Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Introduction
- 185 Canonization and Obsolescence: Classic Translations versus Retranslations
- 186 Signing Shakespeare (ASL)
- 187 Shakespeare into Creole
- 188 Translating Shakespeare for the Screen
- 189 Translating Shakespeare for Performance
- 190 Idioms, Proverbs, Quotations: Shakespeare’s Influence on Language Evolution
- 191 Shakespeare’s Entry into the Arabic World
- 192 The Merchant of Venice in the Jewish Diaspora: German, Hebrew, Yiddish
- 193 Shakespeare Translations in Asia
- 194 The Cultural Politics of Spanish Translations
- 195 Shakespeare without Sweat: Updating and Simplifying Shakespeare’s English
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
188 - Translating Shakespeare for the Screen
from Part XIX - Translation
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Introduction
- 185 Canonization and Obsolescence: Classic Translations versus Retranslations
- 186 Signing Shakespeare (ASL)
- 187 Shakespeare into Creole
- 188 Translating Shakespeare for the Screen
- 189 Translating Shakespeare for Performance
- 190 Idioms, Proverbs, Quotations: Shakespeare’s Influence on Language Evolution
- 191 Shakespeare’s Entry into the Arabic World
- 192 The Merchant of Venice in the Jewish Diaspora: German, Hebrew, Yiddish
- 193 Shakespeare Translations in Asia
- 194 The Cultural Politics of Spanish Translations
- 195 Shakespeare without Sweat: Updating and Simplifying Shakespeare’s English
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1369 - 1375Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Anselmi, Michela. “Metamorfosi di un Testo: Transposizione e Doppiaggio di ‘Much ado about nothing’ nel film di Kenneth Branagh.” Quaderni di Doppiagio 2. Ed. Astori, Bruno Paolo. Finale Ligure: Voci nell’ Ombra. 1999. 15–52.Google Scholar
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Déprats, Jean-Michel. “‘I Cannot Speak your England’: Sur Quelques Problèmes de Traduction d’Henry V.” Shakespeare et la France. Ed. Dorval, Patricia and Maguin, Jean-Marie. Paris: Société Française Shakespearienne, 2000.Google Scholar
Déprats, Jean-Michel. “Traduire Shakespeare – Pour une Poétique Théâtrale de la Traduction Shakespearienne.” Tragédies. Ed. Déprats, Jean-Michel and Venet, Gisèle. Paris: Gallimard, 2002.Google Scholar
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Gottlieb, Henrik. “Multidimensional Translation: Semantics Turned Semiotics.” MuTra 2005 – Challenges of Multidimensional Translation: Conference Proceedings. Ed. Gerzymisch-Arbogast, Heidrun and Nauert, Sandra. Saarbrücken: Mutra, 2005.Google Scholar
Kay, Niel, and de Linde, Zoé. The Semiotics of Subtitling. Manchester: St Jerome, 1999.Google Scholar
Koloszar, Claudia. “Übersetzen und Film – Probleme der Filmsynchronisation am Beispiel von Henry V.” Traduzione multimediale per il cinema, la televisione e la scena. Atti del Convegno. Ed. Bosinelli, Rosa Maria Bollettieri and Heiss, Christine. Bologna: Clueb, 1996. 161–67.Google Scholar
Paquin, Robert. “In the Footsteps of Giants: Translating Shakespeare for Dubbing.” Translation Journal 5.3 (July 2001). http://www.bokorlang.com/journal/17dubb.htm.Google Scholar
Soncini, Sara. “Re-locating Shakespeare: Cultural Negotiations in Italian Dubbed Versions of Romeo and Juliet.” Performing National Identity. Ed. Pfister, Manfred and Hertel, Ralf. Amsterdam: Rodopi, 2008. 235–48.Google Scholar