Book contents
- The Cambridge World HistoryVolume VII
- The Cambridge World History
- The Cambridge World HistoryProduction, Destruction, and Connection, 1750–Present
- Copyright page
- Contents
- Figures
- Maps
- Tables
- Contributors
- Preface
- Part I Social developments
- Part II Culture and Connections
- 6 Department stores and the commodification of culture: artful marketing in a globalizing world
- 7 Religion after 1750
- 8 Science since 1750
- 9 Music on the move, as object, as commodity
- 10 Sport since 1750
- 11 World cinema
- Part III Moments
- Part IV Ligaments of Globalization
- Index
- References
9 - Music on the move, as object, as commodity
from Part II - Culture and Connections
Published online by Cambridge University Press: 05 May 2015
Book contents
- The Cambridge World HistoryVolume VII
- The Cambridge World History
- The Cambridge World HistoryProduction, Destruction, and Connection, 1750–Present
- Copyright page
- Contents
- Figures
- Maps
- Tables
- Contributors
- Preface
- Part I Social developments
- Part II Culture and Connections
- 6 Department stores and the commodification of culture: artful marketing in a globalizing world
- 7 Religion after 1750
- 8 Science since 1750
- 9 Music on the move, as object, as commodity
- 10 Sport since 1750
- 11 World cinema
- Part III Moments
- Part IV Ligaments of Globalization
- Index
- References
Summary
This chapter explains a capsule history of the various modes of the objectification and later commodification of music that preceded today's schizophonia and the ideologies surrounding the production and consumption of music, particularly musics places far from western metropoles. It focuses on the term neoliberal capitalism, a form of capitalism that is being shaped by policies that have sought to enrich elite groups by aggressively utilizing the powers of the state, new technologies, and seeking global markets and labor. One of the contributing factors to conceptions of world music as something that could be appropriated with impunity was the rise of digital sampling. World music in the West continues to enjoy the position of prestige it has slowly wrested from classical music as the music associated with elites, even though, like classical music, its sales remain small. Populous countries such as India and China are home to prodigious and sophisticated music industries.
- Type
- Chapter
- Information
- The Cambridge World History , pp. 205 - 224Publisher: Cambridge University PressPrint publication year: 2015
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