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Identifying a predominant focus in spatial poetics in Asian Australian poetries, this chapter suggests that diasporic self-mapping is often ambivalent as poets navigate shifting or liminal spaces. The chapter argues that geopolitical differences distinguish Asian Australian experiences from those of their Asian American counterparts. It examines the mediation of migration and understanding of past and present in the work of Ee Tiang Hong, and how transnational mobility informs the hybrid and spliced practice of Ouyang Yu and Merlinda Bobis. The chapter analyses an intergenerational feminist interest in borders and journeys in the work of Bobis and Eunice Andrada. It then examines how later-generation poets may face quite different challenges in navigating ancestral homeland and the search for connections, or, alternatively, find a freedom in travelling and uncertainty. The chapter also considers transcultural and translational strategies, and discusses Omar Sakr’s mapping of “unbelonging.” The chapter concludes by asserting that the rich heterogeneity of poetries cannot be reduced to a single term, even in such a disruptor term as “Asian Australian.”
An invaluable resource for staff and students in literary studies and Australian studies, this volume is the first major critical survey on Australian poetry. It investigates poetry's central role in engaging with issues of colonialism, nationalism, war and crisis, diaspora, gender and sexuality, and the environment. Individual chapters examine Aboriginal writing and the archive, poetry and activism, print culture, and practices of internationally renowned poets such as Lionel Fogarty, Gwen Harwood, John Kinsella, Les Murray, and Judith Wright. The Companion considers Australian leadership in the diversification of poetry in terms of performance, the verse novel, and digital poetries. It also considers Antipodean engagements with Romanticism and Modernism.
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