Book contents
- Bluestockings Displayed
- Bluestockings Displayed
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Acknowledgements
- Introduction
- Part I Portraits
- Part II Performance
- 6 ‘Mistaking Earth for Heaven’: Eliza Linley’s voice
- 7 The learned female soprano
- 8 Roles and role models: Montagu, Siddons, Lady Macbeth
- 9 Hester Thrale: ‘What Trace of the Wit?’
- Part III Patronage and networks
- Bibliography
- Index
9 - Hester Thrale: ‘What Trace of the Wit?’
from Part II - Performance
Published online by Cambridge University Press: 05 August 2014
Edited by
Book contents
- Bluestockings Displayed
- Bluestockings Displayed
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Acknowledgements
- Introduction
- Part I Portraits
- Part II Performance
- 6 ‘Mistaking Earth for Heaven’: Eliza Linley’s voice
- 7 The learned female soprano
- 8 Roles and role models: Montagu, Siddons, Lady Macbeth
- 9 Hester Thrale: ‘What Trace of the Wit?’
- Part III Patronage and networks
- Bibliography
- Index
- Type
- Chapter
- Information
- Bluestockings DisplayedPortraiture, Performance and Patronage, 1730–1830, pp. 187 - 210Publisher: Cambridge University PressPrint publication year: 2013