Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-03T05:06:25.767Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  24 August 2023

Alexander Nagel
Affiliation:
Smithsonian Institution, Washington DC
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abbate, Lia. 1994. “Wall Paintings from a Neo-Assyrian Building at Til Barsib.” Abr-Nahrain 32: 716.Google Scholar
Abbe, Mark. 2015. “Polychromy.” In The Oxford Handbook of Roman Sculpture, edited by Friedland, Elise and Sobocinski, Melanie Grunow with Gazda, Elaine, 173–88. Oxford: Oxford University Press.Google Scholar
Abdali, Negar. 2018. “Glazed Artefacts in Elam and North-Western Iran: A Common Technology?” In Elam and Its Neighbours. Recent Research and New Perspectives, edited by Mofidi-Nasrabadi, Behzad, Prechel, Doris, and Pruss, Alexander, 155–68. Hildesheim: Verlag Franzbecker.Google Scholar
Abdi, Kamyar. 1994. “One Hundred and Thirty Years of Excavations at Susa.” [in Persian] Mirâs-e farhangi 12: 87106.Google Scholar
Abdi, Kamyar. 2001. “Nationalism, Politics and the Development of Archaeology in Iran.” American Journal of Archaeology 105 (1): 5176.CrossRefGoogle Scholar
Abdi, Kamyar. 2002. “Notes on the Iranianization of Bes in the Achaemenid Empire.” In “Medes and Persians: Reflections on Elusive Empires,” edited by Root, Margaret Cool. Ars Orientalis 32: 133–62.Google Scholar
Abdi, Kamyar, Zareh, S., Sallehi, H., and Baghai, H.. 2009. “The State of Preservation of the Site of Susa.” [in Persian] Bastanpazhuhi (Archaeognosy): Persian Journal of Iranian Studies (Archaeology) 2009: 829.Google Scholar
Abkai Khavari, Manijeh. 2000. Das Bild des Königs in der Sasanidenzeit: Schriftliche Überlieferungen im Vergleich mit Antiquaria. Hildesheim: Verlag Franzbecker.Google Scholar
Adachi, Takuro. 2008. “Achaemenid and Post-Achaemenid Objects from TB 75, TB 130 and the General Survey.” In Tang-e Bolaghi. The Iran-Japan Archaeological Project for the Sivand Dam Salvage Area, edited by Tsuneki, Akira and Zeidi, Mohsen, 123–31. Tsukuba: University of Tsukuba.Google Scholar
Adler, Cyrus. 1895. “Two Persepolitan Casts in the U.S. National Museum.” Annual Report of the Board of Regents of the Smithsonian Institution, 749–53. Washington, DC: Smithsonian Institution.Google Scholar
Adornato, Gianfranco, Falaschi, Eva, and Poggio, Alessandro, eds. 2019. Pittori, tecniche, trattati, contesti tra testimonianze e ricezione. Archeologia e arte antica. Milano: LED Edizioni.Google Scholar
Affonso, M. 1996. “Lapis Lazuli aus Afghanistan und Chile. Ein Einblick in Geschichte und Geologie.” Metalla 3 (2): 7182.Google Scholar
Aggelakopoulou, Eleni and Bakolas, Asterios. 2022. “What Were the Colors of the Parthenon? Investigation of the Entablature’s Cornice Blocks.” Journal of Archaeological Science 140: 118. https://doi.org/10.1016/j.jas.2022.105553CrossRefGoogle Scholar
Aggelakopoulou, Eleni, Sotiropoulou, Sophia, and Karagiannis, Georgios. 2022. “Architectural Polychromy on the Athenian Acropolis: An In Situ Non-Invasive Analytical Investigation of the Colour Remains.” Heritage 5 (2): 756–87. https://doi.org/10.3390/heritage5020042CrossRefGoogle Scholar
Agnew, Neville and Bridgland, Janet, eds. 2006. Of the Past, for the Future: Integrating Archaeology and Conservation. Proceedings of the Conservation Theme at the 5th World Archaeological Congress, Washington, DC 22–26 June 2003. Los Angeles: Getty Conservation Institute.Google Scholar
Ahmadinezhad, Sahar, Sansonetti, Antonio, Pane, Andrea, and Biondelli, Danilo. 2020. “Study of Decay Patterns and Damage Assessment of the Achaemenian Rock-Reliefs of Naqsh-e Rustam.” In Monument Future: Decay and Conservation of Stone. Proceedings of The 14th International Congress on the Deterioration and Conservation of Stone, edited by Siegesmund, Siegfried and Middendorf, Bernhard, 71–6. Halle: Mitteldeutscher Verlag.Google Scholar
Albenda, Pauline. 1986. The Palace of Sargon, King of Assyria. Monumental Wall Reliefs at Dur-Sharrukin, from Original Drawings Made at the Time of Their Discovery in 1843–44 by Botta and Flandin. Paris: Editions Recherche sur les Civilisations.Google Scholar
Albenda, Pauline. 2005. Ornamental Wall Painting in the Art of the Assyrian Empire. Leiden: Brill.Google Scholar
Alcala, Ronald. 2015. “Babylon Revisited: Reestablishing a Corps of Specialists for the Protection of Cultural Property in Armed Conflict.” Harvard National Security Journal 6: 206–54.Google Scholar
Aldenhoven, C. 1896. “Farbige Gipse.” Die Nation 13: 200–2.Google Scholar
Alexander, James E. 1827. Travels from India to England: Comprehending a Visit to the Burman Empire, and a Journey through Persia, Asia Minor, European Turkey, etc. in the Years 1825–26. London: Parbury, Allen & Co.Google Scholar
Aliani, F., Ali Alirezaei, A. Moradian, , and Abbaslo, Z.. 2009. “Geochemistry and Petrography of the Meiduk Porphyry Copper Deposit, Kerman, Iran.” Australian Journal of Basic and Applied Sciences 3 (4): 3786–800.Google Scholar
Aliatis, I., Bersani, D., Campani, E., Casoli, A., Lottici, P. P., Mantovan, S., Marino, I.-G., and Ospitali, F.. 2009. “Green Pigments of the Pompeian Artist’s Palette.” Spectrochimica Acta Part A 73: 532–8.Google Scholar
Aliatis, I., Bersani, D., Campani, E., Casoli, A., Lottici, P. P., Mantovan, S., and Marino, I.-G.. 2010. “Pigments Used in Roman Wall Paintings in the Vesuvian Area.” Journal of Raman Spectroscopy 41 (11): 1537–42. https://doi.org/10.1002/jrs.2701CrossRefGoogle Scholar
Alibaigi, Sajjad and Rezaei, Iraj. 2018. “Bikni, Bit-tabti, and uqnu: Searching for Toponymns an Terms mentioned in Neo-Assyrian texts.” Journal of Near Eastern Studies 77.1: 15–30.Google Scholar
Alizadeh, Abbas. 2017. “Colossal Bull Head.” In Highlights of the Collections of the Oriental Institute Museum, edited by Evans, Jean, Green, Jack, and Teeter, Emily, 137. Chicago: The Oriental Institute.Google Scholar
Allen, Lindsay. 2005. The Persian Empire. A History. Chicago: University of Chicago Press.Google Scholar
Allen, Lindsay. 2007. “‘Chilminar sive Persepolis’: European Reception of a Persian Ruin.” In Persian Responses: Political and Cultural Interaction with(in) the Achaemenid Empire, edited by Tuplin, Christopher, 313–42. Swansea: Classical Press of Wales.Google Scholar
Allen, Lindsay. 2009. “The Persepolis Diaspora in North American Museums. From Architecture to Art.” Unpublished presentation at the Annual Meeting of the American Schools of Oriental Research, New Orleans, LA.Google Scholar
Allen, Lindsay. 2013. “From Silence: A Persepolis Relief in the Victoria and Albert Museum.” V and A Online Journal no. 5. www.vam.ac.uk/content/journals/research-journal/issue-no.-5-2013/from-silence-a-persepolis-relief-in-the-victoria-and-albert-museum/Google Scholar
Allen, Lindsay. 2016. “The Greatest Enterprise: Arthur Upham Pope, Persepolis and Achaemenid Antiquities.” In Arthur Upham Pope and a New Survey of Persian Art, edited by Kadoi, Yuka, 127–68. Leiden: Brill.Google Scholar
Allen, Lindsay and Carey, Moya. 2021. “Éminences grises: Emergent Antiquities in Seventeenth-Century Iran.” In Afterlives of Ancient Rock-Cut Monuments in the Near East, edited by Ben-Dov, Jonathan and Rojas, Felipe, 272344. Leiden: Brill.Google Scholar
Aloiz, Emily, Douglas, Janet, and Nagel, Alexander. 2016. “Painted Plaster and Glazed Brick Fragments from Achaemenid Pasargadae and Persepolis, Iran.” Heritage Science 4 (3). https://doi.org/10.1186/s40494-016-0072-7Google Scholar
Alvarez-Mon, Javier. 2005. “Aspects of Elamite Wall Painting: New Evidence from Kabnak (Haft Tappeh).” Iranica Antiqua 40: 149–64.Google Scholar
Alvarez-Mon, Javier. 2009a. “The Introduction of Cotton in the Near East: A View from Elam.” In Draya Tya haca Pars aitiy: Essays on the Archaeology and History of the Persian Gulf Littoral, edited by Abdi, Kamyar, 117. Oxford: Archaeopress.Google Scholar
Alvarez-Mon, Javier. 2009b. “Notes on the ‘Elamite’ Garment of Cyrus the Great.The Antiquaries Journal 89: 2134.Google Scholar
Alvarez-Mon, Javier. 2010. The Arjān Tomb: At the Crossroads of the Elamite and the Persian Empires. Leuven: Peeters.Google Scholar
Alvarez-Mon, Javier. 2012. “Braids of Glory: Art and Culture of the Elamite Highlands.” In Susa and Elam. Archaeological, Philological, Historical and Geographical Perspectives, edited by de Graef, Katrien and Tavernier, Jan, 207–48. Leiden: Brill.Google Scholar
Alvarez-Mon, Javier. 2021. “Elamite Traditions.” In A Companion to the Achaemenid Persian Empire, edited by Jacobs, Bruno and Rollinger, Robert, 389402. Hoboken, NJ: Wiley.CrossRefGoogle Scholar
Alvarez-Mon, Javier, Basello, Gian-Pietro, and Wicks, Yasmina, eds. 2018. The Elamite World. London: Routledge.Google Scholar
Alvarez-Mon, Javier and Garrison, Mark, eds. 2011. Elam and Persia. Winona Lake, IN: Eisenbrauns.Google Scholar
Amadori, Maria Letizia, Mohammadamin Emami, Paolo Pallante, , and Fermo, Paola. 2017. “Micro-Invasive Investigations on Bricks and Glazed Bricks from Tol-e Ajori.” In From Palace to Town: Report on the Multidisciplinary Project Carried Out by the Iranian-Italian Joint Archaeological Mission on the Persepolis Terrace (Fars, Iran), 2008–2013, edited by Askari Chaverdi, Alireza and Callieri, Pierfrancesco, 59110. Rome: BraDypUS Communicating Cultural Heritage.Google Scholar
Amadori, Maria Letizia, Vagnini, Manuela, Vivani, Riccardo, Anselmi, Chiara, Askari Chaverdi, Alireza, Callieri, Pierfrancesco, Martin, Emad, and Mengaci, Valeria. 2021. “Advances in Characterization of Colourful Residues Unearthed in Persepolis West Craft Zone Using Microscopic and Spectroscopic Techniques.Microchemical Journal 167 (August). https://doi.org/10.1016/j.microc.2021.106304Google Scholar
Amanat, Abbas. 2011. “Court Patronage and Public Space. Abu l’Hasan Sani al-Mulk and the Art of Persianizing the Other in Qajar Iran.” In Court Cultures in the Muslim World: Seventh to Nineteenth Centuries, edited by Fuess, Albrecht and Hartung, Jan-Peter, 408–44. London: Routledge.Google Scholar
Ambers, Janet and Simpson, St John. 2005. “Some Pigment Identifications for Objects from Persepolis.” ARTA 2005 (2): 113. http://www.achemenet.com/ressources/enligne/arta/pdf/2005.002-Ambers-Simpson.pdfGoogle Scholar
Amiet, Pierre. 1972. “Les ivoires achéménides de Suse.” Syria 49: 167–91, 319–37.Google Scholar
Amiet, Pierre. 2013. “Decorative Arts at Susa during the Persian Period.” In The Palace of Darius at Susa: The Great Royal Residence of Achaemenid Persia, edited by Perrot, Jean, 330–46. London: I. B. Tauris.Google Scholar
Amiet, Pierre, Chevalier, Nicole, and Carter, Elizabeth. 1992. “Susa in the Ancient Near East.” In The Royal City of Susa. Ancient Near Eastern Treasures in the Louvre, edited by Harper, Prudence O., Aruz, Joan, and Tallon, Francoise, 124. New York: Metropolitan Museum of Art.Google Scholar
Aminpur, B. 2006. “Archaeogeophysics and Magnetometry Survey in Ancient Sites around Persepolis.” [in Persian] Bastanpazhuhi (Archaeognosy): Persian Journal of Iranian Studies (Archaeology) 1: 1821.Google Scholar
Aminzadeh, Behnaz and Samani, Firuzeh. 2006. “Identifying the Boundaries of the Historical Site of Persepolis Using Remote Sensing.” Remote Sensing of Environment 102: 5262.Google Scholar
Aminzadeh, S. 2004. “An Examination of the Unfinished Tomb at Persepolis and Some Suggestions for Its Restoration According to Other Restored Achaemenid Tombs.” [in Persian] Parsa 1 (1): 120.Google Scholar
Amrhein, Anastasia, Fitzgerald, Clare, and Knott, Elizabeth, eds. 2019. A Wonder to Behold: Craftsmanship and the Creation of Babylon’s Ishtar Gate. Princeton, NJ: Princeton University Press.Google Scholar
Andrae, Walter. 1923. Farbige Keramik aus Assur und ihre Vorstufen in altassyrischen Wandmalereien. Berlin: Scarabeus-Verlag.Google Scholar
André-Salvini, Béatrice. 2013. “The Palace Decoration of Susa in the Louvre.” In The Palace of Darius at Susa. The Great Royal Residence of Achaemenid Persia, edited by Perrot, Jean, 296300. London: I. B. Tauris.Google Scholar
André-Salvini, Béatrice and Borbon, Michel. 2000. “Le décor en briques polychromes du palais de Darius Ier à Suse dans les collections du Louvre.Coré. Conservation et restauration du patrimoine culturel 9 (November): 1626.Google Scholar
Anonymous. 1854a. “The Crystal Palace, Sydenham. The Crystal Palace and Its Influence on the Arts.” The Civil Engineer and Architects Journal 17 (244): 241–6.Google Scholar
Anonymous. 1854b. “School of Sculpture at Sydenham.” The Art Journal (London): 256–9.Google Scholar
Anonymous. 1855. “Review of the Nineveh Court.” The London Quarterly Review (April): 157–83.Google Scholar
Anonymous. 1874. An Inventory of Plaster Casts in Various Styles, Including the Antique and the Renaissance, Acquired by the South Kensington Museum. London: Victoria and Albert Museum.Google Scholar
Anonymous. 1892. “Casts from Sculptures at Persepolis.” The London Times (September 9): 5.Google Scholar
Anonymous, ed. 1998. Regards sur la Perse antique à l’occasion des expositions à l’Église Saint-Cyran du Blanc (Indre) et au Musée d’Argentomagus à Saint-Marcel (Indre) du 21 juin au 20 septembre 1998. Le Blanc, Saint-Marcel: Amis de la Bibliothèque municipale du Blanc; Musée d’Argentomagus.Google Scholar
Antonini, Sabina. 2012. South Arabian Art. Art History in Pre-Islamic Yemen. Paris: De Boccard.Google Scholar
Aoki, Shigeo, Taniguchi, Yoko, Rickerby, Stephen, Mori, Michiyo, Kijima, Takayasu, Bomin, Su, and Kirino, Fumiyoshi, eds. 2021. Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road. Dordrecht: Cultural Heritage Science.Google Scholar
Appolonia, L., Radicati, B., Piccirillo, A., and Chatel, V.. 2008. “La Materia e i Colori.” In Nisa Partica. Ricerche nel complesso monumentale Arsacide, edited by Invernizzi, Antonio and Lippolis, Carlo, 197209. Florence: Le Lettere.Google Scholar
Ardalan, Nader. 1974. “Color in Safavid Architecture: The Poetic Diffusion of Light.” Iranian Studies 7: 164–78.Google Scholar
Ardestani, N. 2004. “An Examination on the Detrimental Effects Resulted from Usage of Concrete Mortar on the Stone Monuments at Persepolis.” [in Persian] Parsa 1 (1): 8896.Google Scholar
Arfaee, Abdolmajid. 2008a. “The Geographical Background of the Persepolis Tablets.” PhD diss. University of Chicago. ProQuest (AAT 3300414).Google Scholar
Arfaee, Abdolmajid. 2008b. Persepolis Fortification Tablets. Tehran.Google Scholar
Arfaee, Abdolmajid. 2008c. “PT 10a, collated and completed.” ARTA 2008 (1): 18. www.achemenet.com/pdf/arta/2008.001-Arfai.pdfGoogle Scholar
Arnold, Thomas. 1965. Painting in Islam. A Study of the Place of Pictorial Art in Muslim Culture. With a new introduction by B. W. Robinson. New York: Dover Publications.Google Scholar
Askari Chaverdi, Alireza and Callieri, Pierfrancesco. 2012. “The Activities of the Iranian–Italian Joint Archaeological Mission at Persepolis West (Fars, Iran). First Results of the Studies on the Pottery of Achaemenid and Post-Achaemenid Age.” In Persepolis and Its Settlements. Proceedings of the Conference Held in Viterbo, 16–17th December 2010, edited by Basello, Gian-Pietro and Rossi, Adriano, 100–22. Naples: Università di Napoli “L’Orientale.”Google Scholar
Askari Chaverdi, Alireza and Callieri, Pierfrancesco. 2015. “In Search of the Elusive Town of Persepolis. A Preliminary Report on the Activities of the Iranian-Italian Joint Archaeological Mission in Fars, Iran.” In Studies on the Iranian World. Vol. 1, Before Islam, edited by Krasnowolska, Anna and Rusek-Kowalska, Renata, 239–51. Krakow: Jagiellonian University Press.Google Scholar
Askari Chaverdi, Alireza and Callieri, Pierfrancesco. eds. 2017a. Persepolis West (Fars, Iran): Report on the Field Work Carried out by the Iranian-Italian Joint Archaeological Mission in 2008–2009. London: British Archaeological Reports.Google Scholar
Askari Chaverdi, Alireza and Callieri, Pierfrancesco. eds. 2017b. From Palace to Town: Report on the Multidisciplinary Project Carried Out by the Iranian-Italian Joint Archaeological Mission on the Persepolis Terrace (Fars, Iran), 2008–2013. Rome: BraDypUS Communicating Cultural Heritage.Google Scholar
Askari Chaverdi, Alireza, Callieri, Pierfrancesco, and Gondet, Sébastien. 2013. “Tol-e Ajori, a New Monumental Building in Parsa: Preliminary Cross Interpretations from Recent Surveys and Excavations Works around Persepolis (2005–2012).” ARTA 2013 (6). www.achemenet.com/pdf/arta/ARTA_2013.006-Askari-Callieri-Gondet.pdfGoogle Scholar
Askari Chaverdi, Alireza, Callieri, Pierfrancesco, and Matin, Emad. 2014. “Tol-e ajori: A Monumental Gate of the Early Achaemenian Period in the Persepolis Area. The 2014 Excavation Season of the Iranian-Italian Project‚ From Palace to Town.’Archäologische Mitteilungen aus Iran und Turan 46: 223–54.Google Scholar
Askari Chaverdi, Alireza, Callieri, Pierfrancesco, and Matin, Emad. 2017. “The Monumental Gate at Tol-e Ajori, Persepolis (Fars). New Archaeological Data.” Iranica Antiqua 52: 205–58.Google Scholar
Askari Chaverdi, Alireza, Callieri, Pierfrancesco, Tabasso, Marisa Laurenzi, and Lazzarini, Lorenzo. 2016. “The Archaeological Site of Persepolis (Iran): Study of the Finishing Technique of the Bas-Reliefs and Architectural Surfaces.” Archaeometry 58 (1): 1734.Google Scholar
Athenaios (=Athenaeus of Naucratis), . The Deipnosophists. With an English translation by C. B. Gulick. Cambridge, MA: Loeb Classical Library.Google Scholar
Aufrère, Sydney. 1991. L’univers minéral dans la pensée égyptienne. Cairo: Institut français d’archéologie orientale.Google Scholar
Aufrère, Sydney. 2001. “The Egyptian Temple, Substitute for the Mineral Universe.” In Colour and Painting in Ancient Egypt, edited by Davies, Vivian W., 158–63. London: British Museum Press.Google Scholar
Augusti, Selim. 1967. I colori pompeiani. Rome: De Luca.Google Scholar
Azarpay, Guitty. 1981. Sogdian Painting. Berkeley: University of California Press.Google Scholar
Babaie, Susan. 2008. Isfahan and Its Palaces: Statecraft, Shi’ism and the Architecture of Conviviality in Early Modern Iran. Edinburgh: Edinburgh University Press.Google Scholar
Bachmann, Hans-Gert and Csyzsk, Wolfgang. 1977. “Das Grab eines römischen Malers aus Nida-Heddernheim.Germania 55: 85107.Google Scholar
Bahrani, Zainab. 2006. “Babylon: A Case Study in the Military Occupation of an Archaeological Site.” In Of the Past, for the Future: Integrating Archaeology and Conservation, Proceedings of the Conservation Theme at the 5th World Archaeological Congress, Washington, DC 22–26 June 2003, edited by Neville, Agnew and Bridgland, Janet, 240–6. Los Angeles: Getty Conservation Institute.Google Scholar
Bahrani, Zainab. 2008. “The Battle for Babylon.” In The Destruction of Cultural Heritage in Iraq. edited by Stone, Peter and Bajjali, Joanne Farchakh, 165–71. Melton: Boydell Press.Google Scholar
Bahrani, Zainab. 2010. Archaeology and the Strategies of War.” In Cultural Cleansing in Iraq, edited by Baker, Raymond, Ismael, Shereen, and Ismael, Tareq, 6781. London: Pluto Press.Google Scholar
Bahrani, Zainab. 2017. Art of Mesopotamia. London: Thames & Hudson.Google Scholar
Bahrani, Zainab, Celik, Zeynep, and Eldem, Edhem, eds. 2011. Scramble for the Past: A Story of Archaeology in the Ottoman Empire, 1753–1914. Istanbul: Salt/Garanti Kültür A.S.Google Scholar
Baines, John. 1985. “Colour Terminology and Colour Classification: Ancient Egyptian Colour Terminology and Polychromy.American Anthropologist 87: 282–97.Google Scholar
Baker, Raymond, Ismael, Shereen, and Ismael, Tareq, eds. 2010. Cultural Cleansing in Iraq. Why Museums Were Looted, Libraries Burned, and Academics Murdered. London: Pluto Press.Google Scholar
Balatti, Silvia. 2019. “Kleider fuer den Grosskoenig. Fabrikation und Umlauf von Textilien am Hof der Achaemeniden.” In Gaben, Waren und Tribute, edited by Wagner-Hasel, Beate and Nosch, Marie-Louise, 93116. Stuttgart: Franz Steiner Verlag.Google Scholar
Balcer, Jack M. 1978. “Alexander’s Burning of Persepolis.” Iranica Antiqua 13: 119–33.Google Scholar
Balcer, Jack M. 1991. “Erich Friedrich Schmidt, 13 September 1897–3 October 1964.In Sancisi-Weerdenburg and Drijvers 1991, 147–72.Google Scholar
Barbotin, Christophe. 2014. “Couleur, matériau et lumière: la pensée chromatique dans l’Égypte ancienne.” In “Thérapéia. Polychromie et restauration de la sculpture dans l’Antiquité,” special volume, edited by Bourgouis, Brigitte. Technè no. 40: 23–9.Google Scholar
Bareš, Ladislav and Smoláriková, Květa. 1999. The Shaft Tomb of Udjahorresnet at Abusir. Abusir IV. Prague: Czech Institute of Egyptology.Google Scholar
Barnett, Richard D. 1957. “Persepolis.” Iraq 19: 5577.Google Scholar
Basello, Gian-Pietro. 2012. “Doorknobs, Nails or Pegs? The Function(s) of the Elamite and Achaemenid Inscribed Knobs.” In Persepolis and Its Settlements. Proceedings of the Conference Held in Viterbo, 16–17th December 2010, edited by Basello, Gian-Pietro and Rossi, Adriano, 166. Naples: Università di Napoli “L’Orientale.”Google Scholar
Basello, Gian-Pietro. 2017. “Two New Fragments of Cuneiform Inscriptions on Glazed Bricks from the Iranian-Italian Excavations at Tol-e Ajori (Fars).” Iranica Antiqua 52: 259–81.Google Scholar
Basello, Gian-Pietro. 2018. “Administrative Topography in Comparison: Overlapping Jurisdiction between the Susa Acropole Tablets and the Persepolis Fortification Tablets.” In Topography and Toponymy in the Ancient Near East. Perspectives and Prospects, edited by Tavernier, Jan, Gorris, Elynn, Abraham, Kathleen, and Boschloos, Vanessa, 217–66. Leuven: Peeters.Google Scholar
Basello, Gian-Pietro and Rossi, Adriano, eds. 2012. Persepolis and Its Settlements. Proceedings of the Conference held in Viterbo, 16–17th December 2010. Naples: Università di Napoli “L’Orientale.”Google Scholar
Batchelor, David. 2000. Chromophobia. London: Reaktion Books.Google Scholar
Battesti, Teresa. 2011. “Lumière de gloire et royauté en Iran.” In Regalia. Emblèmes et rites du pouvoir, edited by Vadé, Yves and Dupaigne, Bernard, 165–86. Paris: L’Harmattan.Google Scholar
Bauer, Johannes and Geominy, Winfried. 2000. Gips nicht mehr. Abgüsse als letzte Zeugen antiker Kunst. Bonn: Akademisches Kunstmuseum.Google Scholar
Bazin, D. and Hübner, H. 1969. “Copper Deposits in Iran.” Report 13. Tehran: Geological Survey of Iran.Google Scholar
Bazljou, M. 2004a. “A Review of the History of Modernism-Based Conservation and Restoration.” [in Persian] Parsa 1 (1): 6473.Google Scholar
Bazljou, M. 2004b. “An Introduction to Designing of Stone Strengthening and Upkeeping Systems at Persepolis.” [in Persian] Parsa 1 (1): 7487.Google Scholar
Béarat, Hamdallah, Fuchs, Michel, Maggetti, Marino, and Paunier, Daniel, eds. 1997. Roman Wall Painting: Materials, Techniques, Analysis and Conservation. Proceedings of the International Workshop at Fribourg, 7–9 March 1996. Fribourg: University of Fribourg.Google Scholar
Becker, Hilary. 2020. “Grading for Colour: Pliny’s Hierarchy of Pigment Quality.” In The Nature of Art: Pliny the Elder on Materials, edited by Anguissola, Anna and Grüner, Andreas, 194200. Turnhout: Brepols.Google Scholar
Becker, Hilary. 2021. “Color Technology and Trade.” In Cultural History of Color, edited by Wharton, David, 3548. London: Bloomsbury.Google Scholar
Bellmer, Elizabeth. 1999. “The Statesman and Ophthalmologist: Gladstone and Magnus on the Evolution of Human Colour Vision, One Small Episode of the 19th Century Darwinian Debate.” Annals of Science 56: 2545.Google Scholar
Benoit, Agnes. 2004. “Susa.” In Persiens Antike Pracht. Bergbau, Handwerk, Archäologie, edited by Stöllner, Thomas, Slotta, Rainer, and Vatandoust, Abdolrasool, 178–93. Bochum: Deutsches Bergbau-Museum.Google Scholar
Benveniste, Émile. 1951. “Une inscription perse achéménide du Cabinet des médailles.” Journal Asiatique 239: 261–73.Google Scholar
Benvenuto, Maria Carmela. 2019. “Iranian Color Terms in Aramaic Documents from Ancient Bactria,” In Iranian Studies in Honour of Adriano V. Rossi, edited by Badalkhan, Sabir, Basello, Gian-Pietro, and De Chiara, Matteo, 97-110. Naples: Università di Napoli “L’Orientale.”Google Scholar
Berchtold, M. 1987. “Gipsabgüsse und Original. Ein Beitrag zur Geschichte von Werturteilung.” PhD diss., Universität Stuttgart.Google Scholar
Berlin, Brent and Kay, Paul. 1969. Basic Color Terms; Their Universality and Evolution. Berkeley: University of California Press.Google Scholar
Berman, Lawrence with Bohac, Kenneth. 1999. The Cleveland Museum of Art. Catalogue of Egyptian Art. Cleveland: Cleveland Museum of Art.Google Scholar
Besnard, Tiphaine-Annabelle. 2019. “Un Revival haut en couleur! (Re)présenter la polychromie antique dans la sculpture contemporaine.” In Restituer les couleurs. Le rôle de la restitution dans les recherches sur la polychromie, en sculpture, architecture et peinture murale. Actes du colloque 29-30 novembre et 1er décembre 2017, edited by Mulliez, Maud, 219–25. Bordeaux: Ausonius éditions.Google Scholar
Bewer, Francesca. 2010. A Laboratory for Art: Harvard’s Fogg Museum and the Emergence of Conservation in America, 1900–1950. Cambridge, MA: Harvard Art Museum; New Haven, CT: Yale University Press.Google Scholar
Bille, Mikkel and Sørensen, Tim Flohr. 2007. “An Anthropology of Luminosity. The Agency of Light.” Journal of Material Culture 12: 263–84.Google Scholar
Billerbeck, Adolf. 1893. Susa. Eine Studie zur alten Geschichte Westasiens. Leipzig: .J. C. Hinrichs.Google Scholar
Billot, Marie-Françoise. 1982. “Recherches aux XVIIIe et XIXe siècles sur la polychromie de l’architecture grecque.” In Paris-Rome-Athènes. Le voyage en Grèce des architectes français aux XIX et XX siècles (exhibition catalogue), 61125. Paris: Ecole nationale supérieure des Beaux-Arts.Google Scholar
Binandeh, Ali, Kargar, Bahman, and Khanmohamadi, Behruz. 2017. “Mannaean Art: Some Glazed Bricks from Qalaichi, Iran.” Aula Orientalis 35 (2): 213–22.Google Scholar
Biscontin, Guido and Volpin, Stefano, eds. 1990. Superfici dell’architettura: le finiture. Atti del convegno di studi. Bressanone 20–29 giugno. Padua: Libreria Progetto Editore.Google Scholar
Bissing, Friedrich Wilhelm, von. 1898. “Zur Polychromie altägyptischer Skulptur.” Recueil de travaux relatifs à la philologie et à l’archéologie égyptiennes et assyriennes 20: 120–4.Google Scholar
Blänsdorf, Catharina. 2005. “Neue Untersuchungen zur Farbigkeit der Terrakottaarmee: Knieende Bogenschützen und Musterborten der Offiziere.” In Jahresbericht 2004. Erprobung und Optimierung von Konservierungstechnologien für Kunst- und Kulturgüter der Provinz Shaanxi, VR China, 819. Hanover: Technische Informationsbibliothek u. Universitätsbibliothek.Google Scholar
Blänsdorf, Catharina. 2008. “Die Farbrekonstruktionen zweier Krieger der Terrakottaarmee des ersten chinesischen Kaisers.” In Begegnung in Bunt. Farbfassungen antiker chinesischer und griechischer Plastik im Vergleich; Sonderausstellung des Museums für Abgüsse Klassischer Bildwerke München anlässlich der XXIX. Olympischen Spiele in Peking, 18. Juni bis 29. August 2008, edited by Kader, Ingeborg, 941. Munich: Museum für Abgüsse Klassischer Bildwerke.Google Scholar
Blänsdorf, Catharina. 2021. “Materials and Techniques of the Polychromy of the Giant Buddha Statues in Bamiyan.” In Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road, edited by Aoki, Shigeo, Taniguchi, Yoko, Rickerby, Stephen, Mori, Michiyo, Kijima, Takayasu, Bomin, Su, and Kirino, Fumiyoshi, 157–76. Durdrecht: Springer.Google Scholar
Blänsdorf, Catharina, Emmerling, Erwin, and Petzet, Michael, eds. 2001. The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor. Munich: Bayerisches Landesamt für Denkmalpfleg.Google Scholar
Blanc, C. 1867. Grammaire des arts du dessin. Paris: Librairie Renouard. Translated by K. Newell Doggett as The Grammar of Painting and Engraving (Chicago: S.C. Griggs and Co., 1891).Google Scholar
Bloedow, Edmund and Loube, Heather. 1997. “Alexander the Great ‘under Fire’ in Persepolis.” Klio 79: 341–53.Google Scholar
Blom-Böer, Ingrid. 1994. “Zusammensetzung altägyptischer Farbpigmente und ihre Herkunfts-lagerstätten in Zeit und Raum.” Oudheidkundige Mededelingen uit het Rijksmuseum van Oudheden 74: 55107.Google Scholar
Blom-Böer, Ingrid. 2020. “The Composition of the Colour Palette and the Socio-Economic Role of Pigments Used in Egyptian Painting.” In The Value of Colour. Material and Economic Aspects in the Ancient World, edited by Thavapalan, Shiyanthi and Warburton, David, 231–55. Berlin: Excellence Cluster Topoi.Google Scholar
Bloom, Jonathan and Blair, Sheila, eds. 2011. And Diverse Are Their Hues. Color in Islamic Art and Culture. New Haven, CT: Yale University Press.Google Scholar
Blum, Hartmut. 1998. Purpur als Statussymbol in der griechischen Welt. Bonn: R. Habelt.Google Scholar
Blume, Clarissa. 2015. Polychromie hellenistischer Skulptur: Ausführung, Instandhaltung und Botschaften. Petersberg: Michael Imhof Verlag.Google Scholar
Blume-Jung, Clarissa. 2020. “Ganosis and Kosmesis in Pliny’s Natural History. On the Polishing of Marble Sculptures with Wax.” In The Nature of Art: Pliny the Elder on Materials, edited by Anguissola, Anna and Grüner, Andreas, 100–11. Turnhout: Brepols.Google Scholar
