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Cambridge Studies in Nineteenth-Century

Literature and Culture

Published online by Cambridge University Press:  05 March 2015

Claire Wood
Claire Wood
Affiliation:
University of York
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Dickens and the Business of Death , pp. 225
Publisher: Cambridge University Press
Print publication year: 2015

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References

Titles published

The Sickroom in Victorian Fiction: The Art of Being IllBailin, Miriam, Washington UniversityGoogle Scholar
Muscular Christianity: Embodying the Victorian Age edited by Hall, Donald E., California State University, NorthridgeGoogle Scholar
Victorian Masculinities: Manhood and Masculine Poetics in Early Victorian Literature and ArtSussman, Herbert, Northeastern University, BostonGoogle Scholar
Byron and the VictoriansElfenbein, Andrew, University of MinnesotaGoogle Scholar
Literature in the Marketplace: Nineteenth-Century British Publishing and the Circulation of Books edited by Jordan, John O., University of California, Santa Cruz and Patten, Robert L., Rice University, HoustonGoogle Scholar
Victorian Photography, Painting and PoetrySmith, Lindsay, University of SussexGoogle Scholar
Charlotte Brontë and Victorian PsychologyShuttleworth, Sally, University of SheffieldGoogle Scholar
The Gothic Body: Sexuality, Materialism and Degeneration at the Fin de SiècleHurley, Kelly, University of Colorado at BoulderGoogle Scholar
Rereading Walter PaterShuter, William F., Eastern Michigan UniversityGoogle Scholar
Remaking Queen Victoria edited by Homans, Margaret, Yale University and Munich, Adrienne, State University of New York, Stony BrookGoogle Scholar
Disease, Desire, and the Body in Victorian Women's Popular NovelsGilbert, Pamela K., University of FloridaGoogle Scholar
Realism, Representation, and the Arts in Nineteenth-Century LiteratureByerly, Alison, Middlebury College, VermontGoogle Scholar
Literary Culture and the PacificSmith, Vanessa, University of SydneyGoogle Scholar
Professional Domesticity in the Victorian Novel Women, Work and HomeCohen, Monica F.Google Scholar
Victorian Renovations of the Novel: Narrative Annexes and the Boundaries of RepresentationKeen, Suzanne, Washington and Lee University, VirginiaGoogle Scholar
Actresses on the Victorian Stage: Feminine Performance and the Galatea MythMarshall, Gail, University of LeedsGoogle Scholar
Death and the Mother from Dickens to Freud: Victorian Fiction and the Anxiety of OriginDever, Carolyn, Vanderbilt University, TennesseeGoogle Scholar
Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations from Edgeworth to HardyGilmartin, Sophie, Royal Holloway, University of LondonGoogle Scholar
Dickens, Novel Reading, and the Victorian Popular TheatreVlock, DeborahGoogle Scholar
After Dickens: Reading, Adaptation, and PerformanceGlavin, John, Georgetown University, Washington D CGoogle Scholar
Victorian Women Writers, and the Woman Question edited by Thompson, Nicola Diane, Kingston University, LondonGoogle Scholar
Rhythm and Will in Victorian PoetryCampbell, Matthew, University of SheffieldGoogle Scholar
Gender, Race, and the Writing of Empire: Public Discourse and the Boer WarKrebs, Paula M., Wheaton College, MassachusettsGoogle Scholar
Ruskin's GodWheeler, Michael, University of SouthamptonGoogle Scholar
Dickens and the Daughter of the HouseSchor, Hilary M., University of Southern CaliforniaGoogle Scholar
Detective Fiction and the Rise of Forensic ScienceThomas, Ronald R., Trinity College, Hartford, ConnecticutGoogle Scholar
Testimony and Advocacy in Victorian Law, Literature, and TheologySchramm, Jan-Melissa, Trinity Hall, CambridgeGoogle Scholar
Victorian Writing about Risk: Imagining a Safe England in a Dangerous WorldFreedgood, Elaine, University of PennsylvaniaGoogle Scholar
Physiognomy and the Meaning of Expression in Nineteenth-Century CultureHartley, Lucy, University of SouthamptonGoogle Scholar
The Victorian Parlour: A Cultural StudyLogan, Thad, Rice University, HoustonGoogle Scholar
