Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Introduction
- 89 Theater and Religion
- 90 Selfhood and Sanctification
- 91 The Liturgical Year
- 92 Judaism and Jews
- 93 Witchcraft
- 94 Atheism
- 95 Islam
- 96 Rome, Catholicism, and Italy
- 97 Forms of Religious Expression
- 98 Heresies
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
96 - Rome, Catholicism, and Italy
from Part X - Religion
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Introduction
- 89 Theater and Religion
- 90 Selfhood and Sanctification
- 91 The Liturgical Year
- 92 Judaism and Jews
- 93 Witchcraft
- 94 Atheism
- 95 Islam
- 96 Rome, Catholicism, and Italy
- 97 Forms of Religious Expression
- 98 Heresies
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 738 - 746Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Albericius, Raymundus. Ven. Caesaris Baronii ... Epistolae et Opuscula. 3 vols. Rome: 1759–70.Google Scholar
Baronio, Cesare. Epistolae. Biblioteca Vallicelliana, MS. Vallicelliana Q 46.Google Scholar
Dekker, Thomas. The Whore of Babylon. The Dramatic Works of Thomas Dekker, Vol. 2. Ed. Bowers, Fredson. Cambridge: Cambridge University Press, 1955.Google Scholar
Dillon, Anne. The Construction of Martyrdom in the English Catholic Community, 1535–1603. Aldershot: Ashgate, 2002.Google Scholar
Ditchfield, Simon. “Reading Rome as a Sacred Landscape, c.1586–1635.” Sacred Space in Early Modern Europe. Ed. Coster, Will and Spicer, Andrew. Cambridge: Cambridge University Press, 2005. 167–92.Google Scholar
Elam, Keir. “Afterword: Italy As Intertext.” Shakespeare, Italy and Intertextuality. Ed. Marrapodi, M.. Manchester: Manchester UP, 2004. 253–58.Google Scholar
Groves, Beatrice. Texts and Tradition: Religion in Shakespeare, 1592–1604. Oxford: Oxford UP, 2007.Google Scholar
Hamilton, Donna B. Anthony Munday and the Catholics, 1560–1633. Aldershot: Ashgate, 2005.Google Scholar
Herz, Alexandra. “Cesare Baronio’s Restoration of SS Nereo ed Achilleo and S. Cesareo de’ Appia.” The Art Bulletin 70.4 (1988): 590–620.Google Scholar
Holderness, Graham. “Bardolatry. Or, the Cultural Materialist’s Guide to Stratford-upon-Avon.” The Shakespeare Myth. Ed. Holderness, Graham. Manchester: Manchester UP, 1988. 2–15.Google Scholar
Lake, Peter. “Anti-Popery: The Structure of a Prejudice.” Conflict in Early Stuart England: Studies in Religion and Politics. Ed. Cust, Richard and Hughes, Ann. London: Longman, 1989. 72–106.Google Scholar
Martin, Gregory. Roma Sancta (1581). Ed. Parks, G. B.. Rome: Edizioni di storia e letteratura, 1969.Google Scholar
Milton, Anthony. Catholic and Reformed: The Roman and Protestant Churches in English Protestant Thought, 1600–1640. Cambridge: Cambridge University Press, 1995.CrossRefGoogle Scholar
Shell, Alison. Catholicism, Controversy and the English Literary Imagination, 1558–1660. Cambridge: Cambridge University Press, 1999.Google Scholar
Further reading
De Rossi, Giovanni Battista. La Roma sotterranea Cristiana. 3 vols. Rome: Salvucci, 1864–77.Google Scholar
Ditchfield, Simon. Liturgy, Sanctity and History in Tridentine Italy: Pietro Maria Campi and the Preservation of the Particular. Cambridge: Cambridge University Press, 1995.Google Scholar
Ditchfield, Simon. “Text before Trowel: Antonio Bosio’s Roma Sotterranea Revisited.” The Church Retrospective. Ed. Swanson, R. N.. Woodbridge: Boydell-Brewer, 1997. 343–60.Google Scholar
Gamrath, Helge. Roma sancta renovata: Studi sull’urbanistica di Roma nella seconda metà del sec. XVI con particolare riferimento al Pontificato di Sisto V (1585–1590). Rome: L’Erma di Bretschneider, 1987.Google Scholar
Greenblatt, Stephen. Will in the World: How Shakespeare Became Shakespeare. London: Jonathan Cape, 2004.Google Scholar
Honigmann, Ernst A. J. Shakespeare: The ‘Lost Years.’ Manchester: Manchester UP, 1985.Google Scholar
Marotti, Arthur F. Religious Ideology and Cultural Fantasy: Catholic and Anti-Catholic Discourses in Early Modern England. Notre Dame: U of Notre Dame P, 2005.Google Scholar
Marotti, Arthur F. “Shakespeare and Catholicism.” Theatre and Religion: Lancastrian Shakespeare. Ed. Dutton, Richard, Findlay, Alison, and Wilson, Richard. Manchester: Manchester UP, 2003. 218–41.Google Scholar
McCoog, Thomas M. The Society of Jesus in Ireland, Scotland, and England, 1541–1588: ‘Our Way of Proceeding?’ Leiden: Brill, 1996.CrossRefGoogle Scholar
Questier, Michael C. Catholicism and Community in Early Modern England: Politics, Aristocratic Patronage and Religion, c.1550–1640. Cambridge: Cambridge University Press, 2006.CrossRefGoogle Scholar
Questier, Michael C. Conversion, Politics and Religion in England, 1580–1625. Cambridge: Cambridge University Press, 1996.Google Scholar
Taylor, Dannis, and Beauregard, David N., eds. Shakespeare and the Culture of Christianity in Early Modern England. New York: Fordham UP, 2003.Google Scholar
Walsham, Alexandra. Church Papists: Catholicism, Conformity and Confessional Polemic in Early Modern England. London: Royal Historical Society/Boydell Press, 1993.Google Scholar
Wilson, Richard. Secret Shakespeare: Studies in Theatre, Religion, and Resistance. Manchester: Manchester UP, 2004.Google Scholar
Zen, Stefano. Baronio storico: Controriforma e crisi del metodo umanistico. Naples: Vivarium, 1994.Google Scholar