, 2010.Google Scholar
Boyce, Charlotte. “Food, Spaces of Consumption and the Exhibition of Taste in Catherine Gore’s Silver-Fork Fiction, 1830–1834.” The Yearbook of English Studies 48 (2018): 31–53.Google Scholar
Brantlinger, Patrick. The Reading Lesson: The Threat of Mass Literacy in Nineteenth-Century British Fiction. Bloomington: Indiana University Press, 1998.Google Scholar
Brantlinger, Patrick. “What Is ‘Sensational’ about the ‘Sensation Novel’?” Nineteenth-Century Fiction 37.1 (1982): 1–28.Google Scholar
Braudy, Leo. The Frenzy of Renown: Fame and Its History. New York: Vintage, 1997.Google Scholar
Braudy, Leo. “Knowing the Performer from the Performance: Fame, Celebrity, and Literary Studies.” PMLA 126.4 (2011): 1070–75.Google Scholar
Breward, Christopher. The Culture of Fashion: A New History of Fashionable Dress. Manchester: Manchester University Press, 1995.Google Scholar
Breward, Christopher. “Cultures, Identities, Histories: Fashioning a Cultural Approach to Dress.” Fashion Theory: The Journal of Dress, Body and Culture 2.4 (1998): 301–13.Google Scholar
Breward, Christopher. Fashion. Oxford History of Art Series. Oxford: Oxford University Press, 2003.Google Scholar
Breward, Christopher. “Femininity and Consumption: The Problem of the Late Nineteenth-Century Fashion Journal.” Journal of Design History 7.2 (1994): 71–89.Google Scholar
Breward, Christopher. The Hidden Consumer: Masculinities, Fashion and City Life, 1860–1914. Manchester: Manchester University Press, 1999.Google Scholar
Breward, Christopher. “Manliness, Modernity, and the Shaping of Male Clothing.” Body Dressing. Eds. Entwistle, Joanne and Wilson, Elizabeth. Oxford: Berg, 2001. 165–81.Google Scholar
Brown, Bill. “Thing Theory.” Critical Inquiry 28 (Autumn 2001): 1–22.Google Scholar
Buckley, Matthew. “The Formation of Melodrama.” The Oxford Handbook of the Georgian Theatre, 1737–1832. Eds. Swindells, Julia and Taylor, David Francis. Oxford: Oxford University Press, 2014. 457–74.Google Scholar
Buckley, Matthew. “Refugee Theatre: Melodrama and Modernity’s Loss.” Theatre Journal 61 (2009): 175–90.Google Scholar
Buckley, Matthew. “Sensations of Celebrity: Jack Sheppard and the Mass Audience.” Victorian Studies 44.3 (2002): 423–63.Google Scholar
Buzard, James. Disorienting Fictions: The Autoethnographic Work of Nineteenth-Century British Novels. Princeton: Princeton University Press, 2005.Google Scholar
Campbell, Timothy. “Arts of Dress: Rancière and Fashion.” Critical Inquiry 44 (Summer 2018): 619–40.Google Scholar
Campbell, Timothy. Historical Style: Fashion and the New Mode of History, 1740–1830. Philadelphia: University of Pennsylvania Press, 2016.Google Scholar
Campbell, Timothy. “Romantic Dispersals: Afterlives of Dress and the Archive.” Studies in Romanticism 57 (2018): 11–38.Google Scholar
Campbell, Timothy. “Soft Materiality: Dress and Material Fiction in T. S. Surr’s A Winter in London.” Eighteenth-Century Fiction 31.2 (2019): 295–316.Google Scholar
Campbell, Timothy. “‘Style Description:/Provenance:/Period:’ Martin Margiela, Fashion Authorship, and Romantic Literary History.” Fashion and Authorship: Literary Production and Cultural Style from the Eighteenth to the Twenty-First Century. Ed. Egan, Gerald. Cham: Palgrave Macmillan, 2020. 321–40.Google Scholar
Case, Alison. “Against Scott: The Antihistory of Dickens’s Barnaby Rudge.” CLIO: A Journal of Literature, History, and the Philosophy of History 19.2 (1990): 127–45.Google Scholar
Casey, Ellen Miller. “‘The Aristocracy and Upholstery’: The Silver Fork Novel.” A Companion to Sensation Fiction. Ed. Gilbert, Pamela K.. Chichester: Wiley & Sons, 2011. 11–25.Google Scholar
Casey, Ellen Miller. “Silver-Forks and the Commodity Text: Lady Morgan and the Athenaeum.” Women’s Writing 16.2 (2009): 253–62.Google Scholar
Chandler, F. W. The Literature of Roguery. 2 vols. Boston: Houghton, Mifflin, 1907.Google Scholar
Chandler, James K. England in 1819: The Politics of Literary Culture and the Case of Romantic Historicism. Chicago: University of Chicago Press, 1998.Google Scholar
Chandler, James K. “The Pope Controversy: Romantic Poets and the English Canon.” Critical Inquiry 10.3 (1984): 481–509.Google Scholar
Chandler, James K. Wordsworth’s Second Nature: A Study of the Poetry and Politics. Chicago: University of Chicago Press, 1984.Google Scholar
Chapman, Pauline. Madame Tussaud’s Chamber of Horrors: Two Hundred Years of Crime. London: Constable, 1984.Google Scholar
Chittick, Kathryn. Dickens and the 1830s. Cambridge: Cambridge University Press, 1990.Google Scholar