Aestheticism and Sexual Parody 1840–1940Denisoff, Dennis, Ryerson University, TorontoGoogle Scholar
Literature, Technology, and Magical Thinking, 1880–1920Thurschwell, Pamela, University College LondonGoogle Scholar
Fairies in Nineteenth-Century Art and LiteratureBown, Nicola, Birkbeck, University of LondonGoogle Scholar
George Eliot and the British EmpireHenry, Nancy, The State University of New York, BinghamtonGoogle Scholar
Women's Poetry and Religion in Victorian England: Jewish Identity and Christian CultureScheinberg, Cynthia, Mills College, CaliforniaGoogle Scholar
Victorian Literature and the Anorexic BodySilver, Anna Krugovoy, Mercer University, GeorgiaGoogle Scholar
Eavesdropping in the Novel from Austen to ProustGaylin, Ann, Yale UniversityGoogle Scholar
Missionary Writing and Empire, 1800–1860Johnston, Anna, University of TasmaniaGoogle Scholar
London and the Culture of Homosexuality, 1885–1914Cook, Matt, Keele UniversityGoogle Scholar
Fiction, Famine, and the Rise of Economics in Victorian Britain and IrelandBigelow, Gordon, Rhodes College, TennesseeGoogle Scholar
Gender and the Victorian PeriodicalFraser, Hilary, Birkbeck, University of LondonJohnston, Judith and Green, Stephanie, University of Western AustraliaGoogle Scholar
The Victorian Supernatural edited by Bown, Nicola, Birkbeck College, LondonBurdett, Carolyn, London Metropolitan University and Thurschwell, Pamela, University College LondonGoogle Scholar
The Indian Mutiny and the British ImaginationChakravarty, Gautam, University of DelhiGoogle Scholar
The Revolution in Popular Literature: Print, Politics, and the PeopleHaywood, Ian, Roehampton University of SurreyGoogle Scholar
Science in the Nineteenth-Century Periodical: Reading the Magazine of NatureCantor, Geoffrey, University of LeedsDawson, Gowan, University of LeicesterGooday, Graeme, University of LeedsNoakes, Richard, University of CambridgeShuttleworth, Sally, University of Sheffield and Topham, Jonathan R., University of LeedsGoogle Scholar
Literature and Medicine in Nineteenth-Century Britain from Mary Shelley to George EliotCaldwell, Janis McLarren, Wake Forest UniversityGoogle Scholar
The Child Writer from Austen to Woolf edited by Alexander, Christine, University of New South Wales and McMaster, Juliet, University of AlbertaGoogle Scholar
From Dickens to Dracula: Gothic, Economics, and Victorian FictionHouston, Gail Turley, University of New MexicoGoogle Scholar
Voice and the Victorian StorytellerKreilkamp, Ivan, University of IndianaGoogle Scholar
Charles Darwin and Victorian Visual CultureSmith, Jonathan, University of Michigan–DearbornGoogle Scholar
Catholicism, Sexual Deviance, and Victorian Gothic CultureO'Malley, Patrick R., Georgetown UniversityGoogle Scholar
Epic and Empire in Nineteenth-Century BritainDentith, Simon, University of GloucestershireGoogle Scholar
Victorian Honeymoons: Journeys to the ConjugalMichie, Helena, Rice UniversityGoogle Scholar
The Jewess in Nineteenth-Century British Literary CultureValman, Nadia, University of SouthamptonGoogle Scholar
Ireland, India and Nationalism in Nineteenth-Century LiteratureWright, Julia, Dalhousie UniversityGoogle Scholar
Dickens and the Popular Radical ImaginationLedger, Sally, Birkbeck, University of LondonGoogle Scholar
Darwin, Literature and Victorian RespectabilityDawson, Gowan, University of LeicesterGoogle Scholar
‘Michael Field’: Poetry, Aestheticism, and the Fin de SiècleThain, Marion, University of BirminghamGoogle Scholar
Colonies, Cults and Evolution: Literature, Science, and Culture in Nineteenth-Century WritingAmigoni, David, Keele UniversityGoogle Scholar
Realism, Photography, and Nineteenth-Century FictionNovak, Daniel A., Lousiana State UniversityGoogle Scholar
Caribbean Culture and British Fiction in the Atlantic World, 1780–1870Watson, Tim, University of MiamiGoogle Scholar
The Poetry of Chartism: Aesthetics, Politics, HistorySanders, Michael, University of ManchesterGoogle Scholar
Literature and Dance in Nineteenth-Century Britain: Jane Austen to the New WomanWilson, Cheryl, Indiana UniversityGoogle Scholar