Blume-Jung, Clarissa. 2021. “The Polychromy of Palmyrene Portraits: Workmen and Colouration.” In Production Economy in Greater Roman Syria: Trade Networks and Production Processes, edited by Raja, Rubina and Steding, Julia, 3348. Turnhout: Brepols.Google Scholar
Blümner, Heinrich. 1912. Technologie und Terminologie der Gewerbe und Künste bei Griechen und Römern. 4 vols. Leipzig: B. G. Teubner. Reprint, Hildesheim: Georg Olms, 1969.Google Scholar
Boardman, John. 1959. “Chian and Early Ionic Architecture.” The Antiquaries’ Journal 39: 170218.Google Scholar
Bohrer, Frederick. 2003. Orientalism and Visual Culture: Imagining Mesopotamia in Nineteenth-Century Europe. Cambridge: Cambridge University Press.Google Scholar
Boldrick, Stacey, Park, David, and Williamson, Paul. 2002. Wonder: Painted Sculpture from Medieval England. Leeds: Henry Moore Institute.Google Scholar
Bollati, Ariela. 2008. “Le sculture in argilla cruda dipinta.” In Nisa Partica. Ricerche nel complesso monumentale Arsacide, edited by Invernizzi, Antonio and Lippolis, Carlo, 167–96. Florence: Le Lettere.Google Scholar
Bomford, David and Leonard, Mark, eds. 2004. Issues in the Conservation of Paintings. Los Angeles: Getty Conservation Institute.Google Scholar
Bonaduce, Ilaria, Blänsdorf, Catharina, Dietemann, Patrick, and Colombini, Maria Perla. 2008. “The Binding Media of the Polychromy of Qin Shihuang’s Terracotta Army.” Journal of Cultural Heritage 9 (1): 103–8. https://doi.org/10.1016/j.culher.2007.08.002Google Scholar
Bonomi, Joseph. 1853. Nineveh and Its Palaces. The Discoveries of Botta and Layard, Applied to the Elucidation of Holy Writ. London: Ingram, Cooke & Co.Google Scholar
Borg, Alexander, ed. 1999. The Language of Color in the Mediterranean: An Anthology on Linguistic and Ethnographic Aspects of Color Terms. Stockholm: Almqvist & Wiksell International.Google Scholar
Botta, Paul-Émile. 1843. “Lettres de M. Botta sur ses découvertes près de Ninive.Journal Asiatique 4 (2): 6172, 201–14 and 4 (3): 91–103, 424–35.Google Scholar
Botta, Paul-Émile. 1844. “Lettres de M. Botta sur ses découvertes près de Ninive.” Journal Asiatique 4 (4): 301–14.Google Scholar
Botta, Paul-Émile and Flandin, Eugène. 1846–50. Monument de Ninive. 5 vols. Paris: Imprimerie nationale.Google Scholar
Bötticher, K. 1872. Erklärendes Verzeichnis der Abgüsse antiker Werke im königlichen Museum zu Berlin. 2nd ed. Berlin: Königliche Museen zu Berlin Abtheilung für Gypsabgüsse.Google Scholar
Boucharlat, Rémy. 2001. “The Palace and the Royal Achaemenid City: Two Case Studies: Pasargadae and Susa.” In The Royal Palace Institution in the First Millennium bc. Regional Development and Cultural Interchange between East and West, edited by Nielsen, Inge, 113–23. Athens: Danish Institute at Athens.Google Scholar
Boucharlat, Rémy. 2013. “Other Works of Darius and His Successors.” In The Palace of Darius at Susa: The Great Royal Residence of Achaemenid Persia, edited by Perrot, Jean, 359408. London: I. B. Tauris.Google Scholar
Boucharlat, Rémy. 2019. “Decors de stucs dans les residences Sassanides en Iran. Recente decouvertes.” In Stucs d’Orient. Traditions orientales et cultures hellénisées, edited by Dentzer-Feydy, Jacqueline, Guimier-Sorbets, Anne-Marie, and Delplace, Christiane, 351–66. Beirut: Presses de l’Ifpo.Google Scholar
Boucharlat, Rémy. 2020. “Arriving at Persepolis, an Unfortified Royal Residence.” In The Art of Empire in Achaemenid Persia: Studies in Honour of Margaret Cool Root (Achaemenid History 16), edited by Dusinberre, Elspeth, Garrison, Mark, and Henkelman, Wouter F., 4171. Leiden: Netherlands Institute for the Near East.Google Scholar
Boucharlat, Rémy. 2021. “Persia (including Khuzestan)” In A Companion to the Achaemenid Persian Empire, edited by Jacobs, Bruno and Rollinger, Robert, 189212. Hoboken, NJ: Wiley.Google Scholar
Bourgeois, Brigitte. 2008. “Un peuple d’ombres.” Quatremère de Quincy et les couleurs de l’antiquité, au Louvre, vers 1800. Techné nos. 27–28: 161–8.Google Scholar
Bourgeois, Brigitte. 2012. “Marbre blanc, taches de couleur. Polychromie et restauration de la sculpture grecque.” In La Restauration des Peintures et des Sculptures: Connaissance et Reconnaissance de l’Oeuvre, edited by Kairis, Pierre-Yves, Sarrazin, Béatrice and Trémolières, François, 2542. Paris: Armand Colin.Google Scholar
Bourgeois, Brigitte. ed. 2014a. “Thérapéia. Polychromie et restauration de la sculpture dans l’Antiquité.” Technè no. 40 (special volume).Google Scholar
Bourgeois, Brigitte. 2014b. “Thérapéia. Taking Care of Colour in Hellenistic Greece.” In Transformations. Classical Sculpture in Colour, edited by Østergaard, Jan Stubbe and Nielsen, Anne Marie, 190207. Copenhagen: Ny Carlsberg Glyptotek.Google Scholar
Bourgeois, Brigitte and de Lapérouse, Jean-François. 1992. “Conservation Report.” In The Royal City of Susa. Ancient Near Eastern Treasures in the Louvre, edited by Harper, Prudence O., Aruz, Joan, and Tallon, F., 281–6. New York: Metropolitan Museum of Art.Google Scholar
Bourgeois, Brigitte and Jockey, Philippe. 2001. “Approches nouvelles de la polychromie des sculptures hellénistiques de Délos.” Comptes rendus de l’Académie des Inscriptions et belles lettres (January–March): 629–5.Google Scholar
Bourgeois, Brigitte and Jockey, Philippe. 2003. “Le geste et la couleur stratégies de mise en couleurs de la sculpture hellénistique de Délos. Bulletin archéologique du Comité des Travaux Historiques et Scientifiques 30: 6577.Google Scholar
Bourgeois, Brigitte and Jockey, Philippe. 2010. “The Polychromy of Hellenistic Marble Sculpture in Delos.” In Circumlitio. The Polychromy of Antique and Medieval Sculpture, edited by Brinkmann, Vinzenz, Primavesi, Oliver, and Hollein, Max, 224–39. Munich: Hirmer Verlag.Google Scholar
Bourgeois, Brigitte, Jockey, Philippe, Brekoulaki, Hariclia, and Karydas, Andreas. 2007. “Le marbre, l’or et la couleur: nouveaux regards sur la polychromie de la sculpture hellénistique de Délos.” In Peinture et couleur dans le monde grec antique. Actes de colloque, Musée du Louvre, 10 et 27 mars 2004, edited by Descamps-Lequime, Sophie, 163–91. Paris: Musée du Louvre.Google Scholar
Bovon, Ann. 1963. “La représentation des guerriers perses et la notion de barbare dans le la première moitié du Ve siècle. Bulletin de Correspondance Hellénique 87: 579602.Google Scholar
Bracci, Susanna, Giachi, Gianna, Liverani, Paolo, Pallecchi, Pasquino, and Paolucci, Fabrizio, eds. 2018. Polychromy in Ancient Sculpture and Architecture. Livorno: Sillabe.Google Scholar
Braenne, Jan. 2009. “Layers of Misunderstanding:’ The Challenge of Understanding, Interpreting and Organizing the Results from Architectural Paint Research.” In Architectural Finishes in the Built Environment, edited by Jablonski, Mary and Matsen, Catherine, 113–22. London: Archetype Publications.Google Scholar
Bradley, Mark. 2009. Colour and Meaning in Ancient Rome. Cambridge: Cambridge University Press.Google Scholar
Brajer, Isabelle, ed. 2013. Conservation in the Nineteenth Century. London: Archetype Publications.Google Scholar
Brandi, Cesare. 1963. Teoria del restauro. Rome: Edizioni di storia e litteratura.Google Scholar
Bregnhoi, Line and Christensen, Mads C.. 2009. “Paint Research, Interpretation and Communication.” In Architectural Finishes in the Built Environment, edited by Jablonski, Mary and Matsen, Catherine, 8796. London: Archetype Publications.Google Scholar
Brekoulaki, Hariclia. 2000. “Sur la techné de la peinture grecque ancienne d’après les monuments funéraires de Macédoine.” Bulletin de Correspondance Hellénique 124: 189216.Google Scholar
Brekoulaki, Hariclia. 2006a. “La peinture funéraire de Macédoine.” In Rois, cités, nécropoles: institutions, rites et monuments en Macédoine. Actes des colloques de Nanterre, décembre 2002 et d’Athènes, janvier 2004, edited by Guimier-Sorbets, Anne-Marie, Hatzopoulos, Miltiade B., and Morizot, Yvette, 4761. Paris: Diffusion de Boccard.Google Scholar
Brekoulaki, Hariclia. 2006b. La peinture funéraire de Macédoine. Emplois et fonctions de la couleur 4.–2. siècles avec bc. 2 vols. Paris: Diffusion de Boccard.Google Scholar
Brekoulaki, Hariclia. 2010. “A Scientific Investigation on the Painted Decoration of the Tomb of the Palmettes.” In Das Palmettengrab in Lefkadia, edited by Rhomiopoulou, Katerina and Schmidt-Dounas, Barbara, 102–18. Mainz: Zabern.Google Scholar
Brekoulaki, Hariclia. 2011. “Painting in the Macedonian Court.” In Heracles to Alexander the Great: Treasures from the Royal Capital of Macedon, A Hellenic Kingdom in the Age of Democracy, edited by Kottaridi, Angeliki and Walker, Susan, 209–18. Oxford: Ashmolean Museum.Google Scholar
Brekoulaki, Hariclia. 2014. “Precious Colours in Ancient Greek Painting and Polychromy: Material Aspects and Symbolic Values. Révue Archéologique 2014 (1): 136.Google Scholar
Brekoulaki, Hariclia. 2015. “Greek Painting and the Challenge of Mimesis.” In A Companion to Ancient Aesthetics, edited by Destrée, Pierre and Murray, Penelope, 218–36. Hoboken, NJ: Wiley.Google Scholar
Brekoulaki, Hariclia. 2016. “Greek Interior Decoration: Materials and Technology in the Art of Cosmesis and Display.” In A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, edited by Irby, Georgia, 672–92. Hoboken, NJ: Wiley.Google Scholar
Brekoulaki, Hariclia. 2021. “Greek Painters’ Techniques and Colors.” In The Painters of Pompeii: Roman Frescoes from the National Archaeological Museum of Naples, edited by Grimaldi, Mario, 32–5. Rome: MondoMostre.Google Scholar
Brekoulaki, Hariclia, Sotiropoulou, Sophia, Katsifas, Christos, Karydas, Andreas G., and Kantarelou, Vicky. 2014. “A Microcosm of Colour and Shine. The Polychromy of Chryselephantine Couches from Ancient Macedonia.” Techné 40: 9––22.Google Scholar
Brenner, Athalya. 1982. “Colour Terms in the Old Testament.” Journal for the Study of the Old Testament, suppl. ser. 21.Google Scholar
Brenner, Athalya. 1989. “Colours in the Bible.” In Encyclopedia of the Bible, edited by Hoffmann, Y., 120–5 [in Hebrew]. Tel Aviv: Massada.Google Scholar
Brenner, Athalya. 1999. “On Color and the Sacred in the Hebrew Bible.” In The Language of Color in the Mediterranean: An Anthology on Linguistic and Ethnographic Aspects of Color Terms, edited by Borg, Alexander, 200–7. Stockholm: Almqvist & Wiksell International.Google Scholar
Briant, Pierre. 1988. “Le nomadisme du grand roi.” Iranica Antiqua 23: 253–73.Google Scholar
Briant, Pierre. 2001. Bulletin d’Histoire Achéménide II (1997–2000). Paris: Thotm.Google Scholar
Briant, Pierre. 2002. From Cyrus to Alexander. A History of the Persian Empire. Translated by P. T. Daniels. Winona Lake, IN: Eisenbrauns.Google Scholar
Briant, Pierre. 2013. “Susa and Elam in the Achaemenid Empire.” In The Palace of Darius at Susa: The Great Royal Residence of Achaemenid Persia, edited by Perrot, Jean, 348. London: I. B. Tauris.Google Scholar
Briant, Pierre. 2018. From Cyrus to Seleukos. Studies in Achaemenid and Hellenistic History. Irvine: University of California Irvine Jordan Center for Persian Studies.Google Scholar
Briant, Pierre. 2020. “The Discovery of Persepolis in the 18th Century: Accounts of Travelers and the ‘érudits de cabinet.’” In The Art of Empire in Achaemenid Persia: Studies in Honour of Margaret Cool Root, Achaemenid History 16, edited by Dusinberre, Elspeth, Garrison, Mark, and Henkelman, Wouter F., 539. Leiden: Netherlands Institute for the Near East.Google Scholar
Briant, Pierre. 2019. “Peut-on parler d’art perse? Les interprétations de Georges Perrot et Charles Chipiez (1890) dans le contexte de leur élaboration.” In Das Weltreich der Perser Rezeption – Aneignung – Verargumentierung, edited by Ruffing, Kai, Rollinger, Robert, Louise Thomas, 67–80. Wiesbaden: Harrassowitz.Google Scholar
Briant, Pierre and Boucharlat, Rémy, eds. 2005. L’archéologie de l’empire achémenide: Nouvelles recherches. Actes du colloque organisé au Collège de France par le Réseau international d’études et de recherches achéménides, 21–23 novembre 2003. Persika 6. Paris: De Boccard.Google Scholar
Pierre, Briant, Henkelman, Wouter F., and Stolper, Matthew W., eds. 2008. L’archive des fortifications de Persépolis. État des questions et perspectives de recherches. Actes du colloque organisé au Collège de France, 3–4 novembre 2006. Persika 12. Paris: De Boccard.Google Scholar
Briant, Pierre and Joannès, Francis, eds. 2006. La transition entre l’empire achéménide et les royaumes hellénistiques. Persika 9. Paris: De Boccard.Google Scholar
Brinkmann, Vinzenz. 2003. Die Polychromie der archaischen und frühklassischen Skulptur. Munich: Biering & Brinkmann.Google Scholar
Brinkmann, Vinzenz. 2007. “The Blue Eyes of the Persians: The Colored Sculpture of the Time of Alexander and the Hellenistic Period.” In Bunte Götter: Die Farbigkeit antiker Skulptur. Eine Ausstellung der Staatlichen Antikensammlungen und Glyptothek München, 16. Dezember 2003 bis 29. Februar 2004, 15. Juni–5. September 2004, edited by Brinkmann, Vinzenz and Wünsche, Raimund, 150–67. Munich: Staatliche Antikensammlungen und Glyptothe.Google Scholar
Brinkmann, Vinzenz. ed. 2008. Bunte Götter: Die Farbigkeit antiker Skulptur. Eine Ausstellung der Liebieghaus Skulpturensammlung, Frankfurt am Main in Kooperation mit der Stiftung Archäologie, München, 8. Oktober 2008–15. Februar 2009. Frankfurt: Liebieghaus Skulpturensammlung.Google Scholar
Brinkmann, Vinzenz. 2015. “The Life of Ancient Statues.” In Defining Beauty: The Body in Ancient Greek Art, edited by Jenkins, Ian, 30–9. London: British Museum.Google Scholar
Brinkmann, Vinzenz, Dreyfus, Renée, and Koch-Brinkmann, Ulrike, eds. 2017. Gods in Color. Polychromy in the Ancient World. Munich: Prestel; San Francisco: Fine Arts Museums of San Francisco.Google Scholar
Brinkmann, Vinzenz and Koch-Brinkmann, Ulrike, eds. 2020. “‘Mehr Glanz’ Die Rolle des Goldes in der griechischen und roemischen Statuenpolychromie,” In Bunte Götter. Die Farben der Antike, golden ed., 128–35. Munich: Prestel.Google Scholar
Brinkmann, Vinzenz and Wünsche, Raimund, eds. 2004. Bunte Götter: Die Farbigkeit antiker Skulptur. Eine Ausstellung der Staatlichen Antikensammlungen und Glyptothek München, 16. Dezember 2003 bis 29. Februar 2004, 15. Juni–5. September 2004. Munich: Staatliche Antikensammlungen und Glyptothek.Google Scholar
Brinkmann, Vinzenz and Wünsche, Raimund, eds. 2007. Color of Gods: Painted Sculpture of Classical Antiquity. Munich: Prestel.Google Scholar
Brodrick, Anne. 1993. “Painting Techniques of Early Medieval Sculpture.” In Romanesque Sculpture from Medieval England, edited by Norton, Christopher, Heywood, Ben, Bowness, Alan, and Hopper, Robert, 1827. Leeds: Henry Moore Institute.Google Scholar
Brodrick, Anne. 2001. “Medieval Painterly Techniques on Monuments.” In Monuments. Proceedings of the Joint Forum for Conservation Issues, 1521. London: n.p.Google Scholar
Bronk, Heike, Röhrs, Stefan, Bjeoumikhov, Alexej, Langhoff, Norbert, Schmalz, Jürgen, Wedell, Reiner, Gorny, Hans-Eberhard, Herold, Andreas, and Waldschläger, Ulrich. 2001. “ArtTAX®: A New Mobile Spectrometer for Energy Dispersive Micro X-Ray Fluorescence Spectrometry on Art and Archaeological Objects.FreseniusJournal of Analytical Chemistry 371: 307–16.Google Scholar
Brøns, Cecilie. 2017. “Sacred Colours. Purple in Greek Sanctuaries in the Second Half of the 1st Millennium bc.” In Treasures from the Sea, edited by Meo, Francesco and Enegren, Hedvig Landenius, 109–17. Oxford: Oxbow Books.Google Scholar
Brøns, Cecilie. 2020. “Reconstructing Ancient Polychromy: The Beauty of Palmyra.” Journal of Eastern Mediterranean Archaeological Heritage Studies 8: 141–58.Google Scholar
Brøns, Cecilie, Rasmussen, Kaare Lund, Lluveras, Anna, di Crescenzo, Marta Melchiorre, and Rebecca, Stacey. 2018. “Painting the Palace of Apries I: Binding Media and Coatings.” Heritage Science 6 (6). https://10.1186/s40494-018-0170-9Google Scholar
Brøns, Cecilie, Stenger, Jens, Bredal-Jørgensen, Jørn, Di Gianvincenzo, Fabiana, and Ørsted Brandt, Luise. 2022. “Palmyrene Polychromy: Investigations of Funerary Portraits from Palmyra in the Collections of the Ny Carlsberg Glyptotek, Copenhagen.” In “Polychromy in Ancient Sculpture and Architecture,” special issue, edited by Dyer, Joanne. Heritage 5 (2): 11991239.Google Scholar
Brooks, Alison, Yellen, John, Potts, Richard, Behrensmeyer, Anna K., Deino, Alan L., Leslie, David E., Ambrose, Stanley H., Ferguson, Jeffrey R., d’Errico, Francesco, Zipkin, Andrew M., Whittaker, Scott, Post, Jeffrey, Veatch, Elizabeth G., Foecke, Kimberly, and Clark, Jennifer B.. 2018. “Long-Distance Stone Transport and Pigment Use in the Earliest Middle Stone Age.” Science 360, 90–4.Google Scholar
Brosius, Maria. 1998. Women in Ancient Persia, 559–331 bc. Oxford: Clarendon Press.Google Scholar
Brosius, Maria. 2007. “New out of Old: Court and Court Ceremony in Achaemenid Persia.” In The Court and Court Society in Ancient Monarchies, edited by Spawforth, Anthony, 1757. Cambridge: Cambridge University Press.Google Scholar
Brosius, Maria. 2021. A History of Ancient Persia: The Achaemenid Empire. Hoboken, NJ: Wiley.Google Scholar
Brown, Brian and Feldman, Marian, eds. 2014. Critical Approaches to Ancient Near Eastern Art. Boston: De Gruyter.Google Scholar
Bruijn, Cornelis De. 1720. Travels into Muscovy, Persia, and Part of the East-Indies. London: A. Bettesworth.Google Scholar
Brunn, Heinrich. 1887. Beschreibung der Glyptothek König Ludwig’s I. zu München. 5th ed. Munich: Buchholz.Google Scholar
Bruquetas Galán, Rocío. 2008. “La obtención de pigmentos azules para las obras de Filipe II: Comercio europeo y Americano.” In 2nd International Symposium Art Technological Source Research: Towards a New Discipline, 5563. Madrid: Universidad Complutense de Madrid, Museo Nacional Reina Sofía.Google Scholar
Bryan, Betsy. 2001. “Painting Techniques and Artisan Organization in the Tomb of Suemniwet, Theban Tomb 92.” In Colour and Painting in Ancient Egypt, edited by Davies, Vivian W., 6372. London: British Museum Press.Google Scholar
Bryan, Betsy. 2010. “Pharaonic Painting through the New Kingdom.” In Companion to Ancient Egypt, edited by Lloyd, Alan B., 9901007. Chichester: Wiley-Blackwell.Google Scholar
Bryan, Betsy. 2018. “The ABC’s of Painting in the Mid-Eighteenth Dynasty Terminology and Social Meaning.” In Essays for the Library of Seshat. Studies Presented to Janet Johnson on the Occasion of Her 70th Birthday, edited by Ritner, Robert, 129. Chicago: The Oriental Institute.Google Scholar
Buckingham, James. 1829. Travels in Assyria, Media and Persia, Including a Journey from Bagdad by Mount Zagros … Vol. 1. London: Colburn.Google Scholar
Buisson, Nathalie, Burlot, Delphine, Eristov, Helene, Myriam Eveno, , and Sarkis, N. 2015. “The Tomb of the Three Brothers in Palmyra: The Use of Mimetite, a Rare Yellow Pigment, in a Rich Decoration.” Archaeometry 57 (6): 1025–44.Google Scholar
Burchardt, Max. 1911. “Datierte Denkmäler der Berliner Sammlung aus der Achämenidenzeit.” Zeitschrift für Ägyptische Sprache und Altertumskunde 49: 6980.Google Scholar
Burford, Alison. 1972. Craftsmen in Greek and Roman Society. London: Thames & Hudson.Google Scholar
Grossman, Burnett, Janet, Jerry Podany, and True, Marion, eds. 2003. History of Restoration of Ancient Stone Sculptures. Los Angeles: J. Paul Getty Museum.Google Scholar
Burnouf, E. 1847. “Le Parthenon.” Revue des deux mondes 20: 835–53.Google Scholar
Bush, Olga. 2009. “The Writing on the Wall. Reading the Decoration of the Alhambra.” Muqarnas 26: 119–48.Google Scholar
Bush, Olga. 2011. “Designs Always Polychromed or Gilded. The Aesthetics of Color in the Alhambra.” In And Diverse Are Their Hues. Color in Islamic Art and Culture, edited by Bloom, Jonathan and Blair, Sheila, 5275. New Haven, CT: Yale University Press.Google Scholar
Bush, Olga. 2021. “Color and Geometry in the Alhambra and What Got Lost in the Alhambresque.” In “Geometry and Color. Decoding the Arts of Islam in the West from the Mid-19th to the Early 20th Century” (special volume), edited by Gianfreda, Sandra, Giese, Francine, Langer, Axel and Braga, Ariane Varela. Manazir Journal 3: 1329.Google Scholar
Cage, John. 1993. Color and Culture: Practice and Meaning from Antiquity to Abstraction. Boston: Little, Brown and Co.Google Scholar
Cahill, Nicholas. 1985. “The Treasury at Persepolis: Gift-Giving at the City of the Persians.American Journal of Archaeology 89: 373–89.Google Scholar
Caley, Earle. 1946. “Ancient Greek Pigments.” Journal of Chemical Education 23: 314–6.Google Scholar
Callieri, Pierfrancesco 2003. “Some Notes on the So-Called Temple of the Fratarakas at Persepolis.” In Studi in onore di Umberto Scerrato per il suo settantacinquesimo compleanno., edited by Fontana, Maria and Genito, Bruno, 153–65. Naples: Università di Napoli “L’Orientale.”Google Scholar
Calmeyer, Peter. 1976 and 1984. “Persönliche Krone und Diadem.Archäologische Mitteilungen aus Iran n.s. 9: 4595; 10: 191–5.Google Scholar
Calmeyer, Peter. 1980. “Textual Sources for the Interpretation of Achaemenian Palace Decorations.” Iran 18: 5563.Google Scholar
Calmeyer, Peter. 1981. “Figürliche Fragmente aus Pasargadae nach Zeichnungen E. Herzfelds.Archäologische Mitteilungen aus Iran. n.s. 14: 2744.Google Scholar
Calmeyer, Peter. 1989. “Zur Genese altiranischer Motive: Die elamisch-persische Tracht.” Archäologische Mitteilungen aus Iran. n.s. 21: 2753.Google Scholar
Calmeyer, Peter. 1990. “Das Persepolis der Spätzeit.” In Centre and Periphery. Proceedings of the Groningen 1986 Achaemenid History Workshop, edited by Sancisi-Weerdenburg, Heleen and Kuhrt, Amélie, 736. Leiden: Netherlands Institute for the Near East.Google Scholar
Calmeyer, Peter. 1991. “Die blauen Schuhe.Archäologische Mitteilungen aus Iran n.s. 24: 133.Google Scholar
Calmeyer, Peter. 2009. Die Reliefs der Gräber V und VI in Persepolis. Mainz: Zabern.Google Scholar
Cameron, George. 1948. Persepolis Treasury Tablets. Oriental Institute Publications 65. Chicago: The Oriental Institute.Google Scholar
Cameron, George. 1958. “Persepolis Treasury Tablets Old and New. Journal of Near Eastern Studies 17: 161–76.Google Scholar
Cameron, George and Gershevitch, Ilya. 1965. “New Tablets from the Persepolis Treasury.” Journal of Near Eastern Studies 24, Erich F. Schmidt Memorial Issue: 167–92.Google Scholar
Canby, Sheila, ed. 2009. Shah Abbas: The Remaking of Iran. London: British Museum Press.Google Scholar
Canepa, Matthew. 2021. “Sculpting in Time: Rock Reliefs, Inscriptions and the Transformation of Iranian Memory and Identity.” In Afterlives of Ancient Rock-Cut Monuments in the Near East, edited by Ben-Dov, Jonathan and Rojas, Felipe, 221–71. Leiden: Brill.Google Scholar
Carras, Costa. 1972. “Some Problems Relating to Conservation in Greece.” Art and Archaeology Research Papers 1: 62–6.Google Scholar
Carriveau, Gary and Omecinsky, Diana. 1983. “Identification of the Forbes Collection Pigments: 1. Whites.” Journal of the American Institute for Conservation 22 (2): 6881.Google Scholar
Carswell, John. 1972. “East and West: A Study in Aesthetic Contrasts (Part I): Sir Thomas Herbert and His Travel Writings.” Art and Archaeology Research Papers 2: 7187.Google Scholar
Cartledge, Paul and Greenland, Fiona Rose, eds. 2010. Responses to Oliver Stone’s Alexander: Film, History, and Cultural Studies. Madison: University of Wisconsin Press.Google Scholar
Casanova, Michèle. 2002. “Lapis-lazuli, joyau de l’orient ancien.” In Materiaux, productions, circulations du neolithique a l’age du bronze, edited by Guiaine, Jean, 169–90. Paris: Errance.Google Scholar
Caubet, Annie. 1997. “Susa: From Site to Museum.” In Virtual Archaeology: Recreating Ancient Worlds, edited by Forte, Maurizio and Siliotti, Alberto, 98101. New York: Abrams.Google Scholar
Caubet, Annie. ed. 1999. Cornaline et pierres précieuses: La Méditerranée de l’antiquité à l’Islam. Paris: Musée du Louvre.Google Scholar
Caubet, Annie. 2013. “The Fired Arts.” In The Palace of Darius at Susa: the great royal residence of Achaemenid Persia, edited by Perrot, Jean, 300–4. London: I. B. Tauris.Google Scholar
Caubet, Annie. 2021. “Revoir le décor de briques glacurees du palais de Darius a Suse.” In Dans les pas d’Imhotep. Mélanges offerts à Audran Labrousse, edited by Legros, Rémi, 235–8. Leuven: Peeters.Google Scholar
Caubet, Annie and Bouquillon, Anne. 2007. Faïences et matières vitreuses de l’Orient ancien: études physico-chimique et catalogue des œuvres du Département des antiquités orientales. Paris: Musée du Louvre.Google Scholar
Caubet, Annie and Kaczmaryk, Alexander. 1998. “Les briques glaçurées du palais de Darius.” Techné no. 7: 23–6.Google Scholar
Cavassa, Laetitia. 2018. “La production de bleu egyptien durant l’époque hellenistique et l’Empire romain (IIIe c. av. J.–C.–1er s. après J.–C.).” In Les arts de la couleur en Grèce ancienne … et ailleurs. Proceedings from a Conference held at Athens, April 2009, edited by Jockey, Philippe, 1334. Athens: École française d’Athènes.Google Scholar
Chaptal, J. 1809. “Sur quelques couleurs trouvées à Pompéi.” Annales de Chimie 70: 2231.Google Scholar
Chardin, Jean. 1711. Voyage de Paris à Ispahan. 10 vols. Amsterdam: Chez Jean Louis de Lorme. (for a new edition see www.achemenet.com/dotAsset/dbc2e4b6-5b2e-473f-9bb5-438b2b6dd76e.pdf)Google Scholar
Cheal, Catheryn. 2004. “The Meaning of Color: Skin Color in Eighteenth Dynasty Egypt.” In Race and Identity in the Nile Valley: Ancient and Modern Perspectives, edited by Fluehr-Lobban, Carolyn and Rhodes, Kharyssa, 4769. Trenton, NJ: Red Sea Press.Google Scholar
Chelkowski, Peter and Dabashi, Hamid. 1999. Staging a Revolution: The Art of Persuasion in the Islamic Republic of Iran. New York: New York University Press.Google Scholar
Chevalier, Nicole, ed. 1997. Une Mission en Perse 1897–1912. Paris: Réunion des musées nationaux.Google Scholar
Chevalier, Nicole, 2010. “Les découvreurs du palais de Suse.” In Le palais de Darius à Suse: une résidence royale sur la route de Persépolis à Babylone, edited by Perrot, Jean, 74115. Paris: PUPS.Google Scholar
Chevalier, Nicole, 2013. “The Discoverers of the Palace of Susa.” In The Palace of Darius at Susa: The Great Royal Residence of Achaemenid Persia, edited by Perrot, Jean, 5396. London: I. B. Tauris.Google Scholar
Chevalier, Nicole, 2016. “Paul-Émile Botta et Eugène Flandin à Khorsabad: un consul et un peintre archéologues.” In Mille et une empreintes. Un Alsacien en Orient. Mélanges en l’honneur du 65e anniversaire de Dominique Beyer, edited by Patrier, Julie, Quenet, Philippe, and Butterlin, Pascal, 99108. Turnhout: Brepols.Google Scholar
Chevalier, Nicole, 2018. “Lottin de Laval en Orient: la découverte de la lottinoplastique.” In Implementing Meanings: The Power of the Copy Between Past, Present and Future. An Overview from the Ancient Near East, edited by Di Paolo, Silvana, 209–24. Münster: Ugarit-Verlag.Google Scholar
Chevalier, Nicole, 2020. “Du chantier au musée: l’impact des découvertes des fouilles Dieulafoy à Suse dans l’opinion publique française à la fin du XIXe siècle.” ARTA 2020 (4).Google Scholar
Clarke, Mark. 2001. The Art of All Colours: Medieval Recipe Books for Painters and Illuminators. London: Archetype Publications.Google Scholar
Cleland, Liza and Stears, Karen, eds. 2004. Colour in the Ancient Mediterranean World. Oxford: Hedges.Google Scholar
Cohen, Ada. 1997. The Alexander Mosaic: Stories of Victory and Defeat. Cambridge: Cambridge University Press.Google Scholar
Cohen, Ada and Kangas, Stephen, eds. 2010. Assyrian Reliefs from the Palace of Ashurnasirpal II: A Cultural Biography. Hanover, NH: University Press of New England.Google Scholar
Cohen, Beth, ed. 2000. Not the Classical Ideal: Athens and the Construction of the Other in Greek Art. Leiden: Brill.Google Scholar
Colalucci, Gianluigi. 2016. Michelangelo and I. Rome: Ore Cultura Srl.Google Scholar
Cole, J. W. 1859. The Life and Theatrical Times of Charles Kean. London: Richard Bentley.Google Scholar
Colinart, Sylvie and Menu, Michel, eds. 1998. La couleur dans la peinture et l’émaillage de l’Egypte ancienne. Bari: Edipuglia.Google Scholar
Colinart, Sylvie and Pagès-Camagna, Sandrine. 2001. “Egyptian Polychromy: Pigments of the Pharaonic Palette.” In The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor, edited by Yongqi, Wu, Tinghao, Zhang, Petzet, Michael, Emmerling, Erwin, and Blänsdorf, Catharina, 85–8. Munich: Bayerisches Landesamt für Denkmalpflege.Google Scholar
Collignon, Maxime. 1898. La polychromie dans la sculpture grecque. Paris: Leroux.Google Scholar
Collins, Paul. 2008. Assyrian Palace Sculptures. London: British Museum Press.Google Scholar
Collins, Paul. 2020. “Casting the Ruins: Creating Assyria through Plaster and Paint.” In In Context. The Reade Festschrift, edited by Finkel, Irving and Simpson, St. John, 304–17. Oxford: Archaeopress.Google Scholar
Collon, Dominique. 1995. Ancient Near Eastern Art. Berkeley: University of California Press.Google Scholar
Connor, Peter. 1989. “Cast-Collecting in the Nineteenth Century: Scholarship, Aesthetics, Connoisseurship.” In Rediscovering Hellenism: The Hellenic Inheritance and the English Imagination, edited by Clarke, Graeme Wilber, 187235. Cambridge: Cambridge University Press.Google Scholar
