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169 - Shakespeare and German Romanticism

from Part XVII - Shakespeare as Cultural Icon

Published online by Cambridge University Press:  17 August 2019

By
Bettina Boecker
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

anti-Romanticismcharacter criticismgeniusGermanyGoethe, Johann Wolfgang vonGottsched, Johann ChristophHerder Johann Gottfried vonhistorical criticismLessing, Gotthold EphraimnatureneoclassicismorganicismRomanticismSchiller FriedrichSchlegel, A. W.Schlegel, FriedrichStorm and Stresstranslation
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1254 - 1260
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Goethe, Johann Wolfgang. “Shakespeare und kein Ende!” Goethe: Berliner Ausgabe. Vol. 18. Ed. Seidel, Siegfried. Berlin: Aufbau, 1972. 147–61.Google Scholar
Goethe, Johann Wolfgang. “Zum Schäkespears Tag.” Goethe: Berliner Ausgabe. Vol. 17. Ed. Seidel, Siegfried. Berlin: Aufbau, 1970. 185–89.Google Scholar
Grabbe, Christian Dietrich. “Über die Shakespearo-Manie.” Werke und Briefe. Historisch-kritische Gesamtausgabe. Ed. Bergmann, Alfred. Vol. 4. Emsdetten: Lechte, 1966. 27–55.Google Scholar
Herder, Johann Gottfried. “Shakespeare.” Sämmtliche Werke. Vol. 5. Ed. Suphan, Bernhard. Berlin: Weidmannsche Buchhandlung, 1891. 208–31.Google Scholar
Paulin, Roger. The Critical Reception of Shakespeare in Germany, 1682–1914: Native Literature and Foreign Genius. Hildesheim: Georg Olms, 2003.Google Scholar
Schelling, Friedrich Wilhelm Joseph. Zur Philosophie der Kunst: 1803–1817. Ed. Schröter, Manfred. 3rd ed. Munich: C. H. Beck, 1984.Google Scholar
Schiller, Friedrich. “Über naive und sentimentalische Dichtung.” Schillers Werke. National-Ausgabe. Vol. 20. Ed. von Wiese, Benno. Weimar: Böhlau, 1962. 413–503.Google Scholar
Schiller, Friedrich. “[Unterdrückte] Vorrede.” Die Räuber. 1781. Schillers Werke: National-Ausgabe. Vol. 3. Ed. Stubenrauch, Herbert. Weimar: Hermann Böhlaus Nachfolger, 1953. 243–46.Google Scholar
Schlegel, August Wilhelm. Vorlesungen über dramatische Kunst und Literatur. Ed. Amoretti, Giovanni Vittorio. Vol. 2. Bonn: Kurt Schroeder, 1923.Google Scholar
Schlegel, Friedrich. “Geschichte der alten und neuen Literatur.” Kritische Friedrich-Schlegel-Ausgabe. Ed. Behler, Ernst. Vol. 6. Munich: Schöningh, 1961. 274–303.Google Scholar
Schlegel, Friedrich. “Geschichte der europäischen Literatur. Die altenglische Literatur.” Kritische Friedrich-Schlegel-Ausgabe. Ed. Behler, Ernst. Vol. 11. Munich: Schöningh, 1958. 167–77.Google Scholar
Tieck, Ludwig. “Shakspeare’s Behandlung des Wunderbaren.” Kritische Schriften. Leipzig: Brockhaus, 1848. 35–74.Google Scholar

Further reading

Bate, Jonathan. “The Politics of Romantic Shakespearean Criticism: Germany, England, France.” European Romantic Review 1.1 (1990): 1–26.CrossRefGoogle Scholar
Grundmann, Heike. “Shakespeare and European Romanticism.” A Companion to European Romanticism. Ed. Ferber, Michael. Malden: Blackwell, 2005. 29–48.Google Scholar
Habicht, Werner. “The Romanticism of the Schlegel–Tieck Shakespeare and the History of Nineteenth-Century German Shakespeare Translation.” European Shakespeares: Translating Shakespeare in the Romantic Age. Ed. Delabatista, Dirk and D’hulst, Lieven. Amsterdam: Benjamins, 1993. 45–53.Google Scholar
Habicht, Werner. “Shakespeare and the German Imagination: Cult, Controversy, and Performance.” Shakespeare: World Views. Ed. Kerr, Heather, Eaden, Robin, and Mitton, Madge. Newark: U of Delaware P, 1996. 87–101.Google Scholar
Hubbs, V. C. “Tieck’s Romantic Fairytales and Shakespeare.” Studies in Romanticism 8 (1969): 229–34.Google Scholar
Larson, Kenneth E. “The Origins of the ‘Schlegel–Tieck’ Shakespeare in the 1820s.” German Quarterly 60.1 (1987): 19–37.Google Scholar
Moylan, Christopher. “The Idea of Therapeutic Theater in English and German Romanticism.” Text and Presentation: The Journal of the Comparative Drama Conference 14 (1993): 63–69.Google Scholar
Paulin, Roger. Ludwig Tieck: A Literary Biography. Oxford: Clarendon, 1985.Google Scholar
Schlegel, August Wilhelm. “Ueber Shakespeare’s ‘Romeo und Julia.’” Die Horen 10.6 (1797): 18–48.Google Scholar
Schlegel, Friedrich. “Über nordische Dichtkunst.” Kritische Friedrich-Schlegel-Ausgabe. Ed. Behler, Ernst. Vol. 3. Munich: Schöningh, 1975. 220–49.Google Scholar

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