Shakespeare and Victorian WomenMarshall, Gail, Oxford Brookes UniversityGoogle Scholar
The Tragi-Comedy of Victorian FatherhoodSanders, Valerie, University of HullGoogle Scholar
Darwin and the Memory of the Human: Evolution, Savages, and South AmericaSchmitt, Cannon, University of TorontoGoogle Scholar
From Sketch to Novel: The Development of Victorian FictionGarcha, Amanpal, Ohio State UniversityGoogle Scholar
The Crimean War and the British ImaginationMarkovits, Stefanie, Yale UniversityGoogle Scholar
Shock, Memory and the Unconscious in Victorian FictionMatus, Jill L., University of TorontoGoogle Scholar
Sensation and Modernity in the 1860sDaly, Nicholas, University College DublinGoogle Scholar
Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and ScienceSmajić, Srdjan, Furman UniversityGoogle Scholar
Satire in an Age of RealismMatz, Aaron, Scripps College, CaliforniaGoogle Scholar
Thinking About Other People in Nineteenth-Century British WritingPinch, Adela, University of MichiganGoogle Scholar
Tuberculosis and the Victorian Literary ImaginationByrne, Katherine, University of Ulster, ColeraineGoogle Scholar
Urban Realism and the Cosmopolitan Imagination in the Nineteenth Century: Visible City, Invisible WorldAgathocleous, Tanya, Hunter College, City University of New YorkGoogle Scholar
Women, Literature, and the Domesticated Landscape: England's Disciples of Flora, 1780–1870Page, Judith W., University of FloridaSmith, Elise L., Millsaps College, MississippiGoogle Scholar
Time and the Moment in Victorian Literature and SocietyZemka, Sue, University of ColoradoGoogle Scholar
Popular Fiction and Brain Science in the Late Nineteenth CenturyStiles, Anne, Washington State UniversityGoogle Scholar
Picturing Reform in Victorian BritainCarlisle, Janice, Yale UniversityGoogle Scholar
Atonement and Self-Sacrifice in Nineteenth-Century NarrativeSchramm, Jan-Melissa, University of CambridgeGoogle Scholar
The Silver Fork Novel: Fashionable Fiction in the Age of ReformCopeland, Edward, Pomona College, CaliforniaGoogle Scholar
Oscar Wilde and Ancient GreeceRoss, Iain, Colchester Royal Grammar SchoolGoogle Scholar
The Poetry of Victorian Scientists: Style, Science and NonsenseBrown, Daniel, University of SouthamptonGoogle Scholar
Moral Authority, Men of Science, and the Victorian NovelDeWitt, Anne, Princeton Writing ProgramGoogle Scholar
China and the Victorian Imagination: Empires EntwinedForman, Ross G., University of WarwickGoogle Scholar
Dickens's StyleTyler, Daniel, University of OxfordGoogle Scholar
The Formation of the Victorian Literary ProfessionSalmon, Richard, University of LeedsGoogle Scholar
Before George Eliot: Marian Evans and the Periodical PressDillane, Fionnuala, University College DublinGoogle Scholar
The Victorian Novel and the Space of Art: Fictional Form on DisplayGilmore, Dehn, California Institute of TechnologyGoogle Scholar
George Eliot and Money: Economics, Ethics, and LiteratureColeman, Dermot, Independent ScholarGoogle Scholar
Masculinity and the New Imperialism: Rewriting Manhood in British Popular Literature, 1870–1914Deane, Bradley, University of MinnesotaGoogle Scholar
Evolution and Victorian Culture edited by Lightman, Bernard, York University, Toronto and Zon, Bennett, University of DurhamGoogle Scholar
Victorian Literature, Energy, and the Ecological ImaginationMacDuffie, Allen, University of Texas, AustinGoogle Scholar
Popular Literature, Authorship, and the Occult in Late Victorian BritainMcCann, Andrew, Dartmouth College, New HampshireGoogle Scholar
Women Writing Art History in the Nineteenth Century: Looking Like a WomanFraser, HilaryBirkbeck College, University of LondonGoogle Scholar
Relics of Death in Victorian Literature and CultureLutz, Deborah, Long Island University, C. W. Post CampusGoogle Scholar
The Demographic Imagination and the Nineteenth-Century City: Paris, London, New YorkDaly, Nicolas, School of English, Drama and Film, University College DublinGoogle Scholar
Dickens and the Business of DeathWood, Claire, University of YorkGoogle Scholar

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