Christensen, Allan, ed. The Subverting Vision of Bulwer Lytton: Bicentenary Reflections. Newark: University of Delaware Press, 2004.Google Scholar
“Colburn, Henry (1784/5–1855).” By Peter Garside. Oxford Dictionary of National Biography. Online ed. Oxford: Oxford University Press, 2004.Google Scholar
Colley, Linda. Britons: Forging the Nation 1701–1837. 2nd ed. New Haven: Yale University Press, 2005.Google Scholar
Collins, Phillip. Dickens and Crime. Bloomington: Indiana University Press, 1968.Google Scholar
Copeland, Edward. The Silver Fork Novel: Fashionable Fiction in the Age of Reform. Cambridge: Cambridge University Press, 2012.Google Scholar
Craik, Jennifer. The Face of Fashion: Cultural Studies in Fashion. London: Routledge, 1994.Google Scholar
Cronin, Richard. “Bulwer, Carlyle, and the Fashionable Novel.” The Subverting Vision of Bulwer Lytton: Bicentenary Reflections. Ed. Christensen, Allan. Newark: University of Delaware Press, 2004. 38–53.Google Scholar
Cronin, Richard. “Mary Shelley and Edward Bulwer: Lodore as Hybrid Fiction.” Mary Shelley’s Fictions: From Frankenstein to Falkner. Ed. Eberle-Sinatra, Michael. New York: St. Martin’s, 2000. 39–54.Google Scholar
Cronin, Richard. Paper Pellets: British Literary Culture After Waterloo. Oxford: Oxford University Press, 2010.Google Scholar
Cronin, Richard. Romantic Victorians: English Literature, 1824–1840. Basingstoke: Palgrave, 2002.Google Scholar
Cvetkovich, Ann. Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism. New Brunswick, NJ: Rutgers University Press, 1992.Google Scholar
Daly, Nicholas. Literature, Technology, and Modernity, 1860–2000. Cambridge: Cambridge University Press, 2004.Google Scholar
Daly, Nicholas. Sensation and Modernity in the 1860s. Cambridge: Cambridge University Press, 2009.Google Scholar
Davidson, Jenny. Hypocrisy and the Politics of Politeness: Manners and Morals from Locke to Austen. Cambridge: Cambridge University Press, 2004.Google Scholar
DeBrohun, Jeri. “Power Dressing in Ancient Greece and Rome.” History Today (February 2001): 18–25.Google Scholar
De Certeau, Michel. The Practice of Everyday Life. Trans. Steven Rendall. Berkeley: University of California Press, 1984.Google Scholar
De Vries, Jan. The Industrious Revolution: Consumer Demand and the Household Economy, 1650 to the Present. Cambridge: Cambridge University Press, 2008.Google Scholar
Dickson, Leigh Wetherall. “Speculation, Suicide, and the Silver Fork Novel.” Studies in the Literary Imagination 51.1 (2018): 103–19.Google Scholar
Duncan, Ian. Modern Romance and Transformations of the Novel: The Gothic, Scott, Dickens. Cambridge: Cambridge University Press, 1992.Google Scholar
Duncan, Ian. Scott’s Shadow: The Novel in Romantic Edinburgh. Princeton: Princeton University Press, 2007.Google Scholar
Duncan, Ian. “The Victorian Novel Emerges, 1800–1840.” A Companion to the Victorian Novel. Eds. Baker, William and Womack, Kenneth. Westport: Greenwood, 2002. 3–13.Google Scholar
Edwards, Simon. “David Copperfield: The Decomposing Self.” The Centennial Review 29 (1985): 328–52.Google Scholar
Egan, Gerald, ed. Fashion and Authorship: Literary Production and Cultural Style from the Eighteenth to the Twenty-First Century. Cham: Palgrave Macmillan, 2020.Google Scholar
Egan, Gerald. Fashioning Authorship in the Long Eighteenth Century: Stylish Books of Poetic Genius. London: Palgrave Macmillan, 2017.Google Scholar
Elfenbein, Andrew. Byron and the Victorians. Cambridge: Cambridge University Press, 1995.Google Scholar
Elfenbein, Andrew. “Silver-Fork Byron and the Image of Regency England.” Byromania: Portraits of the Artist in Nineteenth- and Twentieth-Century Culture. Ed. Wilson, Frances. New York: St. Martin’s, 1999. 77–92.Google Scholar
Entwistle, Joanne. “The Dressed Body.” Body Dressing. Eds. Entwistle, Joanne and Wilson, Elizabeth. Oxford: Berg, 2001. 33–58.Google Scholar
Esterhammer, Angela. Print and Performance in the 1820s: Improvisation, Speculation, Identity. Cambridge: Cambridge University Press, 2020.Google Scholar
Evans, Caroline. Fashion at the Edge: Spectacle, Modernity and Deathliness. New Haven: Yale University Press, 2003.Google Scholar
Fawcett, Julia. Spectacular Disappearances: Celebrity and Privacy, 1696–1801. Ann Arbor: University of Michigan Press, 2016.Google Scholar
Ferris, Ina. The Achievement of Literary Authority: Gender, History and the Waverley Novels. Ithaca: Cornell University Press, 1991.Google Scholar
Ferris, Ina. “‘On the Borders of Oblivion’: Scott’s Historical Novel and the Modern Time of the Remnant.” Modern Language Quarterly 70.4 (2009): 473–94.Google Scholar
