Published online by Cambridge University Press: 11 April 2016
At Beverley Minster, in the second bay of the south aisle west of the transept, there is a change in the character of the wall arcading. The first three arches rest upon four capitals of the ‘Early English’ pattern. They are typical of the eastern section of the church in which the high altar was dedicated in 1260, marking the completion of a stage in building the Minster. The two western arches of the bay are of a different proportion and the last two capitals are decorated with naturalistic foliage (Fig. 3). The hood moulds, instead of coming down to points, rest upon small pieces of sculpture. This pattern is continued along the south side of the Minster, echoed in the treatment of the north aisle and imitated in the alterations which were carried out under Hawksmoor's direction.
1 Whiteing, R. H., Georgian Restorations at Beverley Minster, 1712-1740. Harland, Hull, n.d.Google Scholar
Stapleton., T. (Ed.), De Antiquis Legibus Liber, Chronica Maiorum et Vicecomitum Londiniarum. Camden Soc. London 1846 (vol. 34, p. 249).Google Scholar
3 Society of Antiquaries; Liber Quotidianus Contrarotulatoris Garderobae. London 1787.Google Scholar
4 See Topham, J., Introduction to Lib. Quot. (Op, cit. note 3) p.lxvii.Google Scholar Also, Poulson, G, Beverlac. London 1829. Vol. 1, pp. 82–85.Google Scholar
5 Wigfall, W. E.; The Story of Beverley Minster, 3rd edn. revised by Forster, J. Reay. Gloucester 1953.Google Scholar
6 Strickland, Agnes, Lives of the Queens of England, vol. I, London 1851.Google Scholar Also Stubbs, op. cit. infra.
7 Topham, op. cit.
Poulson, op. cit.
Strickland, op. cit.
8 Strickland, , op. cit. facing p. 452.Google Scholar
9 Stone, L., Sculpture in Britain: The Middle Ages. London 1955; p. 162.Google Scholar
10 Stubbs, William (Ed.), Chronicles of the Reigns of Edward I and Edward II, vol. II, London 1883; pp. 4–5.Google Scholar
11 Stubbs, op. cit.
12 Strickland, op. cit.