Book contents
- Sovereign Joy
- Afro-Latin America
- Sovereign Joy
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Tables
- Preface
- Acknowledgments
- Abbreviations
- Introduction
- 1 “With Their King and Queen”
- 2 “Rebel Black Kings (and Queens)”?
- 3 “Savage Kings” and Baroque Festival Culture
- 4 “Black and Beautiful”
- Conclusion
- Appendix Persons Charged in 1609
- Bibliography
- Index
4 - “Black and Beautiful”
Afro-Mexican Women Performing Creole Identity
Published online by Cambridge University Press: 16 June 2022
- Sovereign Joy
- Afro-Latin America
- Sovereign Joy
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Tables
- Preface
- Acknowledgments
- Abbreviations
- Introduction
- 1 “With Their King and Queen”
- 2 “Rebel Black Kings (and Queens)”?
- 3 “Savage Kings” and Baroque Festival Culture
- 4 “Black and Beautiful”
- Conclusion
- Appendix Persons Charged in 1609
- Bibliography
- Index
Summary
This chapter analyzes the performance ten "creole Black women" staged for the arrival of viceroy Diego López Pacheco in 1640. The performance is described in the only colonial text dedicated in its entirety to Black festive performance. The chapter thus studies the only surviving text for the kinds of performances Afro-Mexican staged for the arrival of new viceroys. In their performance the women reenacted the biblical story of the Queen of Sheba's visit to Solomon. By embodying the biblical Black queen, the women inscribed this performance within the Afro-Mexican tradition of festive Black kings and queens. This chapter is the first analysis to study this text from a Black perspective.
- Type
- Chapter
- Information
- Sovereign JoyAfro-Mexican Kings and Queens, 1539-1640, pp. 168 - 213Publisher: Cambridge University PressPrint publication year: 2022