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9 - Globe/Theatrum Mundi

from Part I - Mapping Shakespeare’s World

Published online by Cambridge University Press:  17 August 2019

By
John Gillies
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

baroqueearly modern cultureexistentialistJonson, BenMontaigneteatrum munditopos
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 60 - 66
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

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Bevington, David, Butler, Martin, and Donaldson, Ian, eds. The Cambridge Edition of the Works of Ben Jonson ... 7 vols. Cambridge: Cambridge University Press, 2012.Google Scholar
Boissard, Jean J. Theatrum Vitae Humanae. Metz: 1596.Google Scholar
Clayton, Margaret. “Ben Jonson: ‘In Travaile with Expression of Another’: His Use of John of Salisbury’s Policraticus in Timber.” Review of English Studies ns 30 (1979): 397–408.Google Scholar
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Pike, Joseph P., ed. Frivolities of Courtiers and Footprints of Philosophers: Being a Translation of the First, Second, and Third Books and Selections from the Seventh and Eighth Books of the “Policraticus” of John of Salisbury. New York: Octagon Books, 1972.Google Scholar
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Further reading

Hawkins, Harriett Bloker. “‘All the World’s a Stage’: Some Illustrations of the Theatrum Mundi.” Shakespeare Quarterly 17 (1966): 174–78.Google Scholar
James, Susan. Passion and Action: The Emotions in Seventeenth- Century Philosophy. Oxford: Oxford UP, 1997.Google Scholar

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