Ferris, Ina. The Romantic National Tale and the Question of Ireland. Cambridge: Cambridge University Press, 2002.Google Scholar
Ferris, Ina. “Thackeray and the Ideology of the Gentleman.” The Columbia History of the British Novel. Ed. Richetti, John. New York: Columbia University Press, 1994. 407–28.Google Scholar
Fleishman, Avrom. The English Historical Novel: Walter Scott to Virginia Woolf. Baltimore: Johns Hopkins University Press, 1971.Google Scholar
Flint, Kate. The Woman Reader, 1837–1914. Oxford: Clarendon Press, 1995.Google Scholar
Fox, Adam. Oral and Literate Culture in England, 1500–1700. Oxford: Oxford University Press, 2000.Google Scholar
Frank, Marcie. The Novel Stage: Narrative Form from the Restoration to Jane Austen. Lewisburg: Bucknell University Press, 2020.Google Scholar
Franta, Andrew. Romanticism and the Rise of the Mass Public. Cambridge: Cambridge University Press, 2007.Google Scholar
Gallagher, Catherine. The Industrial Revolution of English Fiction: Social Discourse and Narrative Form, 1832–1867. Chicago: University of Chicago Press, 1985.Google Scholar
Gattrell, V. A. C. The Hanging Tree: Execution and the English People, 1770–1868. Oxford: Oxford University Press, 1994.Google Scholar
Gencarelli, Thomas F. “The Intellectual Roots of Media Ecology in the Work and Thought of Neil Postman.” The New Jersey Journal of Communication 8.1 (2000): 91–103.Google Scholar
Gilbert, Pamela K. Disease, Desire and the Body in Victorian Women’s Popular Novels. Cambridge: Cambridge University Press, 1997.Google Scholar
Gillingham, Lauren. “Ainsworth’s Jack Sheppard and the Crimes of History.” SEL Studies in English Literature 1600–1900 49.4 (2009): 879–906.Google Scholar
Gillingham, Lauren. “History Suits the Dandy: Catherine Gore’s Cecil Novels.” Women’s Writing 16.2 (2009): 218–36.Google Scholar
Gilmour, Robin. The Idea of the Gentleman in the Victorian Novel. London: George Allen & Unwin, 1981.Google Scholar
Gladfelder, Hal. Criminality and Narrative in Eighteenth-Century England: Beyond the Law. Baltimore: Johns Hopkins University Press, 2001.Google Scholar
Golden, Audrey. “Teju Cole and the Art of the Twitter Novel.” Books Tell You Why (28 February 2018): n.p.Google Scholar
Goldfarb, Sheldon F. “Historical Commentary.” Catherine: A Story. By William Makepeace Thackeray. Ed. Goldfarb, Sheldon F.. Ann Arbor: University of Michigan Press, 1999. 135–48.Google Scholar
Goodlad, Lauren. The Victorian Geopolitical Aesthetic: Realism, Sovereignty, and Transnational Experience. Oxford: Oxford University Press, 2015.Google Scholar
Goodstein, Elizabeth. Experience without Qualities: Boredom and Modernity. Stanford: Stanford University Press, 2005.Google Scholar
Greiner, Rae. Sympathetic Realism in Nineteenth-Century British Fiction. Baltimore: Johns Hopkins University Press, 2013.Google Scholar
Grieg, Hannah. “Leading the Fashion: The Material Culture of London’s Beau Monde.” Gender, Taste, and Material Culture in Britain and North America, 1700–1830. Eds. Styles, John and Vickery, Amanda. New Haven: Yale University Press, 2006. 293–313.Google Scholar
Guest, Harriet. “Suspicious Minds: Spies and Surveillance in Charlotte Smith’s Novels of the 1790s.” Land, Nation and Culture, 1740–1840: Thinking the Republic of Taste. Eds. Bolla, Peter de, Leask, Nigel, and Simpson, David. Basingstoke: Palgrave Macmillan, 2005. 169–87.Google Scholar
Habermas, Jürgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Trans. Thomas Burger and Frederick Lawrence. Cambridge, MA: MIT Press, 1989.Google Scholar
Handwerk, Gary. “Of Caleb’s Guilt and Godwin’s Truth: Ideology and Ethics in Caleb Williams.” ELH 60.4 (1993): 939–60.Google Scholar
Hart, Francis Russell. “The Regency Novel of Fashion.” From Smollett to James: Studies in the Novel and Other Essays. Eds. Mintz, Samuel, Chandler, Alice, and Mulvey, Christopher. Charlottesville: University Press of Virginia, 1981. 84–133.Google Scholar
Harvey, William. “Charles Dickens and the Byronic Hero.” Nineteenth-Century Fiction 24.3 (1969): 305–16.Google Scholar
Haslitt, Moyra. Byron’s Don Juan and the Don Juan Legend. Oxford and New York: Clarendon/Oxford University Press, 1997.Google Scholar
Hershinow, Stephanie Insley. Born Yesterday: Inexperience and the Early Realist Novel. Baltimore: Johns Hopkins University Press, 2019.Google Scholar
Hill, Jonathan. “Cruikshank, Ainsworth, and Tableau Illustration.” Victorian Studies 23.4 (1980): 429–59.Google Scholar
Hollander, Anne. Seeing through Clothes. Berkeley: University of California Press, 1993.Google Scholar
Hollander, Anne. Sex and Suits: The Evolution of Modern Dress. New York: Knopf, 1994.Google Scholar
