Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
122 - Edward Alleyn and Philip Henslowe
from Part XIII - Shakespeare’s Fellows
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
Abbot, George (archbishop of Canterbury)actorsAlleyn, Edmund (father of Edward Alleyn)Alleyn, EdwardAlleyn, Joan (wife of Edward Alleyn)Alleyn, John (brother of Edward Alleyn)Apology for ActorsBacon, Sir FrancisThe Battle of Alcazarbear baitingBedlam HospitalBlackfriars (place)Blackfriars (playhouse)1 Blind Beggar of Bednal GreenBrowne, RobertCaesar, Sir JuliusCarey, Sir GeorgeCharles, Prince (later Charles I)Cholmley, JohnClink Libertycoat of armsCoke, Sir EdwardDekker, ThomasDoctor Faustus (character)Donne, Constance (second wife of Edward Alleyn)Donne, JohnDulwich (place)Dulwich CollegeDyers CompanyEdgar (character)Edmondes, Sir ThomasElizabeth IentertainmententrepreneurshipFortunatusFortune (playhouse) (First and Second)1 Fortune’s TennisFuller, ThomasGlobe (playhouse)Golding LaneHenslowe, JohnHenslowe, PhilipHeywood, ThomasHogg, RalphHope (playhouse)Infanta of Spain (Lady Mary)Innkeepers CompanyinvestorsThe Isle of DogsJames I (James VI of Scotland)The Jew of MaltaJones, InigoJonson, BenA Knack to Know a KnaveLady Elizabeth’s MenLangley, FrancisLondonLord Admiral’s MenLord Sheffield’s MenLord Strange’s MenMarlowe, ChristopherMaster of the Bears, Bulls, and Mastiff DogsMaster of the Royal GameMeade, JacobThe Merchant of VeniceMiddlesexMiddleton, ThomasMuly Mahomet (character)Palsgrave’s MenPatient GrissellplaguePorter’s HallPrince Henry’s MenPrince of DenmarkPrivy CouncilPuddle WharfPye InnRose (playhouse)Rosseter, PhilipRoyal CourtRoyal OrdinanceSt. Botolph’s BishopsgateSt. Giles’s CripplegateSt. Paul’s CathedralSt. Saviour’s SouthwarkShylockThe Shomaker’s Holiday1 Sir John OldcastleSouthwarkstage machinerySussexSwan (playhouse)Tamburlaine (character)I, II Tamburlaine the Greatthe Theatre (playhouse)theater financierstheater managersTower of LondonWhitecross StreetWoodward, AgnesWoodward, JoanWright, James
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 928 - 934Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Cerasano, S. P. “Competition for the King’s Men? Alleyn’s Blackfriars Venture.” Medieval and Renaissance Drama in England 4 (1989): 173–86.Google Scholar
Cerasano, S. P. “Edward Alleyn.” Oxford Dictionary of National Biography. Oxford: Oxford UP, 2004. http://www.oxforddnb.com. Accessed 28 January 2012.CrossRefGoogle Scholar
Cerasano, S. P. “The Master of the Bears in Art and Enterprise.” Medieval and Renaissance Drama in England 5 (1991): 195–209.Google Scholar
Cerasano, S. P. “Philip Henslowe.” Oxford Dictionary of National Biography. Oxford: Oxford UP, 2004. http://www.oxforddnb.com. Accessed 28 January 2012.Google Scholar
Fleay, Frederick G. A Biographical Chronicle of the English Drama, 1599–1622. 2 vols. London: Reeves and Turner, 1891.Google Scholar
Further reading
The original Henslowe-Alleyn manuscripts can be viewed at http://www.henslowe-alleyn.org.uk.
Bowsher, Julian, and Miller, Pat. The Rose and the Globe – Playhouses of Shakespeare’s Bankside, Southwark. London: Museum of London Archaeology, 2009.Google Scholar
Cerasano, S. P. “Edward Alleyn, the New Model Actor, and the Rise of the Celebrity in the 1590s.” Medieval and Renaissance Drama in England 18 (2005): 47–58.Google Scholar
Cerasano, S.P. “The Geography of Henslowe’s Diary.” Shakespeare Quarterly 56.3 (2005): 328–53.CrossRefGoogle Scholar
Cerasano, S.P. “The Patronage Network of Philip Henslowe and Edward Alleyn.” Medieval and Renaissance Drama in England 13 (2001): 82–92.Google Scholar
Cerasano, S.P. “Philip Henslowe and the Elizabethan Court.” Shakespeare Studies 60 (2007): 49–57.Google Scholar
Cerasano, S.P. “Philip Henslowe, Simon Forman, and the Theatrical Community of the 1590s.” Shakespeare Quarterly 44.2 (1993): 145–58.Google Scholar
Cerasano, S.P. “Tamburlaine and Edward Alleyn’s Ring.” Shakespeare Survey 47 (1994): 171–79.Google Scholar