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Introduction

from Part XIII - Shakespeare’s Fellows

Published online by Cambridge University Press:  17 August 2019

Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 871 - 880
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Chambers, E. K. William Shakespeare: A Study of Facts and Problems. 2 vols. Oxford: Clarendon, 1930.Google Scholar
Davies, John. Complete Works. Ed. Grosart, A. B.. 3 vols. Privately circulated. Edinburgh: U of Edinburgh P, 1878.Google Scholar
Fletcher, John. The Tamer Tamed or The Woman’s Prize. Ed. Daileader, Celia R. and Taylor, Gary. Manchester: Manchester UP, 2006.Google Scholar
Honan, Park. Christopher Marlowe, Poet and Spy. Oxford: Oxford UP, 2005.Google Scholar
Honigmann, E. A. J., and Brock, Susan, eds. Playhouse Wills, 1558–1642. Manchester: Manchester UP, 1993.Google Scholar
Kinney, Arthur F. Shakespeare by Stages: An Historical Introduction. Oxford: Blackwell, 2003.Google Scholar
Oxford Dictionary of National Biography. Oxford: Oxford UP, 2004.Google Scholar
Prior, Roger. “The Life of George Wilkins.” Shakespeare Survey 25 (1972): 137–52.CrossRefGoogle Scholar
Shakespeare, William. The Complete Works. 2nd ed. Ed. Wells, Stanley and Taylor, Gary. Oxford: Clarendon, 2005.Google Scholar
Wells, Stanley. Shakespeare & Co. London: Penguin Books, 2006.Google Scholar
Wickham, Glynne, Berry, Herbert, and Ingram, William, eds. English Professional Theatre, 1530–1660. Cambridge: Cambridge University Press, 2000.Google Scholar

Further reading

Barton, Anne. Ben Jonson, Dramatist. Cambridge: Cambridge University Press, 1984.Google Scholar
Donaldson, Ian. Ben Jonson: A Life. Oxford: Oxford UP, 2011.Google Scholar
Gurr, Andrew. The Shakespearean Stage, 1574–1642. 3rd ed. Cambridge: Cambridge University Press, 1992.Google Scholar
Hibbard, George. Thomas Nashe: A Critical Introduction. London: Routledge and Kegan Paul, 1962.Google Scholar
Hoenselaars, Ton, ed. The Cambridge Companion to Shakespeare and Contemporary Dramatists. Cambridge: Cambridge University Press, 2012.CrossRefGoogle Scholar
Honigmann, E. A. J., ed. Shakespeare and His Contemporaries: Essays in Comparison. Manchester: Manchester UP, 1986.Google Scholar
Hunter, G. K. John Lyly: The Humanist as Courtier. London: Routledge and Kegan Paul, 1962.Google Scholar
McMillin, Scott, and MacLean, Sally-Beth. The Queen’s Men and Their Plays. Cambridge: Cambridge University Press, 1998.Google Scholar
Van Es, Bart. Shakespeare in Company. Oxford: Oxford UP, 2013.Google Scholar
Vickers, Brian. Shakespeare, Co-Author. Oxford: Oxford UP, 2002.Google Scholar
Wiles, David. Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse. Cambridge: Cambridge University Press, 1987.Google Scholar

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