Conti, Alessandro. 2007. History of the Restoration and Conservation of Works of Art. Translated by H. Glanville. London: Taylor and Francis.Google Scholar
Cook, Brian, Ashmole, Bernard, and Strong, Donald. 2005. Relief Sculpture of the Mausoleum at Halicarnassus. Oxford: Oxford University Press.Google Scholar
Cooksey, Christopher. 1994. “Making Tyrian Purple.” Dyes in History and Archaeology 13: 713.Google Scholar
Corbin, Henry. 1974. “Réalisme et symbolisme des couleurs en cosmologie shîite.” In The Realms of Color, edited by Portman, Adolf and Ritsema, Rudolf, 109–76. Leiden: Brill.Google Scholar
Cotty, Marianne. 2018. “Between Orientalism and Persomania. The Presentation of the Iranian Collections at the Louvre.” In The Elamite World, edited by Álvarez-Mon, Javier, Basello, Gian Pietro, and Wicks, Yasmina. London: Thames & Hudson.Google Scholar
Crinson, Mark. 1996. Empire Building: Orientalism and Victorian Architecture. London: Routledge.Google Scholar
Cronyn, Janet Margaret. 1990. The Elements of Archaeological Conservation. London: Routledge.Google Scholar
Crüsemann, Nicola. 2001. Vom Zweistromland zum Kupfergraben: Vorgeschichte und Entstehungsjahre (1899–1918) der Vorderasiatischen Abteilung der Berliner Museen vor fach- und kulturpolitischen Hintergründen. Berlin: Mann.Google Scholar
Çubukçu, Ayça. 2018. For the Love of Humanity. The World Tribunal on Iraq. Philadelphia: University of Pennsylvania Press.Google Scholar
Cuomo, Serafina. 2007. Technology and Culture in Greek and Roman Antiquity. Cambridge: Cambridge University Press.Google Scholar
Curl, James. 2005. The Egyptian Revival: Ancient Egypt as the Inspiration for Design Motifs in the West. London: Routledge.Google Scholar
Curtis, John, ed. 1997. Mesopotamia and Iran in the Persian Period: Conquest and Imperialism 539–331 bc. London: British Museum Press.Google Scholar
Curtis, John, 1998. “A Chariot Scene from Persepolis.” Iran 36: 45–9.Google Scholar
Curtis, John, 2000. Ancient Persia. 2nd ed. London: British Museum Press.Google Scholar
Curtis, John, 2005. “Greek Influences on Achaemenid Art and Architecture.” In The Greeks in the East, edited by Villing, Alexandra, 115–23. London: British Museum.Google Scholar
Curtis, John, 2011. “The Present Condition of Babylon.” In Babylon. Wissenskultur in Orient und Okzident, edited by Cancik-Kirschbaum, Eva, van Ess, Margarete, and Marzahn, Joachim, 318. Berlin: De Gruyter.Google Scholar
Curtis, John, McCall, Heather, Collon, Dominique, and Werr, Laila al-Gailani, eds. 2008. New Light on Nimrud: Proceedings of the Nimrud Conference 11th–13th March 2002. London: British Institute for the Study of Iraq.Google Scholar
Curtis, John and Razmjou, Shahrokh. 2005. “The Palace.” In Forgotten Empire. The World of Ancient Persia, edited by Curtis, John and Tallis, Nigel, 50103. Berkeley: University of California Press.Google Scholar
Curtis, John and Simpson, St John, eds. 2010. The World of Achaemenid Persia. London: I. B. Tauris.Google Scholar
Curtis, John and Tallis, Nigel, eds. 2005. Forgotten Empire. The World of Ancient Persia. Berkeley: University of California Press.Google Scholar
Curzon, George N. 1892. Persia and the Persian Question. 2 vols. London: Longmans, Green and Co.Google Scholar
Dadashzadeh, Maral, Gorji, Mahnaz, and Vahidzadeh, Reza. 2017. “Egyptian Blue or Lapis Lazuli Paste: Structural Study and Identification of the Collection of Objects Nominate Lapis Lazuli Paste in the National Museum of Iran.” [in Persian] Journal of Research on Archaeology 2 (2): 35–9.Google Scholar
Daniels, Vincent. 1987. “The Blackening of Vermilion by Light.” In Recent Advances in the Conservation and Analysis of Artifacts: Jubilee Conservation Conference Papers, edited by Black, James, 280–2. London: Summer Schools Press.Google Scholar
Daryaee, Touraj, ed. 2012. The Oxford Handbook of Iranian History. New York: Oxford University Press.Google Scholar
Daryaee, Touraj, Mousavi, Ali, and Rezakhani, Khodadad, eds. 2014. Excavating an Empire: Achaemenid Persia in Longue Duree. Costa Mesa, CA: Mazda Publishers.Google Scholar
Daucé, Noëmi. 2013. “The Ornamental Bricks.” In The Palace of Darius at Susa: the great royal residence of Achaemenid Persia, edited by Perrot, Jean, 305–20. London: I. B. Tauris.Google Scholar
Daulier-Deslandes, André. 1673. Les beautéz de la Perse. Paris: G. Clouzier.Google Scholar
Davies, Vivian W., ed. 2001. Colour and Painting in Ancient Egypt. London; British Museum Press.Google Scholar
Dawson, Julie, Rozeik, Christina, and Wright, Margot M., eds. 2010. Decorated Surfaces on Ancient Egyptian Objects: Technology, Deterioration and Conservation. London: Archetype Publications.Google Scholar
Day, Jo, ed. 2013. Making Senses of the Past: Toward a Sensory Archaeology. Carbondale, IL: Southern Illinois University Press.Google Scholar
Delamare, François. 2013. Blue Pigments: 5000 Years of Art and Industry. London: Archetype Publications.Google Scholar
DeLaine, Janet. 2021. “Production, Transport and On-Site Organisation of Roman Mortars and Plasters.” Archaeological and Anthropological Sciences 13, 195. https://doi.org/10.1007/s12520-021-01401-5Google Scholar
Delshad, Soheil and Doroodi, M.. 2019. “DNf: A New Inscription Emerges from the Shadow.” ARTA 2019 (1): 118.Google Scholar
Demange, F. 2007. Glass, Gilding and Grand Design: Art of Sasanian Persia (224–642). New York: Asia Society.Google Scholar
Dentzer-Feydy, Jacqueline, Guimier-Sorbets, Anne-Marie, and Delplace, Christiane, eds. 2019. Stucs d’Orient. Traditions orientales et cultures hellénisées. Beirut: Presses de l’Ifpo.Google Scholar
Descat, Raymond, ed. 1989. “L’or perse et l’histoire grecque. Actes de la Table ronde CNRS, Bordeaux, 20–22 Mars 1989.” Revue des Études anciennes 91 (1–2).Google Scholar
de Destefani, Lucila R. Geymonat and Whitfield, T. Allan. 2008. “Esthetic Decision-Making: How Do People Select Colours for Real Settings?Colour Research and Application 33: 5560.Google Scholar
Destrée, Pierre and Murray, Penelope, eds. 2015. A Companion to Ancient Aesthetics. Hoboken, NJ: Wiley.Google Scholar
Deuber-Pauli, Erica and Hermanès, Théo-Antoine. 1981. “Le Portail peint de la cathédrale Lausanne: Histoire, Iconographie, Sculpture et Polychromie.” Nos Monuments d’Art et d’Histoire 33: 262–74.Google Scholar
Devetzi, Anastasia. 2010. “Behind the Art. Pigments at Akrotiri, Thera.ALS. Periodical of the Society for the Promotion of Studies on Prehistoric Thera 7: 3074.Google Scholar
Diba, Layla S. 2006. “An Encounter between Qajar Iran and the West: The Rashtrapati Bhavan Painting of Fath ʿAli Shah at the Hunt.” In Islamic Art in the 19th Century: Tradition, Innovation, and Eclecticism, edited by Behrens-Abouseif, Doris and Vernoit, Stephen, 281304. Leiden: Brill.Google Scholar
Diderot, Denis and D’Alembert, Jean Le Rond, eds. 1751–72. Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, par une Société de Gens de lettres. Paris.Google Scholar
Dieulafoy, Jane. 1888. À Suse, journal des fouilles 1884–1886. Paris: Librairie Hachette et Cie.Google Scholar
Dieulafoy, Jane. 1890. At Susa, the Ancient Capital of the Kings of Persia. Narrative of Travel through Western Persia and Excavations Made at the Site of the Lost City of the Lilies, 1884–1886. Philadelphia: Gebbie & Co.Google Scholar
Dieulafoy, Jane. 1902. Théâtre en plein air des arènes de Béziers. Dimanche 17 et Mardi 19 août 1902 … Parysatis, drame lyrique en 3 actes et 1 prologue, paroles de Mme Jane Dieulafoy, musique de M. Camille Saint-Saens. Album officiel. Béziers: Ville de Béziers.Google Scholar
Dieulafoy, Marcel. 1884–9. L’art antique de la Perse. Paris: Librairie centrale d’architecture.Google Scholar
Dieulafoy, Marcel. 1885. “Mission de Susiane. Note relative à la découverte sur le tombeau de Darius de sept inscriptions nouvelles.” Revue Archéologique ser. 3 (6): 224–7.Google Scholar
Dieulafoy, Marcel. 1890–3. L’acropole de Suse. Paris: Hachette.Google Scholar
Dimitriou, Penelope. 1951. “The Polychromy of Greek Sculpture.” PhD diss., Columbia University.Google Scholar
Diodorus of Sicily. 1963. History. Vol. 8. With an English Translation by C. Bradford Welles. Cambridge, MA : Harvard University Press and W. Heinemann.Google Scholar
Dirschedl, Uta. 2013. Die griechischen Säulenbasen. Wiesbaden: Reichert.Google Scholar
Dirven, Lucinda. 2005. “Semeion. Smy. Signum. A Note on the Romanization of the Semitic Cultic Standard.” Parthica 7: 119–36.Google Scholar
Dirven, Lucinda. 2009. “Hatra, un exemple exceptionnel de l’art parthe.Dossiers d’archéologie 334 (July–August): 4655.Google Scholar
Doehne, Eric and Price, Clifford, eds. 2010. Stone Conservation: An Overview of Current Research. 2nd ed. Los Angeles: Getty Conservation Institute.Google Scholar
Domaslowski, Wiesław. 2008. Preventive Conservation of Stone Historical Objects. Toruń: Universytetu Mikołaja Kopernika.Google Scholar
Donaldson, T. 1851. “Polychromatic Embellishments in Greek Architecture. Paper Read at the Royal Institute of British Architects, Jan. 12.” The Civil Engineer and Architects Journal 14: 4250.Google Scholar
Donati, Fulvia. 1999. La Gipsoteca di arte antica. Pisa: University of Pisa.Google Scholar
Downey, Susan. 1977. The Stone and Plaster Sculpture. Excavations at Dura Europos Conducted by Yale University and the French Academy of Inscriptions and Letters 1.2. Los Angeles: Institute of Archaeology, University of California.Google Scholar
Drenkhahn, Rosemarie. 1995. “Artisans and Artists in Pharaonic Egypt.” In Civilizations of the Ancient Near East, edited by Sasson, Jack, Baines, John, Beckman, Gary, and Rubinson, Karen S., 331–43. New York: Scribner.Google Scholar
Drijvers, Jan Willem. 1991. “Cornelis De Bruijn and Gijsbert Cuper. A Skilled Artist and a Learned Discussion.” In Through Travellers’ Eyes: European Travellers on the Iranian Monuments, edited by Sancisi-Weerdenburg, Heleen, and Drijvers, Jan W., 89107. Leiden: Nederlands Instituut voor het Nabije Oosten.Google Scholar
Drijvers, Jan Willem. 1993. “Persepolis as Perceived by Engelbert Kaempfer and Cornelis De Bruijn.” In Engelbert Kaempfer: Werk und Wirkung, edited by Haberland, Detlef, 85104. Stuttgart: F. Steiner.Google Scholar
Drost, Wolfgang. 1996. “Colour, Sculpture, Mimesis. A 19th Century Debate.” In The Colour of Sculpture 1840–1910, edited by Blühm, Andreas and Drost, Wolfgang. Zwolle: Waanders.Google Scholar
Durnan, Nicholas. 2006. “Limestone.” In Stone Conservation: Principles and Practice, edited by Henry, Alison, 161–90. Shaftesbury: Donhead.Google Scholar
Dusinberre, Elspeth R. M. 2005. “Herzfeld in Persepolis.” In Ernst Herzfeld and the Development of Near Eastern Studies, 1900–1950, edited by Gunter, Ann and Hauser, Stefan, 137–80. Leiden: Brill.Google Scholar
Dusinberre, Elspeth, Garrison, Mark, and Henkelman, Wouter F., eds. 2020. The Art of Empire in Achaemenid Persia: Studies in Honour of Margaret Cool Root. Achaemenid History 16. Leiden: Netherlands Institute for the Near East.Google Scholar
Eibner, Alexander. 1911. “Über die Lichtwirkungen auf Malerei-Farbstoffe.” Chemiker Zeitung 35: 753–5, 774–6, 786–8.Google Scholar
Ekhtiar, Maryam. 1998. “From Workshop and Bazaar to Academy. Art Training and Production in Qajar Iran.” In Royal Persian Paintings: The Qajar Epoch, 1785–1925, edited by Diba, Layla S. and Ekhtiar, Maryam, 5065. London: I. B. Tauris.Google Scholar
El Goresy, Ahmed, Jacksch, Heiner, Razek, Abdel, and Weiner, Karl Ludwig. 1986. Ancient Pigments in Wall Paintings of Egyptian Tombs and Temples. An Archaeometric Project. Heidelberg: Max-Planck-Institut für Kernphysik.Google Scholar
Elley, Derek. 1984. The Epic Film: Myth and History. London: Routledge.Google Scholar
Emami, Mohammadamin. 2005. Recent Investigations into the Archaeometallurgy and Ancient Mining of the Achaemenid Period in Takht-i-Djamshid, Shiraz. Report for the Parsa-Pasargadae Foundation [in Persian].Google Scholar
Emami, Mohammadamin, 2010. “Preliminary Studies on Mining Methods Used in Sivand Quarries During the Achaemenian Period in Fars Province, Iran.” Geologia Colombiana 35: 175–85.Google Scholar
Emami, Mohammadamin, Eslami, Moein, Fadaei, Hamid, Karami, Hamid, and Ahmadi, K.. 2018. “Mineralogical–Geochemical Characterization and Provenance of the Stones Used at the Pasargadae Complex in Iran: A New Perspective.” Archaeometry 160 (6): 1184–200.Google Scholar
Engelhart, Helmut and Kempter, Gerda, eds. 1982. Diversarum artium studia. Beiträge zu Kunstwissenschaft, Kunsttechnologie und ihren Randgebieten: Festschrift für Heinz Roosen-Runge zum 70. Geburtstag am 5. Oktober 1982. Wiesbaden: Reichert.Google Scholar
Englund, Klaudia. 2003. Nimrud und seine Funde: Der Weg der Reliefs in die Museen und Sammlungen. Rahden: Verlag Marie Leidorf.Google Scholar
Eremin, Katherine and Khandekar, Narayan. 2008. “Identification of Pigments on the Persepolis Relief: 1943.1062.” Unpublished report, Harvard Strauss Center for Conservation and Technical Studies.Google Scholar
Errington, Elizabeth and Curtis, Vesta Sarkosh, eds. 2007. From Persepolis to the Punjab. Exploring Ancient Iran, Afghanistan and Pakistan. London: British Museum Press.Google Scholar
Ettinghausen, Elizabeth. 2005. “Ernst Herzfeld: Reminiscences and Revelations.” In Ernst Herzfeld and the Development of Near Eastern Studies, 1900–1950, edited by Gunter, Ann and Hauser, Stefan, 583615. Leiden and Boston: Brill.Google Scholar
Evans, Jean. 2012. The Lives of Sumerian Sculpture: An Archaeology of the Early Dynastic Temple. Cambridge: Cambridge University Press.Google Scholar
Fant, J. Clayton. 1988. “The Roman Emperors in the Marble Business: Capitalists, Middle-Men, or Philanthropists?” In Classical Marble. Geochemistry, Technology, Trade, edited by Waelkens, Marc and Herz, Norman, 147–58. Boston: Kluwer.Google Scholar
Farkas, Ann. 1974. Achaemenid Sculpture. Istanbul: Nederlands Historisch-Archaeologisch Instituut in het Nabije Oosten.Google Scholar
Fassina, Vasco, ed. 2000. Proceedings of the 9th International Congress on Deterioration and Conservation of Stone. 2 vols. Amsterdam: Elsevier.Google Scholar
Fellinger, Gwenaëlle, Guillaume, Carol, and Gibson, Melanie, eds. 2021. Revealing the Unseen: New Perspectives on Qajar Art. London: Gingko.Google Scholar
Fergusson, James. 1851. The Palaces of Nineveh and Persepolis Restored. London: Murray.Google Scholar
Fergusson, James. 1855. “A Letter to the Public.The Athenaeum May 5, 1855.Google Scholar
Ferrier, Ronald. 1977. “The First English Guidebook to Persia: A Description of the Persian Monarchy.” Iran 15: 7588.Google Scholar
Ferrier, Ronald, ed. 1996. A Journey to Persia: Jean Chardin’s Portrait of a Seventeenth Century Empire. London: St. Martin’s Press.Google Scholar
Fincham, Derek. 2007. “Rejecting Renvoi for Movable Cultural Property: The Islamic Republic of Iran vs. Denyse Berend,” International Journal of Cultural Property 14: 111–20.Google Scholar
Finlay, Victoria, Georgiev, Pascale, Khandekar, Narayan, and Trinder, Kingston. 2018. An Atlas of Rare and Familiar Colour: The Harvard Art Museum’s Forbes Pigment Collection. Los Angeles: Atelier Éditions.Google Scholar
Fisch, Solomon. 1985. Ezekiel. Hebrew text and English translation with an introduction and commentary. 10th ed. London: Soncino Press.Google Scholar
Fischer-Hansen, Tobias. 2000. “Ergasteria in the Western Greek world.” In Polis and Politics: Studies in Ancient Greek History Presented to Mogens Herman Hansen, edited by Flensted-Jensen, Pernille, Nielsen, Thomas H., and Rubinstein, Lene, 91120. Copenhagen: Museum Tusculanum Press.Google Scholar
Flandin, Eugène. 1845. “Voyage archéologique à Ninive, 2.Revue des Deux Mondes 11: 88111.Google Scholar
Flandin, Eugène. 1851. Voyage en Perse de mm. Eugène Flandin, peintre, et Pascal Coste, architecte … entrepris par ordre de M. le ministre des affaires étrangères, d’après les instructions dressées par l’Institut. 2 vols. Publié sous les auspices de M. le ministre de l’intérieur. Paris: Gide et J. Baudry.Google Scholar
Floor, Willem. 1999. “Art (Naqqashi) and Artists (Naqqashan) in Qajar Persia.” Muqarnas 16: 125–54.Google Scholar
Floor, Willem. 2005. Wall Paintings and Other Figurative Mural Art in Qajar Iran. Costa Mesa, CA: Mazda Publications.Google Scholar
Fontan, Elizabeth. 1994. “Lottin de Laval (1810–1903): L’inventeur de la lottinoplastie qui se voulait orientaliste.” In De Khorsabad à Paris: La découverte des Assyriens. Notes et documents des musées de France, edited by Fontan, Elizabeth, 176–83. Paris: Réunion des musées nationaux.Google Scholar
Fontan, Elizabeth. 1998. “Lottin de Laval et la Lottinoplastie.” In Regards sur la Perse antique à l’occasion des expositions à l’Église Saint-Cyran du Blanc (Indre) et au Musée d’Argentomagus, 228–30. Le Blanc, Saint-Marcel: Amis de la Bibliothèque municipale du Blanc; Musée d’Argentomagus.Google Scholar
Forbes, Robert James. 1965. Studies in Ancient Technology. Vol. 4. Leiden: Brill.Google Scholar
Francovich, Géza de. 1966. “Problems of Achaemenid Architecture.” East and West 16 (3–4): 201–60.Google Scholar
Fridell Anter, K. 2006. “Colours in Pompeiian Cityscape.” Color Research and Application 31 (4): 331–40.Google Scholar
Fridell Anter, K. 2008. “Colouring the Past: On Colour in Archaeological Research.Color Research and Application 33 (4): 327–34.Google Scholar
Fulcher, Kate. 2018. “Colour Taskscapes in Ancient Sudan.” In Current Research in Nubian Archaeology, edited by Tipper, Samantha and Tully, Gemma, 2336. Piscataway, NJ: Gorgias Press.Google Scholar
Fulcher, Kate. 2022. Painting Amara West. The Technology and Experience of Colour in New Kingdom Nubia. Leuven: Peeters.Google Scholar
Fulcher, Kate, Spencer, Neal, Budka, Julia, and Stacey, Rebecca. 2022. “Polysaccharide Paint Binding Media at Two Pharaonic Settlements in Nubia.” Heritage 5: 2028–40. https://%20doi.org/10.3390/heritage5030106Google Scholar
Gage, John. 1993. Color and Culture: Practice and Meaning from Antiquity to Abstraction. Boston: Little, Brown.Google Scholar
Gage, John, Jones, A., Bradley, R., Spence, K., Barber, E., and Taçon, P.. 1999. “Viewpoint: What Meaning Had Colour in Early Societies?Cambridge Archaeological Journal 9: 109–26.Google Scholar
Garcia, Nacho. 2008. “Classic Sceneries: Setting Ancient Greece in Film Architecture.” In Hellas on Screen: Cinematic Receptions of Ancient History, Literature and Myth, edited by Berti, Irene and Morcillo, Marta Garcia, 2138. Stuttgart: F. Steiner.Google Scholar
García Ureña, Lourdes, Valeriani, Emanuela, Angelini, Anna, Carretero, Carlos Santos, and Gimeno, Marina Salvador, eds. 2022. The Language of Colour in the Bible: Embodied Colour Terms Related to Green. Berlin: De Gruyter.Google Scholar
Garelli, Paul. 1990. “La conception de la Beauté en Assyrie.” In Lingering over Words: Studies in Ancient Near Eastern Literature in Honor of William L. Moran, edited by John, Tzvi Abusch Pjotr Steinkeller, Huehnergard, 173–7. Atlanta: Scholars Press.Google Scholar
Garrison, Mark. 1991. “Seals and the Elite at Persepolis: Some Observations on Early Achaemenid Persian Art.” Ars Orientalis 21: 129.Google Scholar
Garrison, Mark. 1996. “A Persepolis Fortification Seal on the Tablet MDP 11 308 (Louvre Sb 13078).” Journal of Near Eastern Studies 55: 1535.Google Scholar
Garrison, Mark. 2000. “Achaemenid Iconography as Evidenced by Glyptic Art: Subject Matter, Social Function, Audience and Diffusion.” In Images as Media: Sources for the Cultural History of the Near East and the Eastern Mediterranean (1st Millennium BCE), edited by Uehlinger, Christoph, 115–63. Fribourg: University Press.Google Scholar
Garrison, Mark. 2011. “The Seal of Kuraš the Anzanite, Son of Šešpeš (Teispes), PFS 93: Susa-Anšan-Persepolis.” In Elam and Persia, edited by Alvarez-Mon, Javier and Garrison, Mark, 375405. Winona Lake, IN: Eisenbrauns.Google Scholar
Garrison, Mark. The Ritual Landscape at Persepolis. Chicago: The Oriental Institute.Google Scholar
Garrison, Mark and Root, Margaret Cool. 2001. Seals on the Persepolis Fortification Tablets. Vol. 1, Images of Heroic Encounters. Chicago: The Oriental Institute.Google Scholar
Gaspa, Salvatore. 2014. “Golden Decorations in Assyrian Textiles: An Interdisciplinary Approach.” In Prehistoric, Ancient Near Eastern and Aegean Textiles and Dress, edited by Harlow, Mary, Michel, Cecile, and Nosch, Marie-Louise, 227–44. Oxford: Oxbow Books.Google Scholar
Gaspa, Salvatore. 2017. “Garments, Parts of Garments, and Textile Techniques in the Assyrian Terminology: The Neo-Assyrian Textile Lexicon in the 1st–Millennium bc Linguistic Context.” In Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD, edited by Gaspa, Salvatore, Michel, Cecile, and Nosch, Marie-Louise, 4790. Lincoln, NE: Zea Books.Google Scholar
Gates, Jennifer. 2002. “The Ethnicity Name Game: What Lies behind ‘Graeco-Persian’?” In “Medes and Persians: Reflections on Elusive Empires,” edited by Root, Margaret Cool. Ars Orientalis 32: 105–32.Google Scholar
Gätje, Helmut. 1967. “Zur Farbenlehre in der muslimischen Philosophie.” Der Islam 43 (3): 280301.Google Scholar
Gau, François C. 1822. Les antiquités de Nubie ou monuments inédits des bords du Nil situés entre la première et la seconde cataracte, dessinés et mesurés en 1819. Paris: Didot.Google Scholar
Gaugengigl, Ignaz. 1870. Beschreibung der Merkwürdigkeiten im Assyrischen Saale der Koeniglichen Glyptothek zu München. Munich: Fritsch.Google Scholar
Gebhard, Rupert, Blumenau, E., Bruenner, J., Emmerling, E., Dietemann, Patrick, Grimm, A., Grundmann, Guenter, Gussmann, S., Höfle, E., Holl, Kristina, Jändl, B., Pfanner, M., Rommel, A., Schaich, Martin, Snethlage, R., Sonnenwald, M., Stolz, J., Stege, Heike, Thiemann, L., and Wagner, N.. 2009. “The Polychromy of Neoassyrian Bas-Reliefs from the Northwest Palace of Ashurnasirpal II at Nimrud. First Results from the München Study.” Wenbo. Relics and Museology 2009 (6): 332–41.Google Scholar
Genito, Bruno and Maresca, Giulio, eds. 2016. Ceramics and the Archaeological Achaemenid Horizon. Near East, Iran and Central Asia. Naples: Università di Napoli “L’Orientale.”Google Scholar
Gerharz, Rudolf, Lantermann, Renate, and Spennemann, Dirk. 1986. “Munsell Farbtafeln: Eine Notwendigkeit für die Archäologen?Acta praehistorica et archaeologica 18 (1986): 177–87.Google Scholar
Gettens, Rutherford John. 1937–8. “The Materials in the Wall Paintings from Bamiyan, Afghanistan.” Technical Studies in the Field of the Fine Arts 6: 186–93.Google Scholar
Ghazvinian, John. 2021. America and Iran: A History, 1720 to the Present. New York: Knopf.Google Scholar
Ghirshman, Roman. 1948. “Un ossuaire en pierre sculptée.” Artibus Asiae 11 (4).Google Scholar
Ghirshman, Roman. 1961. Sept mille ans d’art en Iran. Octobre 1961–Janvier 1962. Paris: Petit Palais.Google Scholar
Ghirshman, Roman. 1963. “L’Apadana de Suse.” Iranica Antiqua 3: 148–54.Google Scholar
Ghorbani, Mansour. 2013. The Economic Geology of Iran: Mineral Deposits and Natural Resources. Dordrecht: Springer.Google Scholar
Gianoncelli, Alessandra, Castaing, Jacques, Ortega, Luc, Eric Dooryhée, M. Eveno, Joseph Salomon, Bordet, Pierre, Hodeau, Jean-Louis, and Walter, Philippe. 2007. “A Portable XRF-XRD Instrument for In-Situ Analysis of Cultural Heritage Objects.” In Conservation Science 2007, edited by Townsend, Joyce, Toniolo, Lucia, and Cappitelli, Francesca, 189–94. London: Archetype Publications.Google Scholar
Giovinazzo, Grazia. 1994. “Les documents de voyage dans les textes de Persépolis. Les voyages de Darius dans les régions orientales de l’empire.” Annali dell’Istituto Universitario Orientali di Napoli 54: 1845.Google Scholar
Giovinazzo, Grazia. 2012. “Gli artigiani della pietra a Persepoli.” In Persepolis and Its Settlements. Proceedings of the Conference Held in Viterbo, 16–17th December 2010, edited by Basello, Gian-Pietro and Rossi, Adriano, 121–38. Naples: Università di Napoli “L’Orientale.”Google Scholar
Giron, Noel 1921. “Vase quadrilingue au nom d’Artaxerxès.” Revue d’assyriologie et d’archéologie orientale 18: 143–5.Google Scholar
Gleba, Margarita. 2008. “Auratae Vestes: Gold Textiles in the Ancient Mediterranean.” In Purpureae Vestes II, edited by Alfaro, Carmen and Karalli, Lilian, 6177. Valencia: Universidad de Valencia.Google Scholar
Glendinning, Miles. 2013. The Conservation Movement: A History of Architectural Preservation: Antiquity to Modernity. London: Routledge.Google Scholar
Gliozzo, Elisabetta. 2007. “Supplying Italy with Black and White Pigments.” In Supplying Rome and the Roman Empire. Journal of Roman Archaeology suppl. series 69, edited by Papi, Emanuele and Bonifay, Michel, 7284. Portsmouth, RI: Journal of Roman Archaeology.Google Scholar
Godard, André. 1952. “Les travaux de Persépolis.” In Archaeologica orientalia in Memoriam Ernst Herzfeld, edited by Miles, George C., 119–28. Locust Valley, NY: J. J. Augustin.Google Scholar
Godley, Alfred D., trans. 1975. Herodotus. History. Cambridge, MA: Harvard University Press and W. Heinemann.Google Scholar
Goff, Clare. 1977. “Excavations at Baba Jan: The Architecture of the East Mound, Levels II and III.” Iran 15: 103–40.Google Scholar
Gondet, Sébastien. 2011. “Occupation de la Plaine de Persépolis au Ier millénaire av. J.-C. (Fars Central, Iran).” PhD thesis, Université Lyon 2. http://theses.univ-lyon2.fr/documents/lyon2/2011/gondet_sGoogle Scholar
Gondet, Sébastien. 2015. “Stratégies d’exploitation de la pierre à Persépolis à l’époque achéménide. Nouvelles données archéologiques.” Iranica Antiqua 50: 279331.Google Scholar
Gondet, Sébastien, Mohammadkhani, Kourosh, Chambrade, Marie-Laure, Djamali, Morteza, Farjamirad, Mahdokht, Ibnoerrida, Nabil, and Rigot, Jean-Baptiste. 2021. “Approaching Past Landscape Management in the Field Pluridisciplinary and Multiscalar Studies in the Pasargadae Region (Fars Province, Iran).” In Paleopersepolis: Environment, Landscape and Society in Ancient Fars, edited by Balatti, Silvia, Klinkott, Hilmar, and Wiesehöfer, Josef, 95119. Stuttgart: F. Steiner.Google Scholar
González Mozo, Ana. 2016. “The Eternal Life of the Painting: Obliteration versus the Brilliance of the Artist’s Genius.” Kermes: Rivista del restauro, conservazione e tutela del patrimonio cultural 101–2 (January–June): 31–8.Google Scholar
Goossens, Godefroy. 1949. “Artistes et artisans étrangers en Perse sous les achéménides.” La Nouvelle Clio 1: 3244.Google Scholar
Graeve, Volkmar von. 1970. Der Alexandersarkophag und seine Werkstatt. Berlin: Mann.Google Scholar
Gran-Aymerich, Éve and Gran-Aymerich, Jean. 1991. Jane Dieulafoy, une vie d’homme. Paris: Perrin.Google Scholar
Grand-Clément, Adeline. 2015. “Poikilia.” In A Companion to Ancient Aesthetics, edited by Destrée, Pierre and Murray, Penelope, 406–21. Hoboken, NJ: Wiley.Google Scholar
Granger, A. 1933. “Le bleu assyrien.” Revue Assyriologique 30: 150.Google Scholar
Green, Lorna. 2001. “Colour Transformations of Ancient Egyptian Pigments.” In Colour and Painting in Ancient Egypt, edited by Davies, Vivian W., 43–8. London: British Museum Press.Google Scholar
Greenberg, Raphael and Yannis, Hamilakis. 2022. Archaeology, Nation, and Race: Confronting the Past, Decolonizing the Future in Greece and Israel. Cambridge: Cambridge University Press.Google Scholar
Grelot, Pierre. 1972. Documents Araméens d’Egypte. Paris: Éditions du Cerf.Google Scholar
Grenet, Frantz, Lee, J., Martinez, P., and Ory, F. 2007. “The Sasanian Relief in Rag-i Bibi, Northern Afghanistan.” In After Alexander. Central Asia before Islam, edited by Cribb, Joel and Herrmann, Georgina, 243–67. Oxford: Oxford University Press.Google Scholar
Gries, Helen. 2022. The Ishtar Gate of Babylon. From Fragment to Monument. Regensburg: Schnell & Steiner.Google Scholar
Gries, Helen and Fügert, Anja, eds. 2020. Glazed Brick Decoration in the Ancient Near East. Proceedings of a Workshop at the 11th International Congress of the Archaeology of the Ancient Near East (Munich) in April 2018. Oxford: Archaeopress.Google Scholar
Grigor, Talinn. 2004. “Recultivating ‘Good Taste’: The Early Pahlavi Modernists and Their Society for National Heritage.” Iranian Studies 37: 1745.Google Scholar
Grigor, Talinn. 2005a. “Preserving the Antique Modern: Persepolis.” Future Anterior: Journal of Historic Preservation History, Theory and Criticism 2 (1): 22–9.Google Scholar
Grigor, Talinn. 2005b. “Cultivat(ing) Modernities: The Society for National Heritage, Political Propaganda and Public Architecture in 20th century Iran.” PhD diss., Massachusetts Institute of Technology.Google Scholar
Grigor, Talinn. 2009a. Building Iran: Modernism, Architecture, and National Heritage under the Pahlavi Monarchs. New York: Periscope Publishing.Google Scholar
Grigor, Talinn. 2009b. Orientalism and Mimicry of Selfness: Archaeology of the Neo-Achaemenid Style. In L’orientalisme architectural entre imaginaires et savoirs, edited by Oulebsir, Nabila and Volait, Mercedes, 273–90. Paris: CNRS.Google Scholar
Grigor, Talinn. 2021. The Persian Revival: The Imperialism of the Copy in Iranian and Parsi Architecture. University Park, PA: Penn State University Press.Google Scholar
Grimaldi, Mario. 2021a. “Pictores (Painters): The Social Role, Organization and Technique of Anonymous Artists.” In The Painters of Pompeii: Roman Frescoes from the National Archaeological Museum of Naples, edited by Grimaldi, Mario, 20–7. Rome: MondoMostre.Google Scholar
