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274 - Shakespeare Documentaries

from Part XXVIII - Shakespeare and Media History

Published online by Cambridge University Press:  17 August 2019

By
Rebecca Chapman
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

actuality representationauthenticityauthorityBardolatrybiographybiopiccinema véritédirect cinema realismdocumentaryfilmradioreceptionrehabilitationspectatortelevision
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1954 - 1959
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

“Act V.” This American Life. Prod. Glass, Ira. Chicago Public Radio. 9 August 2002. http://www.thisamericanlife.org/radio-archives/episode/218/act-v.Google Scholar
Brecht, Bertolt. “Popularity and Realism.” Aesthetics and Politicks. Trans. Adorno, Theodor et al. London: Verso, 1977. 79–85.Google Scholar
Bruzzi, Stella. New Documentary: A Critical Introduction. London: Routledge, 2000.Google Scholar
Corner, John. “Performing the Real: Documentary Diversions.” Reality TV: Remaking Television Culture. Ed. Oullette, Laurie and Murray, Susan. New York: New York UP, 2004. 255–69.Google Scholar
A Dream in Hanoi. Dir. Weidlinger, Tom. USA, Moira Productions, 2002. Film, digital video, snd., col., 91 mins.Google Scholar
Dutton, Richard. “‘If I’m Right’: Michael Wood’s In Search of Shakespeare.” Screening Shakespeare in the Twenty-first Century. Ed. Burnett, Mark Thornton and Wray, Ramona. Edinburgh: Edinburgh UP, 2006. 13–30.CrossRefGoogle Scholar
Ellis, Jack C., and McLane, Betsy A., eds. A New History of Documentary Film. New York: Continuum, 2007.Google Scholar
Evans, Gary. John Grierson and the National Film Board: The Politics of Wartime Propaganda. Toronto: U of Toronto P, 1992.Google Scholar
Habicht, Werner. “How German Is Shakespeare in Germany? Recent Trends in Criticism and Performance in West Germany.” Shakespeare Survey 37 (1984): 155–62.Google Scholar
The Hobart Shakespeareans. Dir. Stuart, Mel. USA, New Video Group, 2005. Film, snd., col., 52 mins.Google Scholar
In Fair Palestine: A Story of Romeo and Juliet. Prod. Hart, David. Palestine, independent release, 2005. Film, snd., col., 50 mins.Google Scholar
In Search of Shakespeare. Dir. Wallace, David. USA, Maya Vision Production, 2003. Film, snd., col., 240 mins.Google Scholar
Klett, Elizabeth. Cross-gender Shakespeare and English National Identity: Wearing the Codpiece. New York: Palgrave, 2009.Google Scholar
The Life of Shakespeare (a.k.a. William Shakespeare). Dir. Cullingham, Mark and Knights, Robert. Television miniseries. Associated Television, 1978.Google Scholar
Looking for Richard. Dir. Pacino, Al. USA, Twentieth Century Fox, 1996. Film, snd., col., 109 mins.Google Scholar
Minh-Ha, Trinh T. “The Totalizing Quest of Meaning.” Theorizing Documentary. Ed. Renov, Michael. New York: Routledge, 1993. 90–107.Google Scholar
My Shakespeare: Romeo and Juliet for a New Generation, with Baz Luhrmann. Dir. Waldman, Michael. USA, PBS, 2005. Film, snd., col., 110 mins.Google Scholar
Nichols, Bill. Introduction to Documentary. Bloomington: Indiana UP, 2001.Google Scholar
Renov, Michael. “Toward a Poetics of Documentary.” Theorizing Documentary. Ed. Renov, Michael. New York: Routledge, 1993. 12–36.Google Scholar
Rotha, Paul. Documentary Film. New York: Hastings House, 1970.Google Scholar
Shakespeare Behind Bars. Dir. Rogerson, Hank. Philomath Films, 2005. Film, snd., col., 93 mins.Google Scholar
Shakespeare in the Favelas. Dir. Jones, Kieron. UK, KJ Films, 2008. Video, snd., col., 45 mins.Google Scholar
Shakespeare Land. Great Britain Kineto Production Company, 1910. Film, sil., bw., 4 mins.Google Scholar
“The Shakespeare Mystery.” Prod. Sim, Kevin. Frontline. PBS, 1989.Google Scholar
“Shakespeare upon Ipod.” Prod. Anderson, Mark. Broadcast Network Radioropa Hoerbuch, 2006–07. Radio.Google Scholar
Shakespeare’s Happy Endings. Dir. Leslie, Stephen. UK, BBC Television, 2005. Film, snd., col., 48 mins.Google Scholar
Shapiro, James. Contested Will: Who Wrote William Shakespeare. New York: Simon and Schuster, 2010.Google Scholar
Vaughan, Virginia Mason, and Vaughan, Alden T., eds. Shakespeare in American Life. Washington: Folger Shakespeare Library, 2007. http://www.shakespeareinamericanlife.org/.Google Scholar
“William Shakespeare: A Life of Drama.” Host Perkins, Jack. A&E Biography Series. USA Network, 1996. Television.Google Scholar
Williams, Linda. “Mirrors without Memories: Truth, History, and the New Documentary.” Film Quarterly 46.3 (spring 1993): 9–21.CrossRefGoogle Scholar
Winston, Brian. Claiming the Real: The Griersonian Documentary and Its Legitimations. London: British Film Institute, 1995.Google Scholar

Further reading

Albanese, Denise. Extramural Shakespeare. Basingstoke: Palgrave, 2010.CrossRefGoogle Scholar
Bristol, Michael D. Shakespeare’s America, America’s Shakespeare. London: Routledge, 1990.Google Scholar
Buchanan, Judith. Shakespeare on Silent Film: An Excellent Dumb Discourse. Cambridge: Cambridge University Press, 2009.Google Scholar
Buhler, Stephen. Shakespeare in the Cinema: Ocular Proof. Albany: State U of New York P, 2002. (See esp. chap. 3, “Documentary Shakespeare.”)Google Scholar
Burnett, Mark Thornton, and Wray, Ramona, eds. Screening Shakespeare in the Twenty-first Century. Edinburgh: Edinburgh UP, 2006.Google Scholar
Cartelli, Thomas. Repositioning Shakespeare: National Formations, Postcolonial Appropriations. New York: Routledge, 1993.Google Scholar
Greenhalgh, Susanne, and Shaughnessy, Robert. “Our Shakespeares: British Television and the Strains of Multiculturalism.” Screening Shakespeare in the Twenty-first Century. Ed. Burnett, Mark Thornton and Wray, Ramona. Edinburgh: Edinburgh UP, 2006. 90–112.CrossRefGoogle Scholar
Herold, Niels. Prison Shakespeare and the Purpose of Performance. Basingstoke: Palgrave Macmillan, 2014.CrossRefGoogle Scholar
Rosen, Philip. Change Mummified: Cinema, Historicity, Theory. Minneapolis: U of Minnesota P, 2001. (See esp. chap. 6.)Google Scholar
Scott-Douglass, Amy. Shakespeare Inside: The Bard behind Bars. London: Continuum, 2007.Google Scholar
Sturgess, Kim C. Shakespeare and the American Nation. Cambridge: Cambridge University Press, 2007.Google Scholar

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