Hollander, Anne. “Without Looking.” London Review of Books 17.15 (3 August 1995): 18–19.Google Scholar
Hollingsworth, Keith. The Newgate Novel, 1830–1847: Bulwer, Ainsworth, Dickens, & Thackeray. Detroit: Wayne State University Press, 1963.Google Scholar
Huckvale, David. A Dark and Stormy Oeuvre: Crime, Magic, and Power in the Novels of Edward Bulwer-Lytton. Jefferson: McFarland, 2016.Google Scholar
Hughes, Winifred. “Elegies for the Regency: Catherine Gore’s Dandy Novels.” Nineteenth-Century Literature 50 (1995): 189–209.Google Scholar
Hughes, Winifred. The Maniac in the Cellar: Sensation Novels in the 1860s. Princeton: Princeton University Press, 1980.Google Scholar
Hughes, Winifred. “Silver Fork Writers and Readers: Social Contexts of a Best Seller.” Novel 25.3 (1992): 328–47.Google Scholar
Hunter, J. Paul. “‘News, and New Things’: Contemporaneity and the Early English Novel.” Critical Inquiry 14.3 (1998): 493–515.Google Scholar
Jacobs, Edward, and Mourao, Manuela, eds. Jack Sheppard. By William Harrison Ainsworth. Peterborough: Broadview Press, 2007.Google Scholar
Jaffe, Audrey. Vanishing Points: Dickens, Narrative, and the Subject of Omniscience. Berkeley: University of California Press, 1991.Google Scholar
John, Juliet. Dickens and Mass Culture. New York: Oxford University Press, 2010.Google Scholar
John, Juliet. Dickens’s Villains: Melodrama, Character, Popular Culture. New York: Oxford University Press, 2001.Google Scholar
Johnson, Claudia. Equivocal Beings: Politics, Gender, and Sentimentality in the 1790s: Wollstonecraft, Radcliffe, Burney, Austen. Chicago: University of Chicago Press, 1995.Google Scholar
Joyce, Simon. “Resisting Arrest/Arresting Resistance: Crime Fiction, Cultural Studies, and the ‘Turn to History.’” Criticism 37 (1995): 309–35.Google Scholar
Jung, E. Alex. “Michaela the Destroyer: How a Young Talent from East London Went from Open-mic Nights to Making the Most Sublimely Unsettling Show of the Year.” Vulture (6 July 2020): n.p.Google Scholar
Keen, Paul. The Crisis of Literature in the 1790s: Print Culture and the Public Sphere. Cambridge: Cambridge University Press, 1999.Google Scholar
Keen, Paul. Literature, Commerce, and the Spectacle of Modernity, 1750–1800. Cambridge: Cambridge University Press, 2012.Google Scholar
Kelly, Hillary. “Review: Can a Novel Wrestle Twitter and Win? Super-tweeter Patricia Lockwood Tries.” LA Times (9 February 2021).Google Scholar
Kendra, April. “Gendering the Silver Fork: Catherine Gore and the Society Novel.” Women’s Writing 11.1 (2004): 25–38.Google Scholar
Kendra, April. “Silver Forks and Double Standards: Gore, Thackeray, and the Problem of Parody.” Women’s Writing 16.2 (2009): 191–217.Google Scholar
Kendra, April. “Silver Forks, Stereotypes, and Regency Romance.” Studies in the Humanities 34.2 (2007): 142–63.Google Scholar
Kendrick, Walter. “The Sensationalism of The Woman in White.” Nineteenth-Century Fiction 32.1 (1977): 18–35.Google Scholar
Klancher, Jon. The Making of English Reading Audiences, 1790–1832. Madison: University of Wisconsin Press, 1987.Google Scholar
Lamb, Jonathan. The Things Things Say. Princeton: Princeton University Press, 2011.Google Scholar
Laver, James. Dandies. London: Weidenfeld & Nicolson, 1968.Google Scholar
Law, Graham. Serializing Fiction in the Victorian Press. Basingstoke: Palgrave, 2000.Google Scholar
Lawford, Cynthia. “Introduction.” Romance and Reality. By Letitia Elizabeth Landon. London: Pickering & Chatto, 2005.Google Scholar
Leckie, Barbara. Culture and Adultery: The Novel, the Newspaper, and the Law, 1857–1914. Philadelphia: University of Pennsylvania Press, 1999.Google Scholar
Lehmann, Ulrich. Fashion and Materialism. Edinburgh: Edinburgh University Press, 2018.Google Scholar
Lehmann, Ulrich. Tigersprung: Fashion in Modernity. Cambridge, MA: MIT Press, 2000.Google Scholar
Lemire, Beverly. “Developing Consumerism and the Ready-made Clothing Trade in Britain, 1750–1800.” Textile History 15.1 (1984): 21–44.Google Scholar
Lemire, Beverly. Dress, Culture and Commerce: The English Clothing Trade before the Factory, 1660–1800. Basingstoke: Macmillan, 1997.Google Scholar
Lemire, Beverly. Fashion’s Favourite: The Cotton Trade and the Consumer in Britain, 1660–1800. New York: Oxford University Press, 1991.Google Scholar
Lemire, Beverly, ed. The Force of Fashion in Politics and Society: Global Perspectives from Early Modern to Contemporary Times. New York: Routledge, 2016.Google Scholar
Levine, George. The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterley. Chicago: University of Chicago Press, 1981.Google Scholar
