Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Notes on the Contributors
- 1 Introduction: Cold War Genres and the Rock-and-Roll Film
- 2 Social Factors in Brainwashing Films of the 1950s and 1960s
- 3 The Berlin Crisis? Piffl!: Billy Wilder’s Cold War Comedy, One, Two, Three
- 4 The Small Adult Film: A Prestige Form of Cold War Cinema
- 5 “I’m Lucky – I Had Rich Parents”: Disability and Class in the Postwar Biopic Genre
- 6 Rogue Nation, 1954: History, Class Consciousness, and the “Rogue Cop” Film
- 7 Internal Enmity: Hollywood’s Fragile Home Stories in the 1950s and 1960s
- 8 Suburban Sublime
- 9 Domestic Containment for Whom? Gendered and Racial Variations on Cold War Modernity in the Apartment Plot
- 10 Success and the Single Girl: Urban Romances of Working Women
- 11 Paris Loves Lovers and Americans Loved Paris: Gender, Class, and Modernity in the Postwar Hollywood Musical
- 12 Straight to Baby: Scoring Female Jazz Agency and New Masculinity in Henry Mancini’s Peter Gunn
- Index
Contents
Published online by Cambridge University Press: 24 April 2021
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Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Notes on the Contributors
- 1 Introduction: Cold War Genres and the Rock-and-Roll Film
- 2 Social Factors in Brainwashing Films of the 1950s and 1960s
- 3 The Berlin Crisis? Piffl!: Billy Wilder’s Cold War Comedy, One, Two, Three
- 4 The Small Adult Film: A Prestige Form of Cold War Cinema
- 5 “I’m Lucky – I Had Rich Parents”: Disability and Class in the Postwar Biopic Genre
- 6 Rogue Nation, 1954: History, Class Consciousness, and the “Rogue Cop” Film
- 7 Internal Enmity: Hollywood’s Fragile Home Stories in the 1950s and 1960s
- 8 Suburban Sublime
- 9 Domestic Containment for Whom? Gendered and Racial Variations on Cold War Modernity in the Apartment Plot
- 10 Success and the Single Girl: Urban Romances of Working Women
- 11 Paris Loves Lovers and Americans Loved Paris: Gender, Class, and Modernity in the Postwar Hollywood Musical
- 12 Straight to Baby: Scoring Female Jazz Agency and New Masculinity in Henry Mancini’s Peter Gunn
- Index
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- Cold War Film Genres , pp. v - viPublisher: Edinburgh University PressPrint publication year: 2018