Grimaldi, Mario. 2021b. The Painters of Pompeii: Roman Frescoes from the National Archaeological Museum of Naples. Rome: MondoMostre.Google Scholar
Groemer, Karina and Shirazi, Shahrzad Amin. 2020. “Textilen: Eine Bunte Welt.” In Tod im Salz. Eine Archäologische Ermittlung in Persien, edited by Stöllner, Thomas, Aali, Abolfazl, and Bagherpour-Kashani, Natascha, 181–6. Bochum: Nünnerich Asmus.Google Scholar
Gropp, Gerd. 2009. “Die Darstellung der 23 Völker auf den Reliefs des Apadana in Persepolis.” Iranica Antiqua 44: 283359.Google Scholar
Guidi, G. S. Rahbar, S. Rahmati, R. Sheikoleslamy, M. Soleimani, G. Trojsi, , and Zare, A.. 2008. “Diagnostic Survey of Persepolis Terrace. Preliminary Results. A Report Submitted to the Parsa-Pasargadae Research Foundation.” Unpublished report, Persepolis.Google Scholar
Guimier-Sorbets, Anne-Marie, Hatzopoulos, Miltiades, and Moziot, Yvette, eds. 2006. Rois, cités, nécropoles: Institutions, rites et monuments en Macédoine. Actes des colloques de Nanterre (décembre 2002) et d’Athènes (janvier 2004). Athens: Centre de recherches de l’antiquité grecque et romaine.Google Scholar
Gummerus, Herman. 1913. “Darstellungen aus dem Handwerk auf römischen Grab- und Votivsteinen in Italien.” Jahrbuch des deutschen Archäologischen Instituts 28: 63126.Google Scholar
Gunter, Ann, ed. 1990. Investigating Artistic Environments in the Ancient Near East. Washington, DC: Smithsonian Institution.Google Scholar
Gunter, Ann and Hauser, Stefan, eds. 2005. Ernst Herzfeld and the Development of Near Eastern Studies, 1900–1950. Leiden: Brill.Google Scholar
Gunter, Ann and Root, Margaret Cool. 1998. “Replicating, Inscribing, Giving: Ernst Herzfeld and Artaxerxes’ Silver Phiale in the Freer Gallery of Art.” Ars Orientalis 28: 340.Google Scholar
Guralnick, Eleanor. 2002. “New Drawings of Khorsabad Sculptures by Paul-Émile Botta.” Revue d’Assyriologie et d’Archéologie Orientale 95: 2356.Google Scholar
Guralnick, Eleanor. 2010. “Color at Khorsabad: Palace of Sargon II.” In Proceedings of the 6th International Congress of the Archaeology of the Ancient Near East. 5th–10th May 2009, Rome. Vol. 1, edited by Matthiae, Paolo, Pinnock, Frances, Nigro, Lorenzo, and Marchetti, Nicolò, 781–92. Wiesbaden: Harrassowitz.Google Scholar
Gutscher, Daniel, Mühlethaler, Bruno, Portman, Armin, and Reller, Armin. 1989. “Conversion of Azurite into Tenorite.” Studies in Conservation 34: 117–22.Google Scholar
Haberland, Detlef, ed. 2005. Engelbert Kaempfer (1651–1716): Ein Gelehrtenleben zwischen Tradition und Innovation. Wiesbaden: Harrassowitz.Google Scholar
Hagenauer, Sebastian. 2015. “Bilder vergangener Kulturen. Architektur Rekonstruktionen in der Vorderasiatischen Archäologie des 19. und 20. Jahrhunderts.” Alter Orient Aktuell 13: 49.Google Scholar
Hall, Edith. 1989. Inventing the Barbarian: Greek Self-Definition through Tragedy. Oxford: Oxford University Press.Google Scholar
Hallock, Richard T. 1960. “A New Look at the Persepolis Treasury Tablets.” Journal of Near Eastern Studies 19 (2): 90100.Google Scholar
Hallock, Richard T. 1969. Persepolis Fortification Tablets. Oriental Institute Publications 92. Chicago: The Oriental Institute.Google Scholar
Hamilakis, Yannis. 2009. “The “War on Terror” and the Military–Archaeology Complex: Iraq, Ethics, and Neo-Colonialism.” Archeologies 5 (1): 3965.Google Scholar
Hamilakis, Yannis. 2014. Archaeology and the Senses: Human Experience, Memory and Affect. Cambridge: Cambridge University Press.Google Scholar
Hammer, Karl. 1968. Jakob Ignaz Hittorff: Ein Pariser Baumeister, 1792–1867. Stuttgart: A. Hirsemann.Google Scholar
Hammond, Nicholas. 1992. “The Archaeological and Literary Evidence for the Burning of the Persepolis Palace.” Classical Quarterly 42: 358–64.Google Scholar
Hammond, Philip. 1996. The Temple of the Winged Lions. Petra, Jordan. 1973: 1990. Fountain Hills, AZ: Petra Publications.Google Scholar
Hansen, Svend, Wieczorek, Alfried, and Tellenbach, Michael, eds. 2009. Alexander der Grosse und die Öffnung der Welt. Asiens Kulturen im Wandel. Regensburg: Schnell & Steiner.Google Scholar
Harlez, Charles, de. 1890. “La perception des couleurs chez les peuples de l’extrême Orient et l’histoire du sens visuel.” Le Museon 9: 242–9.Google Scholar
Harris, Edward M. 2001. “Workshop, Marketplace and Household. The Nature of Technical Specialization in Classical Athens and Its Influence on Economy and Society.” In Money, Labour and Land: Approaches to the Economics of Ancient Greece, edited by Cartledge, Paul, Cohen, Edward E., and Foxhall, Lin, 6799. London: Routledge.Google Scholar
Harris, Walter. 1896. From Batum to Baghdad. Edinburgh: W. Blackwood & Sons.Google Scholar
Harrison, Thomas 2007. “Respectable in Its Ruins: Achaemenid Persia, Ancient and Modern.” In A Companion to Classical Receptions, edited by Hardick, Lorna and Stray, Christopher, 5061. Oxford: Blackwell.Google Scholar
Harrison, Thomas 2011. Writing Ancient Persia. London: Bristol Classical Press.Google Scholar
Hartwig, Melinda. 2013. The Tomb Chapel of Menna: The Art, Culture, and Science of Painting in an Egyptian Tomb. Cairo: American University in Cairo Press.Google Scholar
Hase, Friedrich-Wilhem von. 2009. “Das Alexandermosaik: ein Mosaikgemälde und seine Interpretationsprobleme.” In Alexander der Grosse und die Öffnung der Welt. Asiens Kulturen im Wandel, edited by Hansen, Svend, Wieczorek, Alfried, and Tellenbach, Michael, 6675. Regensburg: Schnell & Steiner.Google Scholar
Haskell, Francis and Penny, Nicholas. 1981. Taste and the Antique: The Lure of Classical Sculpture, 1500–1900. New Haven, CT: Yale University Press.Google Scholar
Hassanzadeh, Yousef and Curtis, John. 2021. The Exhibition of a Repatriated Boukan Glazed Brick Collection from Switzerland. Tehran: Iran National Museum.Google Scholar
Hassler, Uta. 2019. “Description de l’Égypte. Ein Monument zur Drucktechnik.” In Polychromie und Wissen, edited by Hassler, Uta, 159–69. Munich: Hirmer.Google Scholar
Haussknecht, Carl. 1868.”Mittheilung von C. Haussknecht’s botanischen Reisen in Kurdistan und Persien (1865–67).Zeitschrift der Gesellschaft für Erdkunde zu Berlin 3: 464–73.Google Scholar
Heilmeyer, Wolf Dieter. 1981. “Antike Werkstattfunde in Griechenland.” Archäologischer Anzeiger 440–5.Google Scholar
Hejl, E. 2005. “Prehistoric Pigment Mining on Santorini’s Neighbouring Island Anafi.” Austrian Journal of Earth Sciences 98: 2233.Google Scholar
Hellmann, Marie-Christine. 2014. “Polychromy in Greek Architecture.” In Transformations. Classical Sculpture in Colour, edited by Østergaard, Jan Stubbe and Nielsen, Anne Marie, 224–35. Copenhagen: Ny Carlsberg Glyptotek.Google Scholar
Helwing, Barbara. 2021. “Patterns of Early Metallurgy on the Iranian Plateau, from the Beginnings to the End of the Bronze Age.” In On Salt, Copper and Gold. The Origins of Early Mining and Metallurgy in the Caucasus, edited by Catherine Marro, and Stöllner, Thomas, 201–30. Lyon: MOM Éditions.Google Scholar
Helwing, Barbara and Rahemipour, Patricia, eds. 2011. Tehran 50. Ein halbes Jahrhundert deutsche Archäologen in Iran. Mainz: Zabern.Google Scholar
Hendrix, Elizabeth. 2000. “The Paint Motifs on Early Cycladic Figures.” PhD diss. New York University Institute of Fine Arts.Google Scholar
Henkelman, Wouter F. 1997. “The Royal Achaemenid Crown.” Archäologische Mitteilungen aus Iran n.s. 28: 275–94.Google Scholar
Henkelman, Wouter F. 2008. The Other Gods Who Are. Studies in Elamite-Iranian Acculturation Based on the Persepolis Fortification Texts. Achaemenid History 14. Leiden: Netherlands Institute for the Near East.Google Scholar
Henkelman, Wouter F. 2011. “Parnakka’s Feast: šip in Parsa and Elam.” In Elam and Persia, edited by Alvarez-Mon, Javier and Garrison, Mark, 89166. Winona Lake, IN: Eisenbrauns.Google Scholar
Henkelman, Wouter F. 2013. “Administrative Realities: The Persepolis Archives and the Archaeology of the Achaemenid Heartland.” In The Oxford Handbook of Ancient Iran, edited by Potts, Daniel T., 528–46. Oxford: Oxford University Press.Google Scholar
Henkelman, Wouter F. 2017a. “Imperial Signature and Imperial Paradigm Achaemenid Administrative Structure and System across and beyond the Iranian Plateau.” In Die Verwaltung im Achämenidenreich: Imperiale Muster und Strukturen/Administration in the Achaemenid Empire: Tracing the Imperial Signature, edited by Jacobs, Bruno, Henkelman, Wouter F., and Stolper, Matthew W., 45256. Wiesbaden: Harrassowitz.Google Scholar
Henkelman, Wouter F. 2017b. “Egyptians in the Persepolis Archives.” In Ägypto-Persische Herrscher- und Herrschaftsrepräsentation in der Achämeniden Zeit, edited by Wasmuth, Melanie, 273–99. Stuttgart: F. Steiner.Google Scholar
Henkelman, Wouter F. 2021. “Local Administration: Persia.” In A Companion to the Achaemenid Persian Empire. Vol. 2, edited by Jacobs, Bruno and Rollinger, Robert, 881904. Hoboken, NJ: Wiley.Google Scholar
Henkelman, Wouter F. and Kleber, Kristin. 2007. “Babylonian Workers in the Persian Heartland: Palace Building at Matannan during the Reign of Cambyses.” In Persian Responses: Political and Cultural Interaction with(in) the Achaemenid Empire, edited by Tuplin, Christopher, 163–76. Swansea: Classical Press of Wales.Google Scholar
Henkelman, Wouter F. and Stolper, Matthew W.. 2009. “Ethnic Identity and Ethnic Labeling at Persepolis.” In Organisation des pouvoirs et contacts culturels dans les pays de l’empire achéménide. Actes du colloque organisé au Collège de France, 9–10 novembre 2007. Persika 14, edited by Briant, Pierre and Chauveau, Michel, 271330. Paris: De Boccard.Google Scholar
Hennemeyer, Arnd. 2017. “Antike Architekturpolychromie im 19. Jahrhundert. Mit wissenschaftlicher Methode und künstlerischer Einfühlung vom Fragment zum Gesamtbild.” In Langfristperspektiven archäologischer Stätten. Wissensgeschichte und forschungsgeleitete Konservierung, edited by Hassler, Uta, 275–98. Munich: Hirmer.Google Scholar
Hennemeyer, Arnd. 2019. “Die Publikation antiker Architekturpolychromie im 19.Jahrhundert.” In Polychromie und Wissen, edited by Hassler, Uta, 159–69. Munich: Hirmer.Google Scholar
Hennessey, Colleen. 1992. “The Ernst Herzfeld Papers at the Freer Gallery of Art and Arthur M. Sackler Gallery Archives.” Bulletin of the Asia Institute 6: 131–41.Google Scholar
Henry, Alison, ed. 2006. Stone Conservation: Principles and Practice. Shaftesbury: Donhead.Google Scholar
Herbert, Thomas. 1634. Description of the Persian Monarchy Now Being the Oriental Indyes, Iles and Other Parts of the Greater Asia and Africk. London: William Stansby.Google Scholar
Hermann, Peter. 1975. “Milesischer Purpur.” Istanbuler Mitteilungen 25: 141–7.Google Scholar
Herrmann, Georgina. 1966. “The Source, Distribution, History and Use of Lapis Lazuli in Western Asia from the Earliest Times to the End of the Seleucid Era.” Unpublished PhD diss., University of Oxford.Google Scholar
Herrmann, Georgina. 1968. “Lapis Lazuli: The Early Phases of Its Trade.” Iraq 30: 2157.Google Scholar
Herrmann, Georgina. 2000. “Taste, Perception and Colour: A Critical Survey.” In Variatio delectat, Iran und der Westen: Gedenkschrift für Peter Calmeyer, edited by Dittmann, Reinhard, 347–54. Münster: Ugarit-Verlag.Google Scholar
Herrmann, Georgina. 2017. Ancient Ivory: Masterpieces of the Assyrian Empire. London: Thames & Hudson.Google Scholar
Herrmann, Georgina, Laidlaw, Stuart, and Coffey, Helena 2009. Ivories from Nimrud VI: Ivories from the North West Palace (1845–1992). London: British Institute for the Study of Iraq.Google Scholar
Herzfeld, Ernst. 1908. “Pasargadae. Untersuchungen zur persischen Archäologie.” Klio 8: 168.Google Scholar
Herzfeld, Ernst. 1915. “Die Tabula Ansata in der islamischen Epigraphik und Ornamentik.” Der Islam 6: 189–99.Google Scholar
Herzfeld, Ernst. 1920. Am Tor von Asien. Felsdenkmäle aus Irans Heldenzeit. Berlin: D. Reimer.Google Scholar
Herzfeld, Ernst. 1928. Rapport sur l’état actuel des ruines de Persépolis et propositions pour leur conservation. Berlin: D. Reimer.Google Scholar
Herzfeld, Ernst. 1929. “Bericht über die Ausgrabungen von Pasargadae 1928.” Archäologische Mitteilungen aus Iran 1: 416.Google Scholar
Herzfeld, Ernst. 1931. “Die Magna Charta von Susa.” Archäologische Mitteilungen aus Iran 3: 2981.Google Scholar
Herzfeld, Ernst. 1933. “Xerxes in Ancient Persian Art. The Colour of Treasures from the Great Persepolis Discovery.” The Illustrated London News, April 8, 1933, 488–9.Google Scholar
Herzfeld, Ernst. 1938. Altpersische Inschriften. Berlin: D. Reimer.Google Scholar
Herzfeld, Ernst. 1941. Iran in the Ancient East. Oxford: Oxford University Press.Google Scholar
Herzfeld, Ernst. 1968. The Persian Empire. Studies in Geography and Ethnography of the Ancient Near East (posthumous papers), edited by Walser, G.. Wiesbaden: F. Steiner.Google Scholar
Herzfeld, Ernst. n.d. Unpublished Papers. Archives of the Oriental Institute, Chicago; National Museum of Asian Art, Washington, DC; Metropolitan Museum of Art Archives, New York.Google Scholar
Herzfeld, Ernst and Sarre, Friedrich. 1910. Iranische Felsreliefs. Berlin: E. Wasmuth.Google Scholar
Hillenbrand, Robert, ed. 2001. Persian Paintings: From the Mongols to the Qajars. London: I. B. Tauris.Google Scholar
Hinz, Walther. 1971. “Achämenidische Hofverwaltung.” Zeitschrift für Assyriologie 61: 260311.Google Scholar
Hinz, Walther, ed. 1984. Engelbert Kaempfer: Am Hofe des persischen Großkönigs (1684–1685). Tübingen: H. Erdmann.Google Scholar
Hittorf, Johann. 1830. “De l’architecture polychrome chez les Grecs.” Annales de l’Institut de Correspondance Archéologique 2: 263–84.Google Scholar
Hittorf, Johann. 1846–51. Restitution du temple d’Empédocle à Sélinonte, ou l’architecture polychrome chez les Grecs. Paris: Didot.Google Scholar
Hodjat, Mehdi. 1995. “Cultural Heritage in Iran: Politics for an Islamic Country.” PhD diss., University of York.Google Scholar
Hoeppe, Goetz. 2007. Why Is the Sky Blue? Discovering the Color of Life. Princeton, NJ: Princeton University Press.Google Scholar
Holakooei, Parviz. 2013. “A Multi-Spectroscopic Approach to the Characterization of Early Glaze Opacifiers: Studies on an Achaemenid Glazed Brick Found at Susa, South-Western Iran (Mid-First Millennium bc).” Spectrochimica Acta 116: 4956.CrossRefGoogle Scholar
Holakooei, Parviz. 2014. “A Technological Study of Elamite Polychrome Glazed Bricks at Susa, South-Western Iran.” Archaeometry 56 (5): 764–83.Google Scholar
Holakooei, Parviz. 2016. “A Mediaeval Persian Treatise on Coloured and Enamelled Glass: Bayan Al-Sana’at.Journal of the British Institute of Persian Studies 54: 95106.Google Scholar
Holakooei, Parviz. 2020. “Scientific Research on the Iron Age Glazes from Iran and Iraq: Past and Future.” In Gries and Fügert 2020: 1627.Google Scholar
Holakooei, Parviz, Abed-Esfahani, A., Samanian, S., and Aslani, H.. 2013. “A Technological Study on the 17th Century Raised Gilded Substrates in Three Royal Palaces in Isfahan, Iran.” Open Journal of Archaeometry 1: 99103.Google Scholar
Holakooei, Parviz, Achmadi, M., Volpe, L., and Vaccaro, C.. 2016. “Early Opacifiers in the Glaze Industry of First Millennium bc Persia: Persepolis and Tepe Raba.” Archaeometry 59 (2): 239–54.Google Scholar
Holakooei, Parviz, Karimy, Amir-Hossein, and Vaccaro, Carmela. 2014. “A Multi-Analytical Approach to the Examination of Nineteenth-Century European Wallpapers in Vasiq-Ansari House in Isfahan, Iran.” Studies in Conservation 59: 150–60.Google Scholar
Homayoun, Fahimeh, Zare, Younes, and Zare, Siroos. 2021. “Stoneworking Techniques at Persepolis from Quarry to the Terrace.” Iranian Journal of Archaeological Studies 11.2: 125–9.Google Scholar
Hori, Akira and Ishida, Keiko. 1986. The Lapis Lazuli Road. Tokyo: Ancient Orient Museum.Google Scholar
Houston, Stephen. 2009. Veiled Brightness. A History of Ancient Maya Color. Austin: University of Texas Press.Google Scholar
Hrvol Flores, Carol A. 2006. Owen Jones: Design, Ornament, Architecture, and Theory in an Age in Transition. New York: Rizzoli.Google Scholar
Hu, Wenjing, Zhang, Kun, Zhang, Hui, and Rong, Bo. 2014. “Analysis of Polychrome Binder on Qui Shihuang’s Terracotta Warriors by Immunofluorescence Microscopy.” Journal of Cultural Heritage 16 (2): 244–8.Google Scholar
Huff, Dietrich and Gignoux, Philippe. 1978. “Ausgrabungen auf Qal’a-ye Dukhtar bei Firuzabad 1976.” Archäologische Mitteilungen aus Iran n.s. 11: 117–50.Google Scholar
Hulbert, Anna. 1998. “English Fourteenth Century Interior Polychromy: Manuscript Sources and Workshop Practice at Exeter Cathedral.” In Painting Techniques: History, Materials and Studio Practice, edited by Roy, Ashok and Smith, Perry, 35–9. London: International Institute for Conservation of Historic and Artistic Works.Google Scholar
Humphrey, John R., ed. 1999. The Roman and Byzantine Near East. Vol. 2. Journal of Roman Archaeology suppl. series 31. Portsmouth, RI: Journal of Roman Archaeology.Google Scholar
Ingo, Gabriel M., Çilingiroglu, Altan, Di Carlo, Gabriella, Batmaz, Atilla, De Caro, Tilde, Riccucci, Cristina, Parisi, Erica I., and Faraldi, Federica. 2013. “Egyptian Blue Cakes from the Ayanis Fortress (Eastern Anatolia, Turkey): Micro-Chemical and -Structural Investigations for the Identification of Manufacturing Process and Provenance.” Journal of Archaeological Science 40: 4283–90.Google Scholar
Işık, Cengiz. 2019. Die Wandmalereien in der Grabkammer des Hekatomneions: Beobachtungen zu Figurentypen, zur Komposition, Ikonographie und zum Stil. Bonn: Dr. Rudolf Habelt GmbH.Google Scholar
Jacksch, Heiner. 1985. “Farbpigmente aus Wandmalereien altägyptischer Gräber und Tempel: Technologien der Herstellung und mögliche Herkunftsbeziehungen.” PhD diss., Karl-Rupprecht Universität.Google Scholar
Jackson, Abraham V. W. 1890. “On the Sense of Color in the Avesta.” Journal of the American Oriental Society 14: clxii–clxv.Google Scholar
Jacobs, Bruno. 2021a. “The Residences.” In A Companion to the Achaemenid Persian Empire, edited by Jacobs, Bruno and Rollinger, Robert, 1007–34. Hoboken, NJ: Wiley.Google Scholar
Jacobs, Bruno. 2021b. “Achaemenid Art: Art in the Achaemenid Empire.” In A Companion to the Achaemenid Persian Empire, edited by Jacobs, Bruno and Rollinger, Robert, 749–68. Hoboken, NJ: Wiley.Google Scholar
Jacobs, Bruno and Rollinger, Robert, eds. 2021. A Companion to the Achaemenid Persian Empire. Hoboken, NJ: Wiley.Google Scholar
Jäger, Stephan. 2004. Altägyptische Berufstypologien. Göttingen: Seminar für Ägyptologie und Koptologie.Google Scholar
Jakob-Rost, Liane, ed. 1992. Das Vorderasiatische Museum Berlin. Mainz: Zabern.Google Scholar
Jastrow, Morris Jr. 1888. “Persian Art from Susa. ‘Finds’ by the Dieulafoys Taken to Paris.” New York Times (December 9, 1888): 13.Google Scholar
Jenkins, Ian. 1990. “Acquisition and Supply of the Casts of the Parthenon Sculptures by the British Museum 1835–1939.The Annual of the British School of Archaeology at Athens 85: 89114.Google Scholar
Jenkins, Ian. 1992. Archaeologists and Aesthetes in the Sculpture Galleries of the British Museum 1800–1939. London: British Museum Press.Google Scholar
Jenkins, Ian. 2001. Cleaning and Controversy: The Parthenon Sculptures 1811–1939. British Museum Occasional Paper 146. London: British Museum.Google Scholar
Jenkins, Ian. 2006. Greek Architecture and Its Sculpture. London: British Museum.Google Scholar
Jenkins, Ian, Gratziu, Corrado, and Middleton, Andrew. 1997. “The Polychromy of the Mausoleum.” In Sculptors and Sculptures of Caria and the Dodecanese, edited by Jenkins, Ian and Waywell, Geoffrey, 3541. London: British Museum Press.Google Scholar
Jenkins, Ian and Middleton, Andrew. 1988. “Paint on the Parthenon Sculptures.” Annual of the British School at Athens 83: 183207.Google Scholar
Jenkins, Ian and Waywell, Geoffrey. 1997. Sculptors and Sculptures of Caria and the Dodecanese. London: British Museum Press.Google Scholar
Jeppesen, Kristian and Anthony, Luttrell. 1986. The Maussolleion at Halikarnassos. Reports of the Danish Archaeological Expedition to Bodrum. Vol. 2, The Written Sources and Their Archaeological Background. Copenhagen: Nordisk Forlag.Google Scholar
Jéquier, Gustave 1901. “Description du site de Malamir.” Mémoires de la Délégation en Perse 3: 133–43.Google Scholar
Joannès, Francis. 2010. “Textile Terminology in the Neo-Babylonian Documentation.” In Textile Terminologies in the Ancient Near East and Mediterranean from the Third to the First Millennia bc, edited by Michel, Cecile and Nosch, Marie-Louise, 400–8. Oxford: Oxbow Books.Google Scholar
Joannès, Francis, 2014. “Fabrics and Clothes from Mesopotamia during the Achaemenid and Seleucid Periods. The Textual References.” In Wool Economy in the Ancient Near East and the Aegean. From the Beginnings of Sheep Husbandry to Institutional Textile Industry, edited by Breniquet, C. and Michel, Cecile, 454–65. Oxford: Oxbow Books.Google Scholar
Jockey, Philippe. 2007. “Praxitèle et Nicias. Le débat sur la polychromie de la statuaire antique. La sculpture antique et la question de la couleur: De sa réception à l’époque moderne aux recherches contemporaines.” In Praxitèle, edited by Pasquier, Alain and Martinez, Jean-Luc, 6281. Paris: Musée du Louvre.Google Scholar
Jockey, Philippe. 2013. Le mythe de la Grèce blanche: un malentendu historique. Paris: Belin.Google Scholar
Jockey, Philippe. ed. 2018. Les arts de la couleur en Grèce ancienne … et ailleurs. Proceedings from a Conference held at Athens, April 2009. Athens: École française d’Athènes.Google Scholar
Jockey, Philippe and Bourgeois, Brigitte. 2001. “Approches nouvelles de la polychromie des sculptures hellénistiques de Délos.” Comptes Rendus de l’Académie des Inscriptions et Belles Lettres (January-March): 627–65.Google Scholar
Jockey, Philippe and Bourgeois, Brigitte. 2003. “Polychrome Hellenistic Sculpture in Delos. Research on Surface Treatments of Ancient Marble Sculpture. Part I.” In Interdisciplinary Studies on Ancient Stone. Proceedings of the Sixth International Conference, Venice, June 15–18, 2000, edited by Lazzarini, Lorenzo, 497506. Padua: Bottega d’Erasmo.Google Scholar
Jockey, Philippe and Bourgeois, Brigitte. 2005a. “La dorure des marbles grecs. Nouvelle enquête sur la sculpture hellénistique de Délos.” Journal des Savants 253316.Google Scholar
Jockey, Philippe and Bourgeois, Brigitte. 2005b. “Polychrome Hellenistic Sculpture in Delos. Research on Surface Treatments of Ancient Marble Sculpture. Part II.” In Interdisciplinary Studies on Ancient Stone, Proceedings of the Seventh International Conference. Thasos, Greece, 15–20 September 2003, edited by Maniatis, Yiannis, 799809. Athens: Ecole Francaise d’Athenes.Google Scholar
Jockey, Philippe and Bourgeois, Brigitte. 2005c. “D’or et de marbre: les sculptures hellénistiques dorées de Délos.” Bulletin de Correspondance Hellénique 128: 331–49.Google Scholar
Jockey, Philippe, Karydas, Andreas, Brekoulaki, Hariclia, and Bourgeois, Brigitte. 2009. “In-Situ X-Ray Fluorescence Analysis of Raw Pigments and Traces of Polychromy on Hellenistic Sculpture at the Archaeological Museum of Delos.” In Maniatis 2009: 811–29.Google Scholar
Jokilehto, Jukka. 1986. “A History of Architectural Conservation: The Contribution of English, French, German and Italian Thought towards an International Approach to the Conservation of Cultural Property.” PhD thesis, Institute of Advanced Architectural Studies, University of York.Google Scholar
Jokilehto, Jukka. 1999. A History of Architectural Conservation. London: Routledge.Google Scholar
Jokilehto, Jukka. 2009. “Conservation Principles in the International Context.” In Conservation: Principles, Dilemmas and Uncomfortable Truths, edited by Richmond, Alison and Bracker, Alison, 7383. Oxford: Butterworth-Heinemann.Google Scholar
Jones, Andrew and Bradley, Richard. 1999. “The Significance of Colour in European Archaeology.” Cambridge Archaeological Journal 9: 112–4.Google Scholar
Jones, Andrew and MacGregor, Gavin, eds. 2002. Colouring the Past: The Significance of Colour in Archaeological Research. Oxford: Berg.Google Scholar
Jones, Owen. 1854. An Apology for the Coloring of the Greek Court in the Crystal Palace. London: Bradbury & Evans.Google Scholar
Jursa, Michael. 2015. “Labor in Babylonia in the First Millennium B.C.” In Labor in the Ancient World, edited by Steinkeller, Piotr and Hudson, Michael, 345–96. Dresden: ISLET.Google Scholar
Kaboli, Mir-Abedin. 2000. “The Apadana Gateway at Shush.” Iran 38: 161–2.Google Scholar
Kacharava, Darejan and Kvirkelia, Guram. 2009. “Archaeological Excavations at Vani in 2002. A Preliminary Report.” In Archaeology in Southern Caucasus: Perspectives from Georgia, edited by Sagona, Antonio and Abramischwili, Michael, 407–40. Leuven: Peeters.Google Scholar
Kader, Ingeborg. 2004. “‚Täuschende Spielereien’. Kolorierte Abgüsse im 19. und 20. Jahrhundert.” In Bunte Götter: Die Farbigkeit antiker Skulptur. Eine Ausstellung der Staatlichen Antikensammlungen und Glyptothek München, 16. Dezember 2003 bis 29. Februar 2004, 15. Juni–5. September 2004, edited by Brinkmann, Vinzenz and Wünsche, Raimund, 235–46. Munich: Staatliche Antikensammlungen und Glyptothe.Google Scholar
Kader, Ingeborg., ed. 2008. Begegnung in Bunt. Farbfassungen antiker chinesischer und griechischer Plastik im Vergleich; Sonderausstellung des Museums für Abgüsse Klassischer Bildwerke München anlässlich der XXIX. Olympischen Spiele in Peking, 18. Juni bis 29. August 2008. Munich: Museum für Abgüsse Klassischer Bildwerke.Google Scholar
Kaempfer, Engelbert. 1712. Amonitatum exoticarum politico-physico-medicarum fasciculi V, quibus continentur variae relationes, observationes et descriptiones Rerum Persicarum et Ulterioris Asiae. Lemgo: Meyer.Google Scholar
Kakoulli, Ioanna. 2009. Greek Painting Techniques and Materials: From the Fourth to the First Century bc. London: Archetype Publications.Google Scholar
Kaniuth, Kai. 2013. “Spätbabylonische Glasurziegelreliefs aus Borsippa.” Mitteilungen der Deutschen Orientgesellschaft 145: 5382.Google Scholar
Kaniuth, Kai. 2018. “The Transition from Neo-Babylonian to Achaemenid Glazed Brick Decoration.” In Übergangszeiten. Altorientalische Studien für Reinhard Dittmann anlässlich seines 65. Geburtstags, edited by Kaniuth, Kai, Lau, Daniel, and Wicke, Dirk, 343–59. Münster: Zaphon.Google Scholar
Kantor, Helen J. 1957. “Achaemenid Gold Jewelry in the Oriental Institute.” Journal of Near Eastern Studies 16: 123.Google Scholar
Kantor, Helen J. 1985. Stone Bull Head from Persepolis (Oriental Institute A 24065). Oriental Institute Museum Featured Object 3. Chicago: The Oriental Institute.Google Scholar
Kaptan, Deniz. 2002. The Daskyleion Bullae. Seal Images from the Western Achaemenid Empire. Leiden: Nederlands Instituut voor het Nabije Oosten.Google Scholar
Kargere, Lucretia. 2012. “La sculpture romane polychrome sur bois en Auvergne et Bourgogne: étude technique de quatre sculptures du Metropolitan Museum de New York.” Les Cahiers de Saint-Michel de Cuxa 43: 111–21.Google Scholar
Karimy, Amir Hossein and Holakooei, Parviz. 2021. “Looking Like Silver: Mika as a Pigment in Mid-Seventeenth Century Persian Wall Decorations.” Iran 59 (1): 109–18.CrossRefGoogle Scholar
Karimy, Amir Hossein and Holakooei, Parviz. 2022. “Blue ‘Out of the Blue’: Scientific Studies on the Blue Pigments Applied on Persian Stuccos.” Presentation at Stucco Decoration in the Architecture of Iran and Neighbouring Lands: New Research – New Horizons, Conference, University of Bamberg, May 4–7, 2022.Google Scholar
Karimy, D., Vatandoost, Abdulrasool, and Namagh, K.. 2006. “Analysis of the Restoration of Murals from the Qajar Period.” [in Persian] Unpublished master thesis, Azad University.Google Scholar
Karlsson, Mattias. 2022. From the Nile to the Tigris. African Individuals and Groups in Texts from the Neo-Assyrian Empire. University Park, PA: Penn State University Press.Google Scholar
Karmous, Tijani, Cherif, Zohra, Ayed, Naceur, and Coupry, Claude. 2006. “Les peintures de terres cuites à Carthage. Identification des pigments de figurines et de fruits.” Revue d’archéométrie 29: 4350.Google Scholar
Kasiri, Masoud, Shahrsabzi, Shahrokh, Emami, Mohamadamin, and Razani, Mehdi 2020. “Provenance of the Stones Used in Plinths of the Achaemenid Palaces of Borazjan, South-Western of Iran.” Journal of Archaeological Science. Reports 29: 110.Google Scholar
Kathem, Mehiyar and Ali, Dhiaa Kareem. 2021. “Decolonizing Babylon.International Journal of Heritage Studies 27 (9): 831–45.Google Scholar
Katsaros, Thomas and Vasiliadis, Constantinos. 2019.”Polychromy in Greek Sculpture.” In Handbook of Greek Sculpture, edited by Palagia, Olga, 690724. Berlin: De Gruyter.Google Scholar
Kawase, Toyoko. 1984. “Female Workers ‘Pasap’ in the Persepolis Royal Economy.Acta Sumerologica 6: 1931.Google Scholar
Keene, Suzanne. 1996. Managing Conservation in Museums. Oxford: Butterworth-Heinemann.Google Scholar
Kees, Hermann. 1943. “Farbensymbolik in ägyptischen religiösen Texten.” Nachrichten der Akademie der Wissenschaften Göttingen 11: 413–79.Google Scholar
