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Beswick Creek Cave six decades later: change and continuity in the rock art of Doria Gudaluk

Published online by Cambridge University Press:  21 November 2016

Claire Smith ,
Inés Domingo Sanz  and
Gary Jackson
Claire Smith*
Affiliation:
Department of Archaeology, Flinders University, Sturt Road, Bedford Park, SA 5042, Australia
Inés Domingo Sanz
Affiliation:
ICREA, Seccio de Prehistòria i Arqueologia, Universitat de Barcelona, Carrer de Montealegre 6–8, Barcelona 08001, Spain
Gary Jackson
Affiliation:
Department of Archaeology, Flinders University, Sturt Road, Bedford Park, SA 5042, Australia
*
*Author for correspondence (Email: [email protected])
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Abstract

The rock art of Doria Gudaluk (Beswick Creek Cave) in the Northern Territory of Australia has previously provided a valuable lesson in the difficulties of definitive interpretation without local knowledge. Now, newly recorded motifs at the site—some only visible with digital enhancement—highlight the dangers of relating stylistic changes to the replacement of different cultures. When considered in the context of local history, developments in the rock art of Doria Gudaluk during the second half of the twentieth century can be understood as the result of new cultural collaborations between incoming groups and older, local communities.

Keywords

AustraliaNorthern Territorytwentieth centuryrock artAboriginalstyle
Type
Research
Information
Antiquity , Volume 90 , Issue 354 , December 2016 , pp. 1613 - 1628
Copyright
Copyright © Antiquity Publications Ltd, 2016 

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