Select bibliography
Published online by Cambridge University Press: 28 March 2010
Edited by
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge Companion to J. M. Synge , pp. 185 - 190Publisher: Cambridge University PressPrint publication year: 2009
References
, Collected Letters of John Millington Synge, vol. 1, 1871–1907, ed. (Oxford: Clarendon Press, 1983).Google Scholar
, Collected Letters of John Millington Synge, vol. 2, 1907–1909, ed. (Oxford: Clarendon Press, 1984).Google Scholar
, Letters to Molly, John Millington Synge to Maire O’Neill 1906–1909, ed. (Cambridge, MA: Belknap Press of Harvard University Press, 1971).Google Scholar
, John M. Synge: A Few Personal Recollections with Biographical Notes (Dundrum: Cuala Press, 1915).Google Scholar
, ‘Tinkers’: Synge and the Cultural History of the Irish Traveller (Oxford University Press, 2009).CrossRefGoogle Scholar
, Synge’s First Symphony: The Aran Islands (New Britain, CT: Mariel Publications, 1993).Google Scholar
, Tragedy and Irish Literature: Synge, O’Casey, Beckett (Basingstoke: Palgrave, 2001).Google Scholar
, Synge and Irish Nationalism: The Precursor to Revolution (Westport CT: Greenwood Press, 2002).Google Scholar
, Lorca y Synge: ¿un mundo maldito? (Madrid: Edítorial de la Universidad Complutense, 1983).Google Scholar
, A Comparison of Plays by J. M. Synge and Federico García Lorca (Madrid: Turanzas, 1978).Google Scholar
, Riotous Performances: The Struggle for Hegemony in the Irish Theater, 1712–1784 (University of Notre Dame Press, 2003).Google Scholar
and , Writing Ireland: Colonialism, Nationalism and Culture (Manchester University Press, 1988).Google Scholar
, The Emergence of the Irish Peasant Play at the Abbey Theatre (Essex: Bowker Publishing, 1982).Google Scholar
, Outrageous Fortune: Capital and Culture in Modern Ireland (Dublin: Field Day, 2006).Google Scholar
, W. B. Yeats and the Idea of a Theatre: The Early Abbey Theatre in Theory and Practice (New Haven: Yale University Press, 1976).Google Scholar
, Behind the Scenes: Yeats, Horniman and the Struggle for the Abbey Theatre (Berkeley: University of California Press, 1990).Google Scholar
, The Politics of Irish Drama: Plays in Context from Boucicault to Friel (Cambridge University Press, 1999).Google Scholar
(ed.), J. M. Synge Travelling Ireland: Essays 1898–1908 (Dublin: Lilliput Press, 2009).
, The Devils Own Mirror: the Irishman and the African in Modern Literature (Washington, DC: 3 Continents Press, 1990).Google Scholar
, The Theatre of Nation: Irish Drama and Cultural Nationalism 1890–1916 (Oxford: Clarendon Press, 2002).CrossRefGoogle Scholar
, Revival: The Abbey Theatre, Sinn Féin, the Gaelic League and the Co-operative Movement (Cork: Field Day / Cork University Press, 2003).Google Scholar
, Garrigan, Primitivism, Science and the Irish Revival (Oxford: Clarendon Press, 2004).Google Scholar
, A Critical History of Modern Irish Drama 1891–1980 (Cambridge University Press, 1984).Google Scholar
, Twentieth-Century Irish Drama: Mirror up to Nation (Manchester University Press, 2002).Google Scholar
, The Prose Literature of the Gaelic Revival 1881–1921: Ideology and Innovation (Pennsylvania, PA: Pennsylvania State University, 1994).Google Scholar
, Theatre and the State in Twentieth Century Ireland: Cultivating the People (London: Routledge, 2001).Google Scholar
, Modernism, Drama, and the Audience for Irish Spectacle (Cambridge University Press, 2007).Google Scholar
, Contemporary Irish Drama: From Beckett to McGuinness (Dublin: Gill & Macmillan, 1994).Google Scholar
(ed.), Theatre Business: The Correspondence of the First Abbey Directors (Gerrards Cross: Colin Smythe, 1982).