Kent, Roland G. 1953. Old Persian. Grammar, Texts, Lexicon. 2nd ed. New Haven, CT: American Oriental Society.Google Scholar
Keppel, George. 1827. Personal Narrative of a Journey from India to England in the Year 1824. London: Colburn.Google Scholar
Kertai, David. 2015. The Architecture of Late Assyrian Royal Palaces. Oxford: Oxford University Press.Google Scholar
Khandekar, Narayan. 2017. Collecting Colour. Arnhem: ArtEZ Press.Google Scholar
Khazeni, Arash. 2014. Sky Blue Stone: The Turquoise Trade in World History. Berkeley: University of California Press.Google Scholar
Khiabani, M. J. 2004. “A Study on the Erection of Protective Canopies over Stone Monuments in Persepolis.” [in Persian] PARSA 1: 112–5.Google Scholar
Kidd, Fiona, Negus Cleary, M., Yagodin, V. N., Betts, A., and Baker Brite, E.. 2004. “Ancient Chorasmian Mural Art.” Bulletin of the Asia Institute 18: 6995.Google Scholar
Kiene, Michael. 2019. “Hittorfs Farbproben aus Pompeji und sein Projekt einer franzoesisch-deutschen Pompeji Edition.” In Polychromie und Wissen, edited by Hassler, Uta, 6075. Munich: Hirmer.Google Scholar
Kiene, Michael, Lazzarini, Lorenzo, and Marconi, Clemente. 2016. Sicile Ancienne: Hittorff and the Architecture of Classical Sicily. Cologne: Universitäts- und Stadtbibliothek.Google Scholar
King, Rhyne. 2022. “Trips to the King, Taxation, and the New Year in the Persepolis Fortification Archive.” Iran 60 (2).Google Scholar
Kirby, Jo, Cannon, Joanna, and Nash, Susie, eds. 2010. Trade in Artists’ Materials. Markets and Commerce in Europe to 1700. London: Archetype Publications.Google Scholar
Kjerrman, Pontus. 2004. Spejlinger i Gips. Reflections in Plaster. An Exhibition at the Danish Art Academy in Copenhagen. Copenhagen.Google Scholar
Kleiss, Wolfram. 1981. “Ein Abschnitt der achämenidischen Königsstraße von Pasargadae und Persepolis nach Susa, bei Naqsh-i-Rustam.Archäologische Mitteilungen aus Iran n.s. 14: 4553.Google Scholar
Klemm, Rosemarie. 2013. Gold and Gold Mining in Ancient Egypt and Nubia: Geoarchaeology of the Ancient Gold Mining Sites in the Egyptian and Sudanese Eastern Deserts. Heidelberg: Springer.Google Scholar
Knipping, Detlef. 2001. “Le Jupiter olympien and the Rediscovery of Polychromy in Ancient Sculpture.” In The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor, edited by Blänsdorf, Catharina, Emmerling, Erwin, and Petzet, Michael, 8996. Munich: Bayerisches Landesamt für Denkmalpfleg.Google Scholar
Knuutinen, Ulla, Mannerheimo, Hanne, and Hornytzkyj, Seppo. 2007. “Analysis of Pigments from Pompeian Wall Paintings in the Huse of Marcus Lucretius.” In Conservation Science 2007, edited by Townsend, Joyce, Toniolo, Lucia, and Cappitelli, Francesca, 56–7. London: Archetype Publications.Google Scholar
Koch, Heidemarie. 1986. “Die achämenidische Poststrasse von Persepolis nach Susa.” Archäologische Mitteilungen aus Iran n.s. 19: 133–47.Google Scholar
Koch, Heidemarie. 2001. Persepolis. Glänzende Hauptstadt des Perserreiches. Mainz: Zabern.Google Scholar
Koch, Nadja J. 2000. Techne und Erfindung in der klassischen Malerei. Eine terminologische Untersuchung. Munich: Biering & Brinkmann.Google Scholar
Koren, Zvi. 2008. “Archaeo-Chemical Analysis of Royal Purple on a Darius I Stone Jar.” Microchimica Acta 162 (3–4): 381–92.Google Scholar
Kostomitsopoulou Marketou, Ariadne. 2019. “The Pigment Production Site of the Ancient Agora of Kos (Greece): Revisiting the Material Evidence.” Thiasos 8 (1): 6180.Google Scholar
Kottaridi, Angeliki. 2006. “Couleur et signification: L’usage de la couleur dans la tombe de la reine Eurydice. In Rois, cités, nécropoles: institutions, rites et monuments en Macédoine. Actes des colloques de Nanterre, décembre 2002 et d’Athènes, janvier 2004, edited by Guimier-Sorbets, Anne-Marie, Hatzopoulos, Miltiade B., and Morizot, Yvette, 143–53. Paris: Diffusion de Boccard.Google Scholar
Kouzeli, Kalliope. 1989. “Study on the Colored Layers Which Can Be Seen on the Surface of the Monuments.” In Study for the Restoration of the Parthenon, Vol. 2a, edited by Korres, Manolis, 198–9 [in Greek]. Athens: Ministry of Culture, Committee for the Preservation of the Acropolis Monuments.Google Scholar
Kouzeli, Kalliope, Dogani, Yianna, and Belogiannis, Nikos. 1990. “Study of the Remaining Colour on the Architectural Surfaces of the Parthenon.” In Superici dell’Architettura: Le finiture. Atti del convegno di studi Bressanone 26–29 Giugno 1990, edited by Biscontin, Guido and Volpin, Stefano, 241–3. Padua: Libreria Progetto.Google Scholar
Krauss, Rolf. 1987–92. “75 Jahre Nofretete Büste in Berlin, Teil 1 und 2.Jahrbuch Preußischer Kulturbesitz 24 (1987): 7124, 28 (1992): 123–57.Google Scholar
Krebernik, Manfred. 2013. “Die ‘Haussknechtiana’ in der Hilprecht-Sammlung.” in Carl Haussknecht. Ein Leben für die Botanik, Beiträge aus den Sammlungen der Universität Jena 2, edited by Hellwig, Frank, 54–9. Jena: Friedrich-Schiller-Universität Jena.Google Scholar
Kreiser, Klaus. 2008. “The Equestrian Statue of the Qajar Ruler Nasir al-Din Shah in Tehran (1888).” In Iran und iranisch gepraegte Kulturen. Studien zum 65. Geburtstag von Bert Fragner, edited by Ritter, Markus, Kauz, Ralph, and Hoffmann, Birgit, 389–98. Wiesbaden: Reichert.Google Scholar
Krefter, Friedrich. 1967. “Zur Steinmetztechnik von Persepolis.” In Festschrift für Wilhelm Eilers, edited by Wiessner, Gernot, 429–41, Wiesbaden: Harrassowitz.Google Scholar
Krefter, Friedrich. 1971. Persepolis Rekonstruktionen. Berlin: Mann.Google Scholar
Krefter, Friedrich. 1989. “Persepolis in Farbe.” Archäologische Mitteilungen aus Iran n.s. 22: 131–2.Google Scholar
Krefter, Friedrich. 1991. “Die roten Schuhe.” Archäologische Mitteilungen aus Iran n.s. 24: 57–9.Google Scholar
Krengel-Strudthoff, Ingeborg. 1981. “Archäologie auf der Bühne: das wiedererstandene Ninive; Charles Keans Ausstattung zu Sardanapalus von Lord Byron.” Kleine Schriften der Gesellschaft für Theatergeschichte 31: 324.Google Scholar
Krischel, Roland. 2011. “The Venetian Pigment Trade in the Sixteenth Century.” In Colors between Two Worlds. The Florentine Codex of Bernardino de Sahagun, edited by Wolf, Gerhard and Connors, Joseph, 317–32. Florence: Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Villa I Tatti, the Harvard University Center for Italian Renaissance Studies.Google Scholar
Kröger, Jens. 1982. Sasanidischer Stuckdekor. Mainz: Zabern.Google Scholar
Kröger, Jens. 2021. “Statue of a ‘Saint’ from the Church in Veh Ardashir.” In Iran. Five Millennia of Art and Culture, edited by Franke, Ute and Weber, Stefan, 123. Munich: Hirmer.Google Scholar
Kuehn, H. 1970. “Fluoreszenzaufnahmen von griechischen Grabstelen.” International Photo Technik 1970 (2): 24, 52–5.Google Scholar
Kühlenthal, Michael. 2004. “The Research on the Polychromy of Sculptures. An Introduction.” In Historical Polychromy, edited by Kühlenthal, Michael and Miura, Sadatoshi, 1031. Munich: Hirmer.Google Scholar
Kuhrt, Amélie. 2007. The Persian Empire: A Corpus of Sources from the Achaemenid Period. 2 vols. London: Routledge.Google Scholar
Kuhrt, Nicola. 2013. “Protest aus Ägypten. Deutsche Hobbyforscher kratzen Proben aus der Cheops-Pyramide.” Der Spiegel November 21, 2013. www.spiegel.de/wissenschaft/mensch/cheops-pyramide-deutsche-hobbyforscher-kratzen-proben-von-der-decke-a-934939.htmlGoogle Scholar
Laboury, Dimitri. 2012. “Tracking Ancient Egyptian Artists: The Problem of Methodology: The Case of the Painters of Private Tombs of the Theban Necropolis during the 18th Dynasty.” In Art and Society: Ancient and Modern Contexts of Egyptian Art. Proceedings of the International Conference Held at the Museum of Fine Arts, Budapest, 13–15, 2010, edited by Kothay, Katalin A., 199208. Budapest: Museum of Fine Arts.Google Scholar
Laboury, Dimitri. 2016. “Le scribe et le peintre: à propos d’un scribe qui ne voulait être pris pour un peintre.” In Aere perennius: mélanges égyptologiques en l’honneur de Pascal Vernus, edited by Collombert, Philippe, Lefèvre, Dominique, Polis, Stéphane, and Winand, Jean, 371–96. Leuven: Peeters.Google Scholar
Labrousse, Audran and Boucharlat, Rémy. 1974. “La fouille du palais du Chaour à Suse en 1970 et 1971.” Cahiers de la Délégation Archéologique Française en Iran 2: 61167.Google Scholar
Ladiray, Daniel. 2013. “The Archaeological Results.” In The Palace of Darius at Susa: The Great Royal Residence of Achaemenid Persia, edited by Perrot, Jean, 139208. London: I. B. Tauris.Google Scholar
Lamb, Trevor and Bourriau, Janine, eds. 1995. Colour: Art and Science. Cambridge: Cambridge University Press.Google Scholar
Lambert, Rodolphe and Roux, François-Noël. 1998. Victorien Lottin de Laval, reliefs en plâtre patiné et polychrome, 1845–850. Paris: Musée du Louvre.Google Scholar
Landsberger, Benno. 1967. “Über Farben im Sumerisch-Akkadischen.” Journal of Cuneiform Studies 21: 139–73.Google Scholar
Lange, Bente. 1995. The Colours of Rome. Copenhagen: Danish Architectural Press.Google Scholar
Larsen, Mogens T. 1996. The Conquest of Assyria. Excavations in an Antique Land 1840–1860. New York: Routledge.Google Scholar
Larsen, Mogens T. 2017. “The Archaeological Exploration of Assyria.” In A Companion to Assyria, edited by Frahm, Eckart, 583–98. Hoboken, NJ: Wiley.Google Scholar
Lauer, Jean-Philippe. 1993. “Sur l’emploi et le rôle de la couleur aux monuments du complexe funéraire du Roi Djoser.” Revue d’Égyptologie 44: 7580.Google Scholar
Laurenzi Tabasso, Marisa and Lazzarini, Lorenzo. 2017. “Study of the Finishing Technique of the Bas-Reliefs and Architectural Surfaces.” In From Palace to Town: Report on the Multidisciplinary Project Carried Out by the Iranian-Italian Joint Archaeological Mission on the Persepolis Terrace (Fars, Iran), 2008–2013, edited by Askari Chaverdi, Alireza and Callieri, Pierfrancesco, 108–18. Rome: BraDypUS Communicating Cultural Heritage.Google Scholar
Laurenzi Tabasso, Marisa and Ridolfi, Stefano. 2017a. “Experimental Results of XRF with Portable Equipment.” In From Palace to Town: Report on the Multidisciplinary Project Carried Out by the Iranian-Italian Joint Archaeological Mission on the Persepolis Terrace (Fars, Iran), 2008–2013, edited by Askari Chaverdi, Alireza and Callieri, Pierfrancesco, 87107. Rome: BraDypUS Communicating Cultural Heritage.Google Scholar
Laurenzi Tabasso, Marisa and Ridolfi, Stefano. 2017b. “Portable XRF Survey on Glazed Bricks.” In From Palace to Town: Report on the Multidisciplinary Project Carried Out by the Iranian-Italian Joint Archaeological Mission on the Persepolis Terrace (Fars, Iran), 2008–2013, edited by Askari Chaverdi, Alireza and Callieri, Pierfrancesco, 52–8. Rome: BraDypUS Communicating Cultural Heritage.Google Scholar
Layard, Austen H. 1849. Nineveh and Its Remains. Vols. 1–2. London: John Murray.Google Scholar
Layard, Austen H. 1854. The Nineveh Court in the Crystal Palace. London: Bradbury & Evans.Google Scholar
Leatherbarrow, David and Mostafavi, Mohsen. 1993. On Weathering: The Life of Buildings in Time. Cambridge, MA: MIT Press.Google Scholar
Leatherbarrow, David and Mostafavi, Mohsen. 2002. Surface Architecture. Cambridge, MA: MIT Press.Google Scholar
Lecoq, Pierre. 1997. Les inscriptions de la Perse achéménide. Paris: Gallimard.Google Scholar
Lee, Lorna and Quirke, Stephen. 2000. “Painting Materials.” In Ancient Egyptian Materials and Technology, edited by Nicholson, Paul and Shaw, Ian, 104–20. Cambridge: Cambridge University Press.Google Scholar
Le Fur, Daniel. 2016. “Les pigments dans la peinture égyptienne.” In Pigments et Colorants de l’Antiquité et du Moyen Âge: Teinture, Peinture, Enluminure, études historiques et physico-chimiques, 181–8. Paris: CNRS Éditions.Google Scholar
Leicester, Henry. 1971. Historical Background of Chemistry. New York: Dover.Google Scholar
Leith, Ian. 2005. DeLamotte’s Crystal Palace: A Victorian Pleasure Dome Revealed. Swindon: English Heritage.Google Scholar
Leithy, Hisham El-, Lentz, Christian, and von Recklinghausen, Daniel 2019. “The Ancient Colours of Esna Return.” Egyptian Archaeology 55: 20–4.Google Scholar
Leka, Evridiki. 2018. “The Adornment of Images. Gilding and Aesthetics of Color on Ancient Sculptures.” In The Countless Aspects of Beauty in Ancient Art (exhibition catalogue), edited by Lagogianni-Georgakarakou, Maria, 417–32 [in Greek]. Athens: Archaeological Receipts Fund.Google Scholar
Lenclos, Jean-Philippe and Lenclos, Dominique. 2004. Colors of the World: A Geography of Color. New York: Norton.Google Scholar
Lentz, Wolfgang and Schlosser, Wolfhard. 1968. “Persepolis: ein Beitrag zur Funktionsbestimmung.” Deutscher Orientalistentag (1968). Zeitschrift der Deutschen Morgenländischen Gesellschaft Suppl. 1 3 (17): 957–83.Google Scholar
Lentz, Wolfgang and Schlosser, Wolfhard. 1971. “Persepolis-weitere Beiträge zur Funktionsbestimmung.” Zeitschrift der Deutschen Morgenländischen Gesellschaft 121: 254–68.Google Scholar
Lepinski, Sarah and McFadden, Susanna, eds. 2015. Beyond Iconography: Materials, Methods and Meaning in Ancient Surface Decoration. Boston: Archaeological Institute of America.Google Scholar
Lerner, Judith. 1971. “The Achaemenid Relief of Ahura Mazda in the Fogg Art Museum, Cambridge, Massachusetts.” Bulletin of the Asia Institute 2: 1935.Google Scholar
Lerner, Judith. 1973. “A Painted Relief from Persepolis.” Archaeology 26: 116–22.Google Scholar
Lerner, Judith. 1976. “Polychromy in Achaemenid Relief Sculpture.” Akten des 7. Internationalen Kongresses für Iranische Kunst und Archäologie, München 1976. Archäologische Mitteilungen aus Iran Erg. Bd. 6: 240–1.Google Scholar
Lerner, Judith. 2017. “Ancient Persianisms in Nineteenth Century Iran: The Revival of Persepolitan Imagery under the Qajars.” In Persianism in Antiquity, edited by Strootman, Rolf and Versluys, Miguel John, 107–20. Stuttgart: F. Steiner.Google Scholar
Linders, T. 1984. “The Kandys in Greece and Persia.” Opuscula Atheniensia 15: 107–14.Google Scholar
Lippolis, Carlo. 2009. “The Colour in Parthian Nisa: Some Considerations on Polychromy in Sculpture and Architecture in Ancient Mithridatkert (Turkmenistan).” In Proceedings of the Second International Symposium of the Terracotta Figures and Painted Cultural Relics Preservation and Research. Abstracts Volume 2009, 553–66. Xi’an, China: n.p.Google Scholar
Litjens, Stefanie and Seymour, Kate, eds. 2017. “Polychrome Sculpture: Tool Marks, Construction Techniques, Decorative Practice and Artistic Tradition. ICOM-CC Interim Meeting, Working Group Sculpture, Polychromy, and Architectural Decoration, Tomar, 28–29 May, 2013.” Paris: ICOM-CC. https://icom.museum/en/ressource/polychrome-sculpture-tool-marks-construction-techniques-decorative-practice-and-artistic-tradition-papers-and-posters-proceedings-of-three-interim-meetings-of-icom-cc-working-group-sculpture-po/Google Scholar
Liverani, Paolo. 2005. “La Polychromie de la Statue d’ Auguste de Primaporta.” Revue Archéologique 39: 193–7.Google Scholar
Liverani, Paolo and Santamaria, Ulderico, eds. 2014. Diversamente Bianco. La Policromia della Scultura Romana. Rome: Quasar.Google Scholar
Llewellyn-Jones, Lloyd. 2021. “The Royal ‘Gaunaka’: Dress, Identity, Status and Ceremony in Achaemenid Iran.” In Masters of the Steppe: The Impact of the Scythians and Later Nomad Societies of Eurasia, edited by Pankova, Svetlana and Simpson, St John, 248–57. Oxford: Archaeopress.Google Scholar
Lloyd, Alan B. 1982. “The Inscription of Udjahorresnet: A Collaborator’s Testament.” Journal of Egyptian Archaeology 68: 166–80.Google Scholar
Lodging, Darlene. 1974. “A Craft Archive from Ur.” PhD diss., University of Pennsylvania.Google Scholar
Longpérier, Adrien De. 1854. Notice des antiquités assyriennes, babyloniennes, perses, hébraïques, exposées dans les galeries du Musée du Louvre. 3rd ed. Paris: Vinchon.Google Scholar
Loud, Gordon. 1936. Khorsabad. Part I. Excavations in the Palace and at the City Gate. Chicago: The Oriental Institute.Google Scholar
Lucas, Alfred. 1924. Antiquities. Their Restoration and Preservation. London: E. Arnold.Google Scholar
Lucas, Alfred. (1926) 1962. Ancient Egyptian Materials and Industries. 4th ed. Revised by J. R. Harris. London: E. Arnold.Google Scholar
Luciani, Marta. 2006. “Palatial Workshops at Qatna.” Baghdader Mitteilungen 37: 403–30.Google Scholar
Luft, Paul. 2001. “The Qajar Rock Reliefs.Iranian Studies 34 (1–4): 3149.Google Scholar
Luschey, Heinz. 1968. “Studien zu dem Darius-Relief in Bisutun.” Archäologische Mitteilungen aus Iran 1 : 6394.Google Scholar
Magaloni Kerpel, Diana. 1994. Metodología para el análisis de la técnica pictórica mural prehispánica: el Templo Rojo de Cacaxtla. Mexico: Instituto Nacional de Antropología e Historia.Google Scholar
Magaloni Kerpel, Diana. 2010. “The Hidden Aesthetic of Red in the Painted Tombs of Oaxaca.” Res: Anthropology and Aesthetics 57–58 (Spring–Autumn): 5574.Google Scholar
Magaloni Kerpel, Diana. 2011. “Painters of the New World: The Process of Making the Florentine Codex.” In Colors between Two Worlds. The Florentine Codex of Bernardino de Sahagun, edited by Wolf, Gerhard and Connors, Joseph, 4776. Florence: Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Villa I Tatti, the Harvard University Center for Italian Renaissance StudiesGoogle Scholar
Magaloni Kerpel, Diana. 2014. “The Colors of Creation: Materials and Techniques in the Florentine Codex.” In Manuscript Cultures of Colonial Mexico and Peru, edited by Cummins, Thomas, Engel, Emily, Anderson, Barbara, and Ossio, Juan, 175–89. Los Angeles: Getty Research Institute.Google Scholar
Magaloni Kerpel, Diana. 2019. “Powerful Words and Eloquent Images.” In The Florentine Codex: An Encyclopedia of the Nahua World in Sixteenth-Century Mexico, edited by Peterson, Jeanette Favrot, and Trerraciano, Kevin, 152–66. Austin: University of Texas Press.Google Scholar
Mahdizadeh, Sara and Shojaei, Reyhaneh Sadat. 2018. “The Involvement of Western Orientalists in Cultural Heritage Affairs During the Pahlavi Era, Iran (1929–1979).” Journal of Architectural Conservation 24 (3): 169–84.Google Scholar
Mahmoudzadeh, A. and Oudbashi, Omid. 2004. “Pathological Study on the Bas-Reliefs on the Northern and Eastern Stairways of the Apadana.” Parsa 1 (1): 121–2.Google Scholar
Makariou, Sophie. 2003. “Étude d’une scénographie poétique: l’oeuvre d’Ibn al-Jayyab à la tour de la Captive (Alhambra).Studia Islamica 96: 95107.Google Scholar
Maktabi, Hadi. 2021. “Carpets as Diplomatic Gifts and Feudal Tribute under the Qajars.” In Revealing the Unseen: New Perspectives on Qajar Art, edited by Fellinger, Gwenaëlle, Guillaume, Carol and Gibson, Melanie, 140–9. London: Gingko.Google Scholar
Malley, Shawn. 2012. From Archaeology to Spectacle in Victorian Britain: The Case of Assyria, 1845–1854. Farnham: Ashgate.Google Scholar
Mallouchou-Toufano, Fani. 2006a. “Thirty Years of Anastelosis Work on the Athenian Acropolis.” Conservation and Management of Archaeological Sites 8 (1): 2738.Google Scholar
Mallouchou-Toufano, Fani. 2006b. “The Restoration of Classical Monuments in Modern Greece: Historic Precedents, Modern Trends, Peculiarities.” Conservation and Management of Archaeological Sites 8 (3): 154–73.Google Scholar
Mallowan, Max. 1966. Nimrud and Its Remains. New York: Dodd, Mead.Google Scholar
Manetta, Consuelo. 2019. “Cultura locale e orizzonte mediterraneo: la pittura funeraria della Tracia tra l’età tardo-classica e la prima età ellenistica.” In Pittori, tecniche, trattati, contesti tra testimonianze e ricezione. Archeologia e arte antica, edited by Adornato, Gianfranco, Falaschi, Eva, Poggio, Alessandro, 6796. Milan: LED.Google Scholar
Maras, Sabrina. 2010. “A Reassessment of Brick Motifs and Brick Building Techniques at Achaemenid Susa.” In The World of Achaemenid Persia, edited by Curtis, John and Simpson, St John, 207–20. London: I. B. Tauris.Google Scholar
Marchetti, Nicolò. 2009. “Texts Quoting Artworks. The Banquet Stele and the Palace Reliefs.” Revue d’assyriologie et d’archéologie orientale 103: 85–7.Google Scholar
Marconi, Clemente. 2004. “Kosmos. The Imagery of the Archaic Greek Temple.” RES 45: 211–22.Google Scholar
Marconi, Clemente. 2009. “The Parthenon Frieze. Degrees of Visibility.” RES 55–56: 156–73.Google Scholar
Marijnissen, Roger. 1996. “Degradation, Conservation and Restoration of Works of Art: Historical Overview.” In Historical and Philosophical Issues in the Conservation of Cultural Heritage, edited by Stanley-Price, Nicholas, Talley Jr., M. Kirby Vaccaro, Alessandra Melucco, 275–80. Los Angeles: Getty Conservation Institute. Reprint of Dégradation, conservation et restauration de l’œuvre d’art (Brussels: Éditions Arcade, 1967).Google Scholar
Marincola, Michele. 2004. s.v. “Polychromy.” In The Encyclopedia of Sculpture, edited by Bostroem, Antonia, 1318–22. New York: Fitzroy Dearborn.Google Scholar
Marincola, Michele and Kargère, Lucretia 2020. The Conservation of Medieval Polychrome Wood Sculpture: History, Theory and Practice. Los Angeles: Getty Conservation Institute.Google Scholar
Martinon-Torres, Marcos. 2002. “Chaîne Opératoire: The Concept and its Applications within the Study of Technology.” Gallaecia 21: 2943.Google Scholar
Mason, Andrew. 2016. Ancient Aesthetics. London: Routledge.Google Scholar
Mathieu, Bernard, Meeks, Dimitri, and Wissa, Myriam, eds. 2006. L’apport de l’Égypte à l’histoire des techniques. Méthodes, chronologie et comparaisons. Bibliothèque d’Étude 142. Cairo: Institut français d’archéologie orientale.Google Scholar
Matson, Frederick. 1953. “A Study of Wall Plaster, Flooring, and Bitumen.” In Persepolis I. Structures, Reliefs, Inscriptions, edited by Schmidt, Erich F., 285–8. Chicago: University of Chicago Press.Google Scholar
Matson, Frederick. 1957. “Analysis of Various Substances from Persepolis.” In Persepolis II. Contents of the Treasury and Other Discoveries, edited by Schmidt, Erich F., 125–35. Chicago: University of Chicago Press.Google Scholar
Matthee, Rudi. 2016. “From Splendour and Admiration to Ruin and Condescension: Western Travelers to Iran from the Safavids to the Qajars.” Iran 54: 311.Google Scholar
Matthew, Louisa. 2011. “The Pigment Trade in Europe during the Sixteenth Century.” In Colors between Two Worlds. The Florentine Codex of Bernardino de Sahagun, edited by Wolf, Gerhard and Connors, Joseph, 301–14. Florence: Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Villa I Tatti, the Harvard University Center for Italian Renaissance StudiesGoogle Scholar
Matthews, Roger, and Faseli, Hassan. 2022. The Archaeology of Iran from the Paleolithic to the Achaemenid Empire. London: Routledge.Google Scholar
Matthiae, Paolo, Pinnock, Frances, Nigro, Lorenzo, and Marchetti, Nicolò, eds. 2010. Proceedings of the 6th International Congress of the Archaeology of the Ancient Near East. 5th–10th May 2009, Rome. Vol. 1. Wiesbaden: Harrassowitz.Google Scholar
McCormack, John. 2000. “The Darkening of Cinnabar in Sunlight.” Mineralium Deposita 35 (8): 796–8.Google Scholar
McFerrin, Neville. 2017. “Fabrics of Inclusion: Deep Wearing and the Potentials of Materiality on the Apadana Reliefs.” In What Shall I Say of Clothes? Theoretical and Methodological Approaches to the Study of Dress in Antiquity, edited by Cifarelli, Megan and Gawlinski, Laura, 143–59. Boston: Archaeological Institute of America.Google Scholar
McGeough, Kevin. 2015. The Ancient Near East in the Nineteenth Century. 3 vols. Sheffield: Sheffield Phoenix Press.Google Scholar
McGeough, Kevin. 2022. Representations of Antiquity in Film: From Griffith to Grindhouse. Sheffield: Equinox Publishing.Google Scholar
McGlinchey, Chris and Trentelman, Karen. 2007. “Portable XRF for the Examination of Artists’ Materials and Cultural Heritage.” In Conservation Science 2007, edited by Townsend, Joyce, Toniolo, Lucia, and Cappitelli, Francesca, 195–7. London: Archetype Publications.Google Scholar
McGrath, Thomas. 2000. “Color and the Exchange of Ideas between Patron and Artist in Renaissance Italy. “ The Art Bulletin 82 (2): 298302.Google Scholar
McSweeney, Anna. 2018. “Monumente zum Mitnehmen: Lottin de Lavals Verfahren ambulanter Bauwerkskopien.” In Bilderfahrzeuge: Aby Warburgs Vermächtnis und die Zukunft der Ikonologie, edited by Andreas Beyer, Uwe Fleckner, Horst Bredekamp, Gerhard Wolf, 41–53. Berlin: Wagenbach.Google Scholar
Meadows, Andrew R. 2003. “The Apadana Foundation Deposit (IGCH 1789): Some Clarification.Numismatic Chronicle 163: 342–4.Google Scholar
Mecquenem, Roland De. 1947. “Contribution à l’étude du palais achéménide de Suse.” Mémoires de la Délégation en Perse 30: 1119.Google Scholar
Meier-Lemgo, Karl. 1933. Engelbert Kaempfer: 1651–1716. Seltsames Asien (Amoenitates Exoticae). Auswahl übersetzt. Detmold: M. Hofbuchhandlung.Google Scholar
Meissner, Burkhard. 1999. Die technologische Fachliteratur der Antike: Struktur, Überlieferung und Wirkung technischen Wissens in der Antike, ca. 400 v. Chr.–ca. 500 n. Chr. Berlin: Akademie Verlag.Google Scholar
Melucco Vaccaro, Alessandra. 1984. “La policromia nell’architettura e nella plastica antica: Stato della questione.” Ricerche di Storia dell’Arte 24: 1932.Google Scholar
Melucco Vaccaro, Alessandra. 1996. “Introduction to ‘Part VII: The Idea of Patina.’” In Historical and Philosophical Issues in the Conservation of Cultural Heritage, edited by Stanley-Price, Nicholas, Talley Jr., M. Kirby, and Vaccaro, Alessandra Melucco, 366–70. Los Angeles: Getty Conservation Institute.Google Scholar
Mercier, Emmanuelle and Sanyova, Jana 2012. “Art et techniques de la polychromie romane sur bois dans l’Europe du Nord.Les Cahiers de Saint-Michel de Cuxa.43: 125–33.Google Scholar
Micale, Maria G. 2008. “European Images of the Ancient Near East at the Beginnings of the Twentieth Century.” In Archives, Ancestors, Practices. Archaeology in Light of Its History, edited by Schlanger, Nathan and Nordbladh, Jarl, 191203. New York: Berghahn Books.Google Scholar
Middleton, Andrew and Uprichard, Ken, eds. 2008. The Nebamun Wall Paintings: Conservation, Scientific Analysis and Display at the British Museum. London: Archetype Publications.Google Scholar
Middleton, Robin, 1982. “Hittorf’s Polychromy Campaign.” In The Beaux-Arts and Nineteenth Century French Architecture, edited by Middleton, Robin, 174–96. London: Thames & Hudson.Google Scholar
Miles, George C., ed. 1952. Archaeologica orientalia in Memoriam Ernst Herzfeld. Locust Valley, NY: J. J. Augustin.Google Scholar
Miller, E. 2008a. “Painterly Technique.” In The Nebamun Wall Paintings: Conservation, Scientific Analysis and Display at the British Museum, edited by Middleton, Andrew and Uprichard, Ken, 6170. London: Archetype Publications.Google Scholar
Miller, E. 2008b. “Conservation of the Paintings.” In The Nebamun Wall Paintings: Conservation, Scientific Analysis and Display at the British Museum, edited by Middleton, Andrew and Uprichard, Ken, 7590. London: Archetype Publications.Google Scholar
Miller, Margaret C. 1995. “Persians: The Oriental Other.” Source. Notes in the History of Art 15 (1): 3944.Google Scholar
Miller, Margaret C. 1997. Athens and Persia in the Fifth Century bc: A Study in Cultural Receptivity. Cambridge: Cambridge University Press.Google Scholar
Miller, Naomi F. and Abdi, Kamyar, eds. 2003. Yeki Bud, Yeki Nabud. Essays on the Archaeology of Iran in Honor of William M. Sumner. Los Angeles: Cotsen Institute of Archaeology at UCLA.Google Scholar
Mills, Kristoffer and Rush, Laurie. 2017. “Integration of Cultural Property Protection into a Decisive Action Training Exercise.” Military Review (November–December).Google Scholar
Miri, Negin. 2022. “Color and Polychromy in Sasanian Rock Reliefs.” [in Persian] Journal of Archaeological Studies 14 (1): 155–81.Google Scholar
Mitchell, Lynette and Melville, Charles, eds. 2012. Every Inch a King: Comparative Studies on Kings and Kingship in the Ancient and Medieval Worlds. Leiden: Brill.Google Scholar
Mitchell, Terence C. 2000. “The Persepolis Sculptures in the British Museum.” Iran 38: 4956.Google Scholar
Mohammadi, Parisa and Krumbein, Wolfgang E.. 2008. “Biodeterioration of Ancient Stone Materials from the Persepolis Monuments (Iran).” Aerobiologia 24: 2733.Google Scholar
Momenzadeh, Morteza. 2002. “Mining Archaeology in Iran. An Ancient Gold Mining Site of Zartorosht (SW-Jiroft, SE-Iran).” Metalla (Bochum) 9 (1): 4753.Google Scholar
Momenzadeh, Morteza. 2004. “Metallic Mineral Resources of Iran, Mined in Ancient Times.” In Persiens Antike Pracht. Bergbau, Handwerk, Archäologie, edited by Stöllner, Thomas, Slotta, Rainer, and Vatandoust, Abdolrasool, 821. Bochum: Deutsches Bergbau-Museum.Google Scholar
Monteix, Nicolas. 2012. “Caius Lucretius […], marchand de couleurs de la rue des fabricants de courroies. Réflexions critiques sur les concentrations de métiers à Rome.” In Quartiers artisanaux en Grèce ancienne: une perspective méditerranéenne, edited by Esposito, Arianna and Sanidas, Giorgos, 333–52. Villeneuve d’Ascq: Presses Universitaires du Septentrion.Google Scholar
Moorey, Peter Roger S. 1985. Materials and Manufacture in Ancient Mesopotamia: The Evidence of Art and Archaeology: Metals and Metalwork, Glazed Materials and Glass. Oxford: B.A.R.Google Scholar
Moorey, Peter Roger S. 1994. Ancient Mesopotamian Materials and Industries: The Archaeological Evidence. Oxford: Oxford University Press.Google Scholar
