Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-02T22:41:31.775Z Has data issue: false hasContentIssue false

17 - Between Louis and Ludwig: from the culture of French power to the power of German culture, c. 1789–1848

Published online by Cambridge University Press:  17 July 2009

Emma L. Winter
Affiliation:
Assistant Professor of Eighteenth Columbia University
Hamish Scott
Affiliation:
University of St Andrews, Scotland
Brendan Simms
Affiliation:
University of Cambridge
Get access

Summary

In his award-winning study of old regime culture, The Culture of Power and the Power of Culture, Tim Blanning shows how the representational culture that had dominated the European cultural scene for the best part of a century, was progressively eroded by the rise of the public sphere. In this essay, I shall attempt to take Blanning's treatment of European culture beyond the momentous watershed of 1789, by extending it through the revolutionary and Napoleonic period into the restoration era, which was brought to a close by the return of revolution to the continent in 1848. To this end, I want to suggest that if the eighteenth century was dominated by the culture of French power, then the first half of the nineteenth was dominated by the power of German culture.

If the culture of French power had been synonymous with the name Louis XIV and Versailles, the power of German culture was bound to that of Ludwig I of Bavaria and his capital, Munich. Between 1825 and 1848, this ‘artist king’ transformed Bavaria into the ‘kingdom of art’. As one contemporary observer explained:

When the art-loving prince ascended the throne in the year 1825, there were no more significant buildings in Munich than the breweries. The old Bavarian was born, drank beer and then passed away. Foreigners came to Munich – whose art treasures were at that time limited to the designs on its beer tankards – mostly by accident or driven by desperate thirst. Then King Ludwig waved his mighty wand, and with one great magic stroke, a new life emerged in sluggish Bavaria. Ancient temples for the sacred objects of art rose up from the ground, magnificent churches next to them, streets upon streets appeared, statues were placed in public squares, the call was sent out to painters, scholars and poets.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×