Liddle, Dallas. “Anatomy of a ‘Nine Days’ Wonder’: Sensational Journalism in the Decade of the Sensation Novel.” Victorian Crime, Madness and Sensation. Eds. Maunder, Andrew and Moore, Grace. Aldershot: Ashgate, 2004. 89–103.Google Scholar
Lipovetsky, Gilles. The Empire of Fashion: Dressing Modern Democracy. Trans. Catherine Porter. Princeton: Princeton University Press, 1994.Google Scholar
Litvak, Joseph. Caught in the Act: Theatricality in the Nineteenth-Century English Novel. Berkeley: University of California Press, 1992.Google Scholar
Loesberg, Jonathan. “The Ideology of Narrative Form in Sensation Fiction.” Representations 13 (1986): 115–38.Google Scholar
Lowdon, Claire. “Reality and Online Life Clash: No One Is Talking About This, Reviewed.” The Spectator (20 February 2021): n.p.Google Scholar
Lukács, Georg. The Historical Novel. Trans. Hannah and Stanley Mitchell. Lincoln: University of Nebraska Press, 1962.Google Scholar
Lynch, Deidre Shauna. “Counter Publics: Shopping and Women’s Sociability.” Romantic Sociability: Social Networks and Literary Culture in Britain, 1770–1840. Eds. Russell, Gillian and Tuite, Clara. Cambridge: Cambridge University Press, 2002. 211–36.Google Scholar
Lynch, Deidre Shauna. The Economy of Character: Novels, Market Culture, and the Business of Inner Meaning. Chicago: University of Chicago Press, 1998.Google Scholar
Lynch, Deidre Shauna. Loving Literature: A Cultural History. Chicago: University of Chicago Press, 2015.Google Scholar
Lynch, Deidre Shauna. “Personal Effects and Sentimental Fictions.” Eighteenth-Century Fiction 12.2–3 (2000): 345–68.Google Scholar
Mackie, Erin. “Libertine Fiction, Forensic Fashion, and the Dandy’s Development in Edward Bulwer’s Pelham.” Eighteenth-Century Fiction 27.2 (2014–15): 285–306.Google Scholar
Mackie, Erin. Market à la Mode: Fashion, Commodity, and Gender in The Tatler and The Spectator. Baltimore: Johns Hopkins University Press, 1997.Google Scholar
Mackie, Erin. Rakes, Highwaymen, and Pirates: The Making of the Modern Gentleman in the Eighteenth Century. Baltimore: Johns Hopkins University Press, 2009.Google Scholar
Mangham, Andrew. Violent Women and Sensation Fiction: Crime, Medicine, and Victorian Popular Culture. Basingstoke: Palgrave Macmillan, 2007.Google Scholar
Manning, Peter. Byron and His Fictions. Detroit: Wayne State University Press, 1978.Google Scholar
Marcus, Steven. Dickens: From Pickwick to Dombey. London: Chatto & Windus, 1965.Google Scholar
Matus, Jill. “Disclosure as ‘Cover-up’: The Discourse of Madness in Lady Audley’s Secret.” University of Toronto Quarterly 62.3 (1993): 334–55.Google Scholar
Matus, Jill. Unstable Bodies: Victorian Representations of Sexuality and Maternity. Manchester: Manchester University Press, 1995.Google Scholar
Maunder, Andrew, ed. Varieties of Women’s Sensation Fiction: 1855–1890. London: Pickering & Chatto, 2004. 6 vols.Google Scholar
McCracken, Grant. Culture and Consumption: New Approaches to the Symbolic Character of Consumer Goods and Activities. Bloomington: Indiana University Press, 1988.Google Scholar
McCracken, Scott. Pulp: Reading Popular Fiction. Manchester: Manchester University Press, 1998.Google Scholar
McGann, Jerome J. Don Juan in Context. London: John Murray, 1976.Google Scholar
McGann, Jerome J. “Introduction.” Pelham, or The Adventures of a Gentleman. By Edward Bulwer-Lytton. Lincoln: University of Nebraska Press, 1972. xi–xxv.Google Scholar
McKendrick, Neil, Brewer, John, and Plumb, J. H.. The Birth of a Consumer Society: The Commercialization of Eighteenth-Century England. Bloomington: Indiana University Press, 1982.Google Scholar
McKeon, Michael. The Origins of the English Novel, 1600–1740. Baltimore: Johns Hopkins University Press, 2002.Google Scholar
Mee, Jon. “Barnaby Rudge.” A Companion to Charles Dickens. Ed. Paroissien, David. Somerset, NJ: Wiley Blackwell, 2008. 338–47.Google Scholar
Mee, Jon. Conversable Worlds: Literature, Contention, and Community, 1762–1830. Oxford: Oxford University Press, 2011.Google Scholar
Meisel, Martin. Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England. Princeton: Princeton University Press, 1983.Google Scholar
Michasiw, Kim Ian. “The Social Other: Don Juan and the Genesis of the Self.” Mosaic 22 (1989): 29–48.Google Scholar
Michasiw, Kim Ian. “Barnaby Rudge: The Since of the Fathers.” ELH 56 (1989): 571–92.Google Scholar
Miller, D. A. The Novel and the Police. Berkeley: University of California Press, 1988.Google Scholar
Miller, J. Hillis. Charles Dickens: The World of His Novels. Cambridge, MA: Harvard University Press, 1958.Google Scholar