Moortgat, Anton. 1959. Alt-Vorderasiatische Malerei. Berlin: Safari-Verlag.Google Scholar
Morgan, Jacques de. 1905. Découverte d’une sépulture achéménide. Mémoires de la Délégation Perse 8: 2958.Google Scholar
Morgan, Jacques de, Jéquier, Gustave, and Lampre, Georges 1900. Fouilles à Suse en 1897–1898 et 1898–1899. Paris: Leroux.Google Scholar
Morgenstern, Laure. 1939. “Mural Painting.” In A Survey of Persian Art. Vol. 5, edited by Pope, Arthur Upham and Ackerman, Phyllis, 1365–90. London: Oxford University Press.Google Scholar
Mostafavi, S. M. T. 1978. The Land of Pars. The Historical Monuments and the Archaeological Sites of the Province of Fars. Translated by R. N. Sharp. Chippenham: Picton.Google Scholar
Motaghedi, K. 2019. Vibrant Qajar Colours. The Evolution of Seven Colours Tiles. Gilgamesh Art Magazine 7 (Autumn): 5965.Google Scholar
Mousavi, Ali. 1996. “Early Archaeological Adventures and Methodological Problems in Iranian Archaeology: The Evidence from Susa.” Iranica Antiqua 31: 117.Google Scholar
Mousavi, Ali. 2002. “Persepolis in Retrospect: History of Discovery and Archaeological Exploration at the Ruins of Ancient Parseh.” In “Medes and Persians: Reflections on Elusive Empires,” edited by Root, Margaret Cool. Ars Orientalis 32: 209–51.Google Scholar
Mousavi, Ali. 2005. “Ernst Herzfeld, Politics, and Antiquities Legislation in Iran.” In Ernst Herzfeld and the Development of Near Eastern Studies, 1900–1950, edited by Gunter, Ann and Hauser, Stefan, 445–75. Leiden: Brill.Google Scholar
Mousavi, Ali. 2012. Persepolis: Discovery and Afterlife of a World Wonder. Boston: De Gruyter.Google Scholar
Mousavi, Ali and Nasiri-Moghaddam, Nader. 2009. “Les hauts et les bas de l’archéologie en Iran.” La Pensée de midi 27: 137–43.Google Scholar
Mousavi, Ali and Daryaee, Touraj. 2021. “Parsa and Uja.” In A Companion to the Achaemenid Persian Empire, edited by Jacobs, Bruno and Rollinger, Robert, 485–94. Hoboken, NJ: Wiley.Google Scholar
Mozaffari, Ali, ed. 2014. World Heritage in Iran: Perspectives on Pasargadae. Farnham: Ashgate.Google Scholar
Muller, Béatrice. 2019. “Les antécédents orientaux des stucs architecturaux.” In Stucs d’Orient. Traditions orientales et cultures hellénisées, edited by Dentzer-Feydy, Jacqueline, Guimier-Sorbets, Anne-Marie, and Delplace, Christiane, 1522. Beirut: Presses de l’Ifpo.Google Scholar
Mulliez, Maud, ed. 2019. Restituer les couleurs. Le rôle de la restitution dans les recherches sur la polychromie, en sculpture, architecture et peinture murale. Actes du colloque 29–30 novembre et 1er décembre 2017. Bordeaux: Ausonius éditions.Google Scholar
Muñoz-Viñas, Salvador. 2005. Contemporary Theory of Conservation. Oxford: Butterworth-Heinemann.Google Scholar
Muscarella, Oscar W. 1981. Ladders to Heaven: Art Treasures from Lands of the Bible. A Catalogue of Some of the Objects In the Collection Presented by Elie Borowski to the Lands of the Bible Archaeology Foundation and Displayed in the Exhibition Ladders to Heaven: Our Judeo-Christian Heritage 5000 bc–ad 500, Held at the Royal Ontario Museum June 23–October 28, 1979. Toronto: McClelland and Stewart.Google Scholar
Muscarella, Oscar W., Caubet, Annie, and Tallon, F.. 1992. “Susa in the Achaemenid Period, circa 559–330 bc.” In The Royal City of Susa. Ancient Near Eastern Treasures in the Louvre, edited by Harper, Prudence O., Aruz, Joan, and Tallon, F., 215–52. New York: Metropolitan Museum of Art.Google Scholar
Musche, Brigitte. 2006. “Überlegungen zur Architektur der achämenidischen Felsengräber von Naqsh-e Rostam.” Archäologische Mitteilungen aus Iran und Turan 38: 325–45.Google Scholar
Müseler, Wilhelm. 2005–6. “Die sogenannten dunklen Jahrhunderte der Persis: Anmerkungen zu einem lange vernachlässigten Thema.” Jahrbuch für Numismatik und Geldgeschichte 55–6: 75103.Google Scholar
Nadali, Davide. 2013. “Invented Space: Discovering Near Eastern Architecture Through imaginary representations and constructions.” In Time and History in the Ancient Near East: Proceedings of the 56th Rencontre Assyriologique Internationale at Barcelona, edited by Feliu, Lluis, Alba, A. Millet, and Sanmartin, Joaquin, 391404. Winona Lake, IN: Eisenbrauns.Google Scholar
Nadali, Davide and Micale, Maria G., eds. 2015. How Do We Want the Past to Be? On Methods and Instruments of Visualizing the Ancient Reality. Piscataway, NJ: Gorgias Press.Google Scholar
Nagel, Alexander. 2010. “Colors, Gilding and Painted Motifs in Persepolis: Approaching the Polychromy of Achaemenid Persian Architectural Sculpture, c. 520–330 bce.” PhD thesis, University of Michigan.Google Scholar
Nagel, Alexander. 2013. “Color and Gilding in Achaemenid Architecture and Sculpture.” The Oxford Handbook of Ancient Iran, edited by Potts, Daniel T., 596621. Oxford: Oxford University Press.Google Scholar
Nagel, Alexander. 2014. “Color in Ancient Near Eastern and Egyptian Sculpture.” In Transformations. Classical Sculpture in Colour, edited by Østergaard, Jan Stubbe and Nielsen, Anne Marie, 130–45. Copenhagen: Ny Carlsberg Glyptotek.Google Scholar
Nagel, Alexander. 2018a. “Painters and Painters’ Workshops in the Ancient Near East: Some Considerations and a Reassessment.” In L’Orient est son jardin. Hommage à Rémy Boucharlat, edited by Gondet, Sébastien and Haerinck, Ernie, 377–86, Leuven: Peeters.Google Scholar
Nagel, Alexander. 2018b. “Review of A. Mozaffari ed. World Heritage in Iran: Perspectives on Pasargadae (Heritage, Culture and Identity).Iranian Studies 51 (1): 161–70.Google Scholar
Nagel, Alexander. 2019. “Research on Color Matters: Towards a Modern Archaeology of Ancient Polychromies.” In Science in Color: Visualizing Achromatic Knowledge, edited by von Wuelfingen, Bettina Bock, 5164. Berlin: De Gruyter.Google Scholar
Nagel, Alexander. 2020. “Preserving the Achaemenid Persian Legacy: Aspects of Conservation, Technology, Polychromy, and Material Culture in Persepolis.” In The Art of Empire in Achaemenid Persia: Studies in Honour of Margaret Cool Root. Achaemenid History 16, edited by Dusinberre, Elspeth, Garrison, Mark, and Henkelman, Wouter F., 113–36. Leiden: Netherlands Institute for the Near East.Google Scholar
Nagel, Alexander. 2021a. “Techniques of Art and Architecture.” In A Companion to the Achaemenid Persian Empire, edited by Jacobs, Bruno and Rollinger, Robert, 1355–73. Hoboken, NJ: Wiley.Google Scholar
Nagel, Alexander. 2021b. “The Mineral Universe of Elamite Susa and Achaemenid Persepolis.” In Paleopersepolis: Environment, Landscape and Society in Ancient Fars, edited by Balatti, Silvia, Klinkott, Hilmar, and Wiesehöfer, Josef, 5976. Stuttgart: F. Steiner.Google Scholar
Nagel, Alexander. 2021c. “Achaemenid Persian Art and Architecture in the Vorderasiatisches Museum in Berlin.” In Achemenet. Vingt ans après. Persika 21, edited by Agut-Labordère, Damien, Boucharlat, Rémy, Joannès, Francis, Kuhrt, Amélie, and Stolper, Matthew W., 257–75. Leuven: Peeters.Google Scholar
Nagel, Alexander. 2022. “A Flower for Brigitte from Susa (via Washington, DC): Ongoing Research on Achaemenid Persian Glazed Bricks and Polychromies in the Smithsonian Institution.” In Hommage à Brigitte Bourgeois. Grande prêtresse des couleurs, edited by Lionnet-de Loitière, Marie and Jeammet, Violaine, 80–5. Paris: Centre de recherche et de restauration des musées de France. (privately published)Google Scholar
Nagel, Alexander and Rahsaz, Hassan. 2010. “Colouring the Dead: New Investigations on the History and the Polychrome Appearance of the Tomb of Darius I at Naqsh-e-Rostam, Fars.” In Death and Burial in Arabia and Beyond: Multidisciplinary Perspectives, edited by Weeks, Lloyd R., 289–98. Oxford: Archaeopress.Google Scholar
Nagel, Alexander and Woody, Rachael. 2014. “Excavations in the Archive. An Update on the Ernst Herzfeld Online Resources at the Freer|Sackler in Washington, DC.” In A Hundred Years of Excavations in Samarra, edited by Gonnella, Julia and Finster, Barbara, 20–9. Wiesbaden: Reichert.Google Scholar
Nasiri-Moghaddam, Nader. 2002. “Les missions archéologiques françaises et la question des antiquités en Perse (1884–1914).” PhD diss., Sorbonne nouvelle, Université de Paris III.Google Scholar
Nasiri-Moghaddam, Nader. 2004. L’archéologie française en Perse et les antiquités nationales 1884–1914. Paris: Connaissances et Savoirs.Google Scholar
Naster, Paul. 1974. “Indices de peinture des reliefs à Persépolis.Orientalia Lovaniensia Periodica 5: 4751.Google Scholar
Nees, Lawrence. 2011.”Blue behind Gold. The Inscription of the Dome of the Rock and Its Relatives.” In And Diverse Are Their Hues. Color in Islamic Art and Culture, edited by Bloom, Jonathan and Blair, Sheila, 152–73. New Haven, CT: Yale University Press.Google Scholar
Nehme, L., Al-Talhi, D., and Villeneuve, F. 2012. “Hegra of Arabia Felix.” In Roads of Arabia. Archaeology and History of the Kingdom of Saudi Arabia, edited by Al Ghabban, A., 286307. Washington, DC: Smithsonian Institution.Google Scholar
Neils, Jenifer. 2016. “Color and Carving: Architectural Decoration in Mainland Greece.” In A Companion to Greek Architecture, edited by Miles, Margaret M., 164–77. Hoboken, NJ: Wiley.Google Scholar
Neri, Elisabetta, Nasr, Nesrine, and Strivay, David. 2022. “Ancient Restoration in Roman Polychromy: Detecting Aesthetic Changes?Heritage 5: 829–48. https://doi.org/10.3390/heritage5020045Google Scholar
Neumann, Kiersten and Thomason, Alison, eds. 2021. The Routledge Handbook of the Senses in the Ancient Near East. New York: Routledge.Google Scholar
Newman, Richard and Halpine, Susana. 2001.”The Binding Media of Ancient Egyptian Painting.” In Colour and Painting in Ancient Egypt, edited by Davies, Vivian W., 2232. London: British Museum Press.Google Scholar
Newton, Charles. 1862–3. A History of Discoveries at Halicarnassus. London: Day.Google Scholar
Nichols, Kate. 2015. Greece and Rome at the Crystal Palace: Classical Sculpture and Modern Britain, 1854–1936. Oxford: Oxford University Press.Google Scholar
Nicholson, Paul and Shaw, Ian, eds. 2000. Ancient Egyptian Materials and Technology. Cambridge: Cambridge University PressGoogle Scholar
Nickerson, Janet. 1977. “Malyan Wall Paintings.” Expedition 19: 26.Google Scholar
Niknami, Kamal Aldin. 2000. Methodological Aspects of Iranian Archaeology. Past and Present. British Archaeological Reports 852. Oxford: Archaeopress.Google Scholar
Nunn, Astrid. 1988. Die Wandmalerei und der glasierte Wandschmuck im alten Orient. Leiden: Brill.Google Scholar
Nunn, Astrid. 2016. “Colorful Garments of Mesopotamian Stone Statues.” In Essays in Global Color History. Interpreting the Ancient Spectrum, edited by Goldman, Rachael, 4958. Piscataway, NJ: Gorgias Press.Google Scholar
Nunn, Astrid. 2022. “ Couleurs et lumière sur les statues mésopotamiennes.” In Image and Identity in the Ancient Near East: Papers in Memoriam Pierre Amiet, edited by Battini, Laura. 101–14. Oxford: Archaeopress.Google Scholar
Nunn, Astrid, Jändl, Barbara, and Gebhard, Rupert 2015. “Polychromy on Mesopotamian Stone Statues. Preliminary Report.” Studia Mesopotamica 2: 187−206.Google Scholar
Nunn, Astrid and Piening, Heinrich, eds. 2020. Mesopotamian Sculpture in Colour. Gladbeck: PeWe-Verlag.Google Scholar
Nylander, Carl. 1965. “Old Persian and Greek Stone Cutting and the Chronology of Achaemenian Monuments: Achaemenian Problems I.” American Journal of Archaeology 69: 4955.Google Scholar
Nylander, Carl. 1968. “Foreign Craftsmen in Achaemenid Persia.” In The Memorial Volume of the Vth International Congress of Iranian Art and Archaeology: Tehran, Isfahan, Shiraz 11th–18th April 1968, edited by Tajvidi, Akbar and Kiani, Muhammad Yousef, 311–8. Tehran: Ministry of Culture and Arts.Google Scholar
Nylander, Carl. 1970. Ionians at Pasargadae: Studies in Old Persian Architecture. Uppsala: Almqvist & Wiksell.Google Scholar
Nylander, Carl. 1974. “Mason’s Marks in Persepolis: A Progress Report.” In Proceedings of the 2nd Annual Symposium on Archaeological Research in Iran, edited by Bagherzadeh, Firouz, 216–22. Tehran: Iranian Centre for Archaeological Research.Google Scholar
Nylander, Carl. 2006. “Stones for Kings. Stone Working in Ancient Iran.” In Architetti, capomastri, artigiani. L’organizzazione dei cantieri e della produzione artistica nell ‘Asia ellenistica. Studi offerti a Domenico Faccenna nel suo ottantesimo compleanno, edited by Callieri, Pierfrancesco, 121–36. Rome: Istituto italiano per l’Africa e l’Oriente.Google Scholar
Oddy, Andrew. 2002. “The Conservation of Marble Sculptures in the British Museum before 1975.” Studies in Conservation 47 (3): 145–54.Google Scholar
Ohnesorg, Aenne. 1991. “Herstellung und Bemalung von Marmordächern des 6. Jhs.v.Chr.” In Bautechnik der Antike, edited by Hoffmann, Adolf, 172–7. Mainz: Zabern.Google Scholar
Oppenheim, A. Leo. 1949. “The Golden Garments of the Gods.” Journal of Near Eastern Studies 8: 172–93.Google Scholar
Orbasli, Aylin. 2007. Architectural Conservation: Principles and Practice. Oxford: Blackwell Science.Google Scholar
Orlandos, Anastasios. 1976–8. The Architecture of the Parthenon. 3 vols. [in Greek] Athens: Archaeological Society at Athens.Google Scholar
Oudbashi, Omid and Hessari, Morteza. 2021. “A ‘Western’ imported Technology: An Analytical Study of Achaemenid Egyptian Blue objects.” Journal of Cultural Heritage 47, January–February 2021, 246256.Google Scholar
Oudbashi, Omid, Shekofte, Atefeh, and Fadaei, Hamid. 2022. “An Exploration of a 2500-Year-Old Monument: A Reappraisal of the Achaemenian Decorative Flooring Plasters in Persepolis World Heritage Site (ca. 550–330 bce).Studies in Conservation https://doi.org/10.1080/00393630.2022.2062562Google Scholar
Ouseley, William. (1819–23) 1921. Travels in Various Countries of the East, Particularly Persia. London: Cadell & Davies.Google Scholar
Owen, Gwil and Kemp, Barry 1994. “Craftsmen’s Work Patterns in Unfinished Tombs at Amarna.” Cambridge Archaeological Journal 4 (1): 121–9.Google Scholar
Paccard, Alexis. 1982. “Mémoire explicatif de la Restauration du Parthénon par Alexis Paccard-Manuscript 241, 1845.” In Paris–Rome–Athènes. Le voyage en Grèce des architectes français aux XIXe et XXe siècles, edited by Hellmann, Marie-Christine and Fraisse, Philippe, 351–68. Paris: Ecole nationale supérieure des Beaux-Arts.Google Scholar
Paetz gen. Schieck, Annette. 2009. “Alexander der Große und das Ornat des persischen Großkönigs.” In Alexander der Grosse und die Öffnung der Welt. Asiens Kulturen im Wandel, edited by Hansen, Svend, Wieczorek, Alfried, and Tellenbach, Michael, 104–9. Regensburg: Schnell & Steiner.Google Scholar
Pagès-Camagna, Sandrine and Raue, Dietrich. 2016. “Coloured Materials Used in Elephantine: Evolution and Continuity from the Old Kingdom to the Roman Period.” Journal of Archaeological Science. Reports 7: 662–7.Google Scholar
Pakbaz, R. 2000. Iranian Painting: From the Prehistoric Era to the Present Day. [in Persian] Tehran: n.p.Google Scholar
Paley, Samuel. 1976. King of the World: Ashurnasirpal II of Assyria 883–859 B.C. New York: Brooklyn Museum.Google Scholar
Paley, Samuel and Hendrix, Elizabeth. 2008. “Creating a Virtual Model of the Northwest Palace.” In New Light on Nimrud. Proceedings of the Nimrud Conference 11th–13th March 2002, edited by Curtis, John, McCall, Henrietta, and Collon, Dominique, 195207. London: British Institute for the Study of Iraq.Google Scholar
Palme, Bernhard and Zdiarsky, Angelika. 2012. Gewebte Geschichte. Stoffe und Papyri aus dem spätantiken Ägypten. Vienna: Phoibos.Google Scholar
Panckoucke, publisher. 1809–28. Description de l’Egypte ou recueil des observations et des recherches, qui ont été faites en Égypte pendant l’expédition de l’armée francaise. http://descegy.bibalex.org/Google Scholar
Panzarelli, Roberta, Schmidt, Eike, and Lappatin, Kenneth, eds. 2008. The Color of Life: Polychromy in Sculpture from Antiquity to the Present. Los Angeles: Getty Research Institute.Google Scholar
Paone, Rosario. 1977. “La tutela dei beni culturali in Iran. Storia e cronache.Restauro. Quaderni di restauro dei monumenti e di urbanistica dei centri antichi 29: 762.Google Scholar
Papet, Édouard. 2018. En couleurs. La sculpture polychrome en France, 1850–1910. Vanves: Musée d’Orsay.Google Scholar
Park, David. 2002. “The Polychromy of English Medieval Sculpture.” In Wonder. Painted Sculpture from Medieval England, edited by Boldrick, Stacy, Park, David, and Williamson, Paul, 3056. Leeds: Henry Moore Institute.Google Scholar
Parker, J. 2008. “Analysis of Materials Used in Previous Conservation Treatments.” In The Nebamun Wall Paintings: Conservation, Scientific Analysis and Display at the British Museum, edited by Middleton, Andrew and Uprichard, Ken, 71–4. London: Archetype Publications.Google Scholar
Paterson, Ian. 2003. A Dictionary of Colour. London: Thorogood.Google Scholar
Paton, James M., Caskey, Lacey, Fowler, Harold, and Stevens, Gorham. 1927. The Erechtheum. Cambridge, MA: Harvard University Press.Google Scholar
Payne, Elizabeth. 2008. “The Craftsmen of the Neo–Babylonian Period: A Study of the Textile and Metal Workers of the Eanna Temple.” Unpublished PhD diss., Yale University.Google Scholar
Pentcheva, Bisseva. 2006. “The Performative Icon.” The Art Bulletin 88 (4): 631–55.Google Scholar
Pentcheva, Bisseva. 2010. The Sensual Icon: Space, Ritual and the Senses in Byzantium. University Park, PA: Penn State University Press.Google Scholar
Perrot, Georges and Chipiez, Charles 1892. A History of Art in Persia, Phrygia, Lydia, Caria and Lycia. London: Chapman and Hall.Google Scholar
Perrot, Jean. 1997. “Der Palast von Susa.” In Land der Bibel. Ausstellungskatalog Wien, Kunsthistorisches Museum. Vol. 1, edited by Seipel, Wilfried, 170–85. Vienna: Kunsthistorisches Museum.Google Scholar
Perrot, Jean. 2013. The Palace of Darius at Susa. The Great Royal Residence of Achaemenid Persia. London: I. B. Tauris. Originally published as Le palais de Darius à Suse. Une résidence royale sur la route de Persépolis à Babylone. (Dijon: Editions Faton, 2008).Google Scholar
Petersen, Eugen. 1889. “Vogelabwehr.” Athenische Mitteilungen: 233–9.Google Scholar
Petit, Lucas and Bonacossi, Daniele Morandi, eds. 2017. Nineveh. The Great City. Symbol of Beauty and Power. Papers on Archaeology of the Leiden Museum of Antiquities. Leiden: Sidestone Press.Google Scholar
Petzet, Michael, ed. 2003. Historische Architekturoberflächen Kalk–Putz–Farbe; Internationale Fachtagung des Deutschen Nationalkomitees von ICOMOS und des Bayerischen Landesamtes für Denkmalpflege München, 20.–22. November 2002 = Historical architectural surfaces = International Council on Monuments and Sites. Arbeitshefte des Bayerischen Landesamtes für Denkmalpflege 117. Munich: Bayerisches Landesamt für Denkmalpflege.Google Scholar
Pezard, Maurice and Pottier, Edmund 1913. Les antiquités de la Susiane: Mission J. de Morgan. Paris: Leroux.Google Scholar
Pezard, Maurice and Pottier, Edmund 1926. Catalogue des antiquités de Susiane (Mission J. de Morgan). 2nd ed. Paris: Musées nationaux, Palais du Louvre.Google Scholar
Philippot, Paul. 1970. “La restauration des sculptures polychromes.” Studies in Conservation 15 (4): 248–52.Google Scholar
Phillips, J. Peter. 2002. The Columns of Egypt. Manchester: Peartree Publishing.Google Scholar
Phillips, Samuel. 1854. Guide to the Crystal Palace and Park. London: Bradbury & Evans.Google Scholar
Piggott, Jan. 2004. Palace of the People: The Crystal Palace at Sydenham 1854–1936. London: C. Hurst.Google Scholar
Pigott, Vincent. 1999a. “The Development of Metal Production on the Iranian Plateau: An Archaeometallurgical Perspective.” In The Archaeometallurgy of the Asian Old World. MASCA Research Papers in Science and Archaeology 16, edited by Pigott, Vincent, 73106. Philadelphia: Museum University of Pennsylvania.Google Scholar
Pigott, Vincent. 1999b. “A Heartland of Metallurgy. Neolithic/Chalcolithic Metallurgical Origins on the Iranian Plateau.” In The Beginnings of Metallurgy. Proceedings of an International Conference in Bochum 1995. Der Anschnitt, Beiheft 9, edited by Hauptmann, Andreas, Pernicka, Ernst, Rehren, Thilo, and Yalçin, Ü., 107–20. Bochum: Deutsches Bergbau-Museum.Google Scholar
Pigott, Vincent. ed. 1999c. The Archaeometallurgy of the Asian Old World. MASCA Research Papers in Science and Archaeology 16. Philadelphia: Museum University of Pennsylvania.Google Scholar
Pigott, Vincent. 2004. “On the Importance of Iran in the Study of Prehistoric Copper-Base Metallurgy.” In Persiens Antike Pracht. Bergbau, Handwerk, Archäologie, edited by Stöllner, Thomas, Slotta, Rainer, and Vatandoust, Abdolrasool, 2843. Bochum: Deutsches Bergbau-Museum.Google Scholar
Pilipko, Victor. 2002. “The Second Helmeted Head from old Nisa.” Iran 40: 273–6.Google Scholar
Pillet, Maurice. 1914. Le palais de Darius Ier à Suse. Paris: [P. Geuthner].Google Scholar
Pipili, Maria. 2000. “Wearing Another Hat: Workmen in Town and Country.” In Not the Classical Ideal: Athens and the Construction of the Other in Greek Art, edited by Cohen, Beth, 153–79. Leiden: Brill.Google Scholar
Pisani, Salvatore. 2003. “Die Monumente sind durch die Barbaren monochrom geworden.” In Gottfried Semper (1803–1879): Architektur und Wissenschaft, edited by Nerdinger, Winfried and Oechslin, Werner, 109–15. Zurich: gta Verlag.Google Scholar
Pisani, Salvatore. 2021. Architektenschmiede Paris: Die Karriere des Jakob Ignaz Hittorff. Berlin: De Gruyter Oldenbourg.Google Scholar
Place, Victor. 1867–70. Ninive et l’Assyrie. Avec des essais de restauration par Félix Thomas. Paris: Imprimerie impériale.Google Scholar
Pliny the Elder, . 1938. Natural History. With an English translation by H. Rackham. Cambridge, MA: Harvard University Press and W. Heinemann.Google Scholar
Plutarch, . 1948. Lives. With an English translation by B. Perrin. Cambridge, MA: Harvard University Press and W. Heinemann.Google Scholar
Pollard, A. Mark and Bray, Peter. 2007. “A Bicycle Made for Two? The Integration of Scientific Techniques into Archaeological Interpretation.” Annual Revue of Anthropology 36: 245–59.Google Scholar
Pollitt, Jerome J. 1974. The Ancient View of Greek Art: Criticism, History and Terminology. New Haven, CT: Yale University Press.Google Scholar
Polosmak, Natalya. 2001. “Zur Kleidung der Pazyryk Bevölkerung aus Ukok, Suedaltaj.” In Migration und Kulturtransfer. Der Wandel vorder- und zentralasiatischer Kulturen im Umbruch vom 2. zum 1. vorchristlichen Jahrtausend, edited by Eichmann, Ricardo and Parzinger, Hermann, 101–26. Bonn: Habelt.Google Scholar
Polybius, . 1925. The Histories. Books 9–15. Greek text with English translation by W. R. Paton. Cambridge, MA: Harvard University Press and W. Heinemann.Google Scholar
Pope, Arthur Upham and Ackerman, Phyllis. 1938. A Survey of Persian Art from Prehistoric Times to the Present. London: Oxford University Press.Google Scholar
Portal, Jane, ed. 2007. The First Emperor: China’s Terracotta Army. London: British Museum Press.Google Scholar
Porter, Robert Ker. 1821. Travels in Georgia, Persia, Armenia, Ancient Babylonia, and etc. during the Years 1817, 1818, 1819, and 1820. London: Longman, Hurst, Rees, Orme, and Brown.Google Scholar
Portman, Adolf and Ritsema, Rudolf, eds. 1974. The Realms of Colors. Leiden: Brill.Google Scholar
Posamentir, Richard. 2006. Bemalte attische Grabsteine klassischer Zeit. Studien zur antiken Malerei und Farbgebung 6. Munich: Biering & Brinkmann.Google Scholar
Posener, Georges. 1936. La Première Domination Perse en Egypte. Cairo: L’Institut Français d’Archéologie Orientale.Google Scholar
Potts, Daniel T. 1999. The Archaeology of Elam: Formation and Transformation of an Iranian State. Cambridge: Cambridge University Press. (Rev. ed. 2015).Google Scholar
Potts, Daniel T. 2008. “The Persepolis Fortification Texts and the Royal Road: Another Look at the Fahliyan Area.” In L’archive des fortifications de Persépolis. État des questions et perspectives de recherches. Actes du colloque organisé au Collège de France, 3–4 novembre 2006. Persika 12, edited by Briant, Pierre, Henkelman, Wouter F., and Stolper, Matthew W., 275301. Paris: De Boccard.Google Scholar
Potts, Daniel T. 2011. “A Note on the Limits of Anšan.” In Elam and Persia, edited by Alvarez-Mon, Javier and Garrison, Mark, 3543. Winona Lake, IN: Eisenbrauns.Google Scholar
Potts, Daniel T. ed. 2013. The Oxford Handbook of Ancient Iran. Oxford: Oxford University Press.Google Scholar
Potts, Daniel T., Askari Chaverdi, Alireza, Iona Mcrae, K. Alamdari, Amanada Dusting, Javad Jaffari, T. M. Ellicott, A. Setoudeh, A. Lashkari, S. Ameli Rad, , and Yazdani, Afshin. 2009. “Further Excavations at Qaleh Kali (MS46) by the Joint ICAR-University of Sydney Mamasani Expedition: Results of the 2007/2008 Season.” Iranica Antiqua 44: 207–82.Google Scholar
Potts, Daniel T., Roustaei, K., Petrie, Cameron A., and Weeks, Lloyd R., eds. 2009. The Mamasani Archaeological Project: Stage One. A Report on the First Two Seasons of the ICAR-University of Sydney Expedition to the Mamasani District, Fars Province, Iran by Members of the Mamasani Archaeological Project Team. 2nd ed. Oxford: Archaeopress.Google Scholar
Price, David. 2016. Weaponizing Anthropology. Petrolia, CA: AK Press.Google Scholar
Purinton, Nancy and Watters, Mark. 1991. “A Study of the Materials Used by Medieval Persian Painters.” Journal of the American Institute for Conservation 30 (2): 125–44.Google Scholar
Pye, Elizabeth. 2001. Caring for the Past: Issues in Conservation for Archaeology and Museums. London: James & James.Google Scholar
Pye, Elizabeth. 2009. “Archaeological Conservation: Scientific Practice or Social Process.” In Conservation: Principles, Dilemmas and Uncomfortable Truths, edited by Richmond, Alison and Bracker, Alison, 129–38. Oxford: Butterworth-Heinemann.Google Scholar
Pye, Elizabeth. 2017. “Issues in Practice: Conservation Procedures.” In Museums and Archaeology, edited by Skeates, Robin, 109–41. London: Routledge.Google Scholar
Qaheri, Sepideh. 2020. Catalogue d‘objets égyptiens et égyptianisants d’époque achéménide conservés en Iran. Leuven: Peeters.Google Scholar
Quillien, Louise. 2020. “The Economic Role of Coloured Textiles in Babylonia (1st Millennium bc).” In The Value of Colour: Material and Economic Aspects in the Ancient World, edited by Thavapalan, Shiyanthi and Warburton, David, 201–30. Berlin: EditionTopoi.Google Scholar
Quirke, Stephen. 2018. “Languages of Artists: Closed and Open Channels.” In The Art of Making in Ancient Egypt, edited by Miniaci, Gianluca, Garcia, Juan Carlos Moreno, and Quirke, Stephen, 175–96. Leiden: Sidestone Press.Google Scholar
Randall, Richard H. 1953. “The Erechtheum Workmen.” American Journal of Archaeology 57: 199210.Google Scholar
Rassam, Hormuzd. 1897. Ashur and the Land of Nimrod. Cincinnati : Curtis & Jennings.Google Scholar
Rathgen, Friedrich. 1898. Die Konservierung von Altertumsfunden: mit Berücksichtigung ethnographischer und kunstgewerblicher Sammlungsgegenstände. Berlin: De Gruyter. Translated by George A. Auden as The Preservation of Antiquities. A Handbook for Curators (Cambridge: Cambridge University Press, 1906).Google Scholar
Razmjou, Shahrokh. 2002a. “Traces of Paint on the Statue of Darius.” ARTA 2002 (3): 12.Google Scholar
Razmjou, Shahrokh. 2002b. “Assessing the Damage: Notes on the Life and Demise of the Statue of Darius from Susa.” In “Medes and Persians: Reflections on Elusive Empires,” edited by Root, Margaret Cool. Ars Orientalis 32: 81104.Google Scholar
Razmjou, Shahrokh. 2005. “Ernst Herzfeld and the Study of Graffiti at Persepolis.” In Ernst Herzfeld and the Development of Near Eastern Studies, 1900–1950, edited by Gunter, Ann and Hauser, Stefan, 315–41. Leiden: Brill.Google Scholar
Razmjou, Shahrokh. 2010. “Persepolis: A Reinterpretation of Palaces and Their Function.” In The World of Achaemenid Persia, edited by Curtis, John and Simpson, St John, 231–45. London: I. B. Tauris.Google Scholar
Razmjou, Shahrokh, Tite, Michael, Shortland, Andrew, Jung, Marion, and Hauptmann, Andreas. 2004. “Glasierte Ziegel der Achaemenidischen Periode.” In Persiens Antike Pracht. Bergbau, Handwerk, Archäologie, edited by Stöllner, Thomas, Slotta, Rainer, and Vatandoust, Abdolrasool, 382–93. Bochum: Deutsches Bergbau-Museum.Google Scholar
Reade, Julian E. 1979. “Assyrian Architectural Decoration: Techniques and Subject Matter.” Baghdader Mitteilungen 10: 1750.Google Scholar
Reade, Julian E. 1983. Assyrian Sculpture. London: British Museum Publications.Google Scholar
Reade, Julian E. 2000. “Restructuring the Assyrian Sculptures.” In Variatio delectat, Iran und der Westen: Gedenkschrift für Peter Calmeyer, edited by Dittmann, Reinhard, 607–26. Münster: Ugarit-Verlag.Google Scholar
Reade, Julian E. 2008. “Nineteenth Century Nimrud: Motivation, Orientation, Conservation.” In New Light on Nimrud: Proceedings of the Nimrud Conference 11th–13th March 2002, edited by Curtis, John, McCall, Heather, Collon, Dominique, and Werr, Laila al-Gailani, 121. London: British Institute for the Study of Iraq.Google Scholar
Rees-Jones, Stephen G. 1990. “Early Experiments in Pigment Analysis.” Studies in Conservation 35 (2): 93101.Google Scholar