, Pearse’s Patriots: St Enda’s and the Cult of Boyhood (Cork: Cork University Press, 2004).Google Scholar
, Women, Press, and Politics During the Irish Revival (Syracuse University Press, 2007).Google Scholar
, Ireland’s National Theaters: Political Performance and the Origins of the Irish Dramatic Movement (Syracuse University Press, 2001).Google Scholar
(ed.), John Millington Synge’s ‘The Playboy of the Western World’ (New York: Chelsea House Publishers, 1988).
(ed.), A Centenary Tribute to J. M. Synge: ‘Sunshine and the Moon’s Delight’ (Gerrards Cross: Colin Smythe, 1979).
(ed.), Critical Essays on John Millington Synge (New York: G. K. Hall & Co., 1994).
(ed.), John Millington Synge: ‘Riders to the Sea’ (Columbus, OH: Charles E. Merrill, 1970).
(ed.), Playboys of the Western World: Production Histories (Dublin: Carysfort Press, 2004).
(ed.), Assessing the Achievement of J. M. Synge (Westport, CT: Greenwood Press, 1996).
(ed.), Interpreting Synge: Essays from the Synge Summer School 1991–2000 (Dublin: Lilliput Press, 2000).
(ed.), J. M. Synge: Centenary Papers, 1971 (Dublin: Dolmen Press, 1972).
(ed.), A J. M. Synge Literary Companion (New York: Greenwood Press, 1988).
(ed), Twentieth Century Interpretations of ‘The Playboy of the Western World’ (Englewood Cliffs, NJ: Prentice-Hall, 1969).
, ‘John M. Synge 1905–1909’, in Jack Yeats (New Haven, CT: Yale University Press, 1998) pp. –51.Google Scholar
, ‘A Carnival Christy and a Playboy for all Ages’, Twentieth Century Literature, 37.3 (1991), pp. –34.Google Scholar
, ‘“My Wallet of Photographs”: Photography, Ethnography and Visual Hegemony in John Millington Synge’s The Aran Islands’, Irish Journal of Anthropology, 10.1 (2007), pp. –11.Google Scholar
, ‘Staging Ethnography: John M. Synge’s Playboy of the Western World and the Problem of Cultural Translation’, Theater Journal, 49.3 (1997), pp. –8.Google Scholar
, ‘“The Irish Peasant had all his Heart”: J. M. Synge in the Country Shop’, Visualising Ireland: National Identity and the Pictorial Tradition (London: Faber & Faber, 1993), pp. –30.Google Scholar
, ‘Tragic Self-Referral in Riders to the Sea’, Éire-Ireland, 29.2 (Summer 1994), pp. –91.Google Scholar
, ‘Whenever Green is Red: James Connolly and Postcolonial Theory’, Nepantla: Views from South, 1.3 (2000), pp. –48.Google Scholar
, ‘In the Shadow of the Glen: Gender, Nationalism, and “A Woman Only”’, English Literary History, 67.4 (2000), pp. –34.Google Scholar
, ‘Dislocating Stages: Mustapha Matura’s Caribbean Rewriting of Synge and Chekhov’, European Journal of English Studies, 2.1 (1998), pp. –92.Google Scholar
, ‘Truth at the Bottom of a Well: Synge’s The Well of the Saints’, Modern Drama, 16 (1973), pp. –8.CrossRefGoogle Scholar
, ‘“Cute Thinking Women”: The Language of Synge’s Female Vagrants’, Éire-Ireland, 28.4 (1993), pp. –99.Google Scholar
, ‘Synge, The Aran Islands, and the Movement towards Realism’, Irish Pastoral: Nostalgia and Twentieth Century Irish Literature (Dublin: Irish Academic Press, 2005), pp. –103.Google Scholar
, ‘Synge, Country and Western: The Myth of the West in Irish and American Culture’, Transformations in Irish Culture (Cork: Field Day / Cork University Press, 1996) pp. –36.Google Scholar
, ‘Two London Playboys: Before and After Druid’, in (ed.), Playboys of the Western World: Production Histories (Dublin: Carysfort Press, 2004), pp. –86.Google Scholar
, ‘Synge’s Playboy, the Irish Players, and the Anti-Irish Players’, The Irish Play on the New York Stage 1874–1966 (Lexington, KY: University Press of Kentucky, 1997), pp. –74.Google Scholar
, ‘Interrogating Boundaries: Fantasy in the plays of J. M. Synge’, in and (eds.), More Real than Reality: The Fantastic in Irish Literature and the Arts (New York: Greenwood Press, 1991), pp. –50.Google Scholar
, ‘Synge, Yeats and Bardic Poetry’, in The Irish Writer and the World (Cambridge University Press, 2005), pp. –90.CrossRefGoogle Scholar
, ‘Primitivism and Empire: John Synge and Paul Gauguin’, Comparative Literature 41.1 (Winter 1989), pp. –68.Google Scholar
, ‘Transplanting the Work of “that rooted man”: The Reception of John Millington Synge’s Drama in Hungary’, Comparative Drama, 41.2 (2007), pp. –40.Google Scholar
, ‘Synge’s Riders to the Sea: Island as Cultural Battleground’, Twentieth Century Literature, 36.2 (Summer 1990), pp. –25.Google Scholar
, ‘Censorship and Self-Censure in the Plays of J. M. Synge’, Princeton University Library Chronicle, 68.1–2 (2006–7), pp. –94.Google Scholar
, ‘The Abbey and the Theatrics of Controversy, 1909–1915’, in et al. (eds.), A Century of Irish Drama: Widening the Stage (Bloomington, IN: Indiana University Press, 2000).Google Scholar
, ‘“Leave Troubling the Lord God”: A Note on Synge and Religion’, Éire-Ireland, 11.1 (1976), pp. –41.Google Scholar
, ‘Christy Mahon and the Apotheosis of Loneliness’, in (ed.) Bearing Witness: Essays on Anglo-Irish Literature (Dublin: University College Dublin Press, 1996), pp. –43.Google Scholar
, ‘Stoicism, Asceticism, and Ecstasy: Synge’s Deirdre of the Sorrows’, Modern Drama, 17 (June 1974), pp. –63.CrossRefGoogle Scholar
, ‘J. M. Synge and the Pitfalls of National Consciousness’, Theatre Research International, 28.2 (2003), pp. –42.Google Scholar
, ‘Synge’s Use of Popular Material in The Shadow of the Glen’, Béaloides: The Journal of the Folklore of Ireland Society, 58 (1990), pp. –67.Google Scholar
, ‘The Aran Islands, One by One: John Millington Synge and Antonin Artaud’, in (ed.), Irlande: Insularité, Singularité?: Actes du Colloque de la Société Française d’Études Irlandaises (Presses Universtaires de Perpignan, 2001),Google Scholar
, ‘Myth and the Journey in The Well of the Saints’, Colby Quarterly, 26.4 (December 1990), pp. –40.Google Scholar
, ‘“The Outpouring of a Morbid, Unhealthy Mind”: The Critical Condition of Synge and McDonagh’, Irish University Review, 33.1 (Spring/ Summer 2003), pp. –14.Google Scholar
, ‘Woman on the Threshold: J. M. Synge’s The Shadow of the Glen, Teresa Deevy’s Katie Roche and Marina Carr’s The Mai’, Irish University Review, 25.1 (Spring/Summer 1995), pp. –62.Google Scholar
, ‘Synge, Brecht, and the Hiberno-German Connection, Hungarian Journal of English and American Studies, 10.1–2 (2004), pp. –32.Google Scholar
, ‘Synge’s Deirdre of the Sorrows as Feminine Tragedy’, Éire-Ireland, 12.4 (1977), pp. –108.Google Scholar
, ‘Sea Changes: Post-Colonialism in Synge and Walcott’, South Carolina Review, 33 (Spring, 2001) pp. –20.Google Scholar
, ‘The Parricidal Phantasm: Irish Nationalism and the Playboy Riots’, in et al. (eds.), Nationalisms and Sexualities (New York: Routledge, 1992).Google Scholar
, ‘Visions of the Sightless in Friel’s Molly Sweeney and Synge’s The Well of the Saints’, Modern Drama, 40.3 (1997), pp. –58.Google Scholar
, ‘J. M. Synge and the Ireland of his Time’, Essays and Introductions (London: Macmillan, 1961) pp. –42.CrossRefGoogle Scholar