Miller, Monica L. Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. Durham: Duke University Press, 2009.Google Scholar
Millgate, Jane. Walter Scott: The Making of a Novelist. Toronto: University of Toronto Press, 1984.Google Scholar
Moers, Ellen. The Dandy: Brummell to Beerbohm. London: Secker & Warburg, 1960.Google Scholar
Mole, Tom. Byron’s Romantic Celebrity: Industrial Culture and the Hermeneutic of Intimacy. Basingstoke: Palgrave Macmillan, 2007.Google Scholar
Mole, Tom. What the Victorians Made of Romanticism: Material Artifacts, Cultural Practices, and Reception History. Princeton: Princeton University Press, 2017.Google Scholar
Mole, Tom, ed. Romanticism and Celebrity Culture, 1750–1850. Cambridge: Cambridge University Press, 2009.Google Scholar
Monod, Sylvère. Dickens the Novelist. Norman: University of Oklahoma Press, 1968.Google Scholar
Montwieler, Katherine. “Marketing Sensation: Lady Audley’s Secret and Consumer Culture.” Beyond Sensation: Mary Elizabeth Braddon in Context. Eds. Tromp, Marlene, Gilbert, Pamela K., and Haynie, Aeron. Albany: State University of New York Press, 2000. 43–61.Google Scholar
Moody, Jane. Illegitimate Theatre in London, 1770–1840. Cambridge: Cambridge University Press, 2000.Google Scholar
Moore, Lucy. The Thieves’ Opera: The Mesmerizing Story of Two Notorious Criminals in Eighteenth-Century London. New York: Harcourt Brace, 1997.Google Scholar
Needham, Gwendolyn. “The Undisciplined Heart of David Copperfield.” Nineteenth-Century Fiction 9.2 (1954): 81–107.Google Scholar
Nemesvari, Richard, and Surridge, Lisa. “Introduction.” Aurora Floyd. By Mary Elizabeth Braddon. Peterborough: Broadview Press, 1998. 7–31.Google Scholar
Nicolazzo, Sal. Vagrant Figures: Law, Literature, and the Origins of the Police. New Haven: Yale University Press, 2021.Google Scholar
Noggle, James. The Temporality of Taste in Eighteenth-Century British Writing. Oxford: Oxford University Press, 2012.Google Scholar
North, Michael. Novelty: A History of the New. Chicago: Chicago University Press, 2013.Google Scholar
Oakley, J. W. “The Reform of Honor in Bulwer’s Pelham.” Nineteenth-Century Literature 47 (1992): 49–71.Google Scholar
O’Cinneide, Muireann. Aristocratic Women and the Literary Nation, 1832–1867. Basingstoke: Palgrave, 2008.Google Scholar
Olmsted, John Charles, ed. A Victorian Art of Fiction: Essays on the Novel in British Periodicals, 1830–1850. New York: Garland, 1979; Routledge, 2016.Google Scholar
O’Quinn, Daniel. Entertaining Crisis in the Atlantic Imperium, 1770–1790. Baltimore: Johns Hopkins University Press, 2011.Google Scholar
O’Quinn, Daniel. Staging Governance: Theatrical Imperialism in London, 1770–1800. Baltimore: Johns Hopkins University Press, 2005.Google Scholar
Ortiz-Robles, Mario. “Figure and Affect in Collins.” Textual Practice 24.5 (2010): 841–61.Google Scholar
Parker, Mark. Literary Magazines and British Romanticism. Cambridge: Cambridge University Press, 2006.Google Scholar
Patten, Robert L. George Cruikshank’s Life, Times, and Art. New Brunswick, NJ: Rutgers University Press, 1996.Google Scholar
Penny, Laurie. “The Great English Novel Is Dead. Long Live the Unruly, Upstart Fiction that’s Flourishing Online.” The New Statesman (24 July 2014): n.p.Google Scholar
Pettitt, Clare. Serial Forms: The Unfinished Project of Modernity, 1815–1848. Oxford: Oxford University Press, 2020.Google Scholar
Phillips, Mark Salber. On Historical Distance. New Haven: Yale University Press, 2013.Google Scholar
Poovey, Mary. Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. Chicago: University of Chicago Press, 1988.Google Scholar
Porter, Roy. London: A Social History. London: Penguin, 2000.Google Scholar
Praz, Mario. The Hero in Eclipse in Victorian Fiction. Trans. Angus Davidson. Oxford: Oxford University Press, 1956.Google Scholar
Price, Leah. The Anthology and the Rise of the Novel: From Richardson to George Eliot. Cambridge: Cambridge University Press, 2000.Google Scholar
Pykett, Lyn. The “Improper” Feminine: The Women’s Sensation Novel and the New Woman Writing. London: Routledge, 1995.Google Scholar
Pykett, Lyn. The Nineteenth-Century Sensation Novel. Tavistock: Northcote House, 2011.Google Scholar
Pykett, Lyn. “Sensation and the Fantastic in the Victorian Novel.” The Cambridge Companion to the Victorian Novel. Ed. David, Deirdre. Cambridge: Cambridge University Press, 2001. 192–211.Google Scholar
Rice, Thomas J. “The Politics of Barnaby Rudge.” The Changing World of Charles Dickens. Ed. Giddings, Robert. London: Vision Press, 1983. 51–74.Google Scholar
Richmond, Vivienne. Clothing the Poor in Nineteenth-Century England. Cambridge: Cambridge University Press, 2013.Google Scholar
Rohrbach, Emily. Modernity’s Mist: British Romanticism and the Poetics of Anticipation. New York: Fordham University Press, 2016.Google Scholar
Rosa, Matthew Whiting. The Silver-Fork School: Novels of Fashion Preceding Vanity Fair. New York: Columbia University Press, 1936.Google Scholar
Rose, Jacqueline. “The Cult of Celebrity.” London Review of Books 20.16 (August 1998): 10–13.Google Scholar
Rousseau, G. S. “From Swift to Smollett: The Satirical Tradition in Prose Narrative.” The Columbia History of the British Novel. Ed. Richetti, John. New York: Columbia University Press, 1994. 127–53.Google Scholar
Russell, Gillian. Women, Sociability and Theatre in Georgian London. Cambridge: Cambridge University Press, 2007.Google Scholar
Russell, Gillian, and Tuite, Clara, eds. Romantic Sociability: Social Networks and Literary Culture in Britain, 1770–1840. Cambridge: Cambridge University Press, 2002.Google Scholar
Sadleir, Michael. Bulwer: A Panorama. London: Constable, 1931.Google Scholar
St Clair, William. The Reading Nation in the Romantic Period. Cambridge: Cambridge University Press, 2004.Google Scholar
Salmon, Richard. “Fraser’s Magazine and the Instability of Literary Fashion.” Fashion and Authorship: Literary Production and Cultural Style from the Eighteenth to the Twenty-First Century. Ed. Egan, Gerald. Cham: Palgrave Macmillan, 2020. 129–53.Google Scholar
Schroeder, Natalie. “Feminine Sensationalism, Eroticism, and Self-Assertion: M. E. Braddon and Ouida.” Tulsa Studies in Women’s Literature 7 (1988): 87–103.Google Scholar
Schroeder, Natalie. “Jack Sheppard and Barnaby Rudge: Yet More ‘Humbug’ from a ‘Jolter Head.’” Studies in the Novel 18.1 (1986): 27–35.Google Scholar
Schroeder, Natalie and Schroeder, Ronald. From Sensation to Society: Representations of Marriage in the Fiction of Mary Elizabeth Braddon. Newark: University of Delaware Press, 2006.Google Scholar
Schwartz, Alexandra. “Olivia Laing’s ‘Crudo’ Is Made from the Raw Material of the Present.” The New Yorker (10 September 2018).Google Scholar
Sekora, John. Luxury: The Concept in Western Thought, Eden to Smollett. Baltimore: Johns Hopkins University Press, 1977.Google Scholar
Sen, Sambudha. “Hogarth, Egan, Dickens, and the Making of an Urban Aesthetic.” Representations 103 (2008): 84–106.Google Scholar
Shannon, Brent. The Cut of His Coat: Men, Dress, and Consumer Culture in Britain, 1860–1914. Athens, OH: Ohio University Press, 2006.Google Scholar
“Sheppard, John (Jack).” By Philip Sugden. Oxford Dictionary of National Biography. Online ed. Oxford: Oxford University Press, 2004.Google Scholar
Showalter, Elaine. A Literature of Their Own: British Women Novelists from Brontë to Lessing. Princeton: Princeton University Press, 1977.Google Scholar
Simmel, Georg. On Individuality and Social Forms: Selected Writings. Ed. Levine, Donald N.. Chicago: University of Chicago Press, 1971.Google Scholar
Simmel, Georg. “Fashion.” On Individuality and Social Forms (1904): 294–323.Google Scholar
Simmel, Georg. “The Metropolis and Mental Life.” On Individuality and Social Forms. 324–39.Google Scholar
Simpson, David. Fetishism and Imagination: Dickens, Melville, Conrad. Baltimore: Johns Hopkins University Press, 1982.Google Scholar
Siskin, Clifford. The Work of Writing: Literature and Social Change in Britain, 1700–1830. Baltimore: Johns Hopkins University Press, 1998.Google Scholar
Siskin, Clifford and Warner, William. This Is Enlightenment. Chicago: University of Chicago Press, 2010.Google Scholar
Smith, Chloe Wigston. Women, Work, and Clothes in the Eighteenth-Century Novel. Cambridge: Cambridge University Press, 2013.Google Scholar
Sparks, Tabitha. “Fiction Becomes Her: Representations of Female Character in Mary Braddon’s The Doctor’s Wife.” Beyond Sensation: Mary Elizabeth Braddon in Context. Eds. Tromp, Marlene, Gilbert, Pamela K., and Haynie, Aeron. Albany: State University of New York Press, 2000. 197–209.Google Scholar
Styles, John. The Dress of the People: Everyday Fashion in Eighteenth-Century England. New Haven: Yale University Press, 2007.Google Scholar
Sutherland, John. “Henry Colburn, Publisher.” Publishing History 19 (1986): 59–84.Google Scholar
Taylor, Jenny Bourne. In the Secret Theatre of Home: Wilkie Collins, Sensation Narrative, and Nineteenth-Century Psychology. London: Routledge, 1988.Google Scholar
Thompson, E. P. Customs in Common. New York: New Press, 1993.Google Scholar
Thrift, Nigel. “The Material Practices of Glamour.” Journal of Cultural Economy 1.1 (March 2008): 9–23.Google Scholar
Tillotson, Kathleen. Novels of the Eighteen-Forties. 2nd ed. Oxford: Clarendon Press, 1956.Google Scholar
Treisman, Deborah. “This Week in Fiction: Jennifer Egan.” The New Yorker (25 May 2012).Google Scholar
Tromp, Marlene, Gilbert, Pamela K., and Haynie, Aeron, eds. Beyond Sensation: Mary Elizabeth Braddon in Context. Albany: State University of New York Press, 2000.Google Scholar
Trumpener, Katie. Bardic Nationalism: The Romantic Novel and the British Empire. Princeton: Princeton University Press, 1997.Google Scholar
Tuite, Clara. Byron and Scandalous Celebrity. Cambridge: Cambridge University Press, 2014.Google Scholar
Valenza, Robin. Literature, Language, and the Rise of the Intellectual Disciplines in Britain, 1680–1820. Cambridge: Cambridge University Press, 2009.Google Scholar
Vargo, Lisa. “Lodore and the ‘Novel of Society.’” Women’s Writing 6.3 (1999): 425–40.Google Scholar
Vickery, Amanda. Behind Closed Doors: At Home in Georgian England. New Haven: Yale University Press, 2009.Google Scholar
Vickery, Amanda. The Gentleman’s Daughter: Women’s Lives in Georgian England. New Haven: Yale University Press, 1998.Google Scholar
Von Mücke, Dorothea. “‘To Love a Murderer’ – Fantasy, Sexuality, and the Political Novel.” Cultural Institutions of the Novel. Eds. Lynch, Deidre and Warner, William B.. Durham: Duke University Press, 1996. 306–34.Google Scholar
Wagner, Tamara S. “‘Anything but Business’: Middle-Class Work and Leisure in Catherine Gore’s Silver-Fork Fiction.” Victorians: A Journal of Culture and Literature 137.1 (2020): 1–14.Google Scholar
Wagner, Tamara S. “From Satirized Silver Cutlery to the Allure of the Anti-Domestic in Nineteenth-Century Women’s Writing: Silver-Fork Fiction and Its Literary Legacies.” Women’s Writing 16.2 (2009): 181–90.Google Scholar
Wagner, Tamara S. “Silver-Fork Legacies: Sensationalizing Fashionable Fiction.” Women’s Writing 16.2 (2009): 301–22.Google Scholar
Wahrman, Dror. Imagining the Middle Class: The Political Representation of Class in Britain, c. 1780–1840. Cambridge: Cambridge University Press, 1995.Google Scholar
Warner, Michael. Publics and Counterpublics. New York: Zone, 2005.Google Scholar
Warner, William. Licensing Entertainment: The Elevation of Novel Reading in Britain, 1684–1750. Berkeley: University of California Press, 1998.Google Scholar
Welsh, Alexander. From Copyright to Copperfield: The Identity of Dickens. Cambridge, MA: Harvard University Press, 1987.Google Scholar
Welsh, Alexander. The Hero of the Waverley Novels: With New Essays on Scott. Princeton: Princeton University Press, 1992.Google Scholar
Williams, Raymond. The English Novel from Dickens to Lawrence. London: Chatto & Windus, 1970.Google Scholar
Williams, Raymond. Literature and Marxism. Oxford: Oxford University Press, 1997.Google Scholar
Williams, Raymond. “Forms of English Fiction in 1848.” Writing in Society. London: Verso, 1983. 150–65.Google Scholar
Wilson, Cheryl. Fashioning the Silver Fork Novel. London: Pickering & Chatto, 2012.Google Scholar
Wilson, Elizabeth. Adorned in Dreams: Fashion and Modernity. Revised ed. London: I. B. Taurus, 2003.Google Scholar
Worthington, Heather. “From The Newgate Calendar to Sherlock Holmes.” A Companion to Crime Fiction. Eds. Rzepka, Charles and Horsley, Lee. Chichester: Wiley-Blackwell, 2010. 13–27.Google Scholar
Worthington, Heather. The Rise of the Detective in Early Nineteenth-Century Popular Fiction. Basingstoke: Palgrave Macmillan, 2005.Google Scholar
Wu, Duncan. William Hazlitt: The First Modern Man. Oxford: Oxford University Press, 2010.Google Scholar
Young, Vershawn Ashanti. “Straight Black Queer: Obama, Code-Switching, and the Gender Anxiety of African American Men.” PMLA 129.3 (2014): 464–70.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Lauren Gillingham, University of Ottawa
  • Book: Fashionable Fictions and the Currency of the Nineteenth-Century British Novel
  • Online publication: 11 May 2023
  • Chapter DOI: https://doi.org/10.1017/9781009296540.011
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Lauren Gillingham, University of Ottawa
  • Book: Fashionable Fictions and the Currency of the Nineteenth-Century British Novel
  • Online publication: 11 May 2023
  • Chapter DOI: https://doi.org/10.1017/9781009296540.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Lauren Gillingham, University of Ottawa
  • Book: Fashionable Fictions and the Currency of the Nineteenth-Century British Novel
  • Online publication: 11 May 2023
  • Chapter DOI: https://doi.org/10.1017/9781009296540.011
Available formats
×