Rehm, Ellen. 2018. Wertvolle Kopien. Gipsabguesse altorientalischer Denkmaeler in Deutschland. Münster: Zaphon.Google Scholar
Rehm, Ellen. 2021. “Die Abklatsche aus Persepolis und Pasargadae von Friedrich Sarre im Museum fuer Islamische Kunst in Berlin.” Mitteilungen der Deutschen Orient Gesellschaft 153: 2753.Google Scholar
Rehm, Ellen. 2022. “Der ‘Nineveh Court’ in Sydenham, der Besuch des Berliner Generaldirektors Ignaz von Olfers und seine Folgen.” In Von Syrien bis Georgien: durch die Steppen Vorderasiens. Festschrift für Felix Blocher anlässlich seines 65. Geburtstages, edited by Herles, Michael, Beuger, Claudia, Becker, Jörg, and Arnhold, Simone, 497524. Münster: ZaphonGoogle Scholar
Rehm, Robin. 2019. “Der Parthenon in Rot. Sempers Farbenarchäologie.” In Polychromie und Wissen, edited by Hassler, Uta, 4059. Munich: Hirmer.Google Scholar
Reiche, Ina, Mueller, Katharina, Alberic, Marie, Scharf, Oliver, Wähning, Andrea, Bjeoumikhov, Aniouar, Radtke, Martin, and Simon, Rolf. 2013. “Discovering Vanished Paints and Naturally Formed Gold Nanoparticles on 2800 Years Old Phoenician Ivories Using SR-FF-MicroXRF with the Color X-Ray Camera.” Analytical Chemistry 85 (12): 5857–66.Google Scholar
Reinhold, Meyer. 1970. The History of Purple as a Status Symbol in Antiquity. Brussels: Latomus.Google Scholar
Reuterswärd, Patrik. 1958. Studien zur Polychromie der Plastik. Vol. 1, Ägypten. Stockholm: Almqvist & Wiksell.Google Scholar
Reuterswärd, Patrik. 1960. Studien zur Polychromie der Plastik. Vol. 2, Griechenland und Rom. Stockholm: Svenska Bokförlaget.Google Scholar
Reza Garosi, G. 2009. Die Kolossal-Statue Sapurs I. im Kontext der Sasanidischen Plastik. Mainz: Zabern.Google Scholar
Rezaei, Iraj. 2021. “Qizqapan: A Rock-Cut Tomb from the Median, Achaemenid, Seleucid or Parthian Period?Iraq 83: 167–82.Google Scholar
Rhoussopoulos, D. A. 1911. “On the Cleaning and Preservation of Antiquities.” Museums Journal (November): 131–44.Google Scholar
Rich, Claudius J. 1839. Narrative of a Journey to the Site of Babylon in 1811 … with Narrative of a Journey to Persepolis. London: Duncan and Malcolm.Google Scholar
Richmond, Alison and Bracker, Alison, eds. 2009. Conservation: Principles, Dilemmas and Uncomfortable Truths. Oxford: Butterworth-Heinemann.Google Scholar
Richter, Gisela. 1946. “Greeks in Persia.” American Journal of Archaeology 50: 1530.Google Scholar
Ridgway, Brunilde S. 1983. “Painterly and Pictorial in Greek Relief Sculpture.” In Ancient Greek Art and Iconography, edited by Moon, Warren G., 193208. Madison, WI: University of Wisconsin Press.Google Scholar
Ridgway, Brunilde S. 1990. “Metal Attachments in Greek Sculpture.” In Marble. Art Historical and Scientific Perspectives on Ancient Sculpture, edited by True, Marion and Podany, Jerry, 185206. Los Angeles: J. Paul Getty Museum.Google Scholar
Ridolfi, Stefano, Laurenzi Tabasso, Marisa, Askari Chaverdi, Alireza, and Callieri, Pierfrancesco. 2019. “The Finishing Technique of the Stone Monuments of Persepolis: Further Studies and New Findings through the Use of Non-Destructive Analytical Techniques.” Archaeometry 61 (2): 272–81.Google Scholar
Rionnet, Florence. 1996. L’atelier de moulage du Musée du Louvre (1794–1928). Paris: Réunion des musées nationaux.Google Scholar
Ritter, Markus. 2005. Moscheen und Madrasabauten in Iran, 1785–1848: Architektur zwischen Rückgriff und Neuerung. Leiden: Brill.Google Scholar
Roaf, Michael. 1980. “Texts about the Sculptures and Sculptors at Persepolis.” Iran 18: 6574.Google Scholar
Roaf, Michael. 1983. “Sculptures and Sculptors at Persepolis.” Iran 21: 1159.Google Scholar
Roaf, Michael. 1987. “Checklist of the Persepolis Reliefs Not at the Site.” Iran 25: 155–8.Google Scholar
Roaf, Michael. 2004. s.v. “Persepolis.Reallexikon der Assyriologie und Vorderasiatischen Archäologie. Vol. 10 (5–6), 393412. Berlin: De Gruyter.Google Scholar
Robinson, Basil W. 1963. “The Court Painters of Fath Ali Shah.” Eretz-Israel 7: 94105.Google Scholar
Rodler, Alexandra, Brøns, Cecilie, Tepe, Nathalie, Hofmann, Thilo, Koeberl, Christian, Frei, Robert, and Artioli, Giberto. 2022. “Egyptian Blue from the Palace of Apries: On the Provenance of the Copper Component.” Poster presentation at the 28th Annual Meeting of the European Archaeology Association, Budapest, Hungary, August 31–September 3, 2022.Google Scholar
Rodler, Alexandra, Klein, Sabine, Artioli, Gilberto, and Brøns, Cecilie. 2019. “Probing the Provenance of Archaeological Glaze Colorants: Polychrome Faunal Reliefs of the Ishtar Gate and the Processional Way of Babylon.” Archaeometry 61 (4): 837–55.Google Scholar
Root, Margaret Cool. 1976. “The Herzfeld Archive of the Metropolitan Museum of Art.” Metropolitan Museum Journal 11: 119–24.Google Scholar
Root, Margaret Cool. 1979. The King and Kingship in Achaemenid Art: Essays on the Creation of an Iconography of Empire. Acta Iranica 19. Leiden: Brill.Google Scholar
Root, Margaret Cool. 1988. “Evidence from Persepolis for the Dating of Persian and Archaic Greek Coinage.” Numismatic Chronicle 148: 112.Google Scholar
Root, Margaret Cool. 1990. “Circles of Artistic Programming: Strategies for Studying Creative Process at Persepolis.” In Investigating Artistic Environments in the Ancient Near East, edited by Gunter, Ann, 115–39. Washington, DC: Smithsonian Institution.Google Scholar
Root, Margaret Cool. 1991. “From the Heart: Powerful Persianisms in the Art of the Western Empire.” In Asia Minor and Egypt: Old Cultures in a New Empire. Achaemenid History 6, edited by Sancisi-Weerdenburg, Heleen and Kuhrt, Amélie, 125. Leiden: Netherlands Institute for the Near East.Google Scholar
Root, Margaret Cool. 1994. “Lifting the Veil: Approaches to the Study of Artistic Transmission beyond the Boundaries of Historical Periodisation.” In Continuity and Change. Achaemenid History 8, edited by Sancisi-Weerdenburg, Heleen, Kuhrt, Amélie, and Root, Margaret Cool, 937. Leiden: Netherlands Institute for the Near East.Google Scholar
Root, Margaret Cool. 1997. “Cultural Pluralisms on the Persepolis Fortification Tablets.” TOPOI 7 (Suppl. 1): 229–52.Google Scholar
Root, Margaret Cool. 2002a. “Animals in the Art of Ancient Iran.” In A History of the Animal World in the Ancient Near East, edited by Collins, Billie Jean, 169209. Leiden: Brill.Google Scholar
Root, Margaret Cool. ed. 2002b. “Medes and Persians: Reflections on Elusive Empires.” Ars Orientalis 32.Google Scholar
Root, Margaret Cool. 2003. “The Lioness of Elam. Politics and Dynastic Fecundity at Persepolis.” In A Persian Perspective: Essays in Memory of Heleen Sancisi-Weerdenburg. Achaemenid History 13, edited by Henkelman, Wouter F. and Kuhrt, Amélie, 932. Leiden: Netherlands Institute for the Near East..Google Scholar
Root, Margaret Cool. 2007. “Reading Persepolis in Greek: Gifts of the Yauna.” In Persian Responses: Political and Cultural Interaction with(in) the Achaemenid Empire, edited by Tuplin, Christopher, 163203. Swansea: Classical Press of Wales.Google Scholar
Root, Margaret Cool. 2008. “Reading Persepolis in Greek Part Two: Marriage Metaphors and Unmanly Virtues.” In Ancient Greece and Ancient Iran. Cross-Cultural Encounters. 1st International Conference. Athens November 2006, edited by Darbandi, S. M. R. and Zournatzi, Antigoni, 195221. Athens: National Hellenic Research Foundation; Hellenic National Commission for UNESCO; Cultural Center of the Embassy of the Islamic Republic of Iran.Google Scholar
Root, Margaret Cool. 2010. “Palace to Temple: King to Cosmos: Achaemenid Foundation Texts in Iran.” In From the Foundations to the Crenellations. Essays in Temple Building in the Ancient Near East and Hebrew Bible, edited by Boda, Mark and Novotny, Jamie, 165210. Münster: Ugarit-Verlag.Google Scholar
Root, Margaret Cool. 2011. “Elam in the Imperial Imagination: From Nineveh to Persepolis.” In Elam and Persia, edited by Alvarez-Mon, Javier and Garrison, Mark, 419–74. Winona Lake, IN: Eisenbrauns.Google Scholar
Root, Margaret Cool. 2013. “Defining the Divine in Achaemenid Persian Arts of Kingship.” In Every Inch a King: Comparative Studies on Kings and Kingship in the Ancient and Medieval Worlds, edited by Mitchell, Lynette and Melville, Charles, 2365. Leiden: Brill.Google Scholar
Root, Margaret Cool. 2015. “Achaemenid Imperial Architecture: Performative Porticoes of Persepolis.” In Persian Kingship and Architecture: Strategies of Power in Iran from the Achaemenids to the Pahlavis, edited by Babaie, Susan and Grigor, Talinn, 164. London: I. B. Tauris.Google Scholar
Root, Margaret Cool. 2016. “Tales of Translation: Leroy Waterman: Biblical Studies, and an Achaemenid Royal-Name Alabastron from Seleucia.” In Des contrées avestiques à Mahabad, via Bisotun. Etudes offertes en hommage à Pierre Lecoq, edited by Redard, Celine, 8198. Paris: Recherches et Publications.Google Scholar
Rose, Brian. 2014. The Archaeology of Greek and Roman Troy. Cambridge: Cambridge University Press.Google Scholar
Rossi, Adriano. 1996. “Perception et symbolique des couleurs dans le monde iranien et d’Asie centrale.” In Convegno internazionale sul tema: La Persia e l‘Asie centrale da Alessandro al X secolo, 8797. Rome: Accademia nazionale dei Lincei.Google Scholar
Rossi, Adriano. 2006. “Colours and Lexical Taxonomies: Linguistic and Cultural Categories in Iranian.” In Proceedings of the 5th Conference of the Societas Iranologica Europaea, Ravenna, 6–11 October 2003. Vol. 1, Ancient and Middle Iranian Studies, edited by Panaino, Antonio and Piras, Andrea, 459–80. Milan: Mimesis.Google Scholar
Rossi, Adriano. 2021. “Multilingual Perception of Colour in Iran and the Ancient Near East.” In Achemenet. Vingt ans après. Persika 21, edited by Agut-Labordère, Damien, Boucharlat, Rémy, Joannès, Francis, Kuhrt, Amélie, and Stolper, Matthew W., 357–69. Leuven: Peeters.Google Scholar
Rossi, Adriano and Basello, Gian-Pietro. 2011. “I colori nell’Iran antico con una presentazione di A. Nagel su pitture e pigmenti a Persepoli.” Presented at the Workshop: La comunicazione tra visualità e scrittura: approcci e contesti a confro, Naples, Italy, April 15, 2011. www.elamit.net/elam/rossi_basello2011colori.pdfGoogle Scholar
Rossi Pinelli, Orietta. 1996. “The Surgery of Memory: Ancient Sculpture and Historical Restorations.” Translated by G. Ponti and A. M. Vaccaro. In Historical and Philosophical Issues in the Conservation of Cultural Heritage, edited by Stanley-Price, Nicholas, Talley Jr, M. Kirby., and Vaccaro, Alessandra Melucco, 288305. Los Angeles: Getty Conservation Institute.Google Scholar
Rouveret, Agnes, Dubel, Sandrine, and Nass, Valérie, eds. 2006. Couleurs et matières dans l’antiquité: Textes, techniques et pratiques. Paris: Editions Rue d’Ulm.Google Scholar
Rouveret, Agnes and Walter, P.. 1998. “La peinture des steles hellenistiques d’Alexandrie.” In Art et chimie. La couleur. Congrès international sur l’aport de la Chimie aux œuvres d’art 16–18 Septembre 1998, Amphithéâtre Rohan, Ecole du Louvre, Palais du Louvre, Paris, 131–2. Paris: Comité d’Organisation d’Art & Chimie.Google Scholar
Rowe, Christopher. 1974. “Conceptions of Colour and Colour Symbolism in the Ancient World.” In The Realms of Colors, edited by Portman, Adolf and Ritsema, Rudolf, 327–64. Leiden: Brill.Google Scholar
Ruben, Philippe. 1979. “Contribution à l’étude des matériaux naturels des environs de Suse (Khuzistan, Iran), et de leur utilisation pour la confection d’objets archéologiques.” Doctoral thesis, Université d’Orléans.Google Scholar
Rush, Laurie. 2012. “Cultural Property Protection as a Force Multiplier in Stability Operations.Military Review 2 (March–April): 3643.Google Scholar
Russell, John. 1999. “Some Painted Bricks from Nineveh.” A Preliminary Report.” Iranica Antiqua 34: 85114.Google Scholar
Sahlins, Marshall. 1976. “Colors and Cultures.” Semiotica 16: 122.Google Scholar
Sajjadi, S. Mansur Seyyed. 2007. “Wall Painting from Dahaneh-ye Gholaman (Sistan).” In Achaemenid Culture and Local Traditions in Anatolia, Southern Caucasus and Iran: New Discoveries, edited by Ivantchik, Askold and Licheli, Vakhtang, 129–54. Leiden: Brill.Google Scholar
Sajjadi, S. Mansur Seyyed and Moghaddam, F. Saber. 2004. “Peintures et gravures murales découvertes à Dahan-e Gholâmân, Sistân.” Studia Iranica 33 (2): 285–96.Google Scholar
Sajjadi, S. Seyyed, Mansur and Shirazi, Rouhollah. 2022. “Italian Archaeologists and Restorers in Iran.” In Oran and Italy. 60 Years of Collaborartion in Cultyral Heritage, edited by Pierfrancesco Callieri et al., 21–30. Rome: ISMEO.Google Scholar
Sami, Ali. 1955. Persepolis. Shiraz: n.p.Google Scholar
Sancisi-Weerdenburg, Heleen, ed. 1991a. The Persian Empire in the West. Achaemenid History 6. Leiden: Netherlands Institute for the Near East.Google Scholar
Sancisi-Weerdenburg, Heleen, 1993. “Alexander and Persepolis.” In Alexander the Great: Reality and Myth, edited by Carlsen, Jesper, 177–88. Rome: L’Erma di Bretschneider.Google Scholar
Sancisi-Weerdenburg, Heleen and Drijvers, Jan Willem, eds. 1990. The Roots of European Tradition. Achaemenid History 5. Leiden: Netherlands Institute for the Near East.Google Scholar
Sancisi-Weerdenburg, Heleen and Drijvers, Jan Willem, 1991. Through Travellers’s Eyes: European Travellers on the Iranian Monuments. Achaemenid History 7. Leiden: Netherlands Institute for the Near East.Google Scholar
Sancisi-Weerdenburg, Heleen and Kuhrt, Amélie, eds. 1990. Centre and Periphery. Achaemenid History 4. Leiden: Netherlands Institute for the Near East.Google Scholar
Sancisi-Weerdenburg, Heleen, Kuhrt, Amélie, and Root, Margaret Cool, eds. 1994. Continuity and Change. Achaemenid History 8. Leiden: Netherlands Institute for the Near East.Google Scholar
Şare Ağtürk, Tuna. 2021. The Painted Tetrarchic Reliefs of Nicomedia: Uncovering the Colourful Life of Diocletian’s Forgotten Capital. Turnhout: Brepols.Google Scholar
Saremi Naeeni, Davoud. 2020. “Studying the Recognition: An Overview of the Qajar Tile Art with an Emphasis on the Basis of ‘Khaneh Atroush’ Glazed Tile in Shiraz.Iranian Journal of Archaeological Studies 10 (1). 1629.Google Scholar
Sarkosh Curtis, Vesta. 2007. “The British and Archaeology in Nineteenth Century Persia.” In From Persepolis to the Punjab. Exploring Ancient Iran, Afghanistan and Pakistan, edited by Errington, Elizabeth and Curtis, Vesta Sarkosh, 166–78. London: British Museum Press.Google Scholar
Sarkosh Curtis, Vesta and Stewart, Sarah, eds. 2005. Birth of the Persian Empire I. London: I. B. Tauris.Google Scholar
Sarre, Friedrich. 1922. Die Kunst des Alten Persien. Die Kunst des Ostens. Berlin: Cassirer.Google Scholar
Sarre, Friedrich. 1929. “Ein neues Relief aus Persepolis in der vorderasiatischen Abteilung.” Berliner Museen 50: 8790.Google Scholar
Sarre, Friedrich and Herzfeld, Ernst. 1910. Iranische Felsreliefs. Aufnahmen und Untersuchungen von Denkmälern aus alt- und mittelpersischer Zeit. Berlin: E. Wasmuth.Google Scholar
Scarce, Jennifer. 1992. “The Royal Palaces of the Qajar Dynasty: a Survey.” In Qajar Iran: Political, Social, and Cultural Change, 1800–1925, edited by Bosworth, Edmund and Hillenbrand, Carole, 329–51. Costa Mesa, CA: Mazda Publications.Google Scholar
Scarce, Jennifer. 2009. “The Role of Colour in the Themes and Techniques of Tilework in Qajar Persia in Qajar Studies.Journal of the International Qajar Studies Association 9: 5766.Google Scholar
Schaudig, Hans Peter. 2010. “The Restoration of Temples in the Neo- and Late Babylonian Periods: A Royal Prerogative as the Setting for Political Argument.” In From the Foundations to the Crenellations. Essays in Temple Building in the Ancient Near East and Hebrew Bible, edited by Boda, Mark and Novotny, Jamie, 141–63. Münster: Ugarit-Verlag.Google Scholar
Schenkel, Wolfgang. 1963. “Die Farben in ägyptischer Kunst und Sprache.” Zeitschrift für ägyptische Sprache und Altertumskunde 88: 131–47.Google Scholar
Schiegle, Solveig, Weiner, Karl L., and El Goresy, Ahmed. 1992. “The Diversity of Newly Discovered Deterioration Patterns in Ancient Egyptian Pigments: Consequences to Entirely New Restoration Strategies and to the Egyptological Colour Symbolism.” In Materials Issues in Art and Archaeology. Vol. 3, Symposium Held 27 April–1 May 1992 in San Francisco, edited by Vandiver, Pamela and Druzik, James, 831–58. Pittsburgh: Materials Research Society.Google Scholar
Schimmel, Annemarie and Soucek, Priscilla. 1992. “Color. I: Symbolism in Persian Literature II: Use and Importance of Color in Persian Art.” Encyclopedia Iranica 6: 4650. www.iranicaonline.org/articles/color-pers-rangGoogle Scholar
Schlumberger, Daniel. 1971. “La coiffure du grand roi.” Syria 48: 375–83.Google Scholar
Schmandt-Besserat, Denise, ed. 1978. Immortal Egypt. Malibu, CA: Undena Publications.Google Scholar
Schmandt-Besserat, Denise, ed. 1980. Ancient Persia. The Art of an Empire. Malibu, CA: Undena Publications.Google Scholar
Schmidt, Erich F. 1953. Persepolis I. Structures, Reliefs, Inscriptions. Oriental Institute Publications 68. Chicago: The Oriental Institute.Google Scholar
Schmidt, Erich F. 1957. Persepolis II. Contents of the Treasury and other Discoveries. Oriental Institute Publications 69. Chicago: The Oriental Institute.Google Scholar
Schmidt, Erich F. 1970. Persepolis III. The Royal Tombs and other Monuments. Oriental Institute Publications 70. Chicago: The Oriental Institute.Google Scholar
Schmitt, Rüdiger. 1991. The Bisitun Inscriptions of Darius the Great. Old Persian Text. London: School of Oriental and African Studies.Google Scholar
Schmitt, Rüdiger. 1996. “Considerations on the Name of the Black Sea.” In Hellas und der griechische Osten. Studien zur Geschichte und Numismatik der griechischen Welt: Festschrift für Peter Robert Franke, edited by Miron, Auguste and Leschhorn, Wolfgang, 219–24. Saarbrücken: SDV.Google Scholar
Schmitt, Rüdiger. 2000. Corpus Inscriptionum Iranicarum. I. 1. The Old Persian Inscriptions: The Old Persian Inscriptions of Naqsh-i Rustam and Persepolis. London: Lund Humphries.Google Scholar
Schmitt, Rüdiger. 2001. “Eine weitere Vase mit Artaxerxes-Inschrift.” Archäologische Mitteilungen aus Iran 33: 191201.Google Scholar
Schmitt, Rüdiger. 2009. Die altpersischen Inschriften der Achaimeniden. Editio minor mit deutscher Übersetzung. Wiesbaden: Reichert.Google Scholar
Schneider, Donald D. 1977. The Works and Doctrine of Jacques Ignace Hittorff, 1792–1867. New York: Garland.Google Scholar
Scholem, Gershom. 1974. “Farben und ihre Symbolik in der jüdischen Überlieferung und Mystik.” In The Realms of Colors, edited by Portman, Adolf and Ritsema, Rudolf, 150. Leiden: Brill.Google Scholar
Schotsmans, Eline, Busacca, Gesualdo, Lin, S. C., Vasić, M., Lingle, A. M., Veropoulidou, R., Mazzucato, C., Tibbetts, B., Haddow, S. D., Somel, M., Toksoy-Köksal, F., Knüsel, C. J., and Milella, Marco. 2022. “New Insights on Commemoration of the Dead through Mortuary and Architectural Use of Pigments at Neolithic Çatalhöyük, Turkey.” Scientific Reports 12: Article number 4055. https://doi.org/10.1038/s41598-022-07284-3Google Scholar
Schultz, Peter. 2009. “Accounting for Agency at Epidauros: A Note on IGIV² 102 A1-B1 and the Economies of Style.” In Structure, Image, Ornament: Architectural Sculpture in the Greek World. Proceedings of an International Conference Held at the American School of Classical Studies, 27–28 November 2004, edited by Schultz, Peter and van den Hoff, Ralf, 70–8. Oxford: Oxbow Books.Google Scholar
Schwahn, Britta R. 1983. Die Glyptothek in München. Baugeschichte und Ikonologie. Munich: UNI-Dr.Google Scholar
Scott, Alexander. 1921–6. The Cleaning and Restoration of Museum Exhibits: Report upon Investigations Conducted in the British Museum. London: H.M. Stationery Office.Google Scholar
Seidl, Ursula. 2003. “Wie waren die achämenidischen Doppelprotomen-Kapitelle ausgerichtet?” In A Persian Perspective: Essays in Memory of Heleen Sancisi-Weerdenburg. Achaemenid History 13, edited by Henkelman, Wouter F. and Kuhrt, Améelie, 6777. Leiden: Nederlands Instituut voor het Nabije Ooste.Google Scholar
Seidl, Ursula. 2005. s.v. “Polychromie.Reallexikon der Assyriologie 10: 599600.Google Scholar
Semper, Gottfried. 1851a. “On the Study of Polychromy.” Museum of Classical Antiquities 1: 228–46.Google Scholar
Semper, Gottfried. 1851b. Die vier Elemente der Baukunst. Ein Beitrag zur vergleichenden Baukunde. Braunschweig: Vieweg. Translated by H. F. Mallgrave and W. Herrmann as The Four Elements of Architecture and Other Writings (Cambridge: Cambridge University Press, 1989).Google Scholar
Senserrich, Rosa, Nualart, Anna, and Ibanez-Insa, Jordi. 2017. “The Creative Process Revealed. The Role of Incisions, High-Relief Decoration and Polychromy in the Gothic Altar Frontal belonging to Sant Llorenç de Morunys.” In Polychrome Sculpture: Tool Marks, Construction Techniques, Decorative Practice and Artistic Tradition. ICOM-CC Interim Meeting, Working Group Sculpture, Polychromy, and Architectural Decoration, Tomar, 28–29 May, 2013, edited by Litjens, Stefanie and Seymour, Kate, 8795. Paris: ICOM-CC. www.academia.edu/32881672/POLYCHROME_SCULPTURE_TOOL_MARKS_CONSTRUCTION_TECHNIQUES_DECORATIVE_PRACTICE_AND_ARTISTIC_TRADITIONGoogle Scholar
Shahbazi, A. Shahpur. 1976. Persepolis Illustrated. Tehran: Institute of Achaemenid Research.Google Scholar
Shahbazi, A. Shahpur. 1985. Old Persian Inscriptions of the Persepolis Platform. Corpus Inscriptionum Iranicarum. Part I, Inscriptions of Ancient Iran. London: Lund Humphries.Google Scholar
Shahbazi, A. Shahpur. 2004. The Authoritative Guide to Persepolis. Tehran: SAFIR.Google Scholar
Shaer, May. 2003. “The Decorative Architectural Surface of Petra.” PhD diss., Technische Universität, FB Restaurierung.Google Scholar
Sheikoleslamy, Reza. 2004. “Pathology and Restoration Plan for a Bull Capital from the Unfinished Gateway at Persepolis.“ Parsa 1 (1): 116–7.Google Scholar
Sherman, Daniel and Rogoff, Itit, eds. 1994. Museum Culture: Histories, Discourses, Spectacles. Minneapolis: University of Minnesota Press.Google Scholar
Shishegar, Arman. 2017. “Zwei Neuelamische Prinzessinnen und ihre königlichen Bestattungen.” In Iran. Frühe Kulturen zwischen Wasser und Wüste, edited by Helwing, Barbara, 202–8. Munich: Hirmer.Google Scholar
Siegel, Jonah, ed. 2008. The Emergence of the Modern Museum. An Anthology of Nineteenth Century Sources. Oxford: Oxford University Press.Google Scholar
Siegesmund, Siegfried and Snethlage, Rolf, eds. 2014. Stone in Architecture: Properties, Durability. 5th ed. Berlin: Springer.Google Scholar
Silverman, David P. 1982. “Catalogue Entries.” In Egypt’s Golden Age: The Art of Living in the New Kingdom, 287–9. Boston: Museum of Fine Arts.Google Scholar
Simpson, St John. 2000. “Rediscovering Past Splendours from Iran: 19th-Century Plaster Casts of Sculptures from Persepolis.” British Museum Magazine 36: 28–9.Google Scholar
Simpson, St John. 2004. “Making Their Mark. Foreign Travellers at Persepolis.” ARTA 2005 (1). achemenet.com/resources/enligne/arta/arta/htmGoogle Scholar
Simpson, St John. 2007a. “Pottering around Persepolis: Observations on Early European Visitors to the Site.” In Persian Responses. Political and Cultural Interaction with(in) the Achaemenid Empire, edited by Tuplin, Christopher, 343–56. Swansea: Classical Press of Wales.Google Scholar
Simpson, St John. 2007b. “Bushir and Beyond: Some Early Archaeological Discoveries in Iran.” In From Persepolis to the Punjab. Exploring Ancient Iran, Afghanistan and Pakistan, edited by Errington, Elizabeth and Curtis, Vesta Sarkosh, 153–65. London: British Museum Press.Google Scholar
Simpson, St John. 2009. “Relieffragment mit Kriegerdarstellung.” In Alexander der Grosse und die Öffnung der Welt. Asiens Kulturen im Wandel, edited by Hansen, Svend, Wieczorek, Alfried, and Tellenbach, Michael, 288. Regensburg: Schnell & Steiner.Google Scholar
Sinclair, Eddie. 2000. “The Polychromy.” In Salisbury Cathedral. The West Front. A History and Study in Conservation, edited by Ayers, Tim, 110–30. Chichester: Phillimore.Google Scholar
Siotto, Eliana. 2017. La Policromia sui Sarcofagi Romani. Catalogo e Risultati Scientifici. Rome: L’Erma di Bretschneider.Google Scholar
Siracusano, Gabriela. 2012. “Colors and Cultures in the Andes.” In Colors Between Two Worlds: The Florentine Codex of Bernardino de Sahagún, edited by Wolf, Gerhard and Connors, Joseph, 367–78. Florence: Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Villa I Tatti, the Harvard University Center for Italian Renaissance StudiesGoogle Scholar
Skovmøller, Amalie. 2020. Facing the Colours of Roman Portraiture: Exploring the Materiality of Ancient Polychrome Forms. Berlin: De Gruyter.Google Scholar
Skovmøller, Amalie, Brøns, Cecilie, and Sargent, Marie Louise. 2016. “Egyptian Blue: Modern Myths, Ancient Realities.” Journal of Roman Archaeology 29: 371–89.Google Scholar
Smith, Cecil. 1893. Catalogue of Casts of Sculptures from Persepolis and the Neighbourhood. London: Harrison.Google Scholar
Smith, Cecil. 1932a. Catalogue of Casts of Sculptures from Persepolis and the Neighborhood. Illustrating the Art of the Old Persian Empire from 550–340 BC. London: Trustees of the British Museum.Google Scholar
Smith, Cecil. 1932b. Photographs of Casts of Persian Sculptures of the Achaemenid Period, Mostly from Persepolis. Twelve Plates. London: Trustees of the British Museum.Google Scholar
Smith, Franklin W. 1897. Ten Halls of the Ancients Constructed on Pennsylvania Avenue, Washington. Washington, DC: The National Galleries Company.Google Scholar
Smith, Rex A. 1994. The Carving of Mount Rushmore. New York: Abbeville Press.Google Scholar
Snethlage, Rolf. 2008. Leitfaden Steinkonservierung. Planung von Untersuchungen und Maßnahmen zur Erhaltung von Denkmälern aus Naturstein. 3rd ed. Stuttgart: Fraunhofer IRB Verlag.Google Scholar
Sobieczky, Elisabeth. 2022. “Throne of Gold and Dress of Stars. On the Meaning of Polychromy in High Medieval Marian Sculpture.” In Marian Devotion in the Late Middle Ages: Image and Performance, edited by Znorovszky, Andrea-Bianka and Jaritz, Gerhard, 630. London: Routledge.Google Scholar
Soheil, Mehr Azar. 2001. Persepolis. Il concetto di monumento nell’impero achemenide. PhD diss., Universitá degli studi di Roma “La Sapienza.”Google Scholar
Soheil, Mehr Azar. 2004. “Persepolis. Symbol of the Achaemenid Empire.” World Heritage Review 35 (2): 5263.Google Scholar
Soheil, Mehr Azar. 2009. “Restauro archeologico in Iran.” Paper presented at the conference Cultura del Progetto in ambito archeologico, Rome, November 13, 2009.Google Scholar
Spawforth, Anthony, ed. 2007. The Court and Court Society in Ancient Monarchies. Cambridge: Cambridge University Press.Google Scholar
Spurrell, Frank C. 1895. “Notes on Egyptian Colours.” Archaeological Journal 52: 222–39.Google Scholar
Spycket, Agnes. 1981. La statuaire du Proche-Orient ancien. Leiden: Brill.Google Scholar
Stager, Jennifer. 2022. Seeing Color in Classical Art: Theory, Practice, and Reception, from Antiquity to the Present. Cambridge: Cambridge University Press.Google Scholar
Stanley, Tim. 2021. “The Iranian Synthesis. An Identity Reborn.” In Epic Iran. 5000 Years of Culture, edited by Curtis, John, Sandmann, Ina Sarikhani, and Stanley, Tim, 165–93. London: V & A Publishing.Google Scholar
Stanley-Price, Nicholas, Talley Jr., M. Kirby, and Vaccaro, Alessandra Melucco, eds. 1996. Historical and Philosophical Issues in the Conservation of Cultural Heritage. Los Angeles: Getty Conservation Institute.Google Scholar
Stearns, John B. 1961. Reliefs from the Palace of Ashurnasirpal II. Graz: Im Selbstverlage des Herausgebers.Google Scholar
Stern, Eva-Marianne. 1985. “Die Kapitelle der Nordhalle des Erechtheion.” Athenische Mitteilungen 100: 405–26.Google Scholar
Stewart, Sarah. 2013. “Life and Afterlife.” In The Everlasting Flame: Zoroastrianism in History and Imagination, edited by Stewart, Sarah, 3441. London: I. B. Tauris.Google Scholar
Steyaert, Delphine. 2013. “The Conservation of Polychromy on Medieval Sculptures in Belgium in the Nineteenth Century and its Perception by the Royal Monuments Commission of the Time.” In Conservation in the Nineteenth Century, edited by Brajer, Isabelle, 91104. London: Archetype Publications.Google Scholar
Stodulski, Leon, Farrell, Eugene, and Newman, Richard. 1984. “Identification of Ancient Persian Pigments from Persepolis and Pasargadae.” Studies in Conservation 29: 143–54.Google Scholar
Stol, Marten. 2021. “Review of The Meaning of Color in Ancient Mesopotamia. By Shiyanthi Thavapalan.” Journal of Near Eastern Studies 81 (1): 195–9.Google Scholar
Stöllner, Thomas, Aali, Abolfazl, and Bagherpour-Kashani, Natascha. 2020. Tod im Salz. Eine Archäologische Ermittlung in Persien. Bochum: Nünnerich Asmus.Google Scholar
Stöllner, Thomas, Slotta, Rainer, and Vatandoust, Abdolrasool, eds. 2004. Persiens Antike Pracht. Bergbau, Handwerk, Archäologie. 2 vols. Bochum: Deutsches Bergbau-Museum.Google Scholar
Stolper, Matthew W. 1996. “Vase Fragment.” In Sepphoris in Galilee. Crosscurrents of Culture, edited by Nagy, Rebecca Martin, Meyers, Carol, Meyers, Eric, and Nagy, Weiss Zeev, 166–7. Winona Lake, IN: Eisenbrauns.Google Scholar
Stolper, Matthew W. and Westenholz, Joan. 2002. “Quadrilingual Inscriptions of Darius I on a Fragmentary Stone Jar.” ARTA 2002 (5). www.achemenet.com/pdf/arta/2002.005-loc.pdfGoogle Scholar
