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After Hiroshima

Published online by Cambridge University Press:  07 May 2025

elin o'Hara slavick
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I’m staring at a blank white screen that awaits my text, but to type feels like a violation. What can be added to the sheer luminous emptiness in light (in the impossible violence of light) of the cataclysm of Hiroshima 1945? By taking on the incomprehensible destruction wrought by the atomic bomb in her book After Hiroshima, artist elin o’Hara slavick faces a void of annihilation that transcends expression, and yet, with meticulous care and consciousness, she produces photographic exposures that illuminate the unspeakable. Through works of troubling beauty, slavick enacts a temporal rupture, unearthing a moment that has been relegated to the historical past by saying, with stark but quiet clarity, that Hiroshima 1945 is not over.

Type
Research Article
Information
Asia-Pacific Journal , Volume 11 , Issue 19 , May 2013 , e3
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-No Derivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
Copyright © The Authors 2013