Strabo, . Geographica. With an English Translation by H. L. Jones. Cambridge, MA: Harvard University Press and W. Heinemann 1932.Google Scholar
Stronach, David. 1978. Pasargadae: A Report on the Excavations Conducted by the British Institute of Persian Studies from 1961 to 1963. Oxford: Clarendon Press.Google Scholar
Stronach, David. 2005. “Ernst Herzfeld and Pasargadae.” In Ernst Herzfeld and the Development of Near Eastern Studies, 1900–1950, edited by Gunter, Ann and Hauser, Stefan, 103–35. Leiden: Brill.Google Scholar
Strudwick, Nigel. 1991. “The Objective-Colour Measuring System for the Recording of Egyptian Tomb Paintings.” Journal of Egyptian Archaeology 77: 4356.Google Scholar
Stubbe Østergaard, Jan. 2017. “Colour Shifts. On Methodologies in Research on the Polychromy of Greek and Roman Sculpture.Proceedings of the Danish Institute at Athens 8: 149–76.Google Scholar
Stubbe Østergaard, Jan and Nielsen, Anne Marie, eds. 2014. Transformations. Classical Sculpture in Colour. Copenhagen: Ny Carlsberg Glyptotek.Google Scholar
Stutz, Heinke. 1990. Die Farbe Purpur im Frühen Griechentum: Beobachtet in der Literatur und in der Bildenden Kunst. Stuttgart: B. G. Teubner.Google Scholar
Sue, Li. 2015. “Digital Recolourisation and the Effects of Light on Neo-Assyrian Reliefs.” Antiquity Journal 89 (348).www.antiquity.ac.uk/projgall/sou348Google Scholar
Summerer, Lâtife and von Kienlin, Alexander, eds. 2010. Tatarlı: renklerin dönüşü/The Return of Colours/Rückkehr der Farben. Istanbul: T.C. Kültür ve Turizm Bakanlığı.Google Scholar
Summitt, Jeremy B. 2000. “Greek Architectural Polychromy from the Seventh to Second Centuries B.C.: History and Significance.” PhD diss., University of Michigan.Google Scholar
Sumner, William. 1976. “Excavations at Tall-i Malyan (Anshan).” Iran 14: 103–16.Google Scholar
Sumner, William. 1986. “Achaemenid Settlement in the Persepolis Plain.” American Journal of Archaeology 90: 331.Google Scholar
Sweek, Tracey and Simpson, St John. 2009. “An Unfinished Achaemenid Sculpture from Persepolis.” British Museum Technical Research Bulletin 3: 83–8.Google Scholar
Swirnoff, Lois. 2000. The Color of Cities: An International Perspective. New York: McGraw-Hill.Google Scholar
Tajvidi, Akbar. 1976. New Data on the Art and Archaeology of the Achaemenid Period Based on Five Years of Excavations at Persepolis, 1968 to 1973. [in Persian] Tehran: Iranian Center of Archaeological Research.Google Scholar
Talebian, Mohammad H. 2007. “Persepolis-Pasargadae Field Investigations.” In Proceedings of the 51st Rencontre Assyriologique Internationale, held at the Oriental Institute of the University of Chicago, July 18–22, 2005, edited by Biggs, Robert, Myers, Jennie, and Roth, Martha T., 421–32. Chicago: The Oriental Institute.Google Scholar
Tamerus, Mark. 2018. “Labour in the Achaemenid Heartland.” In What’s in a Name? Terminology Related to the Workforce and Job Categories in the Ancient Near East, edited by Garcia-Ventura, Agnès, 467–93. Münster: Ugarit-Verlag.Google Scholar
Tanre, Juliette. 2008. “Conservation des peintures murales égyptiennes au XIXe siècle.” Techné nos. 27–28: 191–5.Google Scholar
Taschner, Moritz and Zink, Stephan 2016. “Magnesia am Mäander in der Berliner Antikensammlung. Neue Ansätze zur Erforschung antiker Architektur.” Antike Welt 2: 35–7.Google Scholar
Taubert, Johannes. 2016. Polychrome Sculpture: Meaning, Form, Conservation, edited by Marincola, M.. Los Angeles: Getty Conservation Institute.Google Scholar
Tavernier, Jan. 2007. Iranica in the Achaemenid Period (ca. 550–330 B.C). Lexicon of Old Iranian Proper Names and Loanwords, Attested in Non-Iranian Texts. Leuven: Peeters.Google Scholar
Teeter, Emily. 2012. “Copy of the Bust of Nefertiti.” In Picturing the Past. Imaging and Imagining the Ancient Middle East, edited by Green, Jack, Teeter, Emily, and Larson, John, 165–6. Chicago: The Oriental Institute.Google Scholar
Teeter, Emily. 2019. “A History of the Museum.” In Discovering New Pasts. The OI at 100, edited by van den Hout, Theo, 6275. Chicago: The Oriental Institute.Google Scholar
Tefnin, Roland, ed. 1997. La peinture égyptienne ancienne. Un monde de signes à préserver. Brussels: Brepols.Google Scholar
Terry-Fritsch, Allie. 2015. “Performing the Renaissance Body and Mind: Somaesthetic Style and Devotional Practice at the Sacro Monte di Varallo.Open Arts Journal 4 (January): 112–32.Google Scholar
Texier, Charles. 1842. Description de l’Arménie, la Perse et la Mésopotamie. Vol. 1. Paris: Typographie de Firmin Didot frères.Google Scholar
Texier, Charles. 1852. Description de l’Arménie, la Perse et la Mésopotamie. Vol. 2. Paris: Typographie de Firmin Didot frères.Google Scholar
Thackston, Wheeler M. 1990. “Treatise on Calligraphic Arts: A Disquisition on Paper, Colors, Inks and Pens by Simi of Nishapur.” In Intellectual Studies on Islam: Essays Written in Honor of Martin Dickson, Professor of Persian Studies, Princeton University, edited by Moreen, Vera Basch and Mazzaoui, Michel, 219–28. Salt Lake City: University of Utah Press.Google Scholar
Thavapalan, Shiyanthi. 2019a. “Color and Affect in Nebuchadnezzar II’s Babylon.” In A Wonder to Behold: Craftsmanship and the Creation of Babylon’s Ishtar Gate, edited by Amrhein, Anastasia, Fitzgerald, Clare, and Knott, Elizabeth, 127–34. Princeton, NJ: Princeton University Press.Google Scholar
Thavapalan, Shiyanthi. 2019b. The Meaning of Color in Ancient Mesopotamia. Leiden: Brill.Google Scholar
Thavapalan, Shiyanthi. 2020. “Speaking of Colors.” In Mesopotamian Sculpture in Colour, edited by Nunn, Astrid and Piening, Heinrich, 194–9. Gladbeck: PeWe-Verlag.Google Scholar
Thavapalan, Shiyanthi, Stenger, Jens, and Snow, Carol. 2016. “Color and Meaning in Ancient Mesopotamia: The Case of Egyptian Blue.” Zeitschrift für Assyriologie und Vorderasiatische Archäologie 106 (2): 198214.Google Scholar
Thavapalan, Shiyanthi and Warburton, David, eds. 2020. The Value of Colour: Material and Economic Aspects in the Ancient World. Berlin: EditionTopoi.Google Scholar
Thiemann, Laura. 2009. “Die assyrischen Steinreliefs im Staatlichen Museum Ägyptischer Kunst München.” Unpublished thesis, Technische Universität München.Google Scholar
Thomas, Ariane. 2016. L’histoire commence en Mésopotamie. Ghent/Snoeck: Louvre Lens.Google Scholar
Thomas, Ariane. 2018. “170 Years of Curatorial Practices and Audiences at the Louvre. Exhibiting Ancient Middle Eastern Antiquities from 1847 to 2017.” In Museums and the Ancient Middle East, edited by Emberlin, Geoff and Petit, Lucas, 4160. New York: Routledge.Google Scholar
Thomas, Ariane. 2020. “A Puzzle Made of Glazed Bricks at Khorsabad.” Revue d’assyriologie et d’archéologie orientale 114: 103–58.Google Scholar
Thomas, Deborah A. 2008. “Assyrian Monsters and Domestic Chimeras.Studies in English Literature, 1500–1900 48 (4): 897910.Google Scholar
Thompson, Deborah. 1976. Stucco from Chal Tarkhan Eshghabad near Rayy. London: Aris & Phillips.Google Scholar
Thompson, R. Campbell. 1936. A Dictionary of Assyrian Chemistry and Geology. Oxford: Clarendon Press.Google Scholar
Thureau-Dangin, François and Dunand, Maurice. 1936. Til Barsip. Paris: n.p.Google Scholar
Tilia, Ann Britt. 1968. “New Restoration Work at Persepolis.” East and West 18: 67108.Google Scholar
Tilia, Ann Britt. 1969a. “Restoration Work in Progress on the Terrace of Persepolis.” Bulletin of the Asia Institute 1: 5269.Google Scholar
Tilia, Ann Britt. 1969b. “Reconstruction of the Parapet on the Terrace Wall at Persepolis, South and West of Palace H.” East and West 19: 943.Google Scholar
Tilia, Ann Britt. 1972. Studies and Restorations at Persepolis and Other Sites of Fars. Part I. Rome: ISMEO.Google Scholar
Tilia, Ann Britt. 1974. “Discoveries at Persepolis.” In Proceedings of the 3rd International Symposium on Archaeological Research in Iran. 29th October–1st November 1973, edited by Bagherzadeh, Firouz, 239–53. Tehran: Iranian Center for Archaeological Research.Google Scholar
Tilia, Ann Britt. 1977. “Recent Discoveries at Persepolis.” American Journal of Archaeology 81: 6777.Google Scholar
Tilia, Ann Britt. 1978. Studies and Restorations at Persepolis and Other Sites of Fars. Part II. Rome: ISMEO.Google Scholar
Tilia, Giuseppe. 1995. “Appunti sull’uso del colore nella sala del Consiglio di Persepolis.” In L’arco di fango, Studi in onore Eugenio Galdieri, edited by Bernardini, Michele, 321–2. Lugano: Edizioni Arte e Monet.Google Scholar
Tilia, Giuseppe and Callieri, Pierfrancesco. 2001. “I restauri italiani dell’ISMEO a Persepoli negli anni’60 and’70.” In Antica Persia. I tesori del Museo Nazionale di Teheran e la ricerca italiana in Iran, edited by Archi, Alfonso et al., 4449. Rome: De Luca.Google Scholar
Tiverios, Michael, ed. 2002. Color in Ancient Greece. The Role of Color in Ancient Greek Art and Architecture (700–31 B.C.): Proceedings of the Conference held in Thessaloniki, 12th–16th April, 2000. Thessaloniki: Aristoteleio Panepistēmio.Google Scholar
Tiverios, Michael and Saatsoglou-Paliadeli, Chrysoula, eds. 1987. AMITOS: An Honorary Volume for Manolis Andronikos. [in Greek] Thessaloniki: Aristotle University of Thessaloniki.Google Scholar
Tomabechi, Yoko. 1980. “Wall Painting and Color Pigments of Ancient Mesopotamia.” PhD diss., University of California, Berkeley.Google Scholar
Tomabechi, Yoko. 1983a. “Wall Paintings from Til Barsip.” Archiv für Orientforschung 41: 6374.Google Scholar
Tomabechi, Yoko. 1983b. “Wall Paintings from Dur Kurigalzu.” Journal of Near Eastern Studies 42 (2): 123–31.Google Scholar
Toscanne, Paul. 1916. “Motifs nouveaux de décoration susienne.” Revue Archéologique 13: 6989.Google Scholar
Trentelman, K. M. Bouchard, M. Ganio, C. Namowicz, C. Patterson, , and Walton, M. 2010. “The Examination of Works of Art Using in Situ XRF Line and Area Scans.” X-ray Spectometry 39 (3): 159–66.Google Scholar
Trever, Lisa, ed. 2017. The Archaeology of Mural Painting at Panamarca, Peru. Washington, DC: Dumbarton Oaks Research Library and Collection.Google Scholar
Trichet, Jean and Ruben, Philippe. 1980. “Méthodes d’étude de l’origine des matériaux ayant servi à la confection de briques et de céramiques dans les sites de Suse et de Djaffarabad (Khuzestan, Iran).” Paléorient 6: 129–58.Google Scholar
Trichet, Jean and Vallat, François. 1990. “L’origine égyptienne de la statue de Darius.” In Contribution à l’histoire de l’Iran: Mélanges offerts à Jean Perrot, edited by Vallat, François, 205–8. Paris: Éditions Recherche sur les Civilisations.Google Scholar
Trümpelmann, Leo. 1983. “Zu den Gebäuden von Persepolis und ihrer Funktion.” In Kunst, Kultur und Geschichte der Achämenidenzeit und ihr Fortleben, edited by Koch, Heidemarie and Mackenzie, D. N., 225–37. Berlin: Reimer.Google Scholar
Trümpelmann, Leo. 1988. Persepolis. Ein Weltwunder der Antike. Mainz: Zabern.Google Scholar
Trümpelmann, Leo. 1992. Zwischen Persepolis und Firuzabad. Gräber, Paläste und Felsreliefs im alten Persien. Mainz: Zabern.Google Scholar
Tudeau, Johanna. 2019. Building in Assyria. Wiesbaden: Harrassowitz.Google Scholar
Tuplin, Christopher. 1998. “The Seasonal Migration of Achaemenid Kings. A Report on Old and New Evidence.” In Studies in Persian History. Essays in Memory of David M. Lewis. Achaemenid History 11, edited by Brosius, Maria and Kuhrt, Amélie, 63114. Leiden: Nederlands Instituut voor het Nabije Ooste.Google Scholar
Tuplin, Christopher. 2013. The Arshama Letters from the Bodleian Library. Commentary. Oxford: Bodleian Library, University of Oxford.Google Scholar
Tuplin, Christopher. 2021. “Royal P(a)laces: Lexical Reflections on Achaemenid Residences.” In Achemenet. Vingt ans après. Persika 21, edited by Agut-Labordère, Damien, Boucharlat, Rémy, Joannès, Francis, Kuhrt, Amélie, Stolper, Matthew W., 403–14. Leuven: Peeters.Google Scholar
Tuplin, Christopher. ed. 2007. Persian Responses. Political and Cultural Interaction with(in) the Achaemenid Empire. Swansea: Classical Press of Wales.Google Scholar
Türr, Karina. 1994. Farbe und Naturalismus in der Skulptur des 19. und 20. Jahrhunderts. Mainz: Zabern.Google Scholar
Twyman, Michael. 2013. A History of Chromolithography. Printed Colour for All. London: The British Library; Oak Knoll Press.Google Scholar
Uchitel, Alexander. 1991. “Foreign Workers in the Fortification Archive.” In Mésopotamie et Elam: Actes de la XXXVIe Rencontre Assyriologigue Internationale, Gand. 10–14 Juillet 1989, edited by de Meyer, Léon and Gasche, Hermann, 127–35. Ghent: University of Ghent.Google Scholar
Unger, Eckhard. 1971. s.v. “Farben und Farbe in der orientalischen Malerei.Reallexikon der Assyriologie 3: 1925.Google Scholar
Vallat, François. 2013. “The Main Achaemenid Inscriptions at Susa.” In The Palace of Darius at Susa: The Great Royal Residence of Achaemenid Persia, edited by Perrot, Jean, 280–95. London: I. B. Tauris.Google Scholar
Van den Berghe, Louis. 1959. Archéologie de l’Iran ancien. Leiden: Brill.Google Scholar
Van den Berghe, Louis. 1963. “Les reliefs élamites de Malamir.” Iranica Antiqua 3: 2239.Google Scholar
Van Zanten, David. 1977. The Architectural Polychromy of the 1830s. New York; Garland.Google Scholar
Vandenabeele, P., Garcia-Moreno, R., Mathis, F., Leterme, K., van Elslande, E., Hocquet, F.P., Rakkaa, S., Laboury, D., Moens, L., Strivay, D., and Hartwig, Melinda 2009. “Multi-Disciplinary Investigation of the Tomb of Menna (TT69), Theban Necropolis, Egypt.” Spectrochimica Acta A 73: 546–52.Google Scholar
Van de Wetering, Ernst. 2007. “The Cleaning of Paintings by Rembrandt. New Arguments in a Controversy.” ICOM-CC Working Group‚ Theory and History of Conservation-Restoration’ Newsletter 13: 911.Google Scholar
Vatandoust, Abdolrasool. 1994. An Assessment of Existing Institutions and Potentials in Iran for Conservation and Restoration of Cultural Heritage and the Possibilities of Regional and Subregional Cooperation. Report on a Survey Sponsored by UNDP-Tehran. Tehran: United Nations Development Program.Google Scholar
Vaux, William. 1850. Nineveh and Persepolis. London: Arthur Hall, Virtue, & Co.Google Scholar
Verret, Dennis and Steyaert, Delphine, eds. 2002. La Couleur et la Pierre: Polychromie des Portails Gothiques. Actes du Colloque, Amiens, 12–14 octobre 2000. Amiens: Agence régionale du patrimoine de Picardie.Google Scholar
Verri, Giovanni. 2009. “The Spatial Characterisation of Egyptian Blue: A Study by Visible-Induced Luminescence Digital Imaging.” Analytical and Bioanalytical Chemistry 394 (4): 1011–21.Google Scholar
Verri, Giovanni, Collins, Paul, Ambers, Janet, Sweek, Tracey, and Simpson, St John. 2009. “Assyrian Colours: Pigments on a Neo-Assyrian Relief of a Parade Horse.” The British Museum Technical Research Bulletin 3: 5762.Google Scholar
Vickers, Michael. 1991. “The Views of Persepolis by William Marshall and Wenceslaus Hollar in Sir Thomas Herbert’s Travels.” In Through Travellers’ Eyes: European Travellers on the Iranian Monuments, edited by Sancisi-Weerdenburg, Heleen and Drijvers, Jan W., 5969. Leiden: Nederlands Instituut voor het Nabije Oosten.Google Scholar
Victoir, Géraldine. 2012. “La polychromie et l’apport de son étude à la connaissance de l’architecture gothique.” In Architecture et Sculpture Gothiques, edited by Daussy, Stéphanie and Timbert, Arnaud, 121–35. Rennes: Presses universitaires de Rennes.Google Scholar
Villard, Laurence, ed. 2002. Couleurs et vision dans l’antiquité classique. Rouen: Publications de l’université de Rouen.Google Scholar
Villard, Pierre. 2010. “Les textiles néo-assyriens et leurs couleurs.” In Textile Terminologies in the Ancient Near East and Mediterranean from the Third to the First Millennia BC, edited by Michel, Cecile and Nosch, Marie-Louise, 388–99. Oxford: Oxbow Books.Google Scholar
Vlassopoulou, Christina. 2008. “Neue Untersuchungen zur Farbigkeit des Parthenon.” In Bunte Götter: Die Farbigkeit antiker Skulptur. Eine Ausstellung der Liebieghaus Skulpturensammlung, Frankfurt am Main in Kooperation mit der Stiftung Archäologie, München, 8. Oktober 2008–15. Februar 2009, 144–7. Frankfurt: Liebieghaus Skulpturensammlung.Google Scholar
Vlassopoulou, Christina. 2017. “An Inscribed Bronze Phiale from the Acropolis.” [in Greek] Grammateion 6: 3341.Google Scholar
Vogelsang-Eastwood, Gillian. 2006. “A Preliminary Survey of Iranian Archaeological Sites with Textiles.” In Textiles in Situ. Their Find Spots in Egypt and Neighbouring Countries in the First Millennium CE, edited by Schrenk, Sabine, 221–40. Riggisberg: Abegg-Stiftung.Google Scholar
Von Gall, Hubertus. 1974. “Die Kopfbedeckung des persischen Ornats bei den Achämeniden.Archäologische Mitteilungen aus Iran n.s. 7: 145–61.Google Scholar
Von Gall, Hubertus and Luft, Paul. 2020. Die Qājārischen Felsreliefs. Eine kunst- und kulturwissenschaftliche Studie. Berlin: Dietrich Reimer Verlag.Google Scholar
Vuillemard, Anne. 2001. “La polychromie des cathédrales gothiques.” In 20 siècles en cathédrales, edited by Arminjon, Catherine, Lavalle, Denis, and Le Goff, Jacques, 219–28. Paris: Encyclopaedia Universalis.Google Scholar
Vuurman, Corien. 2015. Fascinatie voor Persepolis. Europese perceptie van Achaemenidische monumenten in schrift en beeld, van de veertiende tot het begin van de twintigste eeuw. Gronsveld: Barjesteh van Waalwijk van Doorn & Co.Google Scholar
Waetzold, Hartmut. 2010. “The Colours and Variety of Fabrics from Mesopotamia during the Ur III period (2050 bc).” In Textile Terminologies in the Ancient Near East and Mediterranean from the Third to the First Millennia bc, edited by Michel, Cecile and Nosch, Marie-Louise, 201–9. Oxford: Oxbow Books.Google Scholar
Wallace, Florence E. 1927. “Color in Homer and in Ancient Art.” Smith Classical Studies 9: 183.Google Scholar
Arie, Wallert, Hermens, Erma, and Peek, Marja, eds. 1996. Historical Painting Techniques, Materials, and Studio Practice. Preprints of a Symposium [held at] University of Leiden, the Netherlands, 26–29 June 1995. Los Angeles: Getty Conservation Institute.Google Scholar
Walser, Georg. 1966. Die Völkerschaften auf den Reliefs von Persepolis. Historische Studien über den sogenannten Tributzug an der Apadanatreppe. Berlin: Mann.Google Scholar
Ward, James. 1913. Colour Decoration on Architecture. London: Chapman & Hall.Google Scholar
Wartke, ,, Ralf-B. 1992. Das Vorderasiatische Museum. Mainz: Zabern.Google Scholar
Wasmuth, Melanie and Creasman, Pearce P., eds. 2020. “Udjahorresnet and His World.” Special volume. Journal of Ancient Egyptian Interconnections 26. https://egyptianexpedition.org/volumes/vol-26-udjahorresnet-and-his-world/Google Scholar
Waters, Matt. 2014. Ancient Persia: A Concise History of the Achaemenid Empire, 550–330 bce. Cambridge: Cambridge University Press.Google Scholar
Wawrzyniak, James. 2008. “Rubin v. The Islamic Republic of Iran: A Struggle for Control of Persian Antiquities in America.” In Yearbook of Cultural Property Law 2008, edited by Hutt, Sherry and Tarler, David, 223–72. New York: Routledge.Google Scholar
Weeks, Christopher. 1998. “The ‘Portail de la Mère Dieu’ of Amiens Cathedral: Its Polychromy and Conservation.” Studies in Conservation 43: 101–8.Google Scholar
Weissbach, Franz. 1911. Die Keilinschriften der Achämeniden. Leipzig: J. C. Hinrichs.Google Scholar
Welch, Anthony. 1973. Shah Abbas and the Arts of Isfahan. New York: Asia Society.Google Scholar
Weld-Blundell, Herbert. 1893. “Persepolis.” In Transactions of the Ninth International Congress of Orientalists. Vol. 2, edited by Delmar Morgan, E., 537–59. London: Ballantyne Press.Google Scholar
Wescoat, Bonna and Levitan, Rebecca 2017. “Seeing the Parthenon Frieze.” In Greek Art in Context. Archaeological and Art Historical Perspectives, edited by Rodriguez-Perez, Diana, 772. New York: Routledge.Google Scholar
West FitzHugh, Elizabeth. 1997a. “Orpiment and Realgar.” In Artists’ Pigments: A Handbook of Their History and Characteristics, 4780. New York: Oxford University Press.Google Scholar
West FitzHugh, Elizabeth., ed. 1997b. Artists’ Pigments: A Handbook of Their History and Characteristics. New York: Oxford University Press.Google Scholar
Westmacott, Richard, Jr. 1854. “On Colouring Statues.” Archaeological Journal 12: 2246.Google Scholar
Wharton, Glenn. 2012. The Painted King: Art, Activism and Authenticity in Hawai’i. Hawaii: University of Hawai’i Press.Google Scholar
Whitcomb, Donald. 2012. “Lusterware Jug from Rayy, Iran.” In Picturing the Past. Imaging and Imagining the Ancient Middle East, edited by Green, Jack, Teeter, Emily, and Larson, John, 143–4. Chicago: The Oriental Institute.Google Scholar
Whitehead, John D. 1974. “Early Aramaic Epistolography. The Arsames Correspondence.” PhD diss., University of Chicago.Google Scholar
Wiedemann, Hans-Georg and Bayer, G.. 1982. “The Bust of Nefertiti: The Analytical Approach.” Analytical Chemistry 54: 619A–28A.Google Scholar
Wiesehöfer, Josef. 1991. “Engelbert Kaempfer in Naqš-i Rustam und Persepolis.” In Through Travellers’ Eyes: European Travellers on the Iranian Monuments, edited by Sancisi-Weerdenburg, Heleen and Drijvers, Jan W., 7187. Leiden: Nederlands Instituut voor het Nabije Oosten.Google Scholar
Wiesehöfer, Josef. 1994. Die “dunklen Jahrhunderte” der Persis. Untersuchungen zu Geschichte und Kultur von Fars in fruehhellenistischer Zeit (330–140 v. Chr.). Munich: C. H. Beck.Google Scholar
Wilber, Donald. 1942. “The Role of Color in Architecture.” Journal of the American Society of Architectural Historians 2 (1): 1722.Google Scholar
Wilber, Donald. 1950. “A Relief from Persepolis.” Record of the Art Museum, Princeton University 9 (2): 23.Google Scholar
Wilber, Donald. 1968. “Introduction.” In Design and Color in Islamic Architecture, edited by , Sonia and Seherr-Thoss, Hilde. Washington, DC: Smithsonian Institution Press.Google Scholar
Wilber, Donald. 1969. Persepolis. The Archaeology of Parsa, Seat of the Persian Kings. New York: Crowell.Google Scholar
Wilber, Donald. 1986. Adventures in the Middle East. Excursions and Incursions. Princeton, NJ: Darwin.Google Scholar
Williams, Dyfri, Higgs, Peter, Opper, Thorsten, and Timson, Mark. 2007. “A Virtual Parthenon Metope: Restoration and Colour.” In Color of Gods: Painted Sculpture of Classical Antiquity, edited by Brinkmann, Vinzenz and Wünsche, Raimund, 113–17. Munich: Prestel.Google Scholar
Wilson, Andrew. 2007. “The Metal Supply of the Roman Empire.” In Supplying Rome and the Roman Empire. Journal of Roman Archaeology suppl. series 69, edited by Papi, Emanuele and Bonifay, Michel, 109–25. Portsmouth, RI: Journal of Roman ArchaeologyGoogle Scholar
Winter, Irene J. 1995. “Aesthetics in Ancient Mesopotamian Art.” In Civilizations of the Ancient Near East, edited by Sasson, Jack, Baines, John, Beckman, Gary, and Rubinson, Karen S., 2569–80. New York: Scribner.Google Scholar
Winter, Irene J. 1999. “The Aesthetic Value of Lapis Lazuli in Mesopotamia.” In Cornaline et pierres précieuses: La Méditerranée de l’antiquité à l’Islam, edited by Caubet, Annie, 4358. Paris:Documentation française. Reprinted in On Art in the Ancient Near East. Vol. 2, 291–306 (Leiden: Brill, 2009).Google Scholar
Winter, Irene J. 2003. “Ornament and the Rhetoric of Abundance in Assyria.” Eretz Israel 27: 252–64. Reprinted in On Art in the Ancient Near East. Vol. 1, 163–83 (Leiden: Brill, 2009).Google Scholar
Winter, Irene J. 2009. On Art in the Ancient Near East. 2 vols. Leiden: Brill.Google Scholar
Wiseman, Donald J. 1952. “A New Stela of Assur-nasir-pal II.” Iraq 14: 2444.Google Scholar
Wlach, Gudrun. 2010. “Klassische Archäologie in politischen Umbruchzeiten. Wien 1938–1945,” In Geisteswissenschaften im Nationalsozialismus. Das Beispiel der Universität Wien, edited by Ash, Mitchell, Nieß, Wolfram, and Pils, Ramon, 343–70. Vienna: Vienna University Press.Google Scholar
Wolters, Paul. 1921. “Neues von der Glyptothek.” Münchner Neueste Nachrichten (August 2): 321.Google Scholar
Wordsworth, Christopher. 1837. Athens and Attica: Journal of a Residence There. 2nd ed. London: John Murray.Google Scholar
Yongqi, Wu, Tinghao, Zhang, Petzet, Michael, Emmerling, Erwin, and Blänsdorf, Catharina, eds. 2001. The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor. Munich: Bayerisches Landesamt für Denkmalpflege.Google Scholar
Young, Diana. 2006. “The Colours of Things.” In Handbook of Material Culture, edited by Tilley, Christopher, Keane, Webb, Kuechler, Susanne, Rowlands, Michael, and Spyer, Patricia, 173–85. London: Sage.Google Scholar
Yvantidis, Konstantinos. 1984. “Die Polychromie der hellenistischen Plastik.” Doctoral thesis, Johannes Gutenberg-Universität.Google Scholar
Zaccagnini, Carlo. 1983. “Patterns of Mobility among Ancient Near Eastern Craftsmen.” Journal of Near Eastern Studies 42: 245–64.Google Scholar
Zamani, N. and Ahmadi, H. 2022. “The Tradition of Previous Repairs and the Foundations of New Approaches to the Conservation and Restoration of Murals at Chehel Sotoun.” Parseh. Journal of Archaeological Studies 18 (5): 237–63.Google Scholar
Zambon, Alessia. 2012. “Les premiers voyageurs et la dorure du Parthénon. Mise au point sur une controverse ancienne.” Revue Archéologique 53 (1): 4161.Google Scholar
Zander, Giuseppe, ed. 1968. Travaux de restauration de monuments historiques en Iran. Rome: ISMEO.Google Scholar
Zapata-Aubé, Nicole, ed. 1997. Lottin de Laval. Archéologue et peintre orientaliste, 1810–1903. Bernay: Editions de l’Association pour la promotion de la culture.Google Scholar
Zare, Azam. 2004. “The Identification of Stone Quarries in the Marvdasht Plain and Comparing Them with the Stones Used in the Architecture of Persepolis Complex on the Basis of Archeological Studies and Petrographical Results.” [in Persian] Unpublished report, Shiraz.Google Scholar
Zawadski, Stefan. 2006. Garments of the Gods. Studies on the Textile Industry and the Pantheon of Sippar According to the Texts from the Ebabbar Archive. Fribourg: Academic Press.Google Scholar
Zawadski, Stefan. 2010. “Garments in Non-Cultic Context.” In Textile Terminologies in the Ancient Near East and Mediterranean from the Third to the First Millennia bc, edited by Michel, Cecile and Nosch, Marie-Louise, 409–29. Oxford: Oxbow Books.Google Scholar
Zawadski, Stefan. 2013. Garments of the Gods. Vol. 2. Texts. Fribourg: Academic Press.Google Scholar
Zawadski, Stefan. 2021. “Contribution to the Persian Nobility in Babylonia.” In Individuals and Institutions in the Ancient Near East. A Tribute to Ran Zadok, edited by Gabbay, Uri and Gordin, Shai, 89105. Boston: De Gruyter.Google Scholar
Zehbari, Zohreh 2021. “On the Participation of Egyptian Artists in Achaemenid Art.” In Bridging the Gap: Disciplines, Times, and Spaces in Dialogue. Vol. 1, Sessions 1, 2, and 5 from the Conference Broadening Horizons 6, edited by Hess, Christian W. and Manuelli, Federico, 5979. London: Archaeopress.Google Scholar
Zehnder, Konrad, Arnold, Andreas, and Kung, Andreas. 2000. “Weathering of Painted Marly Limestones in the Temple Ruin of Merenptah, Qurna/Luxor (Egypt).” In Proceedings of the 9th International Congress on Deterioration and Conservation of Stone. Vol. 2, edited by Fassina, Vasco, 749–58. Amsterdam: Elsevier.Google Scholar
Zessin, May-Sarah. 2019. “Reading between the Lines: Fitters’ Marks in the Ancient Near East.” In A Wonder to Behold: Craftsmanship and the Creation of Babylon’s Ishtar Gate, edited by Amrhein, Anastasia, Fitzgerald, Clare, and Knott, Elizabeth, 8190. Princeton, NJ: Princeton University Press.Google Scholar
Ziegler, Christiane. 2002. Le Scribe accroupi. Paris: Réunion des musées nationaux.Google Scholar
Zink, Stephan. 2019. “Polychromy. Architectural, Greek and Roman.” In Oxford Classical Dictionary. Oxford: Oxford University Press. https://doi.org/10.1093/acrefore/9780199381135.013.8184Google Scholar
Zink, Stephan and Piening, Heinrich. 2009. “Haec aurea templa: The Palatine Temple of Apollo and Its Polychromy.” Journal of Roman Archaeology 22: 109–22.Google Scholar
Zink, Stephan, Taschner, Moritz, Reiche, Ina, Alfeld, Matthias, Aibéo, Cristina, Egel, Ellen, Müller, Katharina, Ristau, Anne, Neuhaus, Birgit, and Massmann, Wolfgang 2019. “Tracing the Colours of Hermogenes’ Temple of Artemis: Architectural Surface Analysis in the Antikensammlung Berlin.” Technè no. 48: 1426.Google Scholar
Zournatzi, Antigoni. 2003. “The Apadana Coin Hoards, Darius I, and the West.American Journal of Numismatics Ser. 2 15: 128.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Alexander Nagel, Smithsonian Institution, Washington DC
  • Book: Color and Meaning in the Art of Achaemenid Persia
  • Online publication: 24 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009361309.008
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Alexander Nagel, Smithsonian Institution, Washington DC
  • Book: Color and Meaning in the Art of Achaemenid Persia
  • Online publication: 24 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009361309.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Alexander Nagel, Smithsonian Institution, Washington DC
  • Book: Color and Meaning in the Art of Achaemenid Persia
  • Online publication: 24 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009361